• War Savings are Warships / The Signal is Save

      Original vintage poster 41 x 37 cm Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme, which would use the money to fund warships. Condition: generally very good; central fold as issued, two pin holes to top corners only. Double sided. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • Out of stock

    John Piper (1903-1992)

    Three Somerset Towers (1973)

      Screenprint 56 x 76 cm John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: generally very good; a little age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • Hugh Casson (1910 - 1999)

    Caius Court, Gonville and Caius College (1992)

      Lithograph 31 x 44 cm Signed and numbered 358/500, both in pencil. Casson's depiction of Gonville and Caius, with sun slanting into the 16th-century Caius Court. Members of the college stroll through the court. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Gonville and Caius, Cambridge.
  • Johannes 'Joan' Blaeu (1596 - 1673)

    Comitatus Northumbria, Vernacular Northumberland (1662)

    Engraving with later hand-colouring 43 x 52 cm A decorative map of Northumberland by the celebrated Dutch mapmaker and artist Joan Blaeu, (son of the cartographer Willem Blaeu). Crests of the local gentry appear in the top right hand corner. Blaeu moved to Amsterdam in 1920 to join the family firm of mapmakers. In 1635, the business published the Theatrum orbis terrarum, sive, Atlas novus in two volumes - the largest and most expensive book published in the seventeenth century, and the venture for which the Blaeu were most famed. Joan and his brother Cornelius took over the studio after their father died in 1638; Joan became the official cartographer for the Dutch East India Company, as his father had been before him. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other maps.
  • France - les vins de Bourgogne Le Clos de Vougeot Cote d'Or

        Original vintage poster 61 x 40 cm An original poster depicting the Château du Clos de Vougeot vineyard in Burgundy during the grape harvest. Men and women pick the grapes outside the Château. Standing in the very heart of Burgundy's vineyards, Clos de Vougeot was originally a wine farm, built in the 12th century by monks from the nearby Abbey of Cîteaux. In the 16th century, a Renaissance style château was added to the existing buildings. Even though the Chateau du Clos de Vougeot does not produce wine anymore, it stays the symbol of a millenary of Burgundy's History. Condition: generally very good, small crease to top corner. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Jeux de la Passion Oberammergau (1960)

        Original vintage poster 100 x 63 cm Printed in Germany. This magnificent poster advertises the Passion Play (an outdoor play telling the Easter story) held every ten years in Oberammergau in the Bavarian Alps. Tradition tells that the town was struck with plague in 1633; the townsfolk vowed that they would perform a Passion Play every ten years as a symbol of thanks to God if the plague would end, which it did. At the turn of the twentieth century, improved railways across Europe meant that people from outside the Alps could travel to see the Passion Play in Oberammergau. This poster was designed for publication in France, to encourage the French to come to see the play. Condition: generally very good; a few tiny repaired edge tears. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Foire Internationale de Hanover

      Original vintage poster 84 x 59 cm This poster with its highly modern logo advertises the 1960 Hanover Fair. British military authorities organised the trade fair as a bolster to Germany's post-war economy. Over 1,000 exhibitors showed a selection of items made in Germany for overseas export. This version of the poster was designed for display in France. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Grächen, 1617 m (1969)

        Original vintage poster 101 x 64 cm A beaming skier holds a map of Grächen, encouraging us to plan our next skiing trip there. Voluminous hair, a lack of helmet, turtleneck jumper and leather gloves mark the poster out as fabulously 1960s. Condition: generally very good; a few tiny repaired edge tears. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • José Ortega (1921 - 1990)

    Romanische Kunst Spanien (1960s)

        Original vintage poster 100 x 63 cm Printed in Madrid for the Publications de la Direccion General del Turismo. Ortega's poster for the Spanish tourist board promotes the Romanesque art of Spain. This edition of the poster was produced for circulation in Germany. José García Ortega was born in Arroba de los Montes and was a member of the Communist Party. He worked as a painter and sculptor, studying at the Círculo de Bellas Artes in Madrid. In 1953 he went to France to study art, funded by a French government scholarship. He returned to Spain throughout the 1950s and 1960s, and became a commercially successful artist. Some of his most famous designs include the posters which the Spanish tourist board commissioned from him circa 1960. Condition: generally very good; a few tiny repaired edge tears. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Henrik Bloch (born 1931)

    Bakken in Wonderful Copenhagen (1965)

        Original vintage poster 100 x 63 cm Bakken (short for Dyrehavsbakken) is the world's oldest amusement park, located just out of Copenhagen. This poster was designed to promote tourism to Copenhagen and Denmark more widely, and features a pierrot clown smiling above a happy crowd of Bakken visitors. Condition: generally very good; a few very short edge tears and a little soft creasing bottom right. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Duncan Grant (1885 - 1978)

    Interior (1973)

     

    Lithograph 36 x 30 cm (paper size 77 x 57 cm) Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam. An excellent example of Duncan Grant's late work. Duncan Grant was a member of the Bloomsbury Group. He was a painter and also designed textiles, pottery, theatre sets, and costumes. He was a member of the Bloomsbury Group. Condition: generally very good; a few light handling creases in margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more Modern British Art.
  • Raymond Myerscough Walker (1908 - 1984)

    To Build for Prosperity - Save Now

      Original vintage poster 74 x 49 cm Issued by the National Savings Committee London, the Scottish Savings Committee Edinburgh, and the Ulster Savings Committee Belfast. Printed For HM Stationery Office By Thomas Forman and Sons Ltd, Nottingham. This posters makes use of Myerscough Walker's original painting of a church bombed in the Blitz, with new buildings being constructed behind. Even in the face of war and destruction, Britain builds itself up to prosper - and, by saving, so can we. Myerscough Walker was an architectural draughtsman. He trained at Leeds School of Art and went on to the Architectural Association in London. In 1931 he won the Tite prize and was celebrated in his career for his skill as a draughtsman – as well as architect, writer, artist, sculptor and stage designer. He worked with Berhold Lubetkin, the significant modernist architect, for several years. Condition: generally very good; the odd gentle crease. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • "Zero" Hans Schleger (1898 - 1976)

    Wait till it stops before getting on or off a bus or tram

      Original vintage poster 76 x 49 cm Hans Schleger was born in Germany. After the First World War, he studied at the Berlin Kunstgewerbeschule. After working in Berlin, he moved to New York in 1924 and began to work as a graphic designer. He returned to Berlin in 1929 and began working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer, who introduced him to Jack Beddington (the head of advertising at Shell Mex BP). He moved to London following the rise of Hitler and produced a series of posters for Shell Mex. During the Second World War he worked for the British Government. He later taught at the Chicago Institute of Design and subsequently designed the trademarks of the John Lewis Partnership, Penguin, Deutsche Bank, and the Edinburgh Festival. Condition: generally very good, the odd gentle crease; not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Silhouette (circa 1870)

    Captain Adams, 20th Regt

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper and right margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Major Chaplin, 3rd Dragoon Guards

      Gouache, pen, and ink 52 x 44 cm A silhouette of Featherstone (Christian name and rank unknown) of the Royal Artillery. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    The Hon Miss Winn

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Alice Lowneley

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Hay Newton

      Gouache, pen, and ink 52 x 44 cm The Hay-Newtons were a wealthy family from East Lothian in Scotland. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Kerr Lloyd

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Lady Headley

      Gouache, pen, and ink 52 x 44 cm A silhouette depicting Lady Headley, likely the wife of the 6th or 7th Baron Headley. Lord Headley, Baron Allanson and Winn, of Aghadoe in the County of Kerry, was a title in the Peerage of Ireland, first created in 1797. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Taylor

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Guinness

      Gouache, pen, and ink 52 x 44 cm Silhouettes of other members of the Guinness family of brewers and bankers are also available in this set. The Guinness family seat is Elveden Hall in Suffolk. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs F Chaplin

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette of a Gentleman I (circa 1870)

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Captain Warburton

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; occasional spots. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette of a Lady III (circa 1870)

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette of  Lady II (circa 1870)

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette of  Lady I (circa 1870)

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Watt

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Maitland

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Marton

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Lady Fletcher

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs Gillon

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs Warburton

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining at upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs Taylor

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Chaplin

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: good. Some staining at upper and right edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Fletcher

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Duncan Davidson RN

      Gouache, pen, and ink 52 x 44 cm Captain Duncan George Davidson was born in 1833 served in the Royal Navy. He became a Captain in 1872 and captained H.M.S. Serapis between 1876 and 1879; he retired a year later. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Major Chaplin, 3rd Dragoon Guards

      Gouache, pen, and ink 52 x 44 cm Silhouettes of Mrs F Chaplin and Miss Chaplain, likely the Major's wife and daughter, are also available. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Captain Thursby, 9th Lancers

      Gouache, pen, and ink 52 x 44 cm Captain Piers Thursby was born in 1834 and served in the 9th Queen's Royal Lancers, a cavalry regiment of the British Army, with whom he served during the Indian Mutiny of the 1850s. He was the son of Revd. W. Thursby of Ormerod House and died in 1904. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    David Barclay Chapman

      Gouache, pen, and ink 52 x 44 cm David Barclay Chapman was a partner in the bank which in 1896 became the Limited Company Barclay & Co, known today as Barclay's. Two of his daughters appear in other silhouettes from this particular set. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Andrew Gillon

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Peter Collins ARCA (1923 - 2001)

    Self-Portrait

      Watercolour 32 x 45 cm Provenance: the artist's studio sale. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins.
  • Peter Collins ARCA (1923 - 2001)

    Reclining Nude Studies - Andrea (1995)

      Ink and wash 32 x 45 cm Signed and dated lower left. Artist's notes upper right. Provenance: the artist's studio sale. Five studies of one of Collins' models, Andrea, reclining. Each study runs into the next, with different perspectives of the model's body folding together. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins.
  • Peter Collins ARCA (1923 - 2001)

    Figure Studies

      Ink and wash 44 x 28 cm Provenance: the artist's studio sale. Four characterful and intimate clothed studies of a model with voluminous 1960s hair. Collins' first job was in the commercial studio of an advertising agency. World War II interrupted his career and he joined the Royal Artillery, teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins.
  • Peter Collins ARCA (1923 - 2001)

    Self-Portrait in Two Mirrors with Nude

      Ink and wash 45 x 30 cm Provenance: the artist's studio sale. Collins simultaneously depicts himself painting, and reflected painting - his face is repeated in the two mirrors, and the model's figure appears three times. The picture's perspective leaves us questioning which model, and perhaps which Collins, is the real one. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other nudes.
  • Anna Zinkeisen (1901 - 1976)

    Honourable Artillery Company: Armed Strength For Peace

      Original vintage poster 75 x 51 cm ""ARMED STRENGTH FOR PEACE": Apply to The Regimental Adjutant, Armoury House, E.C.I." Anna Zinkeisen won a scholarship to the Royal Academy Schools in 1916, focusing on sculpture and exhibiting at the Royal Academy in 1919. She was awarded the Landseer Award in 1920 and 1921, and went on to become an esteemed portrait artist, often of society ladies. She produced a series of posters for London Transport in the inter-war period. During the Second World War, Zinkeisen became a nurse, and was profoundly affected by the suffering she saw during her time working in St Mary’s Hospital. This is arguably the point at which she and her sister Doris reached the pinnacle of their careers, producing some of the finest and most affecting depictions of the world at war made during this period. Condition: generally very good, slight edge wear top right and one soft crease into the tank. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage World War II posters.
  • Russian Aircraft Recognition Chart (c. 1940s - World War II era)

      Original vintage poster 76 x 102 cm Published by the Ministry of Supply. Many of these aircraft would have been in use during World War II and very familiar to the Allies. A rather attractive recognition chart - in stark contrast to many similar posters which employ a less artistic approach. PE-8; TU-2; PE -2 & 3; IL-4; ER-4; A-7; YAK-3; YAK-9; IL-2; and LA-5 are the aircraft features. Condition: a few creases, otherwise generally good to very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage aircraft posters.

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