• Keeping in Touch: The Post Office in Town Original vintage poster

    Lithograph 74 x 91 cm This "Keeping in Touch: The Post Office in Town" poster is a vintage advertisement produced by the UK's General Post Office (GPO) in the 1960s. This poster is part of a series highlighting the various facets of postal services during that era, other editions included "In the Country", "At the Docks" and "At the Airport." The poster features a vibrant illustration of a street scene in Cambridge, prominently depicting Sidney Street and the historic Round Church. The artwork captures daily life in the town, emphasising the integral role of the post office in the community. Condition: Generally very good, centre fold as issued and a couple of other soft handling creases.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Pieter van der Aa (1659-1733), after David Loggan (1634-1692)

    The Costumes of the University of Cambridge

    Engraving, 14 x 36 cm Early 18th century   This engraving by van der Aa (based on a prior design by David Loggan) illustrates the various forms of academic dress worn by members of the University of Cambridge. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.   Condition: Generally very good; slight age toning, and spotting to margins.
  • Design for Bianchi Ferier, Lyon for a silk scarf 5 March 1945

    Gouache, pen and ink 78cm x 76cm Provenance: The Bianchi Ferrier archive sale at Christies On 9 February 1945 the 'Colmar Pocket' was finally cleared of Germans - a process that had started in November 1944 - and the province of Alsace changed hands between France and Germany for the fourth time in 75 years. Happily in the succeeding 75 years Alsace has not changed ownership. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • 1942 RAF General Hotspur II

      Aeroplane identification poster, published 1942 63 x 47 cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have several in this series; view them here - have a much more arty approach to the task with shading and an interesting angle view. A particularly unusual style of aeroplane recognition poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have several in this series - have a much more arty approach to the task with shading and an interesting angle view. The General Aircraft GAL.48 Hotspur was a military glider designed and built by the British company General Aircraft Ltd during World War II. When the British airborne establishment was formed in 1940 by order of Prime Minister Winston Churchill, it was decided that gliders would be used to transport airborne troops into battle. General Aircraft Ltd were given a contract by the Ministry of Aircraft Production in June 1940 to design and produce an initial glider for use by the airborne establishment, which resulted in the Hotspur. Conceived as an "assault" glider which necessitated a compact design and no more than eight troops carried, tactical philosophy soon favoured larger numbers of troops being sent into battle aboard gliders. Due to this, the Hotspur was mainly relegated to training where it did excel and it became the basic trainer for the glider schools that were formed. The Hotspur was named after Sir Henry Percy, a significant captain during the Anglo-Scottish wars who was also known as "Hotspur". A Hotspur Mark II (HH268) replica is on display at the Museum of Army Flying in Hampshire, England. The front fuselage of a Hotspur was preserved at the Parachute Regiment And Airborne Forces Museum in Aldershot prior to the museum''s 2007 closing, in anticipation of a move to the Imperial War Museum Duxford. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Parliamentary Recruiting Committee Which? Have you a Reason for not Enlisting - Or only an Excuse for not Enlisting. Now!

    Original lithographic poster c. 1914 75 x 50cm Published by the Parliamentary Recruiting Committee, London Printed by the Abbey Press 32 & 34 Great Peter St Westminster SW Before conscription was introduced at the beginning of 1916, recruitment into the British Army was all by way of volunteering. Lord Kitchener, Secretary of State for War, wanted to recruit almost 100,000 men per month and by the end of 1915 the supply of volunteers - despite excellent posters such as this one - was drying up.
  • Julian Trevelyan (1910-1988)

    Father Thames (1969)

    Etching and aquatint, signed, numbered 53/75 35x48cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • David Loggan (1634-1692) Bodleian Library Oxford - aerial view

    Engraving (1675) with later hand colouring 30x40cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Christchurch, Oxford (1964-65)

    Signed and titled, and numbered 24/100 Colour etching and aquatint on Velin Arches, published by Editions Alecto 64x48cm  Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Eric Fraser For Progress in the Future Save Now

    75x51cm Original Vintage Poster Issued by the National Savings Committee If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Backed to linen, small edge tears to right side as visibile in image.
  • Britain Land of History Original Vintage Poster c. 1960

    Published by the British Travel and Holidays Association and printed in Great Britain by Harrison and Sons Ltd 59/60.14 'Throughout the British Isles can be seen many interesting castles, royal palaces and country houses which have played a part in Britain's history. This is an artist's impression of Hampton Court Palace beside the River Thames.' If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good condition, a few very short repaired edge tears and the odd marginal crease. Mounted and framed the edge tears will not be visible.
  • W. A. A. Cox ARIBA Architectural Design for a Factory in the United Kingdom

    Watercolour, pencil 53x64 cm Signed and dated, lower right 'W. A. A. Cox ARIBA 1966' If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.  
  • After Ettore Tito (1859-1941) c.1920s A set of four pochoir prints: 'Les paroles s'envolent les ecrits restent'; 'On a souvent besoin d'un plus petit que soi'; 'Qui trop embrasse...'; 'Aide-toi le ciel t'aidera'

    23.5 x 16.5 cm (to mount) Ettore Tito (1859-1941) Tito trained at the Accademia di Belle Arti in Venice and later became a professor there, known for his landscapes and scenes of traditional life in the Veneto region, as well as producing several larger mythological murals notably for the Villa Berlinghieri in Rome and the Chiesa degli Scalzi in Venice. He associated with an expatriate artistic milieu that included John Singer Sargent and Isabella Stewart Gardner. However, in the 1920s he also produced these pochoir prints of emancipated women for a French magazine which were considered rather risqué at the time! If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Excellent, mounted.
  • Sassi

    Italian Line Societa di Navigatione Italia

    Original Vintage Poster 97.5x61cm c.1950s A wonderful example of Italian surreal poster artwork, with a fish made from fruit and vegetables and a very sleek modern ship beneath. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Mounted to board, some areas of repair as visible in image towards bottom, overall good.
  • Richard Beer (1928-2017) Merton, Oxford (1964-65)

    Colour etching and aquatint 45x60cm 68x85.5 including frame, UK shipping only Signed and numbered 44/100 Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Robert Tavener (1920-2004) Jesus College Gateway Cambridge

    Signed and numbered 10/50 Lithograph 54.5 x 39 cm c. 1970 For other works by Robert Tavener and biographical details click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Richard Beer (1928-2017) St John's College, Oxford (1964-65)

    Colour etching and aquatint on Velin Arches, published by Editions Alecto 58 x 43 cm Full sheet size 73 x 55.5 cm Signed, titled and numbered 19/100 Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Print in good condition, margins well outside platemark show some discolouration and handling marks which will be hidden behind mat/mount. Mounted to board.
  • Attributed to Antony Vandyke Copley Fielding (1787 - 1855)

    Dinan Tour de l’Horloge (Dinan Clock Tower)

      Watercolour 28 x 21 cm A spirited watercolour of Dinan, Brittany. Dinan's famous clock tower looks over a French street scene: men, women, and children weave through the town's half-timbered houses, shops, and ateliers. The characterful mediaeval stonework and architecture of the town are paramount, and the artist adds a bright blue hue to his depiction of Dinan's roofs. Dinan is a walled medieval Breton town and commune in the Côtes-d'Armor department of northwestern France. Enclosed by nearly three kilometres of ramparts, the town and its 14th-century castle proudly overlook the Rance river. Anthony Vandyke Copley Fielding, commonly called Copley Fielding, was an English painter famous for his watercolour landscapes. At an early age Fielding became a pupil of John Varley. In 1810 he became an associate exhibitor in the Old Watercolour Society (later known as the Royal Society of Watercolours), in 1813 a full member, and in 1831 the Society's President. In 1824 he won a gold medal at the Paris Salon, alongside Richard Parkes Bonington and John Constable. Examples of his work are held by the Victoria and Albert Museum and other major museums in Britain. Condition: good. Some spotting to sky; handsomely framed. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • The Mathematical Bridge, Queens' College, Cambridge

      Watercolour 27 x 18 cm A delightful watercolour of Cambridge's famous Mathematical Bridge. Figures punt under the bridge and the buildings of Queens are reflected in the serene waters of the River Cam. Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck was changed from a stepped design to the current sloped deck. In 1905 a complete rebuild of the bridge was required due to weathering of the original oak structure. stories have suggested that a group of students (or professors, depending on the storyteller) disassembled the bridge to discover how it stood up and then couldn't put it back together. The bridge was supposedly then rebuilt using rather prominent bolts." Condition: very good; gilt frame has some age. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • After Ernest William Haslehurst (1866 - 1949)

    E Staircase, Second Court, St John's College, Cambridge (circa 1915)

      Watercolour 33 x 22 cm Haslehurst's watercolour of a staircase at John's. The artists captures the quintessential Cambridge combination of dark wood and old stone, focusing on a beautiful but overlooked passageway in the college. Light streams in from the court. Second Court was built in the years immediately after 1599, to the designs of Ralph Symons of Westminster and Gilbert Wigg of Cambridge. The harmonious proportions and local brickwork of the Court in general make it the finest example of this style of architecture in Cambridge. Ernest William Haslehust was an English landscape painter and book illustrator who worked in watercolours. He was a member of the Royal Institute of Painters in Water Colours (RI), Royal Society of British Artists (RBA), Royal West of England Academy (RWA) and Royal British Colonial Society of Artists (RBC), and exhibited regularly at many venues including the Royal Academy in London. He also designed posters for the LNER and LMS railway companies, and his art was featured in many magazines of the day including the Illustrated London News and The Tatler. His painting of this view was featured in the illustrated book of Cambridge  by Noel Barwell (Blackie & Son) 1910, and the artist of this painting has recorded the view from the same corner. Condition: very good; some light spotting. Handsome antique frame which bears some signs of age. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Robin Furness (born 1933)

    The Three O'Clock Fox - Dobinson's Covert (1972)

      Oil on canvas 40 x 50 cm Signed lower right. A delightful oil painting of the Raby Hunt at Bedburn by Robin Furness, former MFH of the Bedale Hunt and noted painter of hunting scenes. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Osman FRIBA (1914 - 1996)

    Staunton Harold: Restoration of the Organ (1953)

      Pen, ink, and watercolour 63 x 63 cm Titled below, signed lower right, and labelled in Osman's hand. Osman's architectural design for the restoration of the organ at Staunton Harold Church, part of the Staunton Harold estate. The church, known as the Chapel of the Holy Trinity, is a 1653-built Gothic chapel. It was commissioned by Sir Robert Shirley (the Shirley family were Anglicans and Royalists, and the ornate design of the church is likely why Sir Robert was imprisoned under Oliver Cromwell). Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: some age toning, and signs of having been a working drawing. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Margaret Souttar (1914 - 1987)

    Trinity Hall, Cambridge

      Lithograph 76 x 56 cm Signed and numbered 4/50 in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good; a few handling marks. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall.
  • K Edmonds

    Countryside Scene

      Watercolour 24 x 35 cm Signed lower right. A blue- and green-hued landscape, where earth blends into sky. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Johannes 'Joan' Blaeu (1596 - 1673)

    Oxonium Comitatus, Vulgo Oxfordshire (1662)

      Engraving with later hand-colouring 38 x 50 cm A decorative map of Oxfordshire by the celebrated Dutch mapmaker and artist Joan Blaeu, (son of the cartographer Willem Blaeu). Two Oxford scholars flanks the cartouche which declares the map to be of Oxonium (that is, Oxfordshire), and the design also features the arms of the British Royal Family, King Alfred, and the University of Oxford. Sixteen colleges crests border the map. Blaeu moved to Amsterdam in 1920 to join the family firm of mapmakers. In 1635, the business published the Theatrum orbis terrarum, sive, Atlas novus in two volumes - the largest and most expensive book published in the seventeenth century, and the venture for which the Blaeu were most famed. Joan and his brother Cornelius took over the studio after their father died in 1638; Joan became the official cartographer for the Dutch East India Company, as his father had been before him. Condition: mostly very good; area of toning to top left where coloured to reverse. Good oak frame. Framed with reverse visible. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other antique maps.
  • Out of stock

    Margaret Souttar (1914 - 1987)

    Trinity Hall, Cambridge with Blue Sky

      Lithograph 76 x 56 cm Numbered 3/50, and signed lower right, in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good, the odd very short tear and handling mark affecting outer few millimetres of margin. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall.
  • Margaret Souttar (1914 - 1987)

    Queens' College, Cambridge

      Lithograph 72 x 56 cm Proof print aside from the numbered edition of 178. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • Reginald Montague Lander (1913 - 1982)

    Paignton, South Devon (1956)

      Original vintage poster 100 x 60 cm Printed in Great Britain by Charles & Read, Ltd for British Railways. Signed lower right in the plate. Lander's iconic deck-chair poster encourages travel to Paignton in South Devon - "the family resort of picturesque Torbay". Reginald Lander Lander trained at the Hammersmith School of Art and became chief designer at the Ralph Mott Studio, where he was also studio manager. He worked as a freelance poster designer in the 1930s and produced iconic posters for the British Transport Commission and other Government ministries, as well as various train companies. Condition: generally very good; backed to conservation paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Raymond Myerscough Walker (1908 - 1984)

    To Build for Prosperity - Save Now

      Original vintage poster 74 x 49 cm Issued by the National Savings Committee London, the Scottish Savings Committee Edinburgh, and the Ulster Savings Committee Belfast. Printed For HM Stationery Office By Thomas Forman and Sons Ltd, Nottingham. This posters makes use of Myerscough Walker's original painting of a church bombed in the Blitz, with new buildings being constructed behind. Even in the face of war and destruction, Britain builds itself up to prosper - and, by saving, so can we. Myerscough Walker was an architectural draughtsman. He trained at Leeds School of Art and went on to the Architectural Association in London. In 1931 he won the Tite prize and was celebrated in his career for his skill as a draughtsman – as well as architect, writer, artist, sculptor and stage designer. He worked with Berhold Lubetkin, the significant modernist architect, for several years. Condition: generally very good; the odd gentle crease. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Out of stock

    Leslie Carr (1891 - 1969)

    Wellington Bomber

    Gouache 23 x 30 cm Signed lower right. A Wellington Bomber set against a torrid blue sky. The Vickers Wellington was a British twin-engined, long-range medium bomber. It was designed during the mid-1930s at Brooklands in Weybridge, Surrey. Led by Vickers-Armstrongs' chief designer Rex Pierson; a key feature of the aircraft is its geodetic airframe fuselage structure, which was principally designed by Barnes Wallis. Development had been started in response to Air Ministry Specification B.9/32, issued in the middle of 1932, for a bomber for the Royal Air Force. This specification called for a twin-engined day bomber capable of delivering higher performance than any previous design. Other aircraft developed to the same specification include the Armstrong Whitworth Whitley and the Handley Page Hampden. During the development process, performance requirements such as for the tare weight changed substantially, and the engine used was not the one originally intended. The Wellington was used as a night bomber in the early years of the Second World War, performing as one of the principal bombers used by Bomber Command. During 1943, it started to be superseded as a bomber by the larger four-engined "heavies" such as the Avro Lancaster. The Wellington continued to serve throughout the war in other duties, particularly as an anti-submarine aircraft. It holds the distinction of having been the only British bomber that was produced for the duration of the war, and of having been produced in a greater quantity than any other British-built bomber. The Wellington remained as first-line equipment when the war ended, although it had been increasingly relegated to secondary roles. The Wellington was one of two bombers named after Arthur Wellesley, 1st Duke of Wellington, the other being the Vickers Wellesley. A larger heavy bomber aircraft designed to Specification B.1/35, the Vickers Warwick, was developed in parallel with the Wellington; the two aircraft shared around 85% of their structural components. Many elements of the Wellington were also re-used in a civil derivative, the Vickers VC.1 Viking. Leslie Carr was a painter and poster designer from London. He served in the Tank Corps in the First World War and then became a professional artist, mainly producing maritime and architectural scenes. He designed posters for Southern Railway, the London and North Eastern Railway, and British Railways (among others). Carr served as a fireman in the Second World War and was a part of several firemen artists' exhibitions. Carr was a member of the Society of Marine Artists. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Second World War pictures.
  • David Klein (1918 - 2005)

    Spain - Fly TWA

      Original vintage poster 102 x 63 cm Klein's poster for Trans World Airlines (TWA) advertises flights to Spain. His design features two matadors in rich traditional address, in a stadium where a bullfight is presumably about to take place; a TWA plane flies overhead. David Klein was an American artist notable for his posters. He designed posters for the US Army, many and various Broadway productions, Trans World Airlines, and many more commercial clients. In the late 1950s and early 1960s his travel posters became iconic images of the era of commercial aeroplane travel. One of his posters was added to the MoMa's collection in 1957. Condition: good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage travel posters.
  • 'Samivel' Paul Gayet-Tancrède (1907 - 1992)

    Samivel: poète du verbe et de l'image (1992)

      Original vintage poster 95 x 65 cm This poster advertises an exhibition of Samuel's work, entitled 'Samuel: poet of word and image' and held in Grenoble in 1992, the year of the artist's death. It features Samuel's 1987 Au Vrai Sommet ('To the True Summit') as its image; the lone figure gazing out into the mountainous blue, gaunt and clad only in a loincloth, seems to represent Samivel's outstanding but isolated work. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. Condition: generally very good; faint mark to left hand side level with person; small edge crease to left. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John’s College, Cambridge.
  • Peter Spendelowe Lamborn (1722 - 1774)

    Trinity College Bridge and Library and Part of St John's College, in the University of Cambridge

      Engraving 37 x 52 cm Peter Spendelowe Lamborn was an English engraver and miniature painter. He studied engraving under Basire and worked in Cambridge, where he obtained some note as an engraver. Condition: generally good; some discolouration to paper, surface dirt particularly to margins. Mounted to board and previously mounted with plate mark under mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Cambridge.
  • Out of stock

    Cyril Power (1872 - 1951)

    Christ's College, Cambridge

      Etching 23 x 15 cm Cyril Power was an English artist. His father was the architect Edward William Power and encouraged him to practise architectural drawing. Power studied architecture and won the Royal Institute of British Architects' Sloane Medallion in 1900 for his design for an art school. He worked as an architect at the Ministry of Works and later lectured on architecture at Goldsmiths and what is now the Bartlett School of Architecture. His A History of English Mediaeval Architecture, a book of architectural illustrations and designs, was published in 1912. In 1918, Power met the artist Sybil Andrews, with whom he worked for two decades. He co-founded The Grosvenor School of Modern Art in 1922; he and Andrews attended Claude Flight's linocutting classes there. Linocut exhibitions followed at the Redfern Gallery and then further afield. Frank Pick, the Deputy Chairman of the Underground Electric Railways Company of London, commissioned Power and Andrews to design a series of posters for him after seeing their linocut work. In 1930 Power was elected member of the Royal Society of British Artists and established a studio with Andrews in Hammersmith close to the River Thames, a location which inspired many prints by both artists, most notably 'The Eight' by Power and 'Bringing in the Boat' by Sybil Andrews. Their first major joint exhibition was at the Redfern Gallery in 1933 which consisted of linocuts and monotypes. Condition: very good; fractional toning to paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ's College, Cambridge Titled and numbered 45/168 lower left and signed lower right, all in pencil.
  • Louis Osman (1914 - 1996)

    Proposal for 2 Hungershall Park, Tunbridge Wells 

      Pencil on tracing paper 59 x 102 cm Provenance: artist's studio sale Louis Osman (30 January 1914 – 11 April 1996) was an architect, artist, goldsmith, silversmith and medallist. Few people matched his creations as a goldsmith, and consequently he was chosen to make the crown for the Investiture of the Prince of Wales in 1968. Many of his other works are in public collections in the UK and worldwide. After Hele’s school in Exeter he studied at the Bartlett School of Architecture – part of University College London – from 1931. Also attending the Slade, he left the Bartlett being awarded the top first, which brings with it the Donaldson Medal of the RIBA. Following the war he was busy as an architect, works including for Westminster Abbey, and Lincoln, Exeterm, Ely and Lichfield Cathedrals. Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his own folly, the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire – which was given to the National Trust in 1981 when Osman was not able to keep the tenancy any longer. These architectural sketches show Osman's proposal for No.2 Hungershall Park, Tunbridge Wells. Condition: Generally very good, some old tape stains and handling wear to edges If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Moored Barges Watercolour 23 x 32 cm C.1900 This watercolour depicts two onlookers, perhaps a grandfather and granddaughter, watching over the moored barges in a canal. Although the location of this painting is unknown, the presence of horse-drawn barges and larger sailing vessels suggests that the setting may be situated at the confluence between a canal and the sea. The gentle terracotta tones of the roofs and footpath contribute a certain serenity to this otherwise industrial scene, as the artist successfully captures the aura of this early 20th century scene. Condition: Generally very good, mounted to board.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • A. E. Halliwell (1905-1987) Running Race

    Airbrush and pen 13 x 13 cm c.1930 Signed to the bottom right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V&A. This striking poster design by A. E. Halliwell features three young men sprinting towards the finish line of a running race, recalling images from the olympics of the 1930s. Halliwell creates a strong sense of contrast in this piece, using dark blocks of ink to depict the men's hair and clothing seams and the airbrush technique to depict shadows on their limbs and uniform. Halliwell's attitude in this design seems to be less is more, as he allows our brains to fill in the gaps of where other outlines might be expected. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Anonymous Design for Triptych Above Alta

    British, c. 1920s Gouache 38x28.5cm Christ Pantocrator stands in the middle of the design, surrounded by the four evangelists - represented by the Eagle, Bull, Lion and Angel - together with two seraphim. This is a well executed design for an as-yet unidentified location. At the bottom is a pencil description as an 'unfinished sketch'. Condition: Generally very good condition. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Edwin La Dell (1914-1970) King's College from the Copper Kettle, Cambridge

    Signed in pencil and titled 32x48cm A copy of this print is in the Government Art Collection. Lithograph Born in Coventry, La Dell's father was a Sheffield-born bookbinder. After study at Sheffield School of Art, he was the winner of a scholarship to the Royal College of Art where the head of print making was John Nash (from 1934 to 1940). La Dell became head of lithography there from 1948 until his death. During the war he was an official war artist and a camofleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself, together with those he published for the School Prints scheme and Lyons Tea Rooms. His works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter having a copy of this print. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In conservation mount, some age toning to print as visible in photograph.
  • Edwin La Dell (1914-1970) King's Parade, Cambridge

    Signed in pencil and titled 35x47cm A copy of this print is in the Government Art Collection. Lithograph Born in Coventry, La Dell's father was a Sheffield-born bookbinder. After study at Sheffield School of Art, he was the winner of a scholarship to the Royal College of Art where the head of print making was John Nash (from 1934 to 1940). La Dell became head of lithography there from 1948 until his death. During the war he was an official war artist and a camofleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself, together with those he published for the School Prints scheme and Lyons Tea Rooms. His works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter having a copy of this print. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In conservation mount, some age toning to print as visible in photograph.
  • Out of stock

    William Alistair MacDonald (1861-1948)

    Middle Temple Lane, London

    Signed Watercolour 26x17cm The buildings of Middle Temple Lane were constructed between 1684 and 1780. MacDonald is best known for his scenes of London landmarks. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.  
  • Robert Tavener (1920-2004) Magdalen College, Oxford (artist’s proof) Signed Screenprint 69×48 cm (27.1×18.8 inches) Framed in a gilt frame Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Masquelier (1898-1945)

    The Telephone 

    L. Masquelier/ Lorraine Sqdrn. (2nd TAF Security Poster No.4) Lithographic Poster 55x34.5cm Issued by the 2nd Tactical Airforce ('TAF'). This was a combination of both fighter and bomber units formed for the purposes of supporting the army in the 1944 invasion of Europe. The artist was a  Sergent-chef (sergeant) in No 342 (Lorraine) Squadron RAF, a Free French Squadron transferred back to the Armée de l'Air in December 1945. An air gunner - and relatively old at 41 at the beginning of the war - he flew on many operations, also serving as cine-cameraman thanks to his artistic skills. He died on 28 May 1945, after the end of the war. Here a Frenchman has depicted that most English of items, Giles Gilbert Scott's K2 telephone box warning members of the 2nd TAF to be careful when using the telephone. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.  
  • George Frederick Nicholls (1850-1935)

    Magdalen College from the Cherwell, Oxford

    Watercolour 37x24cm Early twentieth century. Born in Great Saughall in Cheshire - and dying in Chester - he subsequently lived in Worcestershire and Oxfordshire. Many of his paintings are of the Cotswolds and Oxford, and he is best known for his topographical paintings. He painted the illustrations for a series of county books for A & C Black, including Cornwall (1915) and Cotswolds (1920). If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Lennox Paterson (1915 - 1986)

    Noah's Ark for Clyde Shipping Company Ltd

      Original vintage poster 101 x 77 cm A charming poster portraying a Clyde Shipping Company vessel as Noah's Ark, with its animals two by two. Lennox Paterson was a painter and printmaker who studied at Glasgow Academy and then the Glasgow School of Art. He was a member of the Society of Artist Printmakers and Royal Glasgow Institute of the Fine Arts, and exhibited at the Royal Academy of Scotland. Condition: generally very good. Near-mint condition. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • W H Tittel, 1938

    Rastkogelhütte 

    In mint, unissued condition. A+ With 24 beds, 16 mattresses, central heating, electric light and quite clearly all modern conveniences, a good night’s sleep was assured for all guests. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • John Piper C.H. (British 1903-1992)

    Eye and Camera: Red, Blue and Yellow

    (Levinson 317) Screenprint in colours, 1980, on Arches signed John Piper, a proof print aside form the numbered edition of 150, published by Kelpra Editions and the Tate Gallery. Framed in plain black hand-finished frame 400 x 605 mm Condition: Excellent - never previously framed. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Lance Cottermole A Map of Northumberland & Durham, UK

    1949 Lithographic poster Published for Railway Executive 102x63cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Backed to linen, repaired tear, presents very well.
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