• US Naval Aviation Training Division

    Vickers Wellington

      Aeroplane identification poster, 1942 63 x 47 cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have several in this series; view them here - have a much more arty approach to the task with shading and an interesting angle view. The Vickers Wellington was a British twin-engined, long-range medium bomber. It was designed during the mid-1930s at Brooklands in Weybridge, Surrey. Led by Vickers-Armstrongs' chief designer Rex Pierson; a key feature of the aircraft is its geodetic airframe fuselage structure, which was principally designed by Barnes Wallis. Development had been started in response to Air Ministry Specification B.9/32, issued in the middle of 1932, for a bomber for the Royal Air Force. This specification called for a twin-engined day bomber capable of delivering higher performance than any previous design. Other aircraft developed to the same specification include the Armstrong Whitworth Whitley and the Handley Page Hampden. During the development process, performance requirements such as for the tare weight changed substantially, and the engine used was not the one originally intended. The Wellington was used as a night bomber in the early years of the Second World War, performing as one of the principal bombers used by Bomber Command. During 1943, it started to be superseded as a bomber by the larger four-engined "heavies" such as the Avro Lancaster. The Wellington continued to serve throughout the war in other duties, particularly as an anti-submarine aircraft. It holds the distinction of having been the only British bomber that was produced for the duration of the war, and of having been produced in a greater quantity than any other British-built bomber. The Wellington remained as first-line equipment when the war ended, although it had been increasingly relegated to secondary roles. The Wellington was one of two bombers named after Arthur Wellesley, 1st Duke of Wellington, the other being the Vickers Wellesley. A larger heavy bomber aircraft designed to Specification B.1/35, the Vickers Warwick, was developed in parallel with the Wellington; the two aircraft shared around 85% of their structural components. Many elements of the Wellington were also re-used in a civil derivative, the Vickers VC.1 Viking. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • US Naval Aviation Training Division

    Avro Lancaster

      Aeroplane identification poster, published 1942 63 x 47 cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have several in this series; view them here - have a much more arty approach to the task with shading and an interesting angle view. The Avro Lancaster is a British Second World War heavy bomber. It was designed and manufactured by Avro as a contemporary of the Handley Page Halifax, both bombers having been developed to the same specification, as well as the Short Stirling, all three aircraft being four-engined heavy bombers adopted by the Royal Air Force (RAF) during the same wartime era. The Lancaster has its origins in the twin-engine Avro Manchester which had been developed during the late 1930s in response to the Air Ministry Specification P.13/36 for a capable medium bomber for "world-wide use". Originally developed as an evolution of the Manchester (which had proved troublesome in service and was retired in 1942), the Lancaster was designed by Roy Chadwick and powered by four Rolls-Royce Merlins and in one version, Bristol Hercules engines. It first saw service with RAF Bomber Command in 1942 and as the strategic bombing offensive over Europe gathered momentum, it was the main aircraft for the night-time bombing campaigns that followed. As increasing numbers of the type were produced, it became the principal heavy bomber used by the RAF, the Royal Canadian Air Force (RCAF) and squadrons from other Commonwealth and European countries serving within the RAF, overshadowing the Halifax and Stirling. A long, unobstructed bomb bay meant that the Lancaster could take the largest bombs used by the RAF, including the 4,000 lb (1,800 kg), 8,000 lb (3,600 kg) and 12,000 lb (5,400 kg) blockbusters, loads often supplemented with smaller bombs or incendiaries. The "Lanc", as it was known colloquially, became one of the most heavily used of the Second World War night bombers, "delivering 608,612 long tonnes of bombs in 156,000 sorties". The versatility of the Lancaster was such that it was chosen to equip 617 Squadron and was modified to carry the Upkeep "bouncing bomb" designed by Barnes Wallis for Operation Chastise, the attack on German Ruhr valley dams. Although the Lancaster was primarily a night bomber, it excelled in many other roles, including daylight precision bombing, for which some Lancasters were adapted to carry the 12,000 lb (5,400 kg) Tallboy and then the 22,000 lb (10,000 kg) Grand Slam earthquake bombs (also designed by Wallis). This was the largest payload of any bomber in the war. In 1943, a Lancaster was converted to become an engine test bed for the Metropolitan-Vickers F.2 turbojet. Lancasters were later used to test other engines, including the Armstrong Siddeley Mamba and Rolls-Royce Dart turboprops and the Avro Canada Orenda and STAL Dovern turbojets. Postwar, the Lancaster was supplanted as the main strategic bomber of the RAF by the Avro Lincoln, a larger version of the Lancaster. The Lancaster took on the role of long range anti-submarine patrol aircraft (later supplanted by the Avro Shackleton) and air-sea rescue. It was also used for photo-reconnaissance and aerial mapping, as a flying tanker for aerial refuelling and as the Avro Lancastrian, a long-range, high-speed, transatlantic passenger and postal delivery airliner. In March 1946, a Lancastrian of BSAA flew the first scheduled flight from the new London Heathrow Airport. Condition: generally very good, occasional handling marks. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Lancaster Bomber AU-Q loading bombs

    Original Silver Gelatin photograph 21 x 25 cm Stamped to reverse 'Copyright Associated Press Photograph' Press release states:LAST MINUTE PREPARATIONS FOR TOMORROW'S ATTACK ON THE FLEET At RAF Station Upwood, Hunts, today, Dec 8th last minute preparations were being carried out for tomorrow's attack on the fleet. Photo shows a Lancaster being made ready for a dawn take off tomorrow photographed this evening against the setting sun. WOR 339889 Associated Press Photo Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Gerald Mac Spink (flourished 1920 - 1940)

    For Pleasure, Travel by Underground (c. 1930)

      Gouache 26 x 18 cm Original design for a London Transport poster. Framed. A dynamic Art Deco poster design by Mac Spink. A boldly-coloured harlequin figure encourages travel via the London Underground. Spink was a skilled artist and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: good; a few small scuffs to gouache, as visible in photographs. Handsomely framed. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Gerald Mac Spink (flourished 1920 - 1940)

    For Theatres, Kinemas, Cabarets, Dances, Concerts, Travel by Underground (c. 1930)

      Gouache 30 x 19 cm Original design for a London Transport poster. Framed. A fantastic gouache design by Spink for a London Underground poster. The artist's striking Art Deco design and heady use of colour advertises the glamour of travelling by Tube to various evening entertainments around London. Spink was a skilled artist and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: good; a few small scuffs to gouache, as visible in photographs. Handsomely framed. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • France - Cathedrale d'Albi, Toulouse

      Original vintage poster 60 x 40 cm The Basilique Cathédrale Sainte-Cécile d'Albi (Cathedral Basilica of Saint Cecilia), also known as Albi Cathedral, is the seat of the Catholic Archbishop of Albi. First built in the aftermath of the Albigensian Crusade, the grim exterior resembles a fortress, but the interior is lavishly decorated with art and sculpture, a very ornate choir screen, and walls in bright blues and golds, in the Toulousian or Southern French Gothic. It was begun in 1282 and was under construction for 200 years. It is claimed to be the largest brick building in the world. In 2010 the cathedral, along with its episcopal buildings, was designated a UNESCO World Heritage Site because of its unique architecture and the remarkable consistency in its design. Condition: small tear to lower left corner; some wear to corners. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Charles Paine (1895-1967)

    Army Map of England (1944)

    Lithograph 99 x 75 cm Published for the National Savings Committee in London, the Scottish Savings Committee in Edinburgh, and the Ulster Savings Committee in Belfast. Printed at Field Sons & Co. Ltd., Bradford, for His Majesty's Stationery Office, London. Signed lower left in the plate. Charles Paine was a versatile and prolific designer, who drew on his training in stained glass to create bold, structured and highly stylised lithographs for a variety of companies. This decorative and brightly-coloured map illustrates the various county regiments of Great Britain, with a border of regimental badges. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Fougasse (Cyril Kenneth Bird, 1887 - 1965)

    'I'm very glad Jones offered me a lift home as the rain certainly seemed to get much heavier!' (1966)

      Pen and ink 32 x 24 cm Signed upper right. Cyril Kenneth Bird, under the name Fougasse, was a British cartoonist. He was art editor of Punch 1937 - 1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and produced many other posters for the Ministry of Information and London Underground. His pen and ink cartoons for Punch are some of his gentlest and funniest works. Provenance: The Fine Art Society Ltd., 148 New Bond Street, June 1966. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • N. V. Gray

    The Royal Wedding: Picture Map of the Route through London (1947)

      Lithograph 50 x 76 cm Produced by H.A. & W.L. Pitkin Ltd for the Daily Telegraph and published by Geographia Ltd., of Hutchinson & Co. Signed in plate lower right. Complete with slip showing the genealogy of the two parties. Princess Elizabeth (later Her Majesty Queen Elizabeth II) and Prince Philip married on Thursday 20th November 1947 at Westminster Abbey in London. This map, commissioned and sold by the Daily Telegraph newspaper, was designed by N. V. Gray. It depicts the route the carriage processions took on the way to the Abbey; Princess Elizabeth and her father King George Vi travelled in the magnificent Irish State Coach. Crests of London's boroughs border this delightfully coloured map. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Soviet Union pro-Lenin Marxist Bulgarian propaganda poster design (circa 1950s)

      Gouache on board 20 x 11.5 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian culture. This poster design is a piece of Leninist propaganda, designed to make Bulgarians associate Lenin and Soviet Marxist rule with efficiency and plenty. It is inscribed to the reverse in Bulgarian 'To grow plants in rows next to each other - the thickest row with straight cobs'. The Pirin Mountains referred to in the top left-hand corner are a mountain range in southwestern Bulgaria. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Soviet Union socialist irrigation Bulgarian propaganda poster design (circa 1950s)

      Gouache on board 18 x 11 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian culture. This poster design features huge juicy vegetables, grown as the result of newly-implemented irrigation systems. Socialist farming practices in Bulgaria were commonplace during its time as a Soviet ally or 'satellite'; the government was keen to encourage well-yielding farming practices and to be seen as a protector of agricultural infrastructure turing this turbulent period of the 20th century. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Bulgarian pro-natalist propaganda poster design (circa 1950s)

      Gouache on board 17 x 12 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian culture. This poster design, painted in warm pink-purple tones and depicting a Bulgarian soldier holding a toddler aloft, was designed as post-war pro-natalist propaganda (likely from the 1950s). Bulgaria and its Soviet allies had lost a huge number of men during the war, and this design for a poster was intended to encourage Bulgarians to have more children. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Anonymous

    Rags Every bit of rag still urgently required

    WW2 British Home Front Poster 75x49cm Lithograph in four colours If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • 'Bisto for all Meat Dishes'

      Original vintage poster 55 x 202 cm This original vintage poster is an excellent opportunity to acquire a piece of British advertising history. Bisto is an instantly recognisable brand today, and has been throughout the 20th century; the catchphrase on the poster here, "Bisto for all meat dishes" was used in the 1950s. The first Bisto product, in 1908, was a meat-flavoured gravy powder which rapidly became a bestseller in the UK. It was added to gravies to thicken them and give a richer taste and aroma. Invented by Messrs Roberts & Patterson, it was named "Bisto" because it "Browns, Seasons and Thickens in One". As of 2005, Bisto Gravy Granules had a British market share of over 70%. Nearly all British grocery outlets stock a Bisto product.
  • JAK  (Raymond Allen Jackson) 1927-1997

    "I think we should let the Germans keep it next time" (1992)

    Visitez La Belle France, Fly Air France 51x59cm Pen, ink and monochrome wash with inscriptions in pencil. For the London Evening Standard   JAK was one of Britian's best-known political cartoonists, working for the London Evening Standard and the Daily Mail between the 1950s and 1990s. He left school at the age of 14, and after a brief career as a messenger boy studied at Willesden College of Technology, studying art with the aim of becoming an art teacher. Following National Service (in the Territorial Army, teaching conscripts to paint), in 1950 he became a staff artist at Link House Publications, and then at advertising agency J Keymer & Co. Whilst working here he submitted cartoons to Punch and other journals, joining the Evening Standard in 1952 as illustrator, also drawing occasional cartoons. In 1966, following the suicide of 'Vicky' (Victor Weisz), he became policital cartoonist at the Evening Standard. Some of his cartoons were highly controversial. In 1970 he caricatured power workers (then striking to improve their conditions) as stupid, greedy and deaf to reason; the entire Evening Standard staff nearly went on strike in response. In 1982 a cartoon in response to the Northern Ireland situation (he frequently depicted Irish people negatively) caused Ken Livingstone to withdraw all advertising from the Standard. His style was distinctive, drawn in ink on 17" x 21.5" board using a mapping pen and brush. His signature was always in a bottom corner, with blob-like serifs, and the title and other instructions were drawn on the picture in pencil. He also drew cartoons for the Mail on Sunday, Daily Express, and Sunday Express.
  • Per Arnoldi (born 1941)

    Copenhagen: Jazz Center of Europe (1972)

    Lithographic poster 99 x 61 cm   Per Arnoldi was born in Copenhagen in 1941. He is a Danish designer and artist most famous for his prolific commercial poster art. Arnoldi is a lifelong fan of jazz, and, as well as having created many jazz-related posters, he hosts monthly jazz radio shows and occasionally tours with a jazz trio. This bold and dynamic poster is typical of Arnoldi's jazz designs. He notably uses block primary colours and simple, often silhouetted, compositions. The Tourist Association of Copenhagen commissioned the poster in order to encourage tourists to visit the city and its musical haunts. The saxophonist silhouetted in the image is thought to be a representation of Stan Getz, the American jazz saxophonist who died in 1991. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Arne Ungermann (1902-1981)

    'Den Permanente', "The Permanente Exhibition" (1956)

    Lithographic poster 84 x 61 cm The Danish artist Arne Ungermann designed this poster in 1956 to celebrate the 25th anniversary of Den Permanente in Copenhagen. Den Permanente, or the Permanent Exhibition, celebrated Danish art, craft, and design, and operated between the 1930s and 1980s. The Danish silversmith Kay Bojesen came up with the idea for the exhibition, which also served as a shop where customers could buy Danish art and crafts. Bojesen's idea became a reality when Christian Grauballe, director of the iconic Danish design company Holmegaard, invested in it in 1931. Den Permanente became an icon of Danish 20th century design, selling furniture, glassware, lighting, ceramics, jewellery, and textiles. Bojesen is most famous for his wooden monkey design, which Ungermann features in his poster. The motif of the mermaid emerging from the sea could be a motif drawn from Hans Christian Andersen, but made modern - she breaks the surface of the ocean in order to marvel at the treasure trove of man-made objects exhibited at Den Permanente. The notable Little Mermaid statue on Copenhagen's promenade, installed in 1913, is also inspired by Andersen's fairy tale. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Danish Society of Arts and Crafts

    'Vort Hjem', "Our Home" poster (c. 1950)

    Lithographic poster 80.5 x 57 cm A poster advertising the 'Vort Hjem Nordisk Udstilling' - the "Our Home: Nordic Exhibition". The exhibition explored Nordic interior design and was commissioned by the Danish Society of Arts and Crafts. The poster presents a domestic scene of a woman arranging flowers; we see her through the glass panels of an ajar door, which invites us into the typically Danish interior. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Builders YOU Are Hitting Back Original WW2 Poster (c.1940)

    'Builders - YOU Are Hitting Back' Original WW2 Poster (c.1940) 76 x 50.5 cm Lithograph and letterpress (on paper) Printed by Lowe and Brydone Printers Ltd, London NW10. Published by HM Stationery Office.   Because: You are building bases for the Flying Boats which guard the convoys You are building the Factories which makes the guns, tanks, planes & shells You are building the Airfields for the ever increasing number of bombers and fighters - Spitfire You are building the Hostels for your fellow workers to live in You are building the warehouses which store the Nation's Food Supply
  • Take Care! Official Secrets Act WW2 Poster (c.1940)

    Lithographic poster 18 x 51 cm Printed for the HM Stationary Office by Gothic Press, London.  
  • Brendan Neiland (b.1941)

    Kings Cross Intercity Poster

    Original Vintage Poster - lithograph 102x64cm (40×25 inches) each 1991 Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Brendan Neiland (b.1941)

    York Intercity Poster

    Original Vintage Poster - lithograph 102x64cm (40×25 inches) each 1991 Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • 1942 MacArthur name "Val" Aichi "Type 99"

    World War II Japanese dive bomber plane

      Original aeroplane identification poster, 1942 63 x 47 cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have many in this series - have a much more arty approach to the task with shading and an interesting angle view. The Aichi D3A Type 99 Carrier Bomber (Allied reporting name "Val") was a World War II carrier-borne dive bomber. It was the primary dive bomber of the Imperial Japanese Navy (IJN) and was involved in almost all IJN actions, including the attack on Pearl Harbor. The Aichi D3A was the first Japanese aircraft to bomb American targets in the war, commencing with Pearl Harbor and U.S. bases in the Philippines, such as the Clark Air Force Base. They sank more Allied warships than any other Axis aircraft. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • US Naval Aviation Training Division

    RAF Hawker Typhoon World War 2 US airplane

    Original aeroplane identification poster, 1942 63x47cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have several in this series (click here) - have a much more arty approach to the task with shading and an interesting angle view. The Typhoon is a single-seat fighter-bomber nicknamed the 'Tiffy'. Designed as a replacement for the Hawker Hurricane it never completely satisfied this expectation. However it was the only RAF fighter capable of catching the Fw 190 at low altitudes when the latter came into service in 1941. It became one of the most effective ground-attack aircraft of the Second World War. 3317 were produced and only one complete Typhoon still exists which belongs to the Royal Air Force Museum in Hendon. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Salvador Dali (1904-1989)

    Rousillon Original Poster for French National Railways SNCF (1969)

    98 x 62 cm Lithographic poster
    This is one example of the seven posters Surrealist painter Salvador Dali (1904-1989) designed for the French National Railways in the late 1960s and early 1970s - click here for the others.
    Condition: Generally very good - a little creasing to the very edges.
     
  • Albert Herndl (photographer)

    Musée des Beaux Arts, Vienna, Austria / Osterreich (c.1950s)

    Original lithographic poster 61x43cm  
  • Waimea Bay, Hawaii 1964 Vintage Surfing Poster of Mike Doyle Champion Surfer

    67 x 53 cm Poster (lithograph) Printed by Looart Press, Colorado Springs, Colorado (1964) Waimea Bay Hawaii vintage 1964 surfing poster, with photograph of legendary surfer Mike Doyle on a wave on the north coast of Hawaii, taken by the iconic Californian surf photographer Leroy Grannis (1917-2011). Born in California in 1941, Doyle was first capitvated at the age of thirteen by surfing. The epitome of a surfer; tanned, chiseled features, charismatic and permanently smiling. He won readers polls in 1964 and 1965 in Surfer magazine, and in 1966 was voted Surfer's 'Top International Surfer'. Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. The poster is in generally excellent condition.
  • 'BOOM' skibatics in Colorado Poster (c.1970)

    67 x 53 cm Original Vintage Poster Printed by LooArt Press, Colorado Springs, Colorado. Features a photograph of acrobatic skier by Steve Knowlton. Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. In generally excellent condition.
  • Hart Ski Colorado Original Vintage Poster (c.1970), Roger Staub USA

    67 x 53 cm Made in U.S.A Photograph of Olympic Medalist, Roger Staub, photographed by Marvin Newman. Born in 1936, Staub won the gold medal in the Giant Slalom in the 1960 Winter Olympics in Squaw Valley; his first Olympics having been in 1956 where he finished fourth. Following a brief career as a professional racer he commenced a life as ski school director at Vail, Colorado, just after its opening. He died in 1974 in a ski gliding accident. Condition: Generally excellent, direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s.
  • Taos New Mexico USA Vintage Ski Poster 1974 Victor Frohlich and Tom Carrera

    67 x 53 cm Poster Printed by LooArt Press, Colorado Springs, Colorado Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. This features Victor Frohlich in the foreground, who had been at Taos Ski Valley since the start, with Tom Carrera in behind him. This is on the Snakedance fun in 1974. Taos Ski Valley was founded in 1955 by Ernie and Rhonda Blake who lived in an eleven foot camper van prior to the construction of the Hondo Lodge - now the Inn at Snakedance (where they lived without power until 1963!) In 1956 Ernie - together with sixteen men from Taos Puelbo and a mule named Lightning - installed the first lift, the Bridger-Boseman J-Bar, serving the current Snakedance run which at the time was the mountain's only run. Condition: From the printer's surplus stock, in generally excellent condition.
  • Alta, Utah Vintage Ski Poster USA (c.1970)

    67 x 53 cm Poster Printed by LooArt Press, Colorado Springs, Colorado, c. 1970 From the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Excellent  
  • Aspen Highlands Vintage Ski Poster (c.1970) Maroon Bells Mountains

    67 x 53 cm Poster Printed by LooArt Press, Colorado Springs, Colorado Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Generally excellent, new-old stock from the 1970s printers.
  • Lionshead, Vail, Colorado Vintage Ski Poster USA (c.1970) Powder Day

    67 x 53 cm Poster Printed by LooArt Press, Colorado Springs, Colorado, 1970 Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Excellent
  • Breckenridge, Colorado Vintage Ski Poster USA (1967)

    67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado, 1967 Travel poster for skiing in Breckenridge, Colorado, featuring a photograph of a smiling skier - Trygve Berge sporting Kneissl skis - and a rather cool pair of shades and jumper. Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Excellent.  
  • Davos, Parsenn Region, Switzerland Vintage Ski Poster (1968)

    67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado, 1968 1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow. Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Excellent
  • Mammoth Mountain California Vintage Ski Poster (1967)

    67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado. Vintage travel poster for Mammoth, California ski resort. Includes an illustration of a skiier gliding through the air. Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Excellent
  • Out of stock

    Salvador Dali (1904-1989) Alpes French Railways - The Alps

    Original Poster for French Railways SNCF 40x25" (100x67cm) Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Printed on wove - a thicker paper than the standard poster which is also textured. Condition: very good
  • Earl's Court Exhibition Routemaster Slipboard Poster c1970

    Screenprint poster 64x9cm Printed for London Transport for use on Routemaster or RT buses - the traditional red London bus with open platform and hop-on-hop-off facility. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Uxbridge Station Poster c.1930 Printed by HMSO

    Lithograph 100x62cm This four coloured lithograph was printed in extremely limited numbers for London Transport by HMSO. These maps detailed station entrances and were placed along the underground network to inform commuters exactly where they were in London. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, slight bruising to the very edges in places, and a little touching in of the red border.
  • Switzerland of Tomorrow Welcomes You Today (1964)

    Lithographic poster 152.4cm x 63.5 cm 1964   Original "Switzerland of Tomorrow" poster from the 1964 Swiss National Exhibition. As well as a brilliantly-designed futuristic poster printed in rich colours, it is a real piece of Swiss (and European) history. The poster is the English-language edition of a tourism-encouraging poster produced in several languages to welcome international visitors to an exhibition of Swiss innovation. Switzerland holds such an event four times per century, and the exhibitions often act as a portrait of contemporary culture, design, and politics. The 1964 National Exhibition in Lausanne offered a rather different representation of Switzerland from previous exhibitions. This was partly the result of its being held during one of the tensest periods of the Cold War; the attitudes of the Swiss were changing as the twentieth century progressed, as was the case for most Europeans, and the shadow of war had encouraged many citizens, businesses, and public bodies to reexamine their values. At "Expo 64", the nickname for that year's exhibition, the 'Gulliver Project' was introduced. The exhibition organisers made use of the character Gulliver (from Swift's 'Gulliver's Travels' to assess visitors' attitudes to daily life. A small questionnaire written by "Gulliver" was given to visitors, asking them questions about their societal attitudes, domestic lives, and work ethics, such as "Can you be a good Swiss and get up at 9am?". The theatre director Charles Apothéloz suggested having Gulliver ask these questions so as to make the questionnaire seem less serious, and to encourage people to answer truthfully. The questionnaire answers were compiled and analysed, but never published, as had been Apothéloz's initial intention. Charles Ascher discusses this at length in his 1965 article 'Gulliver in the Land of the Swiss'. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good, pinholes to corners with some soft creases along bottom inch (would be hidden by mount).
  • 'Samivel' Paul Gayet-Tancrède (1907-1992) Les Pyrénées, France

    Editions Mythra SA Chamonix Original Vintage Ski Poster 91x62cm With the ever-popular topic of skiing, Samivel here catches a chamois atop a Pyrenean hill, a mountain peak in the background. The chamois, a mountain goat-antelope, has hooked horns when fully grown, this one is likely a kid. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. Click here to see other posters by Samivel. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, faint spotting towards bottom.
  • Anonymous Boston Museum Centennial 1870-1970

    "Mandala of Eight Bodhisatlvas, Nepal 12th Century, Centennial Acquisition" 97x70cm Vintage poster 1970 If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Anonymous Boston Museum Centennial 1870-1970

    "Narcissus Tapestry, French or Franco-Flemish, Late 15th or 16th Century, Centennial Acquisition" 97x70cm Vintage poster 1970 If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Two repaired edge tears to right margin, not into image, one 3" long, other shorter; one repaired short tear to left.
  • Franz Weiss (1903-1982) German/American L'Allgäu

    Original Vintage poster/Affiche francaise 84x59cm American-German illustrator and graphic designer, Weiss has captured this poster in an amusing and charming way. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Few short edge tears, little spotting to top left.
  • Anonymous Milan Trade Fair 1975

    Original Vintage Poster 98x61cm A cool poster design from Italy, that home of mid-century modern design. We have been unable to trace any other copy of this poster; it is quite possibly the sole survivor. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some gentle creasing, generally good condition.
  • Anonymous

    Berlin (1955)

    Lithographic poster 84 x 61 cm Original Vintage Poster Kaiser Wilhelm Gedächtniskirche from Kurfürstendamm by Night A view of the 'Champs Elysee' of Berlin, the main shopping street in 1955. Although it was designed just ten years after the Second World War's end, when much of the city still bore the scars of devastating conflict, the poster still manages to evoke a pre-war idea of Berlin (especially seen through the glamorous lens of the postwar 1950s). Fashionable figures cross the street, the cars are the latest and brightest, and the humming city is reflected in the wet road. This poster was designed to be overprinted with the name of the local airline. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Backed to linen. Small loss to bottom left corner in margin; a little white spotting to the 'Berlin' panel.
  • Salvador Dali Tomorrow's Technology

    Original Poster for French Railways SNCF 60x37cm 1976 Signed in the plate Dali designed posters for SNCF for several years, a fruitful relationship. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Anonymous

    Oxford Wings for Victory Poster Design IV

    c.1943 Gouache on paper 70 x 51 cm 89 x 68 cm including hand-finished frame, UK shipping only Click here to see other posters from this series. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.

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