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Abstract Form, poster design by M. R. Webb

£195

M R Webb Abstract Form
21 x 26 cm Signed to lower right Provenance: Family of A. E. Halliwell Little is known about M R Webb beyond the fact that he studied under A E Halliwell, though the fact that Halliwell collected this painting suggests that he thought highly of his student. This abstract composition provides few clues as to what exactly it is depicting... Is it an Underground roundel? Perhaps some kind of animal, a cockerel maybe? Webb leaves it to his viewer to decide. In any case, the colours and swirling forms offer a sense of motion and excitement in this dynamic piece. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Royal Richmond Horse Show, c.1940 Underground poster design by A Searle

£2,000

A Searle Royal Richmond Horse Show
c.1940 26 x 30 cm Signed to lower right Provenance: Family of A. E. Halliwell Little is known about A Searle beyond the fact that he studied under A E Halliwell, though the fact that Halliwell collected this painting suggests that he thought highly of his student. This playful Underground poster design advertises the Royal Richmond Horse Show. It features a horse and flags with an abstracted jockey. The whole composition is somewhat musical, with colourful lines behind the text evoking a musical stave and the body of the jockey calling to mind musical notes. Painted in the lower right in muted greens is the iconic Underground roundel, signalling the poster's original purpose. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Take the Underground to the RA , c.1930 poster design by A. E. Halliwell

£2,000

A. E. Halliwell (1905-1987) Take the Underground to the RA
Gouache c.1930 23 x 30 cm Provenance: the family of A. E. Halliwell A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This playful work features a man, clad in tartan trousers and puffing away at a pipe, marching steadfastly with the roundel of the London Underground in two. The roundel is adorned with the ornate decoration that surrounds the stylised letters of the R and A of the Royal Academy, suggesting that the man is marching straight towards the Academy. In classic Halliwell style, the design features a play on words, the man is not just taking the underground, as you do, he is physically and literally bringing the Underground with him to the exhibition, adding a mischievous flare to the piece. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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RA Exhibition, c.1930 underground poster design in the manner of A. E. Halliwell

£1,000

In the manner of A. E. Halliwell (1905-1987) RA Exhibition
Gouache c.1930 26 x 30 cm Provenance: Family of A. E. Halliwell. A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This vibrant work features a design for an Underground poster, centring around a theoretical exhibition at the Royal Academy. It showcases an excellent command of stylised typeface, painting the RA in a gilt frame. An abstracted human form watches over the painting, surrounded by a colourful purple swirl, mimicking the gesture of the paintbrush across the paper. As a finishing touch, the iconic Underground roundel is painted into the bottom right hand corner. Condition: Generally very good, a little very faint spotting and slight discolouration and pin holes to the top corners (would be covered by mount).
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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The Oxford-Cambridge Boat Race, c.1930 underground poster design by A. E. Halliwell

£5,000

A. E. Halliwell (1905-1987) The Boat Race
Gouache 32 x 50 cm Initialled and dated Dec 1928 lower right A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This dynamic poster design by A.E. Halliwell captures the intensity of the Oxford-Cambridge Boat Race with a bold aerial perspective of the two rowing crews slicing through stylised blue and white water--Oxford in dark blue on the left, Cambridge in light blue on the right. The rhythmic composition and simplified forms emphasise speed, coordination, and competition, using a limited colour palette to striking modernist effect. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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The Boat Race, c.1930 underground poster design by A. E. Halliwell

£4,500

A. E. Halliwell (1905-1987) The Boat Race
Gouache 28 x 32 cm c.1930 Signed on separate piece mounted to reverse of frame Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This vibrant Underground poster design by A.E. Halliwell captures the rhythmic energy of the annual Boat Race with stylised, synchronised abstracted rowers and undulating water patterns. Using bold lines, mirrored symmetry, and a cool palette of blues and greens, Halliwell creates a dynamic sense of movement and celebration, perfectly evoking the spectacle and tradition of the iconic sporting event. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Lifts and Stairs Galore, c.1930 underground poster design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Lifts and Stairs Galore
Gouache 53 x 33 cm c.1930 Signed lower right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This striking poster design by A.E. Halliwell for the London Underground uses bold geometric forms and a limited colour palette to depict a stylised network of staircases, lifts, and passageways. A solitary commuter, hunched and weary, navigates the maze-like station. The composition is both dynamic and structured with a clear modernist aesthetic. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Buy From Our Own Empire the Best Market, 1930 art deco design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in black)
Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This bold poster design by A. E. Halliwell uses vibrant blue and black with layered text to promote trade within the British Empire. Featuring variations of the Union Jack across all four panels, the design reinforces imperial unity with the slogan “Buy from our own Empire – the best market.” Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Buy From Our Own Empire the Best Market, 1930 art deco design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in blue)
Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This bold poster design by A. E. Halliwell uses vibrant blue and layered text to promote trade within the British Empire. Featuring variations of the Union Jack across all four panels, the design reinforces imperial unity with the slogan “Buy from our own Empire – the best market.” Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Hendon Air Display ‘Loop the Loop’, c.1930 art deco poster design by A. E. Halliwell

£2,500

A. E. Halliwell (1905-1987) Hendon Air Display 'Loop the Loop' Gouache
26 x 32 cm 1928 Inscribed 'rough' to the lower right and stamped to reverse A.E. Halliwell Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. With bold curves and crisp, minimalist style, this artwork captures the daring loop-the-loop of an aircraft against a sunlit sky. Both functional and artistic, the poster exemplifies the era’s art deco fusion of design and public service messaging. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Royal Air Force Display ‘Book to Colindale’, c.1930 art deco poster design

£2,500

A. E. Halliwell (1905-1987) Royal Air Force Display, 'Book to Colindale'
Gouache 26 x 32 cm 1928 Signed and dated 1928, inscribed 'Roughs Submitted for the 1929 Air Display'; with documentation from publisher. A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Featuring stylised swallows soaring alongside a sleek aircraft, the design captures the excitement and elegance of early aviation. Clean lines, geometric forms, and a limited palette of red, blue, black, and white evoke speed and modernity, while the playful cloud outlines add a sense of lightness. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Royal Air Force Display, 1928 art deco poster design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon)
Gouache 16 x 24 cm 1928 Signed and dated 1928, inscribed 'Roughs Submitted for the 1929 Air Display'; with documentation from publisher. A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Featuring a dramatic silhouette of a biplane soaring across a stylised sky, the artwork captures the sense of motion and excitement associated with Hendon Air Display. It showcases Halliwell's excellent command of typography, while while the muted colour palette of blues and greys lends it a sleek, atmospheric feel. Both functional and artistic, the poster exemplifies the era’s art deco fusion of design and public service messaging. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Smithfield Cattle Show, 1930s art deco poster design by A. E. Halliwell

£2,500

A. E. Halliwell (1905-1987) Smithfield Cattle Show
Airbrush and gouache 26 x 33 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This striking poster by A. E. Halliwell boldly advertises the Smithfield Cattle Show with a powerful, symmetrical design. At its centre is a stylised, almost regal bull’s head, perfectly aligned and framed by the iconic London Underground roundel. The rich, earthy tones of the bull contrast sharply with the vibrant background of red, yellow, and electric blue, creating a vivid and modern aesthetic. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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The Jewel that is London, 1930s art deco poster design by A. E. Halliwell

£2,500

A. E. Halliwell (1905-1987) The Jewel that is London
Airbrush and gouache 26 x 33 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This eye-catching poster design by A. E. Halliwell features an image of Big Ben lit up against the night sky, painted at the centre of a diamond with the inscription 'The jewel that is London. Illuminations every night during September.' The angular geometric shapes and bold colour gradients of yellow, blue, and black give the piece a modernist sparkle, evoking both glamour and excitement. With playful typography and a whimsical pun ("Travel by Underground – Alight at Westminster"), the poster cleverly combines elegance with charm to promote London’s September illuminations as a must-see spectacle. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Royal Air Force Display at Hendon Air Show, c.1930 art deco poster design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon)
Gouache 16 x 24 cm 1930 Stamped A. E. Halliwell to reverse Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Featuring a dramatic silhouette of a biplane soaring across a stylised sky, the artwork captures the sense of motion and excitement associated with Hendon Air Display. It showcases Halliwell's excellent command of typography, while while the muted colour palette of blues and greys lends it a sleek, atmospheric feel. Both functional and artistic, the poster exemplifies the era’s art deco fusion of design and public service messaging. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Design for Underground Poster, 1927 art deco design by A. E. Halliwell

£1,750

A. E. Halliwell (1905-1987) Design for Underground Poster
Gouache 15 x 12 cm 1927 Signed, dated and inscribed "Design for Underground Poster, executed 30" x 20", A. E. Halliwell '27" Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Dominated by two stylised figures dressed in theatrical costume, this striking poster design calls to mind the vibrancy of London's West End. As an underground train emerges from the woman's flowing garments, Halliwell creates a playfully burlesque scene. Their clothes rendered in bold yellow, black, and blue, then visually merge with the motion and perspective of the speeding trains below, whose converging tracks create a dramatic vanishing point. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Fog , 1927 art deco poster design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Fog
Gouache 19 x 13 cm 1927 Signed to the bottom right and inscribed 'Design for a Poster Entitled "Fog".' A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. In this striking poster design, thick ribbons of grey fog snake dramatically through the scene, partially obscuring buildings, street lamps, and figures, and creating a sense of movement and disorientation. In the midst of this urban haze, the bright yellow and blue signage of the Underground station stands out as a beacon of clarity and modernity. As is characteristic for Halliwell's designs, the artist makes use of bold blocks of colour. In this case, he draws the circles of light emanating from the streetlamp as intersecting cogs in different colours, disrupting the seemingly impenetrable opacity of the grey swathes of fog. This blend of swirling shapes and, on the other hand, industrial forms creates a unique surrealist-futurist synthesis, almost evoking Fritz Lang's revolutionary 1927 film 'Metropolis.' Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Underground to Escape the Fog , 1927 art deco poster design by A. E. Halliwell

£3,000

A. E. Halliwell (1905-1987) Underground to Escape the Fog
Gouache 19 x 13 cm c.1930 Signed to the bottom right and inscribed 'Design for a Poster, Carried out 12" x 20".' Provenance: Family of the artist. A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This striking poster design uses moody tones and bold silhouettes to show Londoners disoriented in a misty street where lights are distorted by the haze and the houses are unrecognisable but for their chimneys. Fear not... they are saved by the glowing red Underground sign cutting through the haze and the poster therefore serves as a reminder that (apparently) even in thick fog, the Tube stays clear and reliable. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Pansies, 1930s art deco design by A. E. Halliwell

£500

A. E. Halliwell (1905-1987) Pansies
Gouache 30 x 47 cm c.1930 Label to reverse 'Baynard Press', Signed lower right, further signed in pencil and dated 1929. Provenance: Family of the artist. A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Condition: Generally very good, faint discolouration and a central fold.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Don’t be Drowned, Travel Underground – 1927 art deco Underground poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Don't be drowned, travel underground
Gouache 11 x 6 cm 1927 Signed, dated and inscribed 'Poster design 12.5" x 20" executed 1927' Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This poster design cleverly contrasts the perils of winter travel on icy streets with the safety and reliability of the London Underground. Halliwell's use of sharp angles and limited colour palette heightens the emotional impact, making the message both memorable and visually compelling. It is a fine example of early 20th-century transport poster art that blends public service messaging with striking modernist aesthetics. As Halliwell signals beneath this design, the poster was executed and featured around the London Underground system throughout the 1930s. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Hats, 1930s art deco poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Hats
Airbrush and pen 50 x 32 cm c.1930 Stamped signature Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This elegant poster design by A. E. Halliwell features two women, adorned in stylish and extravagant hats. To the left of the work, a woman dons a tight-fitting cloche, to her right, another woman models a gainsborough chapeau, its enormous rim providing ample shade for them both. By using simple forms and playing with the contrasts between the dark airbrushed hats and pale delicate faces, Halliwell creates a striking work, capturing the class of 1930s Art Deco glamour. Condition: Generally very good, very faint area of staining to left margin, pin holes to corners.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Presents for George, Mary & Gladys, 1930s art deco poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Presents for George, Mary & Gladys
Gouache and collage 46 x 33 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This playful and visually rhythmic poster design features an abstract arrangement of wrapped gift boxes rendered in a bold, geometric style. Using a limited yet striking colour palette, Halliwell emphasises pattern and contrast—each present decorated with distinct motifs like stripes, chevrons, waves, triangles, and polka dots. Gift tags labeled “George,” “Mary,” and “Gladys” dangle from the boxes, adding a personal, almost whimsical touch to the structured composition while vertical black and white streaks create a layered sense of depth and motion, as if the presents are seen through strips of curtain or light. Bringing together symbols of the Christmas period, Halliwell expertly captures the festive spirit with sophistication and graphic precision. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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War is War, 1930s art deco book cover design by A. E. Halliwell

£1,750

A. E. Halliwell (1905-1987) War is War
Gouache 21 x 19 cm (full sheet size 38 x 28 cm) c.1930 With signature and title from applied support paper Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Halliwell produced this book dust cover design for the novel 'War is War', written by Alfred Burrage and published in 1930. In War is War, Burrage recounts his experiences as a private soldier in France during the First World War, his reactions to abnormal conditions and his general observations-- all in an effort to offer a true representation of what war is really like. In this account, written of necessity under a pseudonym, he covers the wide canvas of war, from off duty moments in grubby estaminets and brothels, to life in shell torn trenches, going over the top with equally terrified yet resigned comrades, being a casualty, to periods of numbing boredom. Halliwell's design is sombre and impactful, using minimal colour and abstract forms to evoke the horrors and futility of war. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Cricket: Defending the Wicket, 1930s vintage poster design by A. E. Halliwell

£1,200

A. E. Halliwell (1905-1987) Defending the Wicket
Airbrush and pen 13 x 13 cm c.1930 Signed to the bottom right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V&A. This striking poster design by A. E. Halliwell features a young man defending the wickets during a cricket match. Halliwell creates a strong sense of contrast in this design, using the airbrush technique to create a dense background of spots and to emphasise shadow, and then leaving the cricketer's whites plain by contrast. This creates an eye-catching effect, suggesting the brightness of the whites reflecting the sun on a warm summer's day. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Xmas Gifts, 1930s vintage poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Xmas Gifts
Airbrush and pen 50 x 32 cm c.1930 Stamped signature Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This intriguing poster design by A. E. Halliwell features a series of bells ringing in both the start of the Christmas church services and of holiday spirit more generally. As is typical of art deco design, Halliwell makes ample use of the airbrush technique, creating an elegant effect. Perhaps more interestingly, however, Halliwell also depicts multiple frames, showing the bells at different angles. In doing so, he highlights their movement through an almost stop-motion like technique. 'Ding-dong, ding-dong', you can almost hear the bells ringing straight out of the poster... Condition: Generally very good, slight discolouration, pin holes to corners.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Furs, 1930s vintage poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Furs
Airbrush and pen 50 x 32 cm c.1930 Stamped signature Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This elegant poster design by A. E. Halliwell features a stylised figure of a woman clad in a fur stole, rendered with delicate stippling and minimal, flowing lines. The text 'Furs' mirrors these techniques, where Halliwell's blending of the airbrush and fine line technique creates a sense of continuity between the woman's outline, her outfit and the text itself. The overall effect is refined and airy, capturing the essence of 1930s Art Deco glamour. Condition: Generally very good, very faint area of staining to left margin, pin holes to corners.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Running Race, 1930s vintage poster design by A. E. Halliwell

£750

A. E. Halliwell (1905-1987) Running Race
Airbrush and pen 13 x 13 cm c.1930 Signed to the bottom right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V&A. This striking poster design by A. E. Halliwell features three young men sprinting towards the finish line of a running race, recalling images from the olympics of the 1930s. Halliwell creates a strong sense of contrast in this piece, using dark blocks of ink to depict the men's hair and clothing seams and the airbrush technique to depict shadows on their limbs and uniform. Halliwell's attitude in this design seems to be less is more, as he allows our brains to fill in the gaps of where other outlines might be expected. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Women in blue and yellow, 1930s vintage poster design by A. E. Halliwell

£600

A. E. Halliwell (1905-1987) Women in blue and yellow
Gouache 30 x 47 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V&A. This striking poster design by A. E. Halliwell showcases his signature Art Deco and modernist flair, with bold geometric layering and a limited but vibrant colour palette of blue, black, orange, and white. Two stylised faces dominate the composition—one serene and contemplative, rendered in warm tones and delicate lines, and the other more intense and enigmatic, in stark black and white with piercing eyes. Diagonal bands of colour and stippled gradients create a sense of movement and emotional contrast, while the use of overlapping translucent blocks adds depth and abstraction. Overall, it’s a compelling interplay of mood, contrast, and 20th-century design aesthetics. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Summer and August Bank Holiday Period Excursions, 1930s railway poster design A. E. Halliwell

A. E. Halliwell (1905-1987) Summer and August Bank Holiday Period Excursions
Gouache 26 x 15 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This bold and colourful poster design by A.E. Halliwell promotes summer and August Bank Holiday railway excursions from London. Featuring a stylised rose and butterfly against graphic, patterned backgrounds, the composition combines vibrant reds, pinks, and blues with playful typography. Though unfinished, the design captures Halliwell’s distinctive flair for eye-catching, decorative travel posters typical of mid-20th century British railway advertising. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Holidays on the Continent, 1930s railway poster design by A. E. Halliwell

£1,400

A. E. Halliwell (1905-1987) Holidays on the Continent
Gouache 19 x 13 cm Stamped to reverse, A E Halliwell Gunnersbury Gardens. c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This colourful poster design by A.E. Halliwell promotes holidays on the continent with the tour provider 'Dean and Dawson.' He seamlessly blends the airbrush technique with bolder use of blocks of colour to create a visually striking composition featuring significant European flags. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Easter Excursions from London, 1930s railway poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Easter Excursions from London
Gouache 26 x 15 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This colourful poster design by A.E. Halliwell for a train provider promotes Easter excursions from London. In his signature bold style, Halliwell brings together recognisable symbols of spring and places them against a striking background, using blocks of colour to create visual segments on the poster. The blooming crocus is arguably the most striking element of this composition, standing out against its black background and hinting at Halliwell's appreciation for William Morris and the Arts and Crafts movement more generally. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Xmas Period Excursions from London, 1930s railway poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Xmas Period Excursions from London
Gouache 26 x 15 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This colourful poster design by A.E. Halliwell for a train provider promotes Christmas excursions from London. In his signature bold style, Halliwell brings together recognisable symbols of Christmas--a turkey and holly-- and places them against a striking background, using geometric patterns and blocks of colour to create visual segments on the poster. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Early Summer Period Excursions from London, 1930s railway poster design by A. E. Halliwell

£900

A. E. Halliwell (1905-1987) Early Summer Period Excursions from London
Gouache 26 x 15 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum. This colourful poster design by A.E. Halliwell for a train provider promotes early summer period excursions from London. In his signature bold style, Halliwell brings together recognisable symbols of the early summer period--a pansy, and the harbinger of summer: a swallow-- and places them against a striking background, using geometric patterns and blocks of colour to create visual segments on the poster. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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A View from St John’s College, Cambridge (1809), engraving by Richard Dighton

£195

Richard Dighton (1795-1880) A View from St John's College (1809)
Hand coloured engraving 28 x 22 cm Richard Dighton (1795–1880) was a prominent English artist and caricaturist, best known for his elegant profile portraits of early 19th-century society figures. The son of caricaturist Robert Dighton, he developed a distinctive style that balanced satire with sophistication, moving away from the exaggerated grotesquery of earlier caricatures. His finely drawn etchings and later lithographs and watercolours captured the refined yet often pompous airs of Regency London’s fashionable elite—politicians, lawyers, military men, and dandies alike. With clean lines, elongated forms, and a sharp eye for personality, Dighton’s work offers a witty yet insightful glimpse into the characters of his time. His legacy lived on through his sons, who continued in the family’s artistic tradition. This hand-coloured engraving is a quintessential example of Dighton's signature style—capturing character through exaggerated yet elegant profile. The figure, likely an academic or clergyman, is portrayed in full stride, dressed in a long, dark academic gown, white stockings, and buckled shoes. Dighton masterfully exaggerates the man's posture and expression, giving a sense of motion, personality, and perhaps even a touch of comic solemnity as he emphasises the man's eccentric presence and stylised mannerisms. The fine line work and subtle water colour washes blur the line, however, between caricature and portraiture, making this not just a humorous rendering, but also a social observation of Cambridge life in the early 19th century.

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A View from Merton College, Oxford (1808), engraving by Richard Dighton

£195

Richard Dighton (1795-1880) A View from Merton College (1808)
Hand coloured engraving 28 x 22 cm Richard Dighton (1795–1880) was a prominent English artist and caricaturist, best known for his elegant profile portraits of early 19th-century society figures. The son of caricaturist Robert Dighton, he developed a distinctive style that balanced satire with sophistication, moving away from the exaggerated grotesquery of earlier caricatures. His finely drawn etchings and later lithographs and watercolours captured the refined yet often pompous airs of Regency London’s fashionable elite—politicians, lawyers, military men, and dandies alike. With clean lines, elongated forms, and a sharp eye for personality, Dighton’s work offers a witty yet insightful glimpse into the characters of his time. His legacy lived on through his sons, who continued in the family’s artistic tradition. This engraving captures the quirky elegance of an Oxford academic in Dighton’s signature caricature style. The tall, gaunt figure is shown in profile, dressed in flowing academic robes and a square cap, with exaggerated features and a solemn, slightly comic expression. Set against a minimal background, the figure stands out as a gently satirical yet respectful portrait of university life in the early 19th century. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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A View from Brazen Nose (Brasenose), Oxford (1808), engraving by Richard Dighton

£195

Richard Dighton (1795-1880) A View from Brazen Nose College (1808)
Hand coloured engraving 28 x 22 cm Richard Dighton (1795–1880) was a prominent English artist and caricaturist, best known for his elegant profile portraits of early 19th-century society figures. The son of caricaturist Robert Dighton, he developed a distinctive style that balanced satire with sophistication, moving away from the exaggerated grotesquery of earlier caricatures. His finely drawn etchings and later lithographs and watercolours captured the refined yet often pompous airs of Regency London’s fashionable elite—politicians, lawyers, military men, and dandies alike. With clean lines, elongated forms, and a sharp eye for personality, Dighton’s work offers a witty yet insightful glimpse into the characters of his time. His legacy lived on through his sons, who continued in the family’s artistic tradition. This hand-coloured engraving portrays a rotund academic in full scholarly robes, captured in Dighton’s signature profile style. With a stern expression, powdered wig, and traditional cap, the figure stands in a dignified pose, one hand placed on his chest. The simple background and muted tones draw attention to the character’s form and posture, blending gentle satire with respectful observation of academic life. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Untitled Abstract, linocut by Walter Hoyle

£450

Walter Hoyle (1922 - 2000) Untitled Abstract
Linocut 10 x 68 cm Signed and inscribed A/P in pencil. This linocut by Walter Hoyle is a striking abstract composition that blends geometric precision with rhythmic energy. Using a limited but bold palette of purples, oranges, browns, and whites, Hoyle divides the image into distinct panels, each filled with dynamic shapes—from radiating circles and curving grids to architectural lines and layered forms. The piece flows like a visual symphony, with each section contributing to a sense of movement and harmony. Textured line work and careful composition reflect Hoyle’s modernist sensibilities, showcasing his talent for balancing structure with expressive design. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle later moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964-1985, during which time he launched Cambridge Print Editions. His work is held in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, Kettle’s Yard and the Fry Art Gallery. Condition: Generally very good; a few handling marks and a little spotting to the margins.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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The Hopes of the Family at the University of Cambridge (c.1790), hand coloured engraving by William Bunbury

£250

William Bunbury, engraved by James Bretherton The Hopes of the Family
Hand coloured engraving 26 x 36 cm c.1790 This engraving, titled "The Hopes of the Family – An Admission at the University", is satirical work by William Bunbury. The scene portrays a young man being presented for admission to the University of Cambridge. Although the title suggests that the boy is expected to achieve great things, his appearance and and general demeanour hint at incompetence or lack of enthusiasm, thus introducing an ironic paradox. This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank, was producing humorous and often politically charged works. Their engravings frequently lampooned figures of authority, including politicians, clergy, and university officials. This engraving is therefore illustrative of its time, clearly representing broader trends in the unique convergence between art and politics. William Bunbury was an English caricaturist and illustrator known for his humorous depictions of 18th-century social life. Born in 1750 into an aristocratic family, he studied at St. Catharine’s College, Cambridge, where he developed a passion for art. Unlike many professional artists of his time, Bunbury was a gentleman amateur, meaning he pursued art for personal enjoyment rather than financial necessity. Though not as politically charged as contemporaries like James Gillray or Thomas Rowlandson, Bunbury’s style was more lighthearted and observational. His illustrations of rural life, student antics, and military themes were especially popular, influencing later British caricature. Although he passed away in 1811, he left a legacy of caricatures that wittily captured the unique humour and manners of Georgian England. Condition: Generally very good, slight age toning.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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College Fun or Quizzing the Proctor at the University of Cambridge (c.1790), hand coloured engraving by William Bunbury

£250

William Bunbury, engraved by James Bretherton College Fun or Quizzing the Proctor Hand coloured engraving 27 x 34 cm c.1790 In this playful scene, a proctor--garnering a powdered wig and academic dress--is reading a public proclamation regarding a 'general fast.' Unbeknownst to him, a mischievous student is pinning a satirical note on his back. The note mocks the proctor's authority, reading, "From all Pride, Vanity, Glory and Hypocrisy, Good Lord Deliver us." Meanwhile, two other students, dressed in academic gowns and mortarboards, stand to the left, laughing and gesturing at the proctor, clearly enjoying the other student's prank. This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank, was producing humorous and often politically charged works. Their engravings frequently lampooned figures of authority, including politicians, clergy, and university officials. This engraving is therefore illustrative of its time, clearly representing broader trends in the unique convergence between art and politics. William Bunbury was an English caricaturist and illustrator known for his humorous depictions of 18th-century social life. Born in 1750 into an aristocratic family, he studied at St. Catharine’s College, Cambridge, where he developed a passion for art. Unlike many professional artists of his time, Bunbury was a gentleman amateur, meaning he pursued art for personal enjoyment rather than financial necessity. Though not as politically charged as contemporaries like James Gillray or Thomas Rowlandson, Bunbury’s style was more lighthearted and observational. His illustrations of rural life, student antics, and military themes were especially popular, influencing later British caricature. Although he passed away in 1811, he left a legacy of caricatures that wittily captured the unique humour and manners of Georgian England. Condition: Generally very good, some age toning.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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The Ashmolean and Balliol College, Oxford, engraving by F.L. Griggs

£550

Engraved by F. L. Griggs, drawn by Sir Muirhead Bone The Ashmolean and Balliol College, Oxford
Lithograph 31 x 47 cm Frederick Landseer Maur Griggs was a British etcher, draughtsman, and illustrator known for his highly detailed and atmospheric depictions of the English countryside. Born in Hitchin, Hertfordshire, in 1876, he trained at the Slade School of Fine Art in London before working as an illustrator for The Highways and Byways book series. Griggs became one of the leading figures of the British etching revival in the early 20th century. His works, often depicting medieval-inspired landscapes and architectural scenes, evoke a deep sense of nostalgia and romanticism. His meticulous technique and ability to capture mood through fine lines and shading earned him a place in the Royal Academy and the Royal Society of Painter-Etchers. Later in life, he settled in Chipping Campden, where he dedicated himself to preserving traditional English architecture. His etchings remain celebrated for their poetic detail and craftsmanship. Griggs passed away in 1938, leaving behind a legacy as one of Britain’s finest etchers. This lithograph of an etching he completed of the Ashmolean and Balliol College showcases both his strong sense of architectural perspective and his ability to masterfully capture the atmosphere of a scene: scholars walk by in gowns, city dwellers trundle down the wide Oxford streets on their bikes, one person advertises a play taking place in Oxford at the time. This is not a mere architectural drawing, but is rather a living breathing city scape, though black-and-white it is full of the colour of urban life. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Lady Margaret Hall, Oxford, lithograph by F. L. Griggs

£550

F. L. Griggs Lady Margaret Hall, Oxford
Lithograph 31 x 47 cm Frederick Landseer Maur Griggs was a British etcher, draughtsman, and illustrator known for his highly detailed and atmospheric depictions of the English countryside. Born in Hitchin, Hertfordshire, in 1876, he trained at the Slade School of Fine Art in London before working as an illustrator for The Highways and Byways book series. Griggs became one of the leading figures of the British etching revival in the early 20th century. His works, often depicting medieval-inspired landscapes and architectural scenes, evoke a deep sense of nostalgia and romanticism. His meticulous technique and ability to capture mood through fine lines and shading earned him a place in the Royal Academy and the Royal Society of Painter-Etchers. Later in life, he settled in Chipping Campden, where he dedicated himself to preserving traditional English architecture. His etchings remain celebrated for their poetic detail and craftsmanship. Griggs passed away in 1938, leaving behind a legacy as one of Britain’s finest etchers. This lithograph of an etching he completed of Lady Margaret Hall depicts the entrance of the college. His attention to detail is clear as he captures the minutiae of the college's masonry, surrounding the circular window on the façade, for example. He also captures the unique atmosphere of the early 19th century, depicting two well-dressed women walking down the street. As one of the more modern Oxford colleges, founded in 1878 as one of the first two lady's colleges, Lady Margaret Hall it is rare for Lady Margaret Hall to be depicted by such distinguished artists, making this lithograph a unique find. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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St John’s College Cambridge, engraving by Andrew Ingamells

£1,250

Andrew Ingamells St John's College, Cambridge
Engraving 75 x 51 cm Signed to lower right and numbered 1/175 Provenance: The late Sir Christopher Dobson, Master of the college This meticulously detailed gravure etching by Andrew Ingamells is the first etching or engraving to depict St John's College Cambridge from an aerial perspective since David Loggan's celebrated engraving of the 1680s. As well as a general aerial view of the college, it also features architectural thumbnails of each of the college's notable buildings including the Bridge of Sighs, New Court, the Library and Corfield Court. Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells’ work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HRH King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan. Condition: Generally very good, frame not available for shipping outside the UK.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
For other views of St John's college, Cambridge, please click here.

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The Boat Race at Hammersmith, 1912, original vintage albumen print

£250

Messrs Stearn The 69th Boat Race at Hammersmith, 1912
Albumen print 16 x 21 cm This photograph depicts Oxford and Cambridge neck and neck at Hammersmith in the 1912 Oxford-Cambridge boat race. This event turned into a dramatic showdown. Oxford went into the race as reigning champions, having won the previous year's race. The 1912 race took a disastrous turn, however, as the event on the 30th of March ended in Cambridge sinking, Oxford waterlogged and the event being declared a 'no-race.' In the subsequent re-row on the following Monday, the race was won by Oxford by six lengths. Condition: A few soft creases and an old fold towards left edge.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Peeking inside the barn, woodblock print by Penelope Ellis

£250

Penelope Ellis (1935-2016) Peeking inside the barn
Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. Penelope Mary Ellis (1935–2016) was a British artist celebrated for her conceptual abstract works in the 1960s. Born in Hampstead, London, she was the eldest daughter of artists and educators Clifford and Rosemary Ellis. Ellis attended the High School in Bath before enrolling at the Slade School of Fine Art from 1953 to 1956, focusing on sculpture. She was awarded a British Institute in Paris Scholarship for the 1956–1957 academic year, allowing her to further her art studies in France. Upon returning to England, Ellis taught art at Badminton School until her retirement in 1997. Ellis was known for her pioneering conceptual abstract oil paintings in the 1960s, noted for being ahead of their time. Additionally, she created sculptures, ceramics, jewellery, and models, showcasing her versatility and commitment to professional craftsmanship. This woodblock print depicts a tractor parked inside of a barn with a nearby horse hanging its head over the gate to its stable. Ellis's lines and shapes are irregular, suggesting either a deliberate folk-art influence or the natural texture of the woodblock carving process. Furthermore, Ellis makes use of the technique of 'negative space', creating contrasts between the outline of the tractor and its surroundings. This composition was likely produced in Ellis's early artistic career, before she shifted to more abstract conceptual work. In any case, it is a beautiful and evocative piece, capturing a rustic, almost timeless moment with striking simplicity. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Up with the Rooster, woodblock print by Penelope Ellis

£250

Penelope Ellis (1935-2016) Up with the Rooster
Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. Penelope Mary Ellis (1935–2016) was a British artist celebrated for her conceptual abstract works in the 1960s. Born in Hampstead, London, she was the eldest daughter of artists and educators Clifford and Rosemary Ellis. Ellis attended the High School in Bath before enrolling at the Slade School of Fine Art from 1953 to 1956, focusing on sculpture. She was awarded a British Institute in Paris Scholarship for the 1956–1957 academic year, allowing her to further her art studies in France. Upon returning to England, Ellis taught art at Badminton School until her retirement in 1997. Ellis was known for her pioneering conceptual abstract oil paintings in the 1960s, noted for being ahead of their time. Additionally, she created sculptures, ceramics, jewellery, and models, showcasing her versatility and commitment to professional craftsmanship. This woodblock print depicts a rooster strutting across the farmyard. Its lines and shapes are irregular, suggesting either a deliberate folk-art influence or the natural texture of the woodblock carving process. Furthermore, Ellis makes use of the technique of 'negative space', creating contrasts between, for example, the bricks of the farm buildings and the rooster's body. This composition was likely produced in Ellis's early artistic career, before she shifted to more abstract conceptual work. In any case, it is a beautiful and evocative piece, capturing a rustic, almost timeless moment with striking simplicity. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Wallowing in the Mud, woodblock print by Penelope Ellis

£250

Penelope Ellis (1935-2016) Wallowing in the Mud
Woodblock print 16 x 11 cm Provenance: From the artist's estate sale. Penelope Mary Ellis (1935–2016) was a British artist celebrated for her conceptual abstract works in the 1960s. Born in Hampstead, London, she was the eldest daughter of artists and educators Clifford and Rosemary Ellis. Ellis attended the High School in Bath before enrolling at the Slade School of Fine Art from 1953 to 1956, focusing on sculpture. She was awarded a British Institute in Paris Scholarship for the 1956–1957 academic year, allowing her to further her art studies in France. Upon returning to England, Ellis taught art at Badminton School until her retirement in 1997. Ellis was known for her pioneering conceptual abstract oil paintings in the 1960s, noted for being ahead of their time. Additionally, she created sculptures, ceramics, jewellery, and models, showcasing her versatility and commitment to professional craftsmanship. This woodblock print depicts a cow heading out to pasture. Its lines and shapes are irregular, suggesting either a deliberate folk-art influence or the natural texture of the woodblock carving process. Furthermore, Ellis makes use of the technique of 'negative space', creating contrasts, as is exemplified by her choice to depict the mud and surroundings of the stye in light colours and the pig conversely in dark colours. Although this work hints at her later abstract techniques through the unconventional use of colour, this composition was likely produced in Ellis's early artistic career, before she shifted to more abstract conceptual work. In any case, it is a beautiful and evocative piece, capturing a rustic, almost timeless moment with striking simplicity. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Heading out to Pasture, woodblock print by Penelope Ellis

£250

Penelope Ellis (1935-2016) Heading out to Pasture
Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. Penelope Mary Ellis (1935–2016) was a British artist celebrated for her conceptual abstract works in the 1960s. Born in Hampstead, London, she was the eldest daughter of artists and educators Clifford and Rosemary Ellis. Ellis attended the High School in Bath before enrolling at the Slade School of Fine Art from 1953 to 1956, focusing on sculpture. She was awarded a British Institute in Paris Scholarship for the 1956–1957 academic year, allowing her to further her art studies in France. Upon returning to England, Ellis taught art at Badminton School until her retirement in 1997. Ellis was known for her pioneering conceptual abstract oil paintings in the 1960s, noted for being ahead of their time. Additionally, she created sculptures, ceramics, jewellery, and models, showcasing her versatility and commitment to professional craftsmanship. This woodblock print depicts a cow heading out to pasture. Its lines and shapes are somewhat irregular, suggesting either a deliberate folk-art influence or the natural texture of the woodblock carving process. Furthermore, Ellis makes use of the technique of 'negative space', creating contrasts, for example, between the cow's white spots, its dark patches, the grass and the buildings depicted in the background. This composition was likely produced in Ellis's early artistic career, before she shifted to more abstract conceptual work. In any case, it is a beautiful and evocative piece, capturing a rustic, almost timeless moment with striking simplicity. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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Horse by the Barn, woodblock print by Penelope Ellis

£250

Penelope Ellis (1935-2016) Horse by the Barn
Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. Penelope Mary Ellis (1935–2016) was a British artist celebrated for her conceptual abstract works in the 1960s. Born in Hampstead, London, she was the eldest daughter of artists and educators Clifford and Rosemary Ellis. Ellis attended the High School in Bath before enrolling at the Slade School of Fine Art from 1953 to 1956, focusing on sculpture. She was awarded a British Institute in Paris Scholarship for the 1956–1957 academic year, allowing her to further her art studies in France. Upon returning to England, Ellis taught art at Badminton School until her retirement in 1997. Ellis was known for her pioneering conceptual abstract oil paintings in the 1960s, noted for being ahead of their time. Additionally, she created sculptures, ceramics, jewellery, and models, showcasing her versatility and commitment to professional craftsmanship. This woodblock print depicts a horse waiting outside a stable. Its lines and shapes are somewhat irregular, suggesting either a deliberate folk-art influence or the natural texture of the woodblock carving process. Furthermore, Ellis makes use of the technique of 'negative space', creating contrasts, for example, between the bricks of the stable, the roof and the horse. This composition was likely produced in Ellis's early artistic career, before she shifted to more abstract conceptual work. In any case, it is a beautiful and evocative piece, capturing a rustic, almost timeless moment with striking simplicity. Condition: Generally very good.
If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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