• Lancaster bomber LL683 General View of Hercules Power Egg

    Silver Gelatin photograph 17 December 1943 12 x 16 cm LL683 JI-P was a Lancaster II and therefore fitted with Bristol Hercules engines rather than the Rolls-Royce Merlin. 350 aircraft were outfitted thus, as a result of fears of shortages of the Merlin. The Hercules came complete as a 'power egg' which is a modular engine installation including ancillary equipment which could be swapped over rapidly for maintenance purposes. LL683 was assigned to 514 Squadron RAF, stationed at Waterbeach from December 1943 with an operational strength of thirty aircraft. The squadron eventually received sixty-seven such Lancasters (fifty-nine of which were destroyed by enemy action or accident). Stationed at Waterbeach from December 1943, the squadron had previously been stationed at RAF Foulsham in Norfolk. Three of the bombers made the move between the two airfields via a bombing raid on Berlin, the crew members' kit - including bicycles - also travelling via Berlin. LL683, serving with 514 Squadron RAF and stationed at Waterbeach had John Clare Gilbertson-Pritchard as pilot for a bombing raid on Stuttgart on the night of 01/02 March 1944. Back in action on 30/31 March for a 795-bomber raid raid on Nurnberg and piloted by W/O WL McGown, the aeroplane suffered a forced landing at Sawbridgeworth; all crew members survived though one broke his back and never flew again. Condition: good. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Lancaster Bomber De-icing System

    Silver Gelatin photograph 1943 12 x 16 cm Stamped to reverse 'This photograph has been passed by censor. 17 Dec 1943' 'Copyright This TP copyright illustration from "The Aeroplane" must not be reproduced without the written permission of Temple Press Ltd.' 'De-icing system. - Cold air is passed into the flame-trap exhaust and forces hot air into wing leading edge.' Condition: good. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Jane Gray (b.1931)

    Warrington Hospital Chapel, Design for Stained Glass Window (1984)

      Watercolour 7.5 x 5 cm Dated, detailed in artist’s hand and studio label verso.

    Warrington Hospital was originally built as an isolation hospital in 1893. The Warrington Union Workhouse Infirmary was built on the site shortly after in 1898, and it was occupied by the Whitecross Military Hospital during the First World War. It wasn’t until 1930, that the infirmary officially became the Warrington Borough General Hospital. Gray’s design for this window in the hospital’s chapel wonderfully demonstrates her colourful, modern style and features the Cross suspended between land and sky, and a line from Psalm 139: ‘O Lord, Thou hast searched me out and known me’. This was one of Gray’s simplest but most favourite window designs, it was installed in the chapel in 1984.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), pp.23, 77. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • W. A. Scott

    The Titanic Sinking

     

    23 x 37 cm

    Bodycolour and ink on paper

    W. A. Scott was a marine artist known for his highly accurate line and body colour drawings.

    It is likely that Scott was an admirer of Laurence Dunn as his work bears much resemblance to Dunn's highly regarded marine drawings. 

  • Donald Ayres (b. 1936)

    The Clifton Foot Beagles on Butcombe Hill

      Lithograph 24 x 44 cm Signed and numbered 423/500. A lithograph of the Clifton Foot Beagles, now the Chilmark and Clifton Foot Beagles. Donald Ayres is a landscape painter specialising in country sports such as hunting, shooting, and fishing. His work has been exhibited in most of the major commercial galleries in Britain, as well as many in Europe and America. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other hunting pictures.
  • after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)

    The South View of Bindon Abbey, in the County of Dorset (1733)

      Engraving 20 x 37 cm An engraved view of Bindon Abbey, a Cistercian monastery on the River Frome in Dorset. The monastery was founded in 1149 by William de Glastonia on the site since known as Little Bindon near Bindon Hill. In 1172 the monastery moved to a site near Wool, and was supported by the house of Plantagenet. The abbey was scheduled for Dissolution in 1536, and finally dissolved in 1539. Only ruins remain. Samuel and Nathaniel Buck were brothers and notable 18th century architectural artists, best known for their depictions of ancient castles and monasteries entitled 'Buck's Antiquities' and those of townscapes of England and Wales, ''Sea-Ports and Capital Towns''. Little is known about the brothers' lives. Samuel was born in Yorkshire and died in penury in London in 1779, and was buried in the churchyard of St Clement Danes. Nathaniel pre-deceased him, dying between 1759 and 1774. Condition: generally good; some age toning; mounted to board; sheet trimmed outside platemark. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • D L Hadden

    Design for Hepplewhite Mahogany Settee

    Watercolour and pencil 18x26cm For biographical details and other works by the artist click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Eric Gill

    Border for The Canterbury Tales (1929) - Three Men with Spears

    Woodblock Print Published Hague & Gill 1934 in an unnumbered edition of 300 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's own typeface. In 1903 he ceased his attempts to become an architect, instead becoming a monumental mason, letter-cutter and calligrapher. Based in Ditchling, he began direct carving of stone figures, the semi-abstract figures taking their influence from mediaeval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little post-Impressionism added in. With major commissions from Westminster Cathedral for its Stations of the Cross (1914), a series of War Memorials including the Grade II* memorial in Trumpington, and three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's, and a series of sculptures for the new 1932 Broadcasting House. The list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures. He had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925 designed Perpetua on his own, and Gill Sans between 1927-30. For the Golden Cockerel Press he created, in 1929, a bolder typeface to complement wood engravings. And of course Gill was publishing decorated books. His 1929 Canterbury Tales was an epic work, with a whole series of beautiful wood engravings such as this one. The present print is from the 1934 edition for Faber & Faber ('Engravings 1928-1933 by Eric Gill') he printed with his son-in-law, Rene Hague, produced with the original engraved wood blocks. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good condition.
  • R Hacking

    St. John’s College, Cambridge (1978)

    Watercolour 17x25cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good.
  • Vanity Fair Spy Magazine President of St john's College Oxford

    1 April 1893 Lithograph If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Mabel Oliver Rae (1868-1956) Wadham College Oxford

    Etching Signed and titled in pencil 11x8.5 cm The rich tones of the etchings make them as popular today as when they were first made. Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Out of stock

    Lancaster Bomber

    Original Silver Gelatin photograph, July 1942 11 x 16 cm Stamped to reverse 'Passed for Publication 2 July 1942 Press and Censorship Bureau', 'Public Relations Branch MAP'. A fine photograph; two erks are adjusting the starboard undercarriage of a Lancaster bomber whilst being supervised - the supervisor apparently with his hands in his pockets in very unmilitary fashion! The sun is high in the sky, casting a rather fine shadow under the bomber.
  • Reginald Hallward (1858 - 1948)

    Design for a banner in the shape of a strawberry

      Watercolour 14 x 10 cm A design for a banner featuring a strawberry motif. The design, like many others by Hallward, is likely influenced by in the Arts and Crafts style popularised by William Morris in the 1890s. Reginald Hallward was born on the Isle of Wight, and was a painter, poet, glassmaker and book designer. He is best known for his stained glass window designs and the tempera murals he painted in several churches. A great exponent of the English Arts and Crafts movement, he often used black paint for outlines, rather than leaded glass. A consumate craftsman, he insisted on painting, firing and leading with his own hands. Condition: mounted to board, old glue marks to margins, and some loss of colour; otherwise good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures by Reginald Hallward.
  • Margaret Macadam (1902-1991)

    Spring: Lady with an Afghan Hound

    Signed Mixed media c.1930 28x23cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • What to Eat and Why

    Original Poster 51x76cm If you are interested email info@manningfineart.co.uk  or call us on 07929 749056.
  • Food Study

    Original Poster 51x76cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Morden (1650-1703) Nottingham Shire (or Nottinghamshire)

    Engraving with recent hand colouring 34x42cm First published in 1695 for Camden's Britannica (1695-1772) and reprinted several times during the succeeding century.
  • Hammond (British, fl. 1930s) Original design for poster and flyer for Carnival Night at the King's Head

    26x19 cm Gouache, 1937 Sadly nothing is known of the life of the artist of this series of rather fine Art Deco designs we have listed. An elegant couple dance in this well composed design. Designed to be lithographed, the artist has restricted himself to four colours. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1930s) Design for Municipal Art School Brochure

    21.5x18 cm Lithograph drawn directly to stone, 1937 Sadly nothing is known of the life of the artist of this series of rather fine Art Deco designs we have listed. This is drawn directly onto the stone, a considerable skill in itself, and in just two colours in order to limit the cost of the lithography. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1920s) Original artwork for brochure for Municipal Art School, Ford St, Coventry, England UK

    21.5x14 cm Gouache, c. 1937 Sadly nothing is known of the life of the artist of thes series of rather fine Art Deco designs we have listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1920s) Original artwork for Design for Shakespeare Twelfth Night programme to be held in Bath

    26x21 cm Gouache, 1937 Sadly nothing is known of the life of the artist of thes series of rather fine Art Deco designs we have listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good; small stain to reverse as illustrated in photograph; fold to centre as intended by artist.
  • Anonymous (British, 20th Century) Free Film Show

    Original Poster 75x50cm c. 1960s An excellent and colourful piece of typography. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Anonymous Tours and Excursions

    Original Coach Poster 75x50cm Cool and crazy mid-century lettering. Poster with area for completion with details of a coach tour. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Jane Gray (b.1931)

    St Mary’s Church, Longnor, Shropshire, Design for Stained Glass Millennium Commemoration Window (2000)

      Watercolour 12.5 x 17.5 cm

    Signed, dated and studio stamp verso.

    St Mary’s Church, Longnor, was originally built as a chapel to Condover around 1280 A.D. It was then a private chapel to the Corbett family of Longnor Hall, before becoming the parish church. These designs for two stained glass roundel windows in the East window were commissioned to commemorate the Millennium. This window was installed in 2001.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.87. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Christ Church, Oxon, Shrewsbury, Design for Millennium Stained Glass Window (1999)

      Watercolour 12.5 x 3.5 cm

    Signed, dated and studio stamp verso.

    Christ Church in Oxon, Shrewsbury is a fine example of an early Victorian church, built in 1854 by Edward Haycock Snr in the Early English style with many lancet features. This stained glass window above the chancel arch was commissioned to celebrate the new millennium, and centres on the star of Bethlehem against a coastal backdrop. This window was installed in 2001.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.86. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Design for Stained Glass Panel in a Private House (1978)

      Watercolour 10 x 8 cm Signed and dated verso.

    This design is for a window commemorating Arthur Henry Edmond Esq., of Ranelagh, 50 Russell Road, Moor Park, Northwood, Middlesex, who held the position of High Sheriff of Greater London between 1973-4. The Clan from whom the Arthurs family descends began among the ancient Dalriadan kingdom of the west coast of Scotland. Their name comes from the Celtic personal name, Arthur, which is of various and often disputed etymology. The personal name Arthur may be derived from some early cognate of the Gaelic “art” and the Welsh “arth”, meaning “bear” and may indicate early Celtic worship of the bear or one who has a high regard for the bear’s virtuous qualities. The Latin motto,  ‘Impelle obstantia’ (meaning, 'Thrust aside obstacles’) would originally have acted a war cry or slogan. Mottoes first appeared in coast of arms in the 14th and 15th centuries, but were not in general use until the 17th century. The office of High Sheriff of Greater London was created in 1965 and granted armorial bearings 1966. The blazon of the arms, as depicted here is: ‘Gules, two seaxes in saltire argent, pommels and hilts or, between in chief a Saxon Crown or and in base a horse courant argent’.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Laurence Dunn (1910-2006)

    Fashions in Oars and Sculls

      6 x 25 cm Ink on paper

    This series of eight neat, ink illustrations depicts, as the title suggests, the various fashions of oars and sculls. These fashions include the Solid, Single Girder, Double Girder, Box Loom, Plain Tubular, Square Tubular, Double Lined Tubular and Ordinary Tubular Scull designs.

    Laurence Dunn (1910-2006) was a well-known British marine artist and writer known for his depictions of ships. He grew up in Devon, where he practised drawing passing ships, and went on to study at the Central School of Art. He then worked for shipbuilding firm John I. Thornycroft & Company Limited, where he contributed to the design of the Royal Yacht. During the Second World War, Dunn worked in naval intelligence. In the early 1960s, he created many line drawings of Atlantic ocean liners.

    Upon his death in 2006, the World Ship Society published the following obituary:

    DUNN, Laurence. [December 15 2006 — Lloyds List] Many readers will be saddened by the death of well-known marine artist and writer Laurence Dunn in his 97th year. A man of encyclopaedic knowledge, he began his lifelong love of ships in Brixham, where he meticulously recorded passing traffic with the exquisitely accurate line drawings which later became something of a trademark. While studying at London’s Central School of Art his work was noticed by the Southern Railway, which commissioned profiles of its fleet, and this in turn led to work for Orient Line, where he also designed the well-known corn-coloured hull, and later Thorneycroft, where he helped with shaping draft plans for a new royal yacht. During the second world was he worked for naval intelligence at the Admiralty, where his technique did much to improve recognition standards, and greatly expanded his shipping clientele, becoming personally known to many chairmen. As well as the shipping press he worked for mainstream publications such as Everybody’s, Sphere and the upmarket comic Eagle. Through his many contacts he enjoyed going to sea in a great variety of ships from aircraft carriers to colliers. Laurence wrote several books, starting with ship recognition titles which introduced new standards of layout, but his best known work was probably Passenger Liners, which was widely taken up by the travel trade. His love of Greece, where he was an early publicist of island cruising, let to involvement in reshaping various passenger liners beginning with Greek Line’s OLYMPIA. In later life he designed several sets of shipping stamps for the Crown Agents, produced photographic volumes on Thames and Mediterranean shipping and still found time to enjoy the passing Thames traffic. Our sympathies go to his wife Jennifer, who provided succour to the many ship lovers who beat a path to the welcoming door of their Gravesend home.

  • Laurence Dunn (1910-2006)

    Coastal Tramp

      25 x 38.5 cm Pencil on paper

    Laurence Dunn (1910-2006) was a well-known British marine artist and writer known for his depictions of ships. He grew up in Devon, where he practised drawing passing ships, and went on to study at the Central School of Art. He then worked for shipbuilding firm John I. Thornycroft & Company Limited, where he contributed to the design of the Royal Yacht. During the Second World War, Dunn worked in naval intelligence. In the early 1960s, he created many line drawings of Atlantic ocean liners.

    Upon his death in 2006, the World Ship Society published the following obituary:

    DUNN, Laurence. [December 15 2006 — Lloyds List] Many readers will be saddened by the death of well-known marine artist and writer Laurence Dunn in his 97th year. A man of encyclopaedic knowledge, he began his lifelong love of ships in Brixham, where he meticulously recorded passing traffic with the exquisitely accurate line drawings which later became something of a trademark. While studying at London’s Central School of Art his work was noticed by the Southern Railway, which commissioned profiles of its fleet, and this in turn led to work for Orient Line, where he also designed the well-known corn-coloured hull, and later Thorneycroft, where he helped with shaping draft plans for a new royal yacht. During the second world was he worked for naval intelligence at the Admiralty, where his technique did much to improve recognition standards, and greatly expanded his shipping clientele, becoming personally known to many chairmen. As well as the shipping press he worked for mainstream publications such as Everybody’s, Sphere and the upmarket comic Eagle. Through his many contacts he enjoyed going to sea in a great variety of ships from aircraft carriers to colliers. Laurence wrote several books, starting with ship recognition titles which introduced new standards of layout, but his best known work was probably Passenger Liners, which was widely taken up by the travel trade. His love of Greece, where he was an early publicist of island cruising, let to involvement in reshaping various passenger liners beginning with Greek Line’s OLYMPIA. In later life he designed several sets of shipping stamps for the Crown Agents, produced photographic volumes on Thames and Mediterranean shipping and still found time to enjoy the passing Thames traffic. Our sympathies go to his wife Jennifer, who provided succour to the many ship lovers who beat a path to the welcoming door of their Gravesend home.

  • Laurence Dunn (1910-2006)

    Coastal Ship

     

    19.5 x 31.5 cm

    Pencil on paper

    Laurence Dunn (1910-2006) was a well-known British marine artist and writer known for his depictions of ships. He grew up in Devon, where he practised drawing passing ships, and went on to study at the Central School of Art. He then worked for shipbuilding firm John I. Thornycroft & Company Limited, where he contributed to the design of the Royal Yacht. During the Second World War, Dunn worked in naval intelligence. In the early 1960s, he created many line drawings of Atlantic ocean liners.

    Upon his death in 2006, the World Ship Society published the following obituary:

    DUNN, Laurence. [December 15 2006 — Lloyds List] Many readers will be saddened by the death of well-known marine artist and writer Laurence Dunn in his 97th year. A man of encyclopaedic knowledge, he began his lifelong love of ships in Brixham, where he meticulously recorded passing traffic with the exquisitely accurate line drawings which later became something of a trademark. While studying at London’s Central School of Art his work was noticed by the Southern Railway, which commissioned profiles of its fleet, and this in turn led to work for Orient Line, where he also designed the well-known corn-coloured hull, and later Thorneycroft, where he helped with shaping draft plans for a new royal yacht. During the second world was he worked for naval intelligence at the Admiralty, where his technique did much to improve recognition standards, and greatly expanded his shipping clientele, becoming personally known to many chairmen. As well as the shipping press he worked for mainstream publications such as Everybody’s, Sphere and the upmarket comic Eagle. Through his many contacts he enjoyed going to sea in a great variety of ships from aircraft carriers to colliers. Laurence wrote several books, starting with ship recognition titles which introduced new standards of layout, but his best known work was probably Passenger Liners, which was widely taken up by the travel trade. His love of Greece, where he was an early publicist of island cruising, let to involvement in reshaping various passenger liners beginning with Greek Line’s OLYMPIA. In later life he designed several sets of shipping stamps for the Crown Agents, produced photographic volumes on Thames and Mediterranean shipping and still found time to enjoy the passing Thames traffic. Our sympathies go to his wife Jennifer, who provided succour to the many ship lovers who beat a path to the welcoming door of their Gravesend home.

  • W. A. Scott

    S. S. Automedon (1956)

     

    26 x 33.5 cm

    Bodycolour and ink on paper Signed l.r.

    SS Automedon was a Blue Funnel Line refrigerated cargo steamship. She was launched in 1921 on the River Tyne as one of a class of 11 ships to replace many of Blue Funnel's losses in the First World War.

    A converted German auxiliary cruiser and merchant raider Atlantis captured and scuttled Automedon in 1940 in the Indian Ocean. Her capture is notable because she was carrying top secret documents addressed to the British Far East Command. Their capture may have influenced Japan's decision to enter the Second World War.

    Automedon was Achilles' charioteer in Homer’s Iliad. This was the first of three Blue Funnel Line ships to be named after him. The second was a motor ship launched in 1949 and scrapped in 1972. The third was a motor ship launched in 1948 as Cyclops, renamed Automedon in 1975 and scrapped in 1977.

    W. A. Scott was a marine artist known for his highly accurate line and body colour drawings. It is likely that he was an admirer of Laurence Dunn as his work bears much resemblance to Dunn's highly regarded marine drawings. 

  • Jane Gray (b.1931)

    Mosaic Design

      Watercolour 11 x 12.5 cm

    This highly modern, colourful and geometric stained mosaic design demonstrates Gray’s wide artistic range and love of employing colour and linear shapes in her work. The central image appears to depict a hamlet-like cluster of abstract houses surrounded by squares of field-like green. 

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • LANCASTER BOMBER AT AN AIRFIELD

    Silver Gelatin Photograph for Flight Magazine 15.5x20cm Stamped to reverse "Flight Ref no 18300S Copyright Due Acknowledgment is required if this photograph is reproduced" Almost uniquely, from this series of photographs we have listed, we have been unable to trace another copy of this online. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Inscribed with his initials to reverse, though this has subsequently been concealed with liquid paper.
  • Laurence Dunn (1910-2006)

    Drawing of the 'Easton' Canadian laker steamer (c.1950s)

    21 x 12.5 cm Pencil Extensively inscribed. Sketch of the ship of the "Easton" in harbour. Dunn has included notes about its colour, presumably for a future painting. Dunn was a well known marine artist and writer. The World Ship Society published the following obituary for Dunn. DUNN, Laurence. [December 15 2006 — Lloyds List] Many readers will be saddened by the death of well-known marine artist and writer Laurence Dunn in his 97th year. A man of encyclopaedic knowledge, he began his lifelong love of ships in Brixham, where he meticulously recorded passing traffic with the exquisitely accurate line drawings which later became something of a trademark. While studying at London’s Central School of Art his work was noticed by the Southern Railway, which commissioned profiles of its fleet, and this in turn led to work for Orient Line, where he also designed the well-known corn-coloured hull, and later Thorneycroft, where he helped with shaping draft plans for a new royal yacht. During the second world was he worked for naval intelligence at the Admiralty, where his technique did much to improve recognition standards, and greatly expanded his shipping clientele, becoming personally known to many chairmen. As well as the shipping press he worked for mainstream publications such as Everybody’s, Sphere and the upmarket comic Eagle. Through his many contacts he enjoyed going to sea in a great variety of ships from aircraft carriers to colliers. Laurence wrote several books, starting with ship recognition titles which introduced new standards of layout, but his best known work was probably Passenger Liners, which was widely taken up by the travel trade. His love of Greece, where he was an early publicist of island cruising, let to involvement in reshaping various passenger liners beginning with Greek Line’s OLYMPIA. In later life he designed several sets of shipping stamps for the Crown Agents, produced photographic volumes on Thames and Mediterranean shipping and still found time to enjoy the passing Thames traffic. Our sympathies go to his wife Jennifer, who provided succour to the many ship lovers who beat a path to the welcoming door of their Gravesend home.
  • Samuel & Nathaniel Buck

    Byland Abbey, Yorkshire

    Engraving 37x19cm, c. 1770 "Byland Abbey is an interesting ruin about five miles from Helmsley. It was a fine specimen of ecclesiastical architecture, founded by the monks of Furness, who were driven from their establishment in Lancashire during an incursion of the Scots. When the abbey was dissolved in 1540 its revenues amounted to 238l. 9s. 4d." (Source: The Penny Magazine of the Society for the Diffusion of Useful Knowledge 25 June 1836.)
  • G. Cooper

    St. Mary's Church, Oxford

    Etching c. 1820 40x47cm From The Oxford Portfolio a series of thirteen views printed on Sepia paper, very rare. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • S Clapham (active 1940 - 1960)

    A Modernist Church

      Pencil 29 x 43 cm A design for an octagonal church in the modernist mid-century style. Clapham was an architect based in Stockwell in London. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • S Clapham (active 1940 - 1960)

    Puslinch House

      Pencil 55 x 77 cm An architectural drawing of Puslinch House, a fine Christopher Wren-style Georgian mansion in Devon. The estate was owned by the Poslylinch, Mohun, and Upton families before being taken over by the Yonge family in 1718, following the marriage of John Yonge and Mary Upton. The Queen Anne House mansion was built on the occasion of their wedding and an earlier mediaeval house still exists in the grounds as a country cottage. During the war, the house was used as a voluntary hospital for wounded officers. Clapham was an architect based in Stockwell in London. Condition: generally good; a little spotting, backed to board by artist and signed to board lower right. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Cyril Kenneth Bird ‘Fougasse’ (British 1887-1965)

    Noise Almost Always Annoys

    Lithographic poster c1940 29.5 x 19.6 cm (11.5 x 7.5 in) printed by Fosh & Cross Ltd. “Published by King Edward’s Hospital Fund for London from a drawing kindly presented by Fougasse. No. 6. F&C Ltd.” Further biographical details and items by Fougasse are available here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Derrick Latimer Sayer (British: 1917-1992) Tree for Beverly Nichols' Cats' ABC

    30x21cm Pen and ink Dated 26 vii 1982 Sayer illustrated Beverley Nichols' 'Cats' A.B.C.' and we are delighted to present some of his preparatory drawings here. Search for 'Sayer' in our stock to see more of these utterly charming illustrations - mostly of cats. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. For biographical details and other works by the artist please click here.
  • Derrick Latimer Sayer (British: 1917-1992) Ducks for Beverly Nichols' Cats' ABC

    30x21cm Pen and ink Dated 8 vi 1982 Sayer illustrated Beverley Nichols' 'Cats' A.B.C.' and we are delighted to present some of his preparatory drawings here. Search for 'Sayer' in our stock to see more of these utterly charming illustrations - mostly of cats. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Two punched holes. For biographical details and other works by the artist please click here.
  • Derrick Latimer Sayer (British: 1917-1992) Rabbits for Beverly Nichols' Cats' ABC

    30x21cm Pen and ink Dated 8 vi 1982 Sayer illustrated Beverley Nichols' 'Cats' A.B.C.' and we are delighted to present some of his preparatory drawings here. Search for 'Sayer' in our stock to see more of these utterly charming illustrations - mostly of cats. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. For biographical details and other works by the artist please click here.
  • DV170 Lancaster Bomber in flight

    Silver Gelatin Photograph 15x20cm Stamped to reverse "Rolls Royce Ltd Hucknall Neg no s76 Copyright Reserved" c. 1940s DV170 was built as a Mk III and converted to Mk VI. Used by Rolls Royce for Merlin trials series 65, 85, 38, 68, 100, 102 & 621 300+ f/hrs testing. Dismantled (probably at Hucknall), by road to Newton 10 December 1947, scrapped by 58 Maintenance Unit. Shown here with 4 Merlin 102s in Avro Tudor power plants with unshrouded exhausts. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Ray Turrefield (active late 20th century)

    Hitcham Building, Pembroke College, Cambridge (1978)

      Print 18 x 25 cm Signed and dated lower right. A print of Pembroke College, Cambridge's Hitcham Building. Built in 1659, the Hitcham Building marks the first instance in Pembroke of the Classical Style, which was soon to find full expression in Wren’s Chapel. The building was intended for the Master’s use and was originally connected to the former Master’s Lodge. Both the poet Thomas Gray and the Prime Minister William Pitt lived in the building during their times at Pembroke. Condition: very good.
  • Out of stock

    Lancaster Bomber VN-N R5689

    Original Silver Gelatin photograph 11 x 16 cm Stamped to reverse 'This TP Copyright illustration from 'The Aeroplane' must not be reproduced without the written permission of Temple Press.' The photograph - and several others of the Swinderby based R5689 of 50 Sqn - was taken on 28 August 1942. The pilot was Sqn Ldr Hugh Everitt. One of the most photographed Lancasters of the RAF's fleet, it was utilised for literature that trained aircrew to recognise the Lancaster. It is also proposed that it be imortalised by the Bomber Gateway Trust with a lifesize replica spraying poppies across the country, just a short distance from its crash site in Lincolnshire. Further funding is required before the project can be completed. R5689 was destroyed on the night of 18/19 September that year. It had been on a sea mining mission and crashed on landing when both port engines failed. Four crew members were killed and three further were injured. Everitt was not flying R5689 on the night it crashed. He survived the war - having flown 56 operations for which he was decorated three times, commanded a V-bomber squadron and played golf into his nineties. He died in 2012 and the Telegraph published an obituary. We have another photograph that includes him sitting on the grass in front of a Lancaster that is being armed.  
  • Lancaster HK543

    Original Silver Gelatin photograph 19 x 25 cm Stamped to reverse "Copyright 'the Aeroplane'" 23 July 1945 HK543 was a Lancaster III, probably produced in 1943. Here she is shown in July 1945, she was recorded photgraphically on bombing trials from Boscombe Down that month, this photograph may reasonably be assumed to be from that event. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: mostly good.
  • Lancaster Bomber Arming D-Day + 1

    Original Silver Gelatin photograph, c. 1944 11 x 25 cm Stamped to reverse "Certified by Fox Photos Ltd as passed by censor, Press and Censorship Bureau" "Thousands of Planes Keep Up the Offensive "Thousands of planes are continuously taking part in the new offensive for the liberation of Europe. "Photograph shows: Ground staff loading up a Lancaster with a cookie and 1,000 lb bombs, ready for the new offensive. The air crew and bomb train are dwarfed when seen on the ground from one of the huge bombers. "Fox June 7 '44." D-Day was 6 June 1944 Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: photograph has discoloured in some areas.
  • Brownbridge (flourished 1930s - 1940s)

    Fletcher Gas Fires brochure design (1937)

      Lithographic brochure 21.5 x 14 cm From a small archive of works by Brownbridge, a member of the Society of Industrial Artists. An original gouache design for a brochure advertising Fletcher Russell and Co. gas fires. The futuristic style of the boldly blue-, black-, and orange-coloured poster, as well as the dynamic diamond-shaped badge containing the initials F and R (for Fletcher and Russell) combine to make this a highly modern piece of 1930s design. Society of Industrial Artists correspondance (photographed above) is not included; please enquire separately. Condition: generally very good; gentle crease to top right corner. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other designs by Brownbridge.
  • Brownbridge (flourished 1930s - 1940s)

    Achievement Radiation gas cookers brochure design

      Pen and collage 21.5 x 14 cm From a small archive of works by Brownbridge, a member of the Society of Industrial Artists. Brownbridge's bold design advertises Radiation cookers (innovative gas cookers which were sold in Britain in the 1920s and 1930s). Shiny white against a dark background, the Radiation cooker seems impossibly glamorous and inviting. Society of Industrial Artists correspondance (photographed above) is not included; please enquire separately. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other designs by Brownbridge.
  • Brownbridge (flourished 1930s - 1940s)

    Nocturne Portable Gas Heater brochure design

      Gouache and mixed media art 21.5 x 14 cm From a small archive of works by Brownbridge, a member of the Society of Industrial Artists. A marvellous gouache design for a brochure advertising the Nocturne portable gas heater. The art deco text surrounded by stars and image of the innovative gas heater superimposed on the moon combine to make this a thoroughly modern piece of 1930s design. Society of Industrial Artists correspondance (photographed above) is not included; please enquire separately. Condition: generally very good; some damage to reverse. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other designs by Brownbridge.
  • Brownbridge (flourished 1930s - 1940s)

    For Fireside Comfort, High Beam Gas Fires brochure design

      Gouache, mixed media art, and collage 21.5 x 14 cm From a small archive of works by Brownbridge, a member of the Society of Industrial Artists. A design for a brochure advertising Radiation's high beam gas fires. Brownbridge's design combines a photograph of a mother and child with hand-painted text; the red and yellow colour palette project warmth and cosiness. The mother's hair is fantastically 1930s, and she reads a copy of 'Patsy Ann: Her Happy Times' by Mona Reed King (first published in 1935) to her son. Society of Industrial Artists correspondance (photographed above) is not included; please enquire separately. Condition: generally very good; lacking 'The Serene' collaged photograph. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other designs by Brownbridge.
  • Thomas Kitchin (1719 - 1784)

    Map of Oxfordshire (1764)

      Engraving with later hand-colouring 72 x 54 cm This decorative map of Oxfordshire features a cartouche with three concentrating scholars and various educational trappings like rolls of parchment. The cartouche in the upper right corner dedicates the map to Charles Spencer, Duke of Marlborough, whose family seat of Blenheim Palace is just outside the city of Oxford. The map also sports a list of the University of Oxford's colleges, its rectories and vicarages, and a paragraph on the Earls of Oxford. Thomas Kitchin was an English engraver and cartographer. He was born in London and was apprenticed to the map engraver Emanuel Bowen in 1732. He produced John Elphinstone's map of Scotland (1746), the Geographia Scotiae (1749), and The Small English Atlas (1749) with Thomas Jefferys. Kitchen worked for the London Magazine and for the King; there is also some debate as to whether he passed off other cartographers' work as his own. Condition: generally very good; central fold as issued, another fold to middle of top half, three tiny losses (a millimetre or two) just outside plate mark to left side. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other decorative maps.
  • after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)

    The East View of Winchester Palace (1733)

      Engraving 20 x 37 cm An engraved view of Winchester Palace, a bishop's palace built in the 12th century. It served as the London townhouse of the Bishops of Winchester and remained in use until around 1700, when it was divided up into tenements and warehouses. The building was largely destroyed by fire in 1814. Samuel and Nathaniel Buck were brothers and notable 18th century architectural artists, best known for their depictions of ancient castles and monasteries entitled 'Buck's Antiquities' and those of townscapes of England and Wales, ''Sea-Ports and Capital Towns''. Little is known about the brothers' lives. Samuel was born in Yorkshire and died in penury in London in 1779, and was buried in the churchyard of St Clement Danes. Nathaniel pre-deceased him, dying between 1759 and 1774. Condition: generally very good; slight age toning; sheet trimmed outside platemark; mounted to board. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures of London.
  • Wolverhampton School of Practical Art

    Wolverhampton School of Practical Art Published for London Illustrated News (25 June 1853) 17.5x29cm Watercolour If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • D L Hadden

    Design for a Pair of Marquetrie Panels for Geo. M Hammer with two dancing figures

    Watercolour and pen and ink 23x31.5cm For biographical details and other works by the artist click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • D L Hadden

    Design for a Pair of Marquetrie Panels for Geo. M Hammer with two dancing figures

    Watercolour and pen and ink 23x31.5cm For biographical details and other works by the artist click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Douglas L Hadden (British, 20th century) Design for a Marquetry Panels for furniture for Geo. M Hammer with castle

    25x18cm Watercolour signed and dated 1927 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture. Their lift-top school desks are particularly well regarded, and always carried their brass name plate. Hammer were renowned for their interior woodwork, they were commissioned to undertake the choir stalls in Sir Basil Spence’s ground-breaking Coventry Cathedral. Dick Russell (brother of Gordon Russell and who worked for his brother before World War Two) famously designed the chairs to be used by the congregation; as all-wood stacking chairs they were innovative at the time. As senior designer, Hadden was at the heart of the Coventry project. Hadden was educated at the Wycombe School of Art and quickly rose to the position of chief designer at Burkles, early in his career. During the World War Two he worked as an air warden in Cowley and later within the Royal Artillery, before returning to work for the Italian firm BIANOS, helping to shift its production of spitfires propellers back to peace-time wood-work. For his 7th and finale job he worked as chief designer for one of the largest and oldest firms in Britain, Geo. M Hammer. With a wide experience of designing furniture to a high standard, Hadden worked for colleges, universities, schools, libraries, monasteries and nunneries, churches and abbeys, cathedrals, synagogues and private houses. In addition to furnishings, Hadden took pride in producing fine pianos for many of these residences. Through  Geo M Hammer, Hadden's designs can be found across the British Isles today, with many further appearing in America. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition : Good. Wrapped in transparent sleeve for protection.
  • Anonymous Foire de Paris

    15-30 May 1937 Watercolour 29x18cm A fine Art Deco design for a poster for the 1937 Foire de Paris. With Tricolore and Fleur de Lys what could be more redolent of a Parisian Fair? The designer is unknown, but it has been carrried out with a great deal of care and skill. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good condition.
  • Oscar Andreae (fl.1860-1880) Garden

    Pencil drawing 1862 12 x 18.5cm approx. Andreae spent much of the 1860s exploring Europe - the invention of the railways having made undertaking a Grand Tour rather easier than it had been half a century earlier - and recorded the places he visited. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Oscar Andreae (fl.1860-1880) Kiosk on the Bosphorus

    Pencil drawing Dated 4 April 1866 13 x 19.5cm approx. Andreae spent much of the 1860s exploring Europe - the invention of the railways having made undertaking a Grand Tour rather easier than it had been half a century earlier - and recorded the places he visited. Here he is in Turkey, recording a Kiosk - or Köşkü - on the shores of the Bosphorus, the strait of water in northwestern Turkey that links the Black Sea to the Mediterranean. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Oscar Andreae (fl.1860-1880) Isola Pescatori, Italy

    1862 Pencil drawing Sheet 12 x 16.5cm Andreae spent much of the 1860s exploring Europe - the invention of the railways having made undertaking a Grand Tour rather easier than it had been half a century earlier - and recorded the places he visited. Here, visiting the Lago Maggiore in northern Italy he depicts the Isola Pescatori (the fishermen's island) - or Isola Superiore. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.

Title

Go to Top