• Akbar's Tomb, Agra

      Watercolour 13 x 20 cm
    A 20th century watercolour by an unknown artist of Akbar's Tomb, Agra, the mausoleum of the Mughal emperor Akbar. We have three other Indian architectural views by the same artist available.
    Condition: generally very good; one or two small scratches as visible in photographs. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works from the same series.
  • Alan Dashwood

    Trinity Gateway Oxford (1914)

    Watercolour 33.7×24.5cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Albert Herndl (photographer)

    Musée des Beaux Arts, Vienna, Austria / Osterreich (c.1950s)

    Original lithographic poster 61x43cm  
  • Albert Walter Moore (1874 – 1965)

    Design for 30 Fenchurch Street (1915)

    Pencil and watercolour on paper 38.1 x 62 cm Signed and inscribed ‘Albert W Moore FRIBA Architect, 112 Fenchurch St, March 1915’. Provenance: Sotheby’s lot 166, 25 June 1981. A design for a fine building on the Plantation House site (the site was cleared in 2005 for a new building, '30 Fenchurch Street'). The architectural drawing is rendered carefully in pencil, with blue, yellow, and brown washes adding colour and depth to the picture. Moore was articled to George Hubbard, and the two became partners in 1898. He studied at the West London School of Art and was a member of the Architectural Association. Condition: very good; some losses to frame.
  • J R Stammers (1918-??) for Sir Albert Richardson

    Design for New Buildings at Christ’s College, Cambridge

    Inscribed ‘PROPOSED EXTENSIONS TO CHRIST’S COLLEGE CAMBRIDGE’, ‘A.E. RICHARDSON E.A.S. HOUFE’ (lower left), ‘PERSPECTIVE BY J.R. STAMMERS’ (lower right) Pencil and watercolour heightened with bodycolour 63 x 86cm (25 x 34 inches)   Provenance: The estate of Albert Richardson. Click here for other works by the artist and biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Alexander Wallace Rimington (1854–1918)

    King’s College, Cambridge

    Signed with initials and dated 1906 Watercolour 33x24cm (12.9×9.4 inches) Alexander Wallace Rimington A.R.E., R.B.A., Hon. F.S.A was Professor of Fine Arts at Queen's College, London. An etcher, illustrator, painter, and author he was most famous for inventing a musical instrument, the 'colour organ' that projected different colours in harmony with music. His first Summer Exhibition at the Royal Academy was in 1880, over subsequent years he exhibited thirty-four works there, mostly topographical works related to his travels around Europe. He had regular shows at the Fine Art Society - seven between 1893 and 1912 - showing a hundred or more watercolours. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Alfred Daniels RBA RWS (1924-2015) All Souls, Oxford Acrylic on paper In a hand-finished white frame. 22x29.5cm (8.6x11.6 inches) Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Alfred Daniels RBA RWS (1924-2015) All Souls, Oxford Signed and dated 1998. Watercolour 18 x 24 cm (7 x 9.5 in.) Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Alfred Daniels (1924-2015)

    Almshouses Canning Circus Nottingham

    Conte and wash, 1975 33x62cm Signed and dated 'Alfred Daniels 1975' Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Alfred Daniels RBA RWS (1924-2015)

    Christ’s College, Cambridge

    Gouache, watercolour and ink on board 40x56cm (15.7×22 inches). In a hand-finished cream frame. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • A R Quinton (1853-1934) - Alfred Robert Quinton

    New College Bell Tower, Oxford

      Signed lower left Watercolour 25x17cm Between 1904 and his death over 2000 of Quinton's paintings were published. Well known for his paintings of landscapes and townscapes of Britain many of his paintings were produced as postcards during the postcard craze of the first decade of the twentieth century; numerous views of Oxford were featured. We have not yet been able to identify a postcard derived from this particular view. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Out of stock

    Alfred Wolmark (1877-1961)

    Peace Paraded by Conflict

    Oil on panel
    60 x 34cm
    Signed lower left; original frame. An allegorical scene of Peace as a female nude. Alfred Aaron Wolmark was an influential Post-Impressionist painter who studied and exhibited at the Royal Academy Schools and between 1901 and 1936. Wolmark was noted for his use of impasto and for his skills as a colourist. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent; original frame shows a little wear.
  • Jane Gray (b.1931)

    All Saints Church, Lightwater, Surrey, Design for Stained Glass Memorial Window (1987)

      Watercolour 18 x 5 cm Signed and dated verso.

    All Saints Church in Lightwater, Surrey was built and dedicated in 1903. Prior to this, services were held in Florence Laundry in Guildford Road as, at that time, Lightwater was a small hamlet. With the development of nurseries and cottages to house the influx of workers that followed soon after, the Conventional District of All Saints’ was formed in 1931. Before this, All Saints Church had been a daughter church of Windlesham. A Priest-in-Charge was appointed shortly after the split in 1931 and a vestry extension was added to the building. This window features a background Cross, symbols and flowers and was installed in 1988.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.79. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    All Saints Church, Lightwater, Surrey, Design for Stained Glass Window (1990)

      Watercolour 18 x 6 cm

    Signed, dated and studio stamp verso.

    All Saints Church in Lightwater, Surrey was built and dedicated in 1903. Prior to this, services were held in Florence Laundry in Guildford Road as, at that time, Lightwater was a small hamlet. With the development of nurseries and cottages to house the influx of workers that followed soon after, the Conventional District of All Saints’ was formed in 1931. Before this, All Saints Church had been a daughter church of Windlesham. A Priest-in-Charge was appointed shortly after the split in 1931 and a vestry extension was added to the building. This window commemorates the church’s organist, Catherine Challen, and features symbols associated with St Cecilia in acknowledgement of her musical contribution. The window was installed in 1991.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.79. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    All Saints Church, North Hillingdon, Design for Stained Glass Window (1982)

      Watercolour 15 x 14 cm Studio label verso.

    All Saints Church, North Hillingdon was constructed in 1930—one of the first of 45 new churches from “The Forty-Five Church Funds” to build new sites of worship in and around the diocese of London. The church was designed by Sir Charles Nicholson and built in Metroland to serve families being moved from inner London. In 1932, the foundations of the church were laid and it was consecrated by in 1933 by the Bishop of Kensington.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    All Saints Church, Tunworth, Hampshire, Design for Stained Glass Memorial Window for the Hon. Julian Berry OBE, DL, JP, Colonel of the Royal Horse Guards (The Blues) (1992)

      Watercolour 28 x 30 cm Signed, dated and studio stamp verso.

    All Saints Church is a Norman church, built in the 12th century, and lies nestled in the downland of the Tunworth Downs, Hampshire. Colonel Julian Berry (1920-1988), son of the 1st Viscount Camrose of Hackwood Park, is notably buried in the churchyard, and his death is commemorated in Gray’s stained glass window design, featuring items of military ceremonial dress set against a night sky accompanied by the line from John 1:1, ‘In the beginning was the word’. The window was installed in 1992.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.81. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • after John Piper (1903 - 1992)

    View from the Upper Common Room, The Queen's College - Oxford Almanac 1972 (cropped)

      Lithograph 17 x 26 cm A lithograph featuring Oxford's skyline, including the towers of All Souls and the Radcliffe Camera, set against a blustery Piper sky. Piper's painting was reproduced as a lithograph in 1972, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and Michael Oelman. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of All Souls.
  • Pieter van der Aa (1659-1733), after David Loggan (1634–1692)

    All Souls College, Oxford (1727)

      Engraving 12 x 16 cm An eighteenth-century view of Le College de Toutre les Ames (All Souls), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded by Henry VI of England and Henry Chichele (fellow of New College and Archbishop of Canterbury), in 1438, to commemorate the victims of the Hundred Years' War. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: a good impression. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Allan Carter

    He can spare a little blood - Blood Donors are Urgently Needed

    Lithographic poster c. 1940s 38x25cm Printed for HMSO by Sanders Phillips & Co. The Scottish Blood Transfusion Association If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Hermann Kauschke Alpspitze, Zugspitze und Waxenstein (1938)

    Watercolour 14.5 x 19.5 cm Inscribed "Alpspitze, Zugspitze u. Waxenstein - original Aquarell". Signed and dated. A beautiful snowy scene depicting three Bavarian mountains: the Alpspitze, Zugspitze, and Waxenstein. Kauschke's view emphasises the wintry quietude of the snow-covered trees and mountains. The winter sun reflects on the freshly fallen snow, and a pair of ski tracks disappear into the distance. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: excellent.
  • Alta, Utah Vintage Ski Poster USA (c.1970)

    67 x 53 cm Poster Printed by LooArt Press, Colorado Springs, Colorado, c. 1970 From the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Excellent  
  • Ambulance and First Aid Section

    Lithographic poster probably c. 1940s 36x23cm First established in 1935 the Civil Defence Department was essential for maintaining order during air raids. Here a glamorous young lady - presumably unable to join the army - is volunteering to 'do her bit' by driving an ambulance. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • An Avro Lancaster II at its dispersal point

    Silver gelatin print 12 x 16 cm Stamped to reverse 'This photograph has been passed by censor' 'Copyright. The TP copyright illustration from 'The Aeroplane' must not be reproduced without the written permission of Temple Press Ltd.' December 1943 The Avro Lancaster II was fitted with the rotary Bristol Hercules engine. There was a fear that there would be a shortage of Rolls-Royce Merlin engines, therefore 300 were produced by Armstrong Whitworth in Coventry with an alternative engine. Here it is pictured at an airfield, coming out of the mist. Somewhere probably in East Anglia, an area prone to fog, this atmospheric shot is enhanced by the second Lancaster bomber that is just about visible in the background and the human figure, dwarfed by the aeroplane, standing on concrete to the right. Condition: good. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Andrew Ingamells Jesus College, Cambridge

    Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate used to make the prints. Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells' work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HRH King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan.
  • Angela Stones (1914-1995) Chelsea Old Church

    Watercolour 31x41 cm Stones was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott - the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999) was probably the foremost pastel artist of his time. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Angela Stones (1914-1995) Helianthus

    Oil on canvasboard 44x55cm Signed lower left Stones was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott - the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999) was probably the foremost pastel artist of his time. Here a generous use of impasto captures the texture of a Helianthus - Sunflower. A suggestion perhaps of surrealism in choice of colours helps with the mid-century feel of the painting. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Angela Stones (1914-1995) Holy Trinity Brompton Church

    Watercolour 31x41 cm Signed 'Angela Stones' Stones was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott - the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999) was probably the foremost pastel artist of his time. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Angela Stones (1914-1995) Westminster Bridge and the Houses of Parliament

    Watercolour 31x41 cm Stones was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott - the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999) was probably the foremost pastel artist of his time. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Angela Stones (1914 - 1995)

    Still Life with Fruit and Bottle

      Oil on board 39 x 49 cm A stylish mid-century still life. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott – the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999), was arguably the foremost pastel artist of his time. Provenance: the family of the artist. Condition: Generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Britain Land of History Original Vintage Poster c. 1960

    Published by the British Travel and Holidays Association and printed in Great Britain by Harrison and Sons Ltd 59/60.14 'Throughout the British Isles can be seen many interesting castles, royal palaces and country houses which have played a part in Britain's history. This is an artist's impression of Hampton Court Palace beside the River Thames.' If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good condition, a few very short repaired edge tears and the odd marginal crease. Mounted and framed the edge tears will not be visible.
  • "Jacqs" (British, 20th century) For Private Parties... Hire a Coach to Take You Anywhere

    Original Poster c. 1960s 75x50cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Anonymous (British, 20th Century) Free Film Show

    Original Poster 75x50cm c. 1960s An excellent and colourful piece of typography. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • In an Air Raid... How to fight a fire World War 2 Vintage Poster

    30x20" [HMSO, London] nd. np. A householder, dressed in a tie, is shown spraying water onto a fire, as his wife pumps water out of a bucket using a stirrup hand pump. Instructions are given to call the Fire Brigade if the fire cannot be extinguished. Householders are warned to clear away inflammable lumber from attics and top-floors, in advance. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent, slight edge wear as usual.
  • Anonymous King’s College Cambridge

    Watercolour 11×9cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Generally very good, small imperceptible hole in bottom left corner.
  • Anonymous

    'View from an Italian Villa'

    19th century Watercolour 31.5 x 44cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. A few foxing spots to top right.
  • Anton Tusch (photographer) Eglise des Freres Mineurs, Vienna, Austria / Osterreich

    Original poster c. 1950s 61x43cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Arabesques and caricatures

      Engraving 24.5 x 36 cm Condition: good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Sir Edward Maufe (1882 - 1974)

    Design for House on Round Island, Poole Harbour

    Watercolour and collage 30 x 47 cm Signed lower right Edward [Maufe]. Provenance the estate of Bernard Bumpus, together with several other Maufe drawings. Drawing for D Beatty Pownall Architect. A design for an Art Deco house by the coast, complete with seagulls and boats. Maufe is probably most famous for his Guildford Cathedral, the Air Forces Memorial, and his work for the Imperial War Graves Commission, for which he received his knighthood in 1954. He served a five-year apprenticeship under William Pite and then attended St John’s College, Oxford as an undergraduate. He then studied Design at the Architectural Association. His architecture is notable for its strong Arts and Crafts influence; this likely arose from his having lived in The Red House, Bexleyheath, which Philip Webb designed for the most famous of the Arts and Crafts designers: William Morris. Condition: generally very good, save for missing area in bottom right hand corner which has been repaired professionally. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more architectural designs.
  • Out of stock

    Edmund J Thring (1906-1985)

    Architectural Perspective Design for a Building in Salisbury

    38 x 60 cm Watercolour / gouache Framed. We are informed that the building still exists on Chichester High Street, though in slightly different form from the way it is painted here. Click here for other works by Thring.
  • A Design for The Midland Hotel Manchester

    Pencil drawing 20x41cm Provenance: British Railways If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Osman FRIBA (1914 - 1996)

    Architectural Design I

      Pencil, ink, whitening 72 x 106 cm An architectural design for a public building, with room numbers labelled in red. Osman's detailed and precise mark-making makes for an elegant and artistic design. Osman was as much an artist as an architect. He studied at the Bartlett School of Architecture; he was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group), and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: image generally very good; a few repaired short edge tears to margins. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Louis Osman.
  • Louis Osman FRIBA (1914 - 1996)

    Architectural Design II

      Pencil, ink, whitening 72 x 106 cm An architectural design for a public building, with room numbers labelled in red. Osman's detailed and precise mark-making makes for an elegant and artistic design. Osman was as much an artist as an architect. He studied at the Bartlett School of Architecture; he was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group), and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: image generally very good; a few repaired short edge tears to margins. Scuffing to right-hand margin. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Louis Osman.
  • Louis Osman FRIBA (1914 - 1996)

    Architectural Design III

      Pencil, ink, whitening 72 x 106 cm An architectural design for a public building, with room numbers labelled in red. Osman's detailed and precise mark-making makes for an elegant and artistic design. Osman was as much an artist as an architect. He studied at the Bartlett School of Architecture; he was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group), and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: image generally very good; a few repaired short edge tears to margins and a tear to top right corner in margin. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Louis Osman.
  • Louis Osman FRIBA (1914 - 1996)

    Architectural Design IV

      Pencil, ink, whitening 72 x 106 cm An architectural design for a public building, with room numbers labelled in red. Osman's detailed and precise mark-making makes for an elegant and artistic design. Osman was as much an artist as an architect. He studied at the Bartlett School of Architecture; he was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group), and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: image generally very good; a few repaired short edge tears to margins. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Louis Osman.
  • Jane Gray (b.1931)

    Arms of the Worshipful Company of Launderers, Design for Stained Glass Window (1985)

      Watercolour 12.5 x 13.5 cm

    Dated and detailed in artist's hand with studio label verso.

    This window was commissioned by the Worshipful Company of Launderers to oversee their banqueting hall (which belongs to the Worshipful Company of Glaziers, of which Gray was the first female member). Besides the traditional symbols of aprons, irons, and mangles, Gray’s design also humorously includes a white cat licking itself clean. Alongside this window, Gray also designed a roundel containing the Company’s Arms.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.39. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Army Hospital Corps Surgeon - 1st Class 1866 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Arne Ungermann (1902-1981)

    'Den Permanente', "The Permanente Exhibition" (1956)

    Lithographic poster 84 x 61 cm The Danish artist Arne Ungermann designed this poster in 1956 to celebrate the 25th anniversary of Den Permanente in Copenhagen. Den Permanente, or the Permanent Exhibition, celebrated Danish art, craft, and design, and operated between the 1930s and 1980s. The Danish silversmith Kay Bojesen came up with the idea for the exhibition, which also served as a shop where customers could buy Danish art and crafts. Bojesen's idea became a reality when Christian Grauballe, director of the iconic Danish design company Holmegaard, invested in it in 1931. Den Permanente became an icon of Danish 20th century design, selling furniture, glassware, lighting, ceramics, jewellery, and textiles. Bojesen is most famous for his wooden monkey design, which Ungermann features in his poster. The motif of the mermaid emerging from the sea could be a motif drawn from Hans Christian Andersen, but made modern - she breaks the surface of the ocean in order to marvel at the treasure trove of man-made objects exhibited at Den Permanente. The notable Little Mermaid statue on Copenhagen's promenade, installed in 1913, is also inspired by Andersen's fairy tale. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Gerald Mac Spink (flourished 1920 - 1940)

    Art Deco City Scene with Engine Car

      Block print 41 x 29 cm Signed 'G Mac Spink' in plate (in reverse) upper left. "Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps..." - F Scott Fitzgerald, The Great Gatsby An Art Deco city with 1920s engine-cars in the foreground. A white tower-block rises up, emerging palely from a chiaroscuro darkness, a great edifice above the tiny pedestrians below. Spink was a skilled artist, illustrator, and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • S Clapham (active 1940 - 1960)

    Designs for a Stained Glass Window

      Watercolour 71 x 56 cm Signed lower right. A beautiful stained glass window design in the medievalist Arts and Crafts style popularised by William Morris in the 1890s. Clapham was an architect based in Stockwell in London. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Glasgow School of Art

    Wallpaper design

      Gouache 33 x 48 cm An Arts and Crafts wallpaper design in the style popularised by William Morris, featuring pansies and lilies in shades of green, blue, and purple. Condition: generally very good; a few very faint spots. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Aspen Highlands Vintage Ski Poster (c.1970) Maroon Bells Mountains

    67 x 53 cm Poster Printed by LooArt Press, Colorado Springs, Colorado Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. Condition: Generally excellent, new-old stock from the 1970s printers.
  • Austria: Osterreich

    Lithographic poster 81x50cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Out of stock

    Lancaster bomber in Green Park

    Original Silver Gelatin photograph, 1946 18 x 25 cm Stamped to reverse: "Photograph Supplied by The Topical Press Agency Ltd 20-21 Red Lion Court, Fleet Street" Press release label to reverse reads: "XH - RAF PLANES ON VIEW IN GREEN PARK, LONDON "In connection with the Victory Day celebrations in London, a number of RAF planes have been put on view in Green Park, London. "11/6/1946" Further typewritten note reads: "Lancaster B.III ND677/G KO-X of 115 Sqn. First Lancaster to have MONICA airborne tail warning device. Served with 460 Sqn RAAF, during 1944, went to 49 Sqn in April 1945 and finally to 113 Sqn in September 1945. Scrapped July 1946." ND677 was a veteran of 59 missions. The /G suffix - visible in the photograph - indicates that it must have an armed guard at all times. It was unceremoniously scrapped within a month of being on display to the crowds. Monica was a tail-borne radar device, designed to give the bomber crew warning of the approach of a German fighter in their blind spot. However following the crash in February 1943 of a Monica-equipped Lancaster (just seven days into Monica's operational life) the Germans developed equipment called 'Flensburg'. Introduced in early 1944 it was a homing device, a passive radar receiver which enabled Flensburg-equipped night fighters to locate Allied bombers. In July 1944 a Flensburg-equipped Junkers Ju88-G1 mistakenly landed at Woodbridge aerodrome in Suffolk, following which Monica was rapidly withdrawn from service. Condition: Generally very good. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Lancaster Bomber Arming D-Day + 1

    Original Silver Gelatin photograph, c. 1944 11 x 25 cm Stamped to reverse "Certified by Fox Photos Ltd as passed by censor, Press and Censorship Bureau" "Thousands of Planes Keep Up the Offensive "Thousands of planes are continuously taking part in the new offensive for the liberation of Europe. "Photograph shows: Ground staff loading up a Lancaster with a cookie and 1,000 lb bombs, ready for the new offensive. The air crew and bomb train are dwarfed when seen on the ground from one of the huge bombers. "Fox June 7 '44." D-Day was 6 June 1944 Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: photograph has discoloured in some areas.
  • Out of stock

    Lancaster bomber

    Original Silver Gelatin photograph, 1944 19 x 24 cm Published in Aeroplane Magazine August 18 1944 p175 Press release label to reverse reads: "CL 561 British Official Photograph: Crown Copyright Reserved. "RAF Bomber Command Lancasters Attack Flying Bomb Bases. On 27.4.44 Lancasters of RAF Bomber Command attacked flying bomb bases in Norther France. Picture shows:- RAF Lancaster flies back to base after bombing flying bomb sites in Northern France." Condition: Generally very good, small loss to top outside image
  • Lancaster Bomber with Crew

    Original silver gelatin photograph c. 1943 16 x 21 cm Stamped to reverse 'This Photograph has been Passed by Censor' and 'Copyright Aeroplane [Magazine]' A photograph of the ground- and air-crew of DS689. The engine fitter second from left is Samuel Greisman. That the aeroplane has five operations marked on its nose suggests a date of late August or early September for the photograph. This photograph was published in 'Jews in Uniform' by Michael Greisman, published by Aster Publishing. DS689 OW-S (identified from this photograph on account of the nose art) served with 426 (Thunderbird) Squadron RCAF, based in Linton-on-Ouse (north of York). The Thunderbird featured inthe squadron crest is a North American native symbol signifying disaster and death to anybody who perceives it. The squadron converted to the Hercules-powered Lancaster II on 17 August 1943. Lancaster IIs were fitted with radial Bristol Hercules engines as it was feared there might be a shortage of Rolls-Royce Merlin engines. This particular aircraft was also able to carry 'cookies' with its extended bomb bay. DS689 was shot down by night-fighter on 8 October 1943 - prior to the date of publication of this photograph - near Rachecourt-sur-Blaise. It was on a 323-bomber mission to bomb Stuttgart in Germany, piloted by P/OMB Summers and equipped with the Airborne Cigar jamming system (ABC for short). This was the first operation using the ABC(3) jamming system, and only a small number of aircraft was lost on this raid. ABC jammed the airways and made night-fighter communications almost impossible. The Germans referred to is as 'dudelsack' (bagpipes) owing to the warbling sound. No 101 Squadron was the prime operator of this equipment and as a consequence of not maintaining radio silence suffered very high losses during the war; moreover its aircraft were on almost every bombing raid. A German-speaking operator identified the channels the night fighter operators were using and loud noise was played on that channel. Stuttgart was cloud covered and severe fog set in later, so bombs were dropped over a scattered area, destroying 344 houses and damaging a further 4,568. On its home run DS689 was intercepted by Oblt. Ferdinland Christiner from 5./NJG4at 3,800m and shot down (Christiner himself was shot down on 5/6 July 1944). Two crew members bailed out, the rest of the crew died in the crash and are buried in the local churchyard, click here to see photographs. The funeral was attended by the whole village and residents of the surrounding countryside and La Marsellaise was sung - to the annoyance of the Germans. The funeral was recorded by a photographer (click here) Condition: generally good. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Out of stock

    AVRO Lancaster EN-A in Flight 

    Original Silver Gelatin photograph, 1940s An aircraft of No. 27 Operational Training Unit which was based at RAF Lichfield. The OTUs were the last stage of aircrew training prior to transfer to an operational unit. Crews had already been formed up, and were trained to fly as a crew in the aircraft type they were to fly in combat. Occasionally the OTUs provided aircraft and crews for offensive operations, for example in the first 'Thousand Bomber Raid' on Cologne in May 1942. Loss rates in OTUs were high owing to the combination of the British weather, the crowded airspace, inexperienced crews - and even enemy action. 16 x 21 cm Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: Very good.
  • Out of stock

    Charles E Brown (1896-1982)

    AVRO Lancaster Bomber in Flight from Tail

    Original Silver Gelatin photograph, c. 1944 16 x 21 cm Charles E Brown was a famous photographer of aircraft whose father was a butcher in Wimbledon, London. Young Charles was given a camera for his 14th birthday and in 1911 photographed an Edwardian gentleman in trouble landing his balloon in neighbouring Southfields. This photograph was published in the Daily Mirror – the fee being half a crown – and Brown was encouraged to join the Daily Mirror’s photography department upon leaving school at 16. Towards the end of the First World War he served with the Royal Air Force at their official London Photographic Centre. Following the war, he took to photographing trains, and captured a famous photograph of a Southern Railway locomotive that was used for the following ten years in railway posters. The income from this allowed him to pursue his passion of aviation photography in the 1920s and 1930s, from which commissions from the Air Ministry and Fleet Air Arm followed. During the war his work included commissions for Aeronautics magazine. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: Very good, old glue marks to reverse
  • Lancaster HK543

    Original Silver Gelatin photograph 19 x 25 cm Stamped to reverse "Copyright 'the Aeroplane'" 23 July 1945 HK543 was a Lancaster III, probably produced in 1943. Here she is shown in July 1945, she was recorded photgraphically on bombing trials from Boscombe Down that month, this photograph may reasonably be assumed to be from that event. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: mostly good.
  • Out of stock

    Charles E Brown

    AVRO Lancaster bomber Radio Operator

    Original Silver Gelatin photograph, c. 1944 Stamped to reverse 'Charles E Brown' with address etc. and serial number 14 x 21 cm Charles E Brown was a famous photographer of aircraft whose father was a butcher in Wimbledon, London. Young Charles was given a camera for his 14th birthday and in 1911 photographed an Edwardian gentleman in trouble landing his balloon in neighbouring Southfields. This photograph was published in the Daily Mirror – the fee being half a crown – and Brown was encouraged to join the Daily Mirror’s photography department upon leaving school at 16. Towards the end of the First World War he served with the Royal Air Force at their official London Photographic Centre. Following the war, he took to photographing trains, and captured a famous photograph of a Southern Railway locomotive that was used for the following ten years in railway posters. The income from this allowed him to pursue his passion of aviation photography in the 1920s and 1930s, from which commissions from the Air Ministry and Fleet Air Arm followed. During the war his work included commissions for Aeronautics magazine. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: Very good

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