• Gladys Williamson

    Lady and Parrot 

      Original Painted Design for Poster Collage and Gouache

    43x38.5cm

    If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, slight wear to blue background some spotting to rim of dress.
  • Colin Moss (1914 - 2005)

    The Cedars, Kensington

      Watercolour and gouache 57 x 40 cm Signed and dated '50 lower right. Moss' view of the Cedars, complete with passers-by and a stormy, jagged sky. Colin Moss was a noted British painter, draughtsman, printmaker, and teacher who served as a camoufleur during the Second World War. Moss was born in Ipswich but grew up in Plymouth following the death of his father at the Battle of Passchendaele in 1917. Moss studied at the Plymouth Art School from 1930 to 1934 and then went on to the Royal College of Art, where he studied under Gilbert Spencer and Charles Mahoney. He worked on murals for the British Pavilion at the 1939 New York World's Fair. During the war, Moss made a series of watercolours depicting his time as a camoufleur. He had designed the camouflage scheme for Stonebridge Power Station in Wembley, and produced several watercolours of the camouflaged structure. These pictures, as well as several others painted during his WWII deployment, are now held by the Imperial War Museum, having been purchased by the War Artists' Advisory Committee. In 1947 Moss' military service ended, and he became a teacher at the Ipswich School of Art. He had solo exhibitions at the Kensington Art Gallery in 1951 and the Zwemmer Gallery in 1955, and his work began to be acquired by the national collections. He became a founder member of the New Ipswich Art Group in 1958, and the Six in Suffolk Group in 1976. In the 1970s he exhibited at the Royal Academy and the Royal Watercolour Society, and retrospective exhibitions of his work were held at various British art galleries throughout the 1980s. He continued to hold numerous solo exhibitions after his retirement, and taught artists Brian Eno and Maggi Hambling. Provenance: "Britain in Watercolours" exhibition. Condition: excellent. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Tavener (1920-2004) New Court St John's College Cambridge

    Signed and numbered 12/50 Lithograph 40×52 cm c. 1970 For other works by Robert Tavener and biographical details click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • James Basire & John Carter St Albans Cathedral

    Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. Recognising it as one of England's most significant medieval structures, the society commissioned a series of engravings of St Albans Cathedral in 1810 by James Basire--based on drawings by the architectural draughtsman John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This striking engraving depicts a cross section of the cathedral, allowing the viewer to appreciate both the architectural details of the exterior and glimpse usually hidden areas of the building including the inside of the bell tower. Condition: Generally very good, repaired tear to the bottom right hand corner

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Herbert Harris (1888 - 1962)

    Bovril - vi terra a galla ("Bovril keeps you afloat")

      Lithograph 128 x 90 cm An original vintage poster advertising Bovril. The poster was designed in 1920 by notable poster artist Herbert Harris for the advertising agency S H Bentley. It originally read 'Bovril prevents that sinking feeling' in English. Bovril, says the poster, is the ultimate comfort, and will keep you going in adversity. The Italian version of the poster, published in the 1930s, instead supplied "Bovril - vi terra a galla" - "Bovril keeps you afloat". German and French versions with appropriate idioms were also produced; these European versions of the poster were Musso & Co. and designed by the Max Dalang Atelier, both in Zurich. Condition: generally very good; repaired tear from edge approx 4" long towards bottom on left side, essentially invisible. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • 'Samivel' Paul Gayet-Tancrède (1907 - 1992)

    Chamonix - Découvrez la montagne avec un guide (1975)

      Original vintage poster 98 x 61 cm Samivel's design sees three men scale an isolated Chamonix peak heavy with snow; one of them must be the guide which the poster recommends.
    Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular.
    Condition: generally very good; pin holes to corners; a little creasing to edges; and small loss to top right corner, all of which will disappear behind mount/mat; and the odd handling mark. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage skiing posters.
  • KUKRYNIKSY Новый «Болшой Скачок» Пекина [The new Great Leap of Peking [Beijing]] Moscow, Izadetelstvo 'Plakat' 1979 54 x 37 cm, 11 (of 12) posters loosely inserted in a printed paper portfolio featuring two further designs, two short tears to the portfolio spine, else fine. A striking series of posters with an anti-Mao tone, from the time of the Sino-Vietman war. Taking a satirical look at the process of modernization in China, a process that involves embracing imperialism and shunning world socialism and communist, to create a united anti-socialist front. The Kukryniksi - a portmanteau name derived from the names of the three artists, Mikhail Kupryanov (Ku), Porfiri Krylov (Kry), and Nikolai Sokolov (Niks) - are arguably the most successful Russian caricaturists. Favoured by the establishment, they were rarely privileged in being allowed to travel, producing views of Europe as well as a variety of spirited propaganda drawings in support of the Russian war effort, and illustrating many classic Russian texts.
  • Cecil Keeling Taking cover in the trenches Pen, ink and wash 20 x 26 cm Initialled lower right This poignant work depicts three soldiers sheltering from a raid in the trenches. As searchlights illuminate the night sky, two of the men shield their ears, seemingly bracing themselves for the horrors of the night, while the third looks to the side, as if something has caught his attention. While the fear of the two men is palpable, the other man--wrapped up in his blanket, looking into the distance--seems numbed to the conflict around him. Perhaps based on his personal experiences of serving in the Middle East, Keeling powerfully captures the subtlety of emotions of his subjects and thereby uniquely represents the experience of war. Cecil Keeling (1912-1976) was an English designer and illustrator and was known for his diverse artistic techniques, including scraperboard, lithography, linocuts, and wood engravings. He studied at the Putney School of Art, before continuing his studies at the Chelsea School of Art. His work is generally characterised by a blend of traditional and modern techniques, reflecting his adaptability and creative range. He is remembered for his keen attention to detail and a deep appreciation for the subjects he depicted. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Cecil Keeling The Voice of Authority Pen, ink and wash 22 x 18 cm Signed lower right This poignant work depicts a British soldier, stripped down to his underwear, being inspected by a senior officer. The contrast between the two men, one wrapped up in an oversized trench coat, the other wearing only his military cap and his underwear, highlights the dehumanising and humiliating nature of the situation. Despite this, the British soldier stands tall and proud, Keeling thus captures the resilience of his subject's character, refusing to demean him. The illustration was published on page 97 in Keeling's autobiographical work 'Pictures from Persia' which details his experiences in the desert during the Second World War. The title 'The Voice of Authority' is repeatedly used in the book for the illustrations, be it of a senior officer addressing a soldier, a man addressing a dog, or, as here. Cecil Keeling (1912-1976) was an English designer and illustrator and was known for his diverse artistic techniques, including scraperboard, lithography, linocuts, and wood engravings. He studied at the Putney School of Art, before continuing his studies at the Chelsea School of Art. His work is generally characterised by a blend of traditional and modern techniques, reflecting his adaptability and creative range. He is remembered for his keen attention to detail and a deep appreciation for the subjects he depicted. Condition: Generally very good, mounted to board, sheet gentle creases, colour very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Cecil Keeling Lull Between Raids Pen, ink and wash 22 x 16 cm Initialled lower right This poignant work depicts a quiet moment between raids. Three soldiers sit in a row at ease. One is reading the paper, perhaps searching for news from home, one is looking out to the distance, and one is sleeping, probably exhausted from night raids. In this typically thoughtful representation of life in the trenches, Keeling captures the banality of life at war, the daily cycle of terror interspersed with sporadic lulls. Cecil Keeling (1912-1976) was an English designer and illustrator and was known for his diverse artistic techniques, including scraperboard, lithography, linocuts, and wood engravings. He studied at the Putney School of Art, before continuing his studies at the Chelsea School of Art. His work is generally characterised by a blend of traditional and modern techniques, reflecting his adaptability and creative range. He is remembered for his keen attention to detail and a deep appreciation for the subjects he depicted. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • George Bissill (1896-1973) Countryside view

    Watercolour & gouache 28 x 40 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This watercolour forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This watercolour depicts a view over the English countryside. It is a striking piece in which Bissill pushes the limits of representation. His brash and impulsive use of gouache against the monochrome palette not only creates structuring highlights in this piece, allowing the viewer to more clearly discern the rural scene with the farmhouse in the background, it also conveys a sense of his gesture and speed of working. It offers, therefore, a unique and unfiltered insight into his creative processes. Condition: generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • James Basire & John Carter Floor Plan of St Albans Cathedral

    Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. Recognising it as one of England's most significant medieval structures, the society commissioned a series of engravings of St Albans Cathedral by James Basire, based on drawings by the architectural draughtsman John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This particular edition depicts the architectural floor plan of St Albans Cathedral. The cruciform architecture is striking, as portrayed from an aerial view. Basire and Carter also expertly preserve the finer details of this beautiful cathedral in these plans, depicting the details of the floor tiling and the masonry of the columns. This attention both to the architecture and the details produces a unique overall view of the cathedral. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • 'Zero' Hans Schleger Safety Week

    Lithographic panel poster 1937 Published by London 'Safety First' Council Printed by Dangerfield Printing Company Ltd A copy of this poster is in the collection of the London Transport Museum. Click here for biographical details and other posters by Hans 'Zero' Schleger. Provenance: the estate of the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Hilary Hennes (née Hilary Miller) (1919-1993)

    The Old Bicycle (c.1940)

    46 x 62 cm Gouache on paper Miller was born in London, where her father was a curator at the South London Art Gallery. She attended Blackheath High School and, from 1936 to 1940, studied at the Blackheath School of Art and then for a further three years at the Royal College of Art. After graduating, Miller taught at the South East Sussex Technical College and in 1946 married the artist Hubert Hennes. The couple set up home in Oxford, where they both held teaching posts at the Oxford School of Art. Between 1948 and 1967 Miller frequently exhibited paintings at the Royal Academy in London and also illustrated a number of books on gardening and natural history, such as The Living World and Boff’s Book of Gardening. If you are interested email info@manningfineart.co.uk or call us on 07929 749056 Condition: Good
  • Hilary Hennes (née Hilary Miller) (1919-1993)

    Christmas (c.1940)

    54 x 74 cm Watercolour over linocut Miller was born in London, where her father was a curator at the South London Art Gallery. She attended Blackheath High School and, from 1936 to 1940, studied at the Blackheath School of Art and then for a further three years at the Royal College of Art. After graduating, Miller taught at the South East Sussex Technical College and in 1946 married the artist Hubert Hennes. The couple set up home in Oxford, where they both held teaching posts at the Oxford School of Art. Between 1948 and 1967 Miller frequently exhibited paintings at the Royal Academy in London and also illustrated a number of books on gardening and natural history, such as The Living World and Boff’s Book of Gardening. If you are interested email info@manningfineart.co.uk or call us on 07929 749056 Condition: Good - some creases.
  • Derek Wicrow

    The Telecinema - Telekinema - National Film Theatre Southbank (1957)

    Pencil drawing, squared for transfer. 40x51cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. The Telecinema was built for the 1951 Festival of Britain, situated between Waterloo Station and the Royal Festival Hall. Whilst press releases referred to the Telecinema, the outside of the building proclaimed Telekinema. Wells Coates were the architect, creating - in the words of Today's Cinema - "A fly-away linear design [with a ] gay façade and bold modern stare". Seating 410 people it was the first cinema in Britain with both 3D sound - provided by an array of speakers behind the screen and allowing the sound to come from the direction of the person speaking - and 3D vision. It was demolished in 1957 when the National Film Theatre moved to its current location - renamed in 2007 as BFI Southbank.
    Telecinema

    The interior of the Telecinema

  • Carl Kunst (1884-1912) Bilgeri Ski Ausrüstung

    51x85cm Lithographic poster Reichhold & Lang, Lith. Kunstanstalt GMBH München A view of the Matterhorn - the obvious mountain in the background - near Zermatt in Switzerland, made for Bilgeri Week in Bregenz with old-fashioned wooden skis and poles c. 1910. Bilgeri were an Austrian manufacturer of skis. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Ente Nazionale Italiano per il Turismo (The Italian Government Tourist Board)

    PISA - ITALY - LAND OF YOUR DREAMS

    Lithographic poster 101 x 63.5 cm If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Pin-holes to corners; not backed.
  • Pat Keely (d. 1970) The Royal Navy

    75x51cm Original lithographic poster 1939 Printed for HMSO by Vincent Brooks, Day & Son Ltd, London If your age is from 17 1/2 to 28 and you have at least 2 1/2 years' experience in any of the following trades: Ground Engineer (Civil Aviation) General Fitter Millwright Jig & Tool Fitter etc. Why not join the new Fleet Air Arm as Air Fitter or Air Rigger Generous Pay and Allowances - Really Secure Employment Good Prospects of Early Advancement to Air Artificer Little is known of the life of the rather private Pat Keely, a prolific and excellent designer of posters. He designed the World Scout Jamboree 4d stamp in 1957 and produced many posters for the British Government. In this excellent poster three aeroplanes are seen landing on the deck of an aircraft carrier; although somewhat stylised they are likely to be the Blackburn Skua. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Suisse Chutes du Rhin

    Original lithographic poster (1925) 40x25" If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good, a little edge wear.
  • Attributed to Joseph Nash (1808-1878) 'Ruins of an Italian Villa'

    Watercolour 24 x 29cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Anonymous

    Berlin (1955)

    Lithographic poster 84 x 61 cm Original Vintage Poster Kaiser Wilhelm Gedächtniskirche from Kurfürstendamm by Night A view of the 'Champs Elysee' of Berlin, the main shopping street in 1955. Although it was designed just ten years after the Second World War's end, when much of the city still bore the scars of devastating conflict, the poster still manages to evoke a pre-war idea of Berlin (especially seen through the glamorous lens of the postwar 1950s). Fashionable figures cross the street, the cars are the latest and brightest, and the humming city is reflected in the wet road. This poster was designed to be overprinted with the name of the local airline. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Backed to linen. Small loss to bottom left corner in margin; a little white spotting to the 'Berlin' panel.
  • Adelboden

      Original vintage poster 104 x 63 cm A fantastic original vintage poster advertising the Swiss ski resort of Adelboden, tucked away in the Bernese Oberland. Printed in Switzerland by Brügger AG. The photograph was taken by the Swiss photographers Emanuel Gyger and Arnold Klopfenstein. The pair were renowned for their captivating skiing images. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage skiing posters.
  • Valerie Thornton (1931-1991)

    Bodleian Quadrangle, Oxford (1983)

      Etching 24 x 35 cm Numbered 13/75 lower left, titled below, and signed and dated lower right, all in pencil. A very good example of Thornton's recognisable and unusual etching style. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Here, Thornton draws out the exceptional texture of the Bodleian Library's local stone. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Centre. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael Lewis, Ken Symonds, Philip Le Bas, and Peter Riches. Thornton's work is included in a number of major public collections including the Victoria and Albert Museum, the British Museum, and the Tate. Thornton died in 1991 in Chelsworth, Suffolk. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more works by Valerie Thornton.
  • Margaret Souttar (1914 - 1987)

    Queens' College, Cambridge

      Lithograph 72 x 56 cm Numbered 169/178 lower left, and signed lower right, in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • Margaret Souttar (1914 - 1987)

    Selwyn College, Cambridge

      Lithograph 77 x 56 cm Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Selwyn College was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Selwyn College, Cambridge.
  • Margaret Souttar (1914 - 1987)

    Selwyn College, Cambridge

      Lithograph 77 x 56 cm Signed in pencil lower right. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Selwyn College was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Selwyn College, Cambridge.
  • Nathan - Jacques Nathan-Garamond (1910 - 2001)

    Go by Train to Brittany (1956)

      Original vintage poster 101 x 62 cm Printed in France for and by the French Railways. This charming and cheering poster, featuring a blue sailing boat on a sandy beach with brightly-coloured houses behind, encourages us to explore France by train and make a sojourn to Brittany. Jacques Nathan Garamond (born Jacques Nathan) was a French graphic designer. He studied at the École nationale supérieure des arts décoratifs and became the Director of Contemporary Architecture there. He then began his career as a graphic designer, specialising in posters and commercial illustrations. He was a founding member of the Alliance Graphique Internationale, a society for graphic artists and designers. Condition: generally very good; stains to bottom corners and six enlarged pin holdes to corners and middles of sides. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage travel posters.
  • Barbara Jones (1912 - 1978)

    See Britain from Her Roads

      Original vintage poster 77 x 50 cm Signed lower left in the plate. Issued by the Tilling Group of Omnibus Companies. Jones' poster, with its two happy swans in the foreground, encourages us to travel Britain via coach (the coach tour was becoming ever more popular in 1950s Britain). The text reads: "You can travel anywhere in Britain by coach and bus ... ask for details of express coach services and touring holidays at any travel agent or Victoria Coach Station S.W.1." Barbara Jones was an English artist and writer. She studied at Croydon High School and then the Royal College of Art (where her contemporaries included John Piper, Edward Bawden, Eric Ravilious and Edward Ardizzone), beginning in the Department of Engraving but transferring to the Department of Mural Decoration in her second year. She illustrated the pamphlet 'Bombed Churches as War Memorials' in 1945. Jones worked on several notable murals after the war, including for the Britain Can Make It exhibition in 1946, and the Enterprise Scotland exhibition in 1947. She also did commercial work for many companies, including P&O Ferries. In 1951 Jones co-curated Black Eyes and Lemonade, an exhibition of craft, folk, and popular objects at the Whitechapel Gallery. She was a Fellow of the Society of Industrial Artists and a member of the Society of Authors. Condition: generally very good; backed to linen; pin holes to corners. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Russian Aircraft Recognition Chart (c. 1940s - World War II era)

      Original vintage poster 76 x 102 cm Published by the Ministry of Supply. Many of these aircraft would have been in use during World War II and very familiar to the Allies. A rather attractive recognition chart - in stark contrast to many similar posters which employ a less artistic approach. PE-8; TU-2; PE -2 & 3; IL-4; ER-4; A-7; YAK-3; YAK-9; IL-2; and LA-5 are the aircraft features. Condition: a few creases, otherwise generally good to very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage aircraft posters.
  • Valerie Thornton (1931 - 1991)

    Ponte Vecchio, Florence (1972)

      Etching and aquatint 33 x 20 cm Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil. Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael Lewis, Ken Symonds, Philip Le Bas, and Peter Riches. Thornton's work is included in a number of major public collections including the Victoria and Albert Museum, the British Museum, and the Tate. Thornton died in 1991 in Chelsworth, Suffolk. Condition: good; slight but even age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures of Italy.
  • Pierre Tairraz (1933 - 2000)

    Chamonix - Mont Blanc - France

    Original vintage poster 100 x 60 cm A view of the Téléphérique de la vallée Blanche cable car over Mont Blanc entices us to book a skiing trip to Chamonix. Pierre Tairraz was the fourth in line of the Tairraz family of mountain photographers, following in the footsteps of his father George, his father George, and his father Joseph. Between 1857 and 2000, four photographers, from father to son, invent and transmit the art of mountain photography. Their family name is Tairraz. Pierre was an exceptional climber and worked for 40 years photographing mountains, particularly the French Alps. Condition: generally very good; a few little edge tears and a slight marginal loss to top (all of which will disappear under a mount when framed). If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage skiing posters.
  • Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster August 1955 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orba, Spain where he would become a celebrated painter and bullfighting poster artist. He began his career in a fan-making workshop to support his family. In 1909, he won the gold medal at the Regional Exhibition, allowing him to enjoy a scholarship to further his studies in Italy. From here onwards, he began to develop his characteristic bullfighting motif. This obsession with bulls was perhaps borne out of his own desire to pursue glory as a matador, an ambition he only curbed in deference to his beloved mother. The vivacity of his bullfighting posters became his trademark and, on one occasion, the prodigious matador Joselito “Gallo” even proclaimed, ‘the artist who painted this knows how to bullfight, even if he has never fought bulls before.’ Bright colours, movement and a sense of passion bring these posters to life, offering a uniquely Spanish charm. This 1955 edition advertises a bullfighting event in Valencia, featuring Rafael Ortega, Isidro Ortuño Jumillano, and the much celebrated Antonio Chenel Antoñete. This poster is striking in the vibrancy of the colours and the strong sense of movement, as Llopis masterfully captures the force of the bull charging through the matador's cloth.
  • Ronald Fielding Dodd (1890-1958)

    St Edmund Hall - 1933 Proposed Alterations W.C.

    Reproduction with hand colouring 33 x 42 cm Ronald Fielding Dodd ARIBA was a Scottish architect and Associate of the Royal Institute of British Architects. After serving as a Second Lieutenant in the British Army’s Machine Gun Corps during the First World War, Dodd was most active as an architect in the 1930s. Over the course of the decade, he contributed designs for St Peter’s College, Oxford; St Edmund Hall, Oxford; Stowe School; the Acland Hospital in North Oxford, where he added a Neo-Georgian frontage; and the 16th-century Chippinghurst Manor in Oxfordshire. To mark his architectural achievements, there is now a Fielding Dodd Prize for “Outstanding Work” involving architecture at Oxford Brookes University. These particular plans date from 1933 and depict the proposed alterations to the accommodation W.C. Hand coloured with vibrant colours, these plans transform their modest subject into something quite beautiful. Condition: Generally very good, thin paper with some wear. For other views of St Edmund Hall, click here. 
  • Mackinley

    Back up the Fighting Forces

    Lithograph 38 x 26 cm Propaganda poster produced for H.M. Stationery Office by J. Weiner LTD. STATIONERY OFFICE BY J. WEINER LTD. This poster dates to 1940, the early days of engagement by the United States in the Second World War. It played a part in a larger effort to encourage support for the war effort, particularly focusing on providing aid, resources, and supplies to the military forces. Propaganda posters like this were used to rally citizens to contribute to the war in various ways, including buying war bonds, working in factories, and volunteering for service. This particular poster depicts three servicemen: one member of the airforce, one marine and one naval soldier, together representing the different branches of the US military effort. Condition: Generally very good, small pinholes to each corner. For other examples of propaganda posters, click here.   
  • R.A.E Little Christ's College Chapel, Cambridge, 1842

    Watercolour 20 x 26 cm Charming watercolour depicting a view of Christ's College Chapel in the mid nineteenth century. In this painting, Little pays special attention to the watercolours and the light and shadows that fill the chapel. Thanks to this care, the scene is imbued with an uplifting ambiance. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

    For other views of Christ's College, Cambridge, please click here.
  • Out of stock

    Kerry Lee (1903-1988)

    'Cambridge' Original Poster Map c. 1950

    45x58cm Original Vintage Lithographic poster Published by Pictorial Maps Limited, Kerry Lee's own company This edition of the map was produced around 1950, depicting the historical centre of Cambridge and 20 Cambridge colleges around the edges with their founders. Well known as a creator of pictorial maps of British cities from the mid 20th century, he generally draws a self-portrait in the bottom corner by his signature - as here, where he is seen painting (mustachioed and bearded, and clad in a green tunic) with his ever-faithful dog Jim. Educated at Reading Schools of Arts and Science, the Slade and the Sorbonne in Paris, he subsequently assisted his step-father, an architect named Mr Harvey, as draftsman. Following the Depression Lee set up 'Associated Artists' at Blandford Studios off Baker Street, with a group of other commercial artists. During World War 2 he was based in Hertfordshire creating detailed cut-away drawings of German aircraft, and after the war - still at Blandford Studios - published a series of pictorial maps, both those for British Rail and also his own publications.
  • Louis Osman FRIBA (1914 - 1996)

    Proposal details for St John's Smith Square (1953)

      Watercolour 74 x 46 cm Signed in red crayon lower right. Details from Louis Osman's proposal for the post-war, post-bombing redevelopment of St John's church on Smith Square. Osman had envisioned an interior with a ceiling painted by Picasso; sadly, this project was never executed. The church was bombed in 1941 and gutted by fire; subsequently, the church was a ruin open to the sky for over 20 years. It was saved by Lady Parker of Waddington, who formed the Friends of St John's in 1962 to raise money and restore the church to its former glory - a reconstruction in the style of the church's original architect, Thomas Archer. Osman was as much an artist as an architect. This is a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett where he studied, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Owen Miller (1907-1960)

    They need spares to use their wings

    Original poster c. 1943 76x51cm Printed for HMSO by Multi Machine Plates Ltd for the Ministry of Aircraft Production Damaged Spitfires are pictured waiting in a hanger for spares to arrive, encouraging the workers in the factory to work harder in order to keep the aeroplanes in the air. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Clifford Ellis (1907-1985)

    Autumn in Yellow and Brown

    Gouache 27x15cm Provenance: the family of the artist, by descent. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Margaret Waller (1916 - 1997)

    The Oxford University Botanic Garden

      Watercolour 35 x 51 cm Signed lower left. A watercolour depicting the serenity of Oxford's Botanic Garden. Koi swim just below the surface of the round pond and the garden stretches into the distance through a pair of stone arches. Margaret Waller was a mid-century artist and Fellow of the Institute of Arts and Letters. Condition: generally good; a little spotting to the sky. 'FIAL' added to signature later. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other non-collegiate views of Oxford.
  • Out of stock

    William Williams (Welsh, active 1724 - 1733)

    The First Map of Oxford (1733)

    Engraving 47 x 54 cm In 1578, Ralph Agas drew the first ever map of Oxford, studded with the first colleges of the University. In 1733 it was engraved by William Williams for publication in the Oxonia Depicta, a book of illustrations depicting similar views as David Loggan's volume of engravings. Ralph Agas was an English surveyor and cartographer. He was born in Suffolk and lived there throughout his life, although he travelled regularly to London. He began to practise as a surveyor in about 1566, and has been described as "one of the leaders of the emerging body of skilled land surveyors". regular work consisted of drawing up local estate maps and surveys for a variety of clients. He was one of the first estate surveyors to move beyond the traditional practice of compiling purely written descriptions of landed property, and to supplementing them with measured maps. Condition: generally very good; a few marks to margins. Central fold as issued. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford.
  • Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster June 1947 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orbs, Spain where he would become a celebrated painter and bullfighting poster artist. He began his career in a fan-making workshop to support his family. In 1909, he won the gold medal at the Regional Exhibition, allowing him to enjoy a scholarship to further his studies in Italy. From here onwards, he began to develop his characteristic bullfighting motif. This obsession with bulls was perhaps borne out of his own desire to pursue glory as a matador, an ambition he only curbed in deference to his beloved mother. The vivacity of his bullfighting posters became his trademark and, on one occasion, the prodigious matador Joselito “Gallo” even proclaimed, ‘the artist who painted this knows how to bullfight, even if he has never fought bulls before.’ Bright colours, movement and a sense of passion bring these posters to life, offering a uniquely Spanish charm. This 1947 edition advertises a bullfighting event in Granada, featuring Domingo Ortega, Agustin Parra Parrita, and the famous socialite Luis Miguel Dominguin.
  • Samuel Alken Coursing Scene Watercolour on green-grey wove paper Probably a contemporary copy of a rabbiting plate Bears signature to bottom left 25 x 42 cm Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family of painters and engravers, known for their sporting and hunting scenes. He was the son of Samuel Alken Sr. and contributed significantly to the family's artistic legacy. Like his father, Alken Jr. worked primarily in engraving and painting, specialising in aquatint and other printmaking techniques. Inkeeping with family tradition, Alken Jr. often depicted sporting subjects such as horse racing, hunting, and other outdoor pursuits in his engravings and paintings. As such, his works have been praised for their dynamic composition and attention to detail. This particular edition depicts a trio of men poaching rabbits in the countryside. One dog buries into the rabbit burrow, another dog waits eagerly for its master's command, other dogs rush around, excited by the kill. The painting originally featured in 'Delineations of British Field Sports - Together with the various methods of painting. A series published by Alken's in 1822, the coloured issue ranks as one of the rarest sporting books of the period. There is only one record of a second coloured copy, which is 'untraceable' according to Schwerdt. Schwerdt also notes that the vigorous style of these plates made them eminently suitable for framing, and accounts in part for their rarity; 'twenty years' search has not enabled us to make up a complete set'. Condition: Probably a contemporary copy of the rabbiting plate. If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Leigh Woods Watercolour 38 x 27 cm Wintry watercolour of Leigh Woods, Bristol. Oranges and brown stand out in the undergrowth and the transition from cool blues to yellow and pink hues across the painting evokes a gentle sunrise on a misty morning. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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