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Out of stock
Richard Bankes Harraden (1778 - 1862)
The Library - Magdalen College
Hand-coloured aquatint 13 x 21 cm A nineteenth-century view of the Library of Magdalen College, Cambridge (spelled here as 'Magdalen' - in the 19th century, the spelling of the college's name was fixed as "Magdalene" with a final "e", to avoid confusion with Magdalen College, Oxford). The Pepys Library is the personal library collected by Samuel Pepys, which he bequeathed to Magdalene following his death in 1703. Richard Bankes Harraden was a printmaker, painter, and drawing master. He was active in Cambridge, producing many views of the colleges, and subsequently several Oxford colleges. Harraden was an early and exhibiting member of the Society of British Artists in London, which was established in 1823, and remained a member until 1849. He specialised in depictions of landscape, topography and architecture, and was the son of Richard Harraden (1756 - 1838) with whom he published plates as 'Harraden & Son'. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Magdalene College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Christ's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Christ's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ's College, Cambridge -
Pembroke College, Cambridge (1998)
Watercolour 29 x 17 cm Signed lower right illegibly. Five characterful vignettes of Pembroke in bright watercolour. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Pembroke College, Cambridge. -
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Vice Chancellor, Esquire Beadle, Yeoman Beadle (1814)
Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). A Vice Chancellor, Esquire Beadle, and Yeoman Beadle of the University of Oxford, apparently en route to a ceremony. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words “four doors nearer to Somerset House”, the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Oxford pictures. -
Frank Wootton (1914 - 1998)
Britain Delivers the Goods Thanks to the British Navy
Original vintage poster 10 x 15 cm Frank Wootton OBE was an aviation artist, famous for his works depicting the Royal Air Force during the Second World War. He studied at the Eastbourne School of Art and created the bestselling book How to Draw Aircraft in 1939. He became a war artist for the RAF and Royal Canadian Air Force, painting RAF subjects from England to France and Belgium before travelling to Southeast Asia at the end of the Second World War. The 1983 inaugural of the National Air and Space Museum featured an exhibition on Wootton's work. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage WW2 posters. -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Queens' College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Queens' College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Map of Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century map of Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Peterhouse College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Peterhouse College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Peterhouse College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of St Catharine's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St Catharine's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of King's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of King's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
York Minster (1727)
Engraving 13 x 17 cm An eighteenth-century view of the York Minster, engraved by Pieter van der Aa after an engraving probably by Johannes Kip, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College Chapel, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of the interior King's College Chapel, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of King's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of King's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of King's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of King's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of King's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Pembroke College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Pembroke College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
View of Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Cambridge. -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Clare College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Clare College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Clare College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Clare College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of North Court, Clare College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Clare College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Cambridge University Library & Auditoriums (1727)
Engraving 13 x 17 cm An eighteenth-century view of Cambridge library and auditoriums, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Cambridge. -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Great St Mary's, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Great St Mary's, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Cambridge. -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Emmanuel College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Emmanuel College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Emmanuel College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Christ's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Christ's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Jesus College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Jesus College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Jesus College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Sidney Sussex College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Sidney Sussex College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Sidney Sussex College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Corpus Christi College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Corpus Christi College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Corpus Christi College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
St John's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of St John's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
St John's College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of St John's College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John's College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Emmanuel College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Emmanuel College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Emmanuel College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Magdalene College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Magdalene College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Magdalene College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Trinity College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Neville's Court in Trinity College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of the Bishop's Hostel in Trinity College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Cambridge -
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Trinity College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Cambridge -
Out of stock
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Gonville & Caius College, Cambridge (1727)
Engraving 13 x 17 cm An eighteenth-century view of Gonville and Caius College, Cambridge, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Gonville and Caius College, Cambridge -
Ronald Fielding Dodd (1890-1958)
St Edmund Hall - 1932 Proposed alterations to 46 & 47 High Street
Architectural Reproduction 55 x 41 cm Ronald Fielding Dodd ARIBA was a Scottish architect and Associate of the Royal Institute of British Architects. After serving as a Second Lieutenant in the British Army’s Machine Gun Corps during the First World War, Dodd was most active as an architect in the 1930s. Over the course of the decade, he contributed designs for St Peter’s College, Oxford; St Edmund Hall, Oxford; Stowe School; the Acland Hospital in North Oxford, where he added a Neo-Georgian frontage; and the 16th-century Chippinghurst Manor in Oxfordshire. To mark his architectural achievements, there is now a Fielding Dodd Prize for “Outstanding Work” involving architecture at Oxford Brookes University. These particular plans date from 1932 and depict the proposed alterations to 46 and 47 High Street, belonging to St Edmund Hall, Oxford. Condition: Generally very good, thin paper with some wear. For other views of St Edmund Hall, click here. -
George Bissill (1896-1973) Four Gloucestershire Cottages
Pencil sketch 28 x 38 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This painting forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This pencil sketch depicts a series of four Gloucestershire cottages in Southrop and East Leach. Interestingly a more traditional cottage scene is also drawn to the reverse. Due to the handwriting on this piece not matching Bissill's own, it is likely that Bissill only contributed to this drawing, perhaps most notably in the tree to the right of the cottage. Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This sketch forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This pencil sketch depicts a series of four Gloucestershire cottages in Southrop and East Leach. Interestingly a more traditional cottage scene is also drawn to the reverse. Due to the handwriting on this piece not matching Bissill's own, it is likely that Bissill only contributed to this drawing, perhaps most notably in the tree to the right of the cottage. -
George Bissill (1896-1973) Four Gloucestershire Cottages Pencil sketch 28 x 38 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This painting forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This pencil sketch depicts a series of four Gloucestershire cottages in Southrop and East Leach. Interestingly a more traditional cottage scene is also drawn to the reverse. Due to the handwriting on this piece not matching Bissill's own, it is likely that Bissill only contributed to this drawing, perhaps most notably in the tree to the right of the cottage. -
George Bissill (1896-1973) Tending to the fences
Pencil sketch 28 x 39 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This painting forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This pencil sketch depicts a man tending to the fences in a woodland area. Bissil's use of strong lines to depict the man's stocky figure is evocative of his earlier paintings and sketches of the miners. It is, however, the beautifully shaded trees that stand out in this sketch, whereby Bissill illustrates the shadows of the trees on the ground and the angle of the sun rays hitting their bark. Condition: generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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George Bissill (1896-1973) Watching over the farmhouse in Stow-on-the-Wold
Pencil sketch 25 x 39 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This painting forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This pencil sketch depicts a man watching over a farmhouse in Stow-on-the-Wold, an idyllic town in Gloucestershire located on top of an 800ft hill. This hilly terrain is illustrated in this serene scene, where the faint lines depicting shrubbery rise and fall with the landscape. Condition: generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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George Bissill (1896-1973) The Village Way
Pencil sketch 26 x 36 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This painting forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This pencil sketch depicts a view down a village street, houses line a winding road with leafy trees filling the background. Condition: generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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George Bissill (1896-1973) Landscape
Watercolour 20 x 28 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This watercolour forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This watercolour depicts a landscape view over fields. Fluffy clouds populate the sky, gentle earthen tones colour the fields and trees mark the horizon. Condition: generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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George Bissill (1896-1973)
Cottage View
Watercolour 20 x 28 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This watercolour forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This watercolour depicts a quaint scene: a traditional thatched cottage with a small country road running by. The scene is dominated by greenery with grass, trees and a lovely English garden. In contrast to the the more flowing use of watercolour in the trees, Bissill uses strong lines, shading and careful detailing to create a sense of architectural perspective, allowing his idyllic cottage to stand out from its surroundings. Condition: generally very good, slight spotting to paper.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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George Bissill (1896-1973) Forest Landscape
Watercolour 9 x 18 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining village of Langley Mill, Derbyshire, Bissill became a miner at the age of 13, before leaving to join the war effort in 1915. Upon his return from the war after being gassed, Bissill chose to become a pavement artist outside the newly erected Bush House in Aldwych, painting from his memory and his sketch book the uncompromising underground world he had inhabited. In 1935 he moved to the countryside near Newbury, where he lived and worked as a landscape painter, art restorer and dealer until his death in 1973. This watercolour forms part of a larger collection, 'unseen since they were taken from George Bissil's studio in 1983' and restored by Kate Pattinson. A series of planned exhibitions were cancelled due to Covid, but two shows, one in Oxford and one in Ilkeston, did take place. Through such exhibitions, Pattinson hoped to 'restore the reputation of an artist who, through mighty endeavour, conquered the art world in the 1920s with his powerful, authentic and experimental pictures.' Bissill's paintings are also held in a number of important public collections, including the Tate Gallery, National Museum of Ireland and the Manchester Art Gallery. This petite watercolour depicts a forestscape with a light clearing surrounded by dark trees and fields in the distance. Although the piece has a sketchy quality, produced by his layering of pencil and watercolour, multiple figures and a horse are discernible at the centre of the composition, perhaps passersby wandering through the forest trail. Condition: generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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Sidney Cardew RSMA (1931-2017) High Holborn
Watercolour 30 x 18 cm Sidney Cardew (1931–2017) was a British artist celebrated for his evocative watercolour paintings, particularly those depicting marine and coastal scenes. Born in London, Cardew developed an early passion for drawing and painting during his school years. After completing his national service in the Royal Air Force, he pursued a career as a senior design engineer with the Ford Motor Company. In his early thirties, Cardew began to paint earnestly, initially focusing on oil painting before transitioning to watercolours, attracted by their immediacy and fluidity. Cardew's artistic approach was deeply influenced by renowned artists such as Edward Seago, John Singer Sargent, William Russell Flint, Ted Wesson, and Jack Merriott. He often painted en plein air, employing minimal preliminary drawing and emphasizing wet-into-wet techniques to capture the transient qualities of light and atmosphere. In 1990, after attending sessions with the Wapping Group of Artists as a guest, Cardew was elected as a full member. Two years later, in 1992, he became a member of the Royal Society of Marine Artists (RSMA). Throughout his career, he exhibited with prestigious institutions such as the Royal Institute of Painters in Water Colours (RI) and the Royal Society of British Artists (RBA), and his works are held in various provincial galleries. As well as producing many maritime paintings, as a member of the Wapping Group of Artists Cardew frequently depicted scenes along the River Thames and its surroundings and was adept at capturing the essence of London's architecture and street life. This painting of High Holborn is a particularly fine example of Cardew's cityscapes, featuring splashes of colour, moving cars and a strong architectural focus. Condition: generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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Rosemary Anne Sisson (1923-2017) 'The Splendid Outcast', stage designs
20 x 28 cm Watercolour (set of three) Cesar Borgia has ambitious plans and one of them is to take over the Kingdom of Naples...What follows in 'the Splendid Outcast' is a sordid love story. Marriages slip into affairs, affairs turn into assassinations, lust transforms to greed... Sisson wrote this play in 1960. The stage designs that followed in 1961 are vibrant, marked with the warm tones one might expect in a play set in Renaissance period Italy. Although a writer by craft, Sisson also proves herself adept with a brush and palette, executing playful mise-en-abimes as she incorporates miniature works of art into her stage designs. The abundance of windows and light in these watercolours also gestures to a world beyond her play, quite literally breathing a breath of fresh air and life into these works. Rosemary Anne Sisson was born in 1923 in Middlesex to the well-known Shakespeare scholar Charles Jasper Sisson, Lord Northcliffe. She developed a reputation as an acclaimed writer and playwright and was subsequently described by playwright Simon Farquhar in 2014 as being "one of television's finest period storytellers." -
Mark McCrum Clare Bridge
Watercolour 29 x 39 cm Signed and dated to lower right Mark McCrum, born in Cambridge, England, is a distinguished author and artist known for his diverse body of work spanning travel writing, ghostwriting, crime fiction, and landscape painting. An accomplished landscape painter, McCrum specialises in watercolours, often painting en plein air to capture the immediacy of the scene. His works feature landscapes from Cambridge and regions such as North Norfolk, Scotland's Outer Hebrides, and the West of Ireland. He has held multiple solo exhibitions, showcasing his evocative portrayals of natural settings. This lovely watercolour depicts Clare bridge in Cambridge, with the still water of the Cam reflecting the arches of the bridge. Although unfinished, the greenery of the trees gestures outwards and it is not hard to imagine the serene scene surrounding the bridge. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
For other views of Clare College, please click here. -
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library from St John's Gardens (1814)
Hand-coloured aquatint 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the gates of the Wren Library of Trinity College Cambridge, from over the river. Joseph Constantine Stadler was a prolific German émigré engraver of images after his contemporaries - here, 18th-century English landscape painter and diarist Joseph Farington. Stadler's engravings are wide-ranging in subject matter and include landscapes, seascapes and portraits, as well as military, sporting and decorative subjects. Stadler was employed by the leading print publisher of the time, John Boydell. Stadler lived in Knightsbridge when he died at the age of 73. William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.