• Samuel & Nathaniel Buck

    Byland Abbey, Yorkshire

    Engraving 37x19cm, c. 1770 "Byland Abbey is an interesting ruin about five miles from Helmsley. It was a fine specimen of ecclesiastical architecture, founded by the monks of Furness, who were driven from their establishment in Lancashire during an incursion of the Scots. When the abbey was dissolved in 1540 its revenues amounted to 238l. 9s. 4d." (Source: The Penny Magazine of the Society for the Diffusion of Useful Knowledge 25 June 1836.)
  • 'Samivel' Paul Gayet-Tancrède (1907-1992) Les Pyrénées, France

    Editions Mythra SA Chamonix Original Vintage Ski Poster 91x62cm With the ever-popular topic of skiing, Samivel here catches a chamois atop a Pyrenean hill, a mountain peak in the background. The chamois, a mountain goat-antelope, has hooked horns when fully grown, this one is likely a kid. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. Click here to see other posters by Samivel. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, faint spotting towards bottom.
  • 'Samivel' Paul Gayet-Tancrède (1907 - 1992)

    Samuel: poète du verbe et de l'image (1992)

      Original vintage poster 95 x 65 cm This poster advertises an exhibition of Samuel's work, entitled 'Samuel: poet of word and image' and held in Grenoble in 1992, the year of the artist's death. It features Samuel's 1987 Au Vrai Sommet ('To the True Summit') as its image; the lone figure gazing out into the mountainous blue, gaunt and clad only in a loincloth, seems to represent Samivel's outstanding but isolated work. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. Condition: generally very good; faint mark to left hand side level with person; small edge crease to left. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John’s College, Cambridge.
  • 'Samivel' Paul Gayet-Tancrède (1907-1992)

    Le Parc National de la Vanoise, Alpes de Savoie

    Editions Mythra SA Chamonix Original Vintage Ski Poster 99x62cm Condition: Excellent, with four small glue marks to reverse not affecting image. With the ever-popular topic of skiing, Samivel here catches a Marmot atop a Vanoise hill, a mountain peak in the background. The Marmot, a squirrel-like rodent, is always a sign of the impending end of the ski season as it comes out with the warmer weather as spring approaches. Click here to see other posters by Samivel. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Salzburg: Land of Happy Holidays

    Lithographic poster 84x59cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Salvador Dali (1904-1989)

    Rousillon Original Poster for French National Railways SNCF (1969)

    98 x 62 cm Lithographic poster
    This is one example of the seven posters Surrealist painter Salvador Dali (1904-1989) designed for the French National Railways in the late 1960s and early 1970s - click here for the others.
    Condition: Generally very good - a little creasing to the very edges.
     
  • Out of stock

    Salvador Dali (1904-1989) Alpes French Railways - The Alps

    Original Poster for French Railways SNCF 40x25" (100x67cm) Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Printed on wove - a thicker paper than the standard poster which is also textured. Condition: very good
  • Salvador Dali (1904-1989) Alpes French Railways - The Alps

    Original Poster for French Railways SNCF 40x25" (100x67cm) Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Condition: very good, slight age toning/handling wear to very edges as usual
  • Salvador Dali (1904-1989) Paris, France - French Railways 

    Lithographic poster 101 x 63.5 cm For French Railways SNCF Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Generally very good; occasional slight browning to the very edges
  • Salvador Dali (1904-1989) Normandy - Normandie

    Original Poster for French Railways SNCF 100x60cm Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the plate 1969 From the Butterfly series. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent condition; slight age toning to edges of poster.
  • Salvador Dali (1904-1989) Auvergne

    Original Poster for French Railways SNCF 100x60cm Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the plate 1969 From the Butterfly series. Condition: Generally excellent condition; slight age toning to edges of poster.
  • Salvador Dali (1904-1989) Alsace

    Original Poster for French Railways SNCF 100x60cm Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the plate 1969 If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent condition; slight age toning to edges of poster.
  • Salvador Dali Tomorrow's Technology

    Original Poster for French Railways SNCF 60x37cm 1976 Signed in the plate Dali designed posters for SNCF for several years, a fruitful relationship. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Jane Gray (b.1931)

    Saling Hall, Essex, Floral Design for Stained Glass Window

      Watercolour 11 x 20 cm

    Saling Hall, in Essex, has a long and rich history, dating back to the early 12th century when Sir Baldwin Wiscart was the first recorded Lord of the Manor. After his his son, the house passed to the knightly family of Bibbesworth, who lived there for four generations. Sir Walter de Bibbesworth was a crusader and a poet (in French). Nothing remains of the first Saling Hall which was rebuilt around 1590 by the Maxey family who had bought the hall in 1487. The house faced further remodelling by its 17th century owner, Martin Carter, a lawyer. He ornamented the new facade with Dutch gables, which are the latest example of their kind in Essex, and the house has changed little since. The hall passed through many more hands before it was bought, in 1935, by Lady Isabella Carlyle (née Barton) who was a passionate gardener and gave the Hall its first modern gardens. Lady Carlyle sold the Hall in 1971 to Hugh Johnson, a well known garden writer, who continued Lady Carlyle’s work on the gardens. This watercolour sketch is an early design for a stained glass window commissioned by Johnson for a fanlight in Saling Hall. Johnson wished the design to include the plants he grew in his own garden to symbolise the seasons. Gray designed the panel using Corsican Hellebore for winter, the Crown Imperial Fritillary for spring, Dog Rose for summer (although, this was changed to Agapanthus in the final design), and Japanese Anemones for autumn. In the final window, Gray also included vines to frame the design and nod to Johnson’s oenological interests.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.40. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Saling Hall, Essex, Design for Stained Glass Window (1980)

      Watercolour 11 x 20 cm

    Signed and dated.

    Saling Hall, in Essex, has a long and rich history, dating back to the early 12th century when Sir Baldwin Wiscart was the first recorded Lord of the Manor. After his his son, the house passed to the knightly family of Bibbesworth, who lived there for four generations. Sir Walter de Bibbesworth was a crusader and a poet (in French). Nothing remains of the first Saling Hall which was rebuilt around 1590 by the Maxey family who had bought the hall in 1487. The house faced further remodelling by its 17th century owner, Martin Carter, a lawyer. He ornamented the new facade with Dutch gables, which are the latest example of their kind in Essex, and the house has changed little since. The hall passed through many more hands before it was bought, in 1935, by Lady Isabella Carlyle (née Barton) who was a passionate gardener and gave the Hall its first modern gardens. Lady Carlyle sold the Hall in 1971 to Hugh Johnson, a well known garden writer, who continued Lady Carlyle’s work on the gardens. This design is a final drawing for a stained glass window commissioned by Johnson for a fanlight in Saling Hall. Johnson wished the design to include the plants he grew in his own garden to symbolise the seasons. Gray designed the panel using Corsican Hellebore for winter, the Crown Imperial Fritillary for spring, Agapanthas for summer, and Japanese Anemones for autumn. Gray also included vines to frame the design and nod to Johnson’s oenological interests.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.40. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Gerald Mac Spink (flourished 1920 - 1940)

    Sailing ship

      Pencil 31 x 38 cm A stormy sea and the wind in her sails. Spink was a skilled artist, illustrator, and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Anon.

    Safety comes in cans

    British Safety Council Lithographic Poster c. 1970s or 1980s 40x25cm Health and Safety amusement with the "I can, you can, we can" catchphrase. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Henry Winstanley (1644 - 1703)

    Rycote House, Oxfordshire

      Engraving 19 x 44 cm Rycote House, Oxfordshire, was a Tudor (and later Georgian) country house. The house was built in the 16th century, and in 1920, after a period of decline, the extensive stables were converted into the present Rycote House. Condition: generally very good; some age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other architectural drawings.
  • Russian Aircraft Recognition Chart (c. 1940s - World War II era)

      Original vintage poster 76 x 102 cm Published by the Ministry of Supply. Many of these aircraft would have been in use during World War II and very familiar to the Allies. A rather attractive recognition chart - in stark contrast to many similar posters which employ a less artistic approach. PE-8; TU-2; PE -2 & 3; IL-4; ER-4; A-7; YAK-3; YAK-9; IL-2; and LA-5 are the aircraft features. Condition: a few creases, otherwise generally good to very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage aircraft posters.
  • Jane Gray (b.1931)

    Ruislip Library, Design for Stained Glass Window (1987)

      Watercolour 18 x 8.5 cm

    Signed, dated and studio stamp verso.

    In 1987, money was put aside for something to commemorate the Ruislip Library’s 50th anniversary; instead of another bench in a reading room, Gray received a commission for a stained glass window. This was the first window Gray made from her home in Shropshire  and she used the nearby willow trees to inspire the wreath of willow leaves and central ‘Tree of Knowledge'—a pollarded willow. The choice of tree was highly intentional as, coincidentally, a librarian by the name Miss Pollard had also died that year.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.36. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Out of stock

    Brian Bannatyne Lewis (1906 - 1991)

    Ruislip Gardens Station (1938)

      Pen, ink and watercolour 70 x 50 cm Initialled and dated 4 3 38. A 1938 design for the new Ruislip Gardens tube station, commissioned by the Great Western Railway (GWR) for its proposed western extension to the Central Line. The design's Art Deco lettering befits London Transport's aesthetic in the 1930s. Lewis brings his designs to life by including smartly-dressed characters entering and leaving the stations. Ruislip Gardens Station, when built, did not adhere to this design. The Central line opened in 1900, between Shepherd's Bush and Bank; it extended westwards to Ealing Broadway in 1920. Two years after the formation of London Transport in 1933, an extensive New Works Programme began, proposing a westwards extension of the line to Denham. Brian Lewis created designs for nine stations in early 1938, but the Second World War broke out before they could be built. By the time the extension had been built, Lewis was no longer chief architect of the GWR - the stations were modified and completed by Frederick Francis Charles Curtis instead. The extension to Greenford opened in 1947 and finally reached West Ruislip in 1948. Denham never actually became part of the tube line, owing to the establishment of the green belt. Brian Lewis was born in Tasmania, attended school in Melbourne, and subsequently obtained a Diploma in Architecture in 1928 from the University of Melbourne. He then moved to the UK to study at the Liverpool School of Architecture, winning scholarships in each of his three years of study to fund extensive European travel. He married a fellow Liverpool architectural student, Hilary Archer. After moving to London, he took up employment with the GWR in their architects’ office; he also lectured at a local polytechnic, and moonlighted with his wife at home on mainly residential commissions – rather different projects from the hotels and stations which GWR commissioned from him. He exhibited frequently at the Royal Academy of Arts, showing superb measured drawings of historic buildings. In the Second World War he enlisted with the Second Imperial Australian Force, serving in the Middle East, then transferred to the Royal Australian Engineers where he became a Captain. In 1943 he was sent to London to help GWR repair bomb damage.  Lewis became Chief Architect of GWR in 1945 (following the retirement of the noted Percy Emerson Culverhouse), and the first Chair of Architecture at Melbourne University in 1947. He also became the consulting architect for the major buildings of the Australian National University in Canberra, producing an imaginative site plan and designing University House, which was awarded the Sulman medal in 1954. He also designed the Risdon Prison Complex in 1960. He retired in 1971 to paint watercolours and write his memoirs. Condition: generally very good; a few handling marks and two holes from filing. Handsomely framed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here to view the other station designs in the set.
  • Walter Hoyle (1922 - 2000)

    Rugby School

      Linocut 62 x 46 cm Signed, titled, and inscribed A/P in pencil. Possibly unique. Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green garden peeks out from between the buildings, which lean gently away from one another. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964-1985, during which time he launched Cambridge Print Editions. His work is held in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, Kettle’s Garden and the Fry Art Gallery. Condition: enerally very good; a few handling marks and a little spotting to the margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • N. V. Gray

    The Royal Wedding: Picture Map of the Route through London (1947)

      Lithograph 50 x 76 cm Produced by H.A. & W.L. Pitkin Ltd for the Daily Telegraph and published by Geographia Ltd., of Hutchinson & Co. Signed in plate lower right. Complete with slip showing the genealogy of the two parties. Princess Elizabeth (later Her Majesty Queen Elizabeth II) and Prince Philip married on Thursday 20th November 1947 at Westminster Abbey in London. This map, commissioned and sold by the Daily Telegraph newspaper, was designed by N. V. Gray. It depicts the route the carriage processions took on the way to the Abbey; Princess Elizabeth and her father King George Vi travelled in the magnificent Irish State Coach. Crests of London's boroughs border this delightfully coloured map. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Tank Corps (now Royal) Captain (Fighting Order) 1917 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • In the Country, In the Town (c. 1960)

      Original vintage poster 76 x 50 cm A delightfully quaint vintage poster with a series of important and relevant pedestrian safety messages. From its foundation in 1916 onwards, the Royal Society for the Prevention of Accidents published dozens of highly artistic posters encouraging people to take precautions and prevent injuries (for example, telling factory workers to wear goggles and inspect their tools, or advising drivers to watch out for children in the road). This poster advises those visiting the country to use footpaths and cross roads carefully, and suggests that city-dwellers walk on pavements and only cross at pedestrian crossings. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John’s College, Cambridge.
  • The Royal Army Ordnance Corps (now Royal Logistics Corps) 1914 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; faint spotting and small repaired tear to right. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Horse Artillery Drivers 1900 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Flying Corps (RAF) Officer 1914 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Field Artillery Driver 1914 - 1918 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Festival Hall Routemaster Slipboard Poster c1970

    Screenprint poster 64x19cm In a black hand-finished frame. Printed for London Transport for use on Routemaster or RT busses. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Graham Sutherland (1903 - 1980)

    Royal Ascot (1935)

      Original vintage poster 101 x 63 cm A text poster advertising Southern Railway as a means of travelling to and from Royal Ascot. Graham Sutherland OM was an English artist known for his romantic, abstract landscapes and portraits of public figures, including Churchill and the Queen Mother. Sutherland spent the 1920s mostly making landscape prints, but, following the collapse of the print market in the early 1930s branched out into watercolours. He also undertook a few commercial commissions for posters, working for London Transport, Shell and others. He served as an official war artist in the Second World War, painting industrial scenes on the British home front. After the war he worked in oils and explored figurative painting. Condition: generally very good; backed to linen. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage London Transport posters.
  • Royal Army Service Corps (now Royal Logistics Corps) 1954 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Jane Gray (b.1931)

    Royal Airforce Music Services Headquarters, Design for Memorial Stained Glass Window (1985)

      Watercolour 6 x 22.5 cm

    Signed and dated verso.

    Gray’s design for this memorial window commemorates the lives of those lost in the Langenbruck bus crash, 11 February 1985, when a double-decker bus carrying 40 musicians from the band of Royal Air Force Germany, crashed on an autobahn between Nuremberg and Munich. Twenty-one of the occupants were killed in the crash. As the text in the design remembers: this window is ‘In memory of our friends of the Band of the Royal Air Force Germany who lost their lives in the tragic Autobahn accident near Munich on 11 February 1985’.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Roy Carnon (1911-2002)

    All Hallows Church, Tillington, near Petworth

    Oil on board 31 x 42cm Signed; in the artist's original frame Condition: excellent. Click to view biographical details and other works by the artist. Carnon attended Chiswick Art School becoming an illustrator. In 1965 he was responsible for visualising spacecraft for "2001: A Space Odyssey", being designer of the iconic 'wheel' spacestation. These drawings are now in the Kubrick archives at UAL.
  • Roy Carnon (1911-2002) Derelict Catalina Redhills Lake near Madras

    'Used in Stocks for Gunnery Practice' Oil on board, artist's painted frame Signed and dated 1946 and inscribed with  title to reverse Click here for other works by Carnon. This 1946 painting of a derelict Second World War aircraft is a portrait of postwar disillusionment. The battered Catalinas which had survived the war became useful only as ground-based objects for target practice.  Carnon's brooding colours and impasto application of paint illustrate how the technologies which helped the Allies to win the war became, overnight, unnecessary. The airmen based in India similarly became unnecessary, but unable to be demobilised they initiated the so-called RAF Mutiny in January 1946. Carnon attended Chiswick Art School becoming an illustrator. In 1965 he was responsible for visualising spacecraft for 2001: A Space Odyssey, being designer of the iconic 'wheel' spacestation. These drawings are now in the Kubrick archives at UAL. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent, recently cleaned and in artist's original frame.
  • Rowland Suddaby (1912-1972) English Roses - Still Life

    Oil on board 39x29cm (frame 58x46cm) c. 1950s Artist's label to reverse In a fine hand-finished frame Born in Kimberworth, Yorkshire, Suddaby commenced study in 1926 at the Sheffield College of Art on a scholarship, coming to London at nineteen in 1931. Following an early marriage and an initial struggle as an artist his first successful show was at the Wertheim Gallery in London in 1935, followed by a series of shows at the Redfern Gallery from 1936. For the latter he was their replacement for Christopher Wood (who had sadly killed himself in 1930 by jumping under a train) and he painted assured oils and watercolours - some showing Wood influences - in London and Cornwall. Popular with both art critics and the buying public he had great success. Early in World War Two, Suddaby moved - with his family - to the Suffolk countryside near Sudbury to become curator of the Gainsborough's House Museum, East Anglia providing him with the foundations for the pictures for which he is now well known. In 1940 he was chosen for the 'Recording Britain' project. Showing something of the influence of John Nash, his distinctive depiction of the East Anglian countryside, with its hedges and fences is instantly recognisable. His still life paintings which he also painted in the 1940s and 50s were exhibited at the Leger Galleries and at the Colchester Art Society of which he was a founder member. By the 1960s he had evolved his style towards abstraction. He was also a noted designer, producing textiles and furnishings and designing posters for Shell. His work is in many major collections such as the V&A Museum and the Government Art Collection If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Rowland Hilder

    Shell Guide to Warwickshire Original poster c. 1960s 76x51cm Shell commissioned a series of posters to go with their County Guide books, and they commissioned paintings by the leading artists of the day. Rowland Hilder was a well known landscape artist and book illustrator. Born in New York state, his English father moved the family to Kent, England in 1915. It was here his natural talent for drawing was noticed by his school. Later Hilder went to study at Goldsmith’s College in London. He was well known as an accomplished watercolorist, particularly in his sensitive handling of the sky and earth. Between 1964 and 1974 he was president of England’s Royal Institute of Painters in Watercolours. Condition: mounted in conservation mount and wrapped in plastic sleeve (mount hides short edge tears).
  • Rosemary Ellis (1910-1988) Snail XVIII

    7.5x18cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XVII

    5x7cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XVI

    4x7cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XV

    7.5x5.5cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XIV

    11x4.5cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XIII

    8x9.5cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XII

    6x6.5cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XI

    5x8cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail X

    5x7cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail Sitting Up

    23.5x17cm Linocut Provenance: the family of the artist, by descent. Rosemary Ellis (1910-1988)
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good, rough edges as done by artist.
  • Rosemary Ellis (1910-1988) Snail on Leaf

    15x24cm Linocut
    Provenance: the family of the artist, by descent. Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good, rough edges as done by artist.
  • Rosemary Ellis (1910-1998)

    Snail iv

    Gouache, 1940s/1950s 25x15cm On laid antique paper In a Nicholson butt-jointed frame Provenance: the family of the artist, by descent. Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their 'New Naturalists' series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the - otherwise excellent - content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Rosemary Ellis (1910-1988) Lily

    36x23cm Pen, ink and watercolour Provenance: the family of the artist, by descent. ROSEMARY ELLIS (1910-1988) Born in North London in 1910, Rosemary’s father died in the Spanish Flu epidemic in 1919 and the family moved in with her mother’s parents in the New Forest. This was an environment where she grew to love nature and animals, constant themes in her artistic works. In 1928 she began studying art at the Regent Street Polytechnic, meeting her tutor Clifford Ellis – a mere three years her senior, who was to become her husband and life-long artistic collaborator. They married in 1931 and after this date almost all their freelance work bears both their signatures. They developed a joint cipher, C&RE, which includes their names in alphabetical order, not representing any order of seniority. They produced posters in the 1930s for big clients such as London Transport, Shell, and The Empire Marketing Board. Clifford Ellis became head of Bath School of Art, and then served during the Second World War as camoufleur and official war artist – with the Grenadier Guards. Rosemary was also an official war artist, working on the Recording Britain project whereby artists were set to record the buildings and landscape of Britain lest it be permanently damaged by the Germans. Following the war Lyons Tearooms chose the Ellises to produce one of their famous lithographs, to be hung in their tearooms and the Ellises chose a view of Teignmouth – we have some views of Teignmouth for sale painted from this time. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Old fold to centre as visible in photograph.
  • Roy M Whittenbury (fl. 1920-1955) The Pool of London

    Oil on canvasboard 29 x 39.5 cm Whittenbury concentrated on marine subjects. Here he captures the Pool of London - that stretch of the River Thames from London Bridge to just below Tower Bridge which is controlled by the Port of London. Although no longer the busy port depicted in the painting, it is one of the reasons for London's political and economical pre-eminence over the last thousand years. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Out of stock

    Roberts Dunstan DSO - Tail-end Charlie on Lancaster Bomber

    Original Silver Gelatin photograph, c. 1943 20 x 15 cm The sitting-down war played out in the skies suited amputees who wanted to continue killing the enemy. Douglas Bader famously bailed out of his Spitfire over Germany, leaving behind his artificial legs. There were others who flew with artificial legs, including Dunstan. Dunstan was born in 1922, lying about his age (by three years) in order to join up in June 1940. In January 1941, serving with the Royal Australian Engineers, he was injured in one leg near Tobruk (in Libya) on a night reconnaisance raid. After five operations his leg was amputated; after ten more he was returned to Australia and invalided out of the services in February 1942. A few months later, he caught sight of a poster recruiting for the RAAF, and volunteered his services, enlisting on 23 June 1942 - having spent some time convincing the RAAF that there were roles that he could undertake successfully. Following training at the RAAF Bombing and Gunnery School he was soon on his way to the UK, sailing on 24 August from Sydney. He was soon serving at RAF Breighton in Yorkshire with 460 Sqn RAAF as rear gunner in an Avro Lancaster bomber. As he walked to the aircraft he used his crutches; onboard he would crawl to his post in the tail. On the night of 22/23 October 1943, aboard W4927, his Lancaster left Binbrook for a bombing raid over Germany. Above Kassel, the target, a Lancaster bomber above them dropped its bombs. Two incendiary bombs dropped through W4927; one hitting the flight engineer's jump seat - beside the pilot - the other falling through the middle of the aeroplane and severing the oxygen supply to the rear and mid-upper turrets - the former being Dunstan's. A German night fighter chose this moment to attack W4927.  Befuddled by lack of oxygen the gunners were unable to shoot, W4927 losing its port elevator and receiving holes in its port wing and fuselage - and one cannon shell went into Dunstan's rear turret. However the pilot nursed the plane back to England, where it crash landed at either RAF Elsham Wold, or Bisham - sources vary. On 3/4 November 1943 Dunstan completed his thirtieth mission, to Dusseldorf, the day before his twenty-first birthday. He was gazetted for his DSO on 7 November. In 1944 he returned to Australia and in 1956 was elected to the Victoria State Parliament where he held ministerial posts for water supply, and subsequently for public works.
  • Robert Woodlark, Founder of Catherine Hall, Cambridge from a Picture at the Hall (1815)

      Hand-coloured aquatint 24 x 20 cm Published by Rudolph Ackermann (1764 - 1834). A copy of this engraving is held by the National Portrait Gallery, reference NPG D4871. Robert Woodlark (also spelt Wodelarke) was an English academic and priest. He was the Provost of King's College, Cambridge, and the founder of St Catharine's College, Cambridge. He drew up the original statutes for the governance of the college and obtained a charter from Edward IV, 16 August 1475. Woodlark was a professor of sacred theology at the University and served as Chancellor of the University of Cambridge from 1459 to 1460, and again from 1462 to 1463. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. Condition: good. Some gentle age toning. Handsome gilded frame with elaborate wash line mount. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Thomson (British, 20th Century) Trinity College Cambridge - Trinity Bridge over the River Cam with Punts

    22 x 32 cm Watercolour Signed in pencil 'Thomson' to bottom right An old favourite view, painted in a bold and confident fashion by Robert Thomson, capturing the carefree spirit of an afternoon's punting, and the bold and clear architecture of Cambridge's biggest and wealthiest College. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.  
  • Robert Tavener (1920 - 2004)

    Lansdown Parade, Cheltenham

      Watercolour and pen 38 x 46 cm Signed lower right. The thin watercolour wash of the lawns and the fine ink pen expression of the college's architecture create a contrast between the natural and the man-made in this picture by Tavener. He painted several views of the city of Cheltenham and its architectural landmarks, including of Cheltenham College (this picture is available here). Condition: generally very good.
  • Robert Tavener (1920 - 2004)

    Cheltenham College

      Watercolour and pen 28 x 35 cm Signed lower right. What is particularly interesting about this picture is the contrast between the rugged watercolour wash of the lawn and the fine pen expression of the college's architecture. Tavener painted several views of the city of Cheltenham and its architectural landmarks; Cheltenham College is a public school just outside the city, and Tavener expertly elicits its mid-nineteenth century architectural style here.
  • Robert Tavener (British) 1920 – 2004

    Westminster Abbey (West Front) c.1970 Lithograph Signed in pencil ‘Robert Tavener’ and inscribed ‘Westminster Abbey (West Front)’ and numbered 45/50. £475 For other works by Robert Tavener and biographical details click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Tavener (1920-2004) New Court St John's College Cambridge

    Signed and numbered 12/50 Lithograph 40×52 cm c. 1970 For other works by Robert Tavener and biographical details click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Robert Tavener (1920-2004) Magdalen College, Oxford (artist’s proof) Signed Screenprint 69×48 cm (27.1×18.8 inches) Framed in a gilt frame Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Tavener (1920 – 2004) King’s College, Cambridge Signed in pen lower right, titled verso 10 1/2 x 15 Watercolour and ink 27x38cm (10.6×14.9 inches) unframed Renowned print-maker Robert Tavener was born in London.  After the war he was educated at the Hornsey College of Art, and became head of print-making at Eastbourne College of Art and Design in 1953.   His work is held in over twenty-five public collections, including the Government Art Collection and the V&A. Here, in a rare watercolour, he shows his skill extended well beyond print making. For other works by Robert Tavener and biographical details click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Tavener (1920-2004) Jesus College Gateway Cambridge

    Signed and numbered 10/50 Lithograph 54.5 x 39 cm c. 1970 For other works by Robert Tavener and biographical details click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Robert Tavener (1920-2004)

    Eton College from the Lock

    Watercolour 36x48cm Signed and inscribed Please click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Murdoch Wright (1889-1962)

    Magdalen Tower, Magdalen College, Oxford (1910)

    Oil on board 35 x 26 cm Signed and dated 1910 Murdoch Wright is best known for his scenes of Egypt, where he travelled and painted widely, see for example this pair sold at Christies. Here he captures Edwardian Oxford with elegantly dressed ladies crossing Magdalen Bridge. Condition: very good; recently cleaned and revarnished.
  • Robert Morden (1650-1703) Nottingham Shire (or Nottinghamshire)

    Engraving with recent hand colouring 34x42cm First published in 1695 for Camden's Britannica (1695-1772) and reprinted several times during the succeeding century.
  • Robert MacDonald Fraser (1870-1947) 'Landscape with Footbridge'

    Oil on canvas Signed 20" x 24" (50.5 x 61cm) Though of Scottish descent, an Englishman who was born, lived and died in and around Liverpool. He is believed to have become interested in painting during his secondary school years at the Liverpool Institute and Art School (where the principal was the distinguished landscape artist John Finnie), however his early career was in commerce. By the age of thirty he was well established in Liverpool's art circles but it was to be another decade before he took to painting full time. Between 1910 and 1938 he showed approximately fifty paintings at the Walker Art Gallery in Liverpool, also having seven paintings accepted for the Royal Academy's summer exhibitions. He additionally exhibited at the Manchester Art Gallery, Liverpool Bluecoat and Royal Cambrian Academy, becoming - in 1929 - Vice President of the Liverpool 'Artists' Club.' He mostly painted the landscapes of North Wales and the North West of England. His family owned holiday cottages in North Wales, and Snowdonia provided him with much inspiration, it is believed that this painting is of a Snowdonia scene. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Robert Dighton A View from Trinity College, Cambridge

    27x20cm Etching A caricature portrait of William Lort Mansel (1753-1820), Master of Trinity College, Cambridge and later the Bishop of Bristol. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.  
  • Robert Bonfils (French: 1886-1972) Design for scarf for Bianchini Ferrier

    No.332 Goyescas 65x50cm Gouache and pencil Provenance: Christies, 25-27 July 2001 Bianchini Textiles sale Born in Paris, Bonfils spent between 1903-1909 at various Parisian art schools: the École Germain Pilon, the École Nationale Supérieure des Arts Décoratifs (where he subsequently taught for thirty-two years), and the École des Beaux Arts. From 1909 he exhibited regularly at the Salon d'Automne, by 1912 he was exhibiting at Salon des Artistes Décorateurs and then subsequently at Tuileries and abroad. He was an organiser of the 1925 Paris International Exposition of Modern Industrial and Decorative Arts, and the 1937 Exposition. His relationship with Bianchini commenced in 1915 who produced many of his textile designs. He was made Chevalier de la Légion d'honneur in 1926, being promoted to Officier in 1938. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition; Good.
  • Robert Bonfils (French: 1886-1972)

    Designs for scarf for Bianchini Ferrier Bull Fighting 31x15cm Gouache and pencil Provenance: Christies, 25-27 July 2001 Bianchini Textiles sale Born in Paris, Bonfils spent between 1903-1909 at various Parisian art schools: the École Germain Pilon, the École Nationale Supérieure des Arts Décoratifs (where he subsequently taught for thirty-two years), and the École des Beaux Arts. From 1909 he exhibited regularly at the Salon d'Automne, by 1912 he was exhibiting at Salon des Artistes Décorateurs and then subsequently at Tuileries and abroad. He was an organiser of the 1925 Paris International Exposition of Modern Industrial and Decorative Arts, and the 1937 Exposition. His relationship with Bianchini commenced in 1915 who produced many of his textile designs. He was made Chevalier de la Légion d'honneur in 1926, being promoted to Officier in 1938.
  • Robert Bonfils (French: 1886-1972) Design for scarf for Bianchini Ferrier

    'Haiti' 66x50cm Gouache and pencil Provenance: Christies, 25-27 July 2001 Bianchini Textiles sale Born in Paris, Bonfils spent between 1903-1909 at various Parisian art schools: the École Germain Pilon, the École Nationale Supérieure des Arts Décoratifs (where he subsequently taught for thirty-two years), and the École des Beaux Arts. From 1909 he exhibited regularly at the Salon d'Automne, by 1912 he was exhibiting at Salon des Artistes Décorateurs and then subsequently at Tuileries and abroad. He was an organiser of the 1925 Paris International Exposition of Modern Industrial and Decorative Arts, and the 1937 Exposition. His relationship with Bianchini commenced in 1915 who produced many of his textile designs. He was made Chevalier de la Légion d'honneur in 1926, being promoted to Officier in 1938. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition; Good.
  • Schnebbelie (Robert Blemmell, circa 1785-1849) The Commercial Sale Rooms, Mincing Lane, City of London (c. 1814)

    Pencil, pen, ink & watercolour 25 x 42 cm Captioned to mount, "Used as the Custom House after the Original House was Burnt from 1814 to 1817". With engraving of the same image pasted to reverse of frame, published by James Whittle & Richard H. Laurie, Jan. 16th, 1815. Schnebbelie was an English painter and illustrator who produced many views of London. His father, Jacob, was a confectioner who was subsequently employed by the Society of Antiquaries of London as a draughtsman, but who died at the age of 31. Following his death, Robert took up his father's profession. Between 1803 and 1821 he exhibited at the Royal Academy; Engravings based on his drawings were widely published - most notably in Robert Wilkinson's Londina Illustrata (1808-1825), David Hughson's Description of London and the Gentleman's Magazine. His works are in the collections inter alia of the Museum of London, the Guildhall Art Gallery and the Huntington Museum of Art in West Virginia. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Risch Lau (publisher) Silvretta-Hochalpenstrasse, Vorarlberg, Austria / Osterreich

    Original poster c. 1950s 61x43cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Richard Henry Wright (1857-1930)

    Trinity Great Gate, Cambridge

    Watercolour 47x39cm (frame) 25x18cm (9.8×7 inches) Originally from Hampshire, Wright was an artist who specialised in topographical views, mostly in Europe and Egypt. He exhibited at the RA from 1885 to 1913. In 1892 he married the artist Catherine Morris Wood, who also exhibited at the RA – but from 1880 until the 1920s. They lived at 2 Harcourt Buildings in the Inner Temple If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Wadham College, Oxford (1964-65)

    Colour etching and Aquatint on Velin Arches by Editions Alecto. 59.8x40cm (23.5×15.7 inches) Proof Print A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017) St John's College, Oxford (1964-65)

    Colour etching and aquatint on Velin Arches, published by Editions Alecto 58 x 43 cm Full sheet size 73 x 55.5 cm Signed, titled and numbered 19/100 Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Print in good condition, margins well outside platemark show some discolouration and handling marks which will be hidden behind mat/mount. Mounted to board.
  • Richard Beer (1928-2017)

    St Augustine's Church Watling Street London

    Coloured etching and screen print Signed and numbered 57/75 to lower margin Plate size 63 x 43cm From 'Ten Wren Churches' St Augustine's Watling Street was first recorded in the 12th century, destroyed by the Great Fire of London in 1666 and then rebuilt as part of Christopher Wren's rebuilding of London. During the Second World War it was again destroyed, and the tower - restored in 1954 - is now a part of St Paul's Cathedral Choir School. Condition: slight toning to sheet and some discolouration to margins. A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Quattro Canti (1966)

    Coloured etching and aquatint on Velin Arches, published by Editions Alecto 60.2x45cm (23.7×17.7 inches) Proof print A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Piazza Amerina II (1966)

    Colour etching and aquatint on Velin Arches, published by Editions Alecto 60.2x45cm (23.7×17.7 inches) Unsigned proof print - trial proof in yellow A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Piazza Amerina II (1966)

    Colour etching and aquatint on Velin Arches, published by Editions Alecto 60.2x45cm (23.7×17.7 inches) Proof print - trial proof in pink A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017) Oxford Spires - All Souls College and Radcliffe Camera

    Limited edition coloured etching signed in pencil and numbered 75/150. 62x44cm Born in London in 1928, just too late to serve in World War II, Richard Beer studied between 1945-1950 at the Slade School. Subsequently, a French Government scholarship allowed him to spend time in Paris at Atelier 17, working under Stanley William Hayter (1901-1988), one of the most significant print makers of the 20th Century – having spent the War in New York, advising as a camofleur, Hayter only returned to Paris in 1950. Subsequently Beer studied at the École des Beaux Arts, Paris. Working for John Cranko, choreographer for the Royal Ballet, Beer designed the sets and costumes for his The Lady and the Fool at Covent Garden, subsequently working for him following his move in 1961 to Stuttgart Ballet. Additionally he produced book illustrations and designed book jackets. Richard Beer taught print-making at the Chelsea School of Art where he was a popular teacher. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds seven. His Oxford series was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe. Most of his prints are of architectural subjects, where he explores the use of colour in interesting fashion. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Richard Beer (1928-2017)

    Noto II (1966)

    Colour etching and aquatint on Velin Arches, published by Editions Alecto 60x45cm (23.6×17.9 inches) Proof print A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Magdalen Bridge, Oxford (1964-65)

    Signed, titled and numbered 56/150 Etching and aquatint  57.5 x 44cm  Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Richard Beer (1928-2017)

    Hotel du Commerce, France

    Oil painting 51x60 cm Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Christchurch, Oxford (1964-65)

    Signed and titled, and numbered 24/100 Colour etching and aquatint on Velin Arches, published by Editions Alecto 64x48cm  Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017) Christ Church Newgate (1970)

    Colour etching and aquatint on Velin Arches, published by Editions Alecto 63x48cm Full sheet size 73 x 55cm Signed, titled and numbered 75/150 Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Print in good condition, margins well outside platemark show some discolouration and handling marks which will be hidden behind mat/mount.
  • Richard Beer (1928-2017)

    Brasenose College, Oxford

    Signed print, numbered 55/100 61x44cm A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017) Merton, Oxford (1964-65)

    Colour etching and aquatint 45x60cm 68x85.5 including frame, UK shipping only Signed and numbered 44/100 Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Richard Beer (1928 - 2017) Hôtel de la Gare, Illiers-Combray, France

      Etching and aquatint 57 x 75 cm Titled and number 41/70 lower left, and signed lower right, all in pencil. Richard Beer was a painter and printmaker who focused on architecture and landscapes. He studied at the Slade School of Art from 1945 to 1950 and then studied at the École des Beaux Arts in Paris on a French Government Scholarship. He then worked and studied at Atelier 17, an art school and studio run by the artist Stanley William Hayter (arguably one of the most significant printmakers of the 20th century). The atelier was highly influential in the study and promotion of 20th-century printmaking, and it was here that Beer developed his etching skills. Beer then went on to work for the Royal Ballet choreographer John Cranko, designing the sets and costumes for "The Lady and the Fool" at the Royal Opera House in Covent Garden. He also produced several book illustrations and book jacket designs. Beer taught printmaking at the Chelsea School of Art for 40 years and was also a founding member of the Printmakers' Council. He travelled widely through Italy, France, Spain, and Morocco, sketching prolifically and painting rural and architectural landscapes. Beer would then make etchings and paintings in his Primrose Hill studio, inspired by the landscapes he had sketched and seen while travelling. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City of London for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Richard Bankes Harraden (1778–1862)

    St John's College, Oxford

    Oil on board 24 x 29 cm Richard Bankes Harraden was a printmaker, painter and drawing master. He was active in Cambridge, producing many views of the colleges, and subsequently several Oxford colleges. Harraden was an early and exhibiting member of the Society of British Artists in London, which was established in 1823, and remained a member until 1849. He specialised in depictions of landscape, topography and architecture, and was the son of Richard Harraden (1756-1838) with whom he published plates as 'Harraden & Son'. Condition: A little craquelure and retouching. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Attributed to Richard Bankes Harraden (1778–1862)

    First Court, Pembroke College, Cambridge c1830

    Watercolour, unsigned 27.5x39cm Pembroke prior to the demolition of the south range of Old Court in 1874 by Alfred Waterhouse. (His plans for the near-complete rebuilding of the College included the demolition of Wren’s chapel, but the Fellows’ caution prevented this.) If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Rib of Beef

      Original vintage poster 56 x 97 cm An original poster produced by Bisto to to advertise their gravy granules. With no lettering, the deep red poster is a bold and compelling advert which relies on the public's understanding that Bisto is the only choice. Condition: backed to linen, very good; a few repaired tears to right side. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • after Maurice Utrillo (1883 - 1955)

    France: La Cathédrale de Reims

    Original vintage poster 100 x 62 cm Commissioned by the Ministère des Travaux Publics et des Transports and the Commissariat général au Tourisme. Printed in France, by and for the French Government. Printed by Braun & Cie, Mulhouse-Paris. This poster, featuring a Utrillo painting of Reims Cathedral, was printed by the French tourist board to encourage holidays to France. Utrillo's depiction of Reims is highly post-impressionist, with thick layers of impasto and an inventive colour palette. Maurice Utrillo was a French painter who specialised in post-impressionist cityscapes, particularly of Montmartre, where he lived. His mother was Suzanne Valadon, an artist's model who sat for several French painters, including Renoir. Utrillo's father is unknown, though the painter Miquel Utrillo acknowledged him as his own some years after his birth. Valedon became a painter herself after several years of modelling, and was mentored by Degas. She encouraged her son to become a painter, and he received positive critical attention in the 1910s, followed by international popularity in the following decade. He was awarded the Cross of the Légion d'Honneur in 1928 and is today known for his poetic depictions of Paris, especially Montmartre. He is buried there, in the Cimetière Saint-Vincent, having suffered from mental illness and alcoholism for most of his life. Condition: generally very good; a few tiny repaired edge tears. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage travel posters.
  • Reginald Hallward (1858-1948)

    Sketch for window in Earls Barton Church Northampton

    Pencil and gouache 12×9.5cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Reginald Hallward (1858-1948)

    Sketch for window at St Etheldreda’s, Fulham

    Pencil and gouache 12×7cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Reginald Hallward Grapevine Altar Cloth Design

    Reginald Hallward Grapevine Altar Cloth Design Watercolour and pencil Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Reginald Hallward (1858-1948)

    Design for wall painting at Werneth Church, Oldham

    Watercolour with highlights 22 x 16 cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Reginald Hallward (1858-1948)

    Design for celebratory flag with cross

    Pencil with gouache Click here for biographical details and other works by the artist.  If you are interested email info@manningfineart.co.uk or call us on 07929 749056.

Title

Go to Top