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Margaret Souttar (1914 - 1987)
Queens' College, Cambridge
Lithograph 72 x 56 cm Proof print aside from the numbered edition of 178. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge. -
Peter Spendelowe Lamborn (1722 - 1774)
Trinity College Bridge and Library and Part of St John's College, in the University of Cambridge
Engraving 37 x 52 cm Peter Spendelowe Lamborn was an English engraver and miniature painter. He studied engraving under Basire and worked in Cambridge, where he obtained some note as an engraver. Condition: generally good; some discolouration to paper, surface dirt particularly to margins. Mounted to board and previously mounted with plate mark under mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Cambridge. -
Edwin La Dell
Queens' College, Cambridge
Lithograph Signed in pencil and numbered 33/50 21x46.5cm A copy of this print is in the Government Art Collection. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Edwin La Dell (1914-1970) King's College from the Copper Kettle, Cambridge
Signed in pencil and titled 32x48cm A copy of this print is in the Government Art Collection. Lithograph Born in Coventry, La Dell's father was a Sheffield-born bookbinder. After study at Sheffield School of Art, he was the winner of a scholarship to the Royal College of Art where the head of print making was John Nash (from 1934 to 1940). La Dell became head of lithography there from 1948 until his death. During the war he was an official war artist and a camofleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself, together with those he published for the School Prints scheme and Lyons Tea Rooms. His works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter having a copy of this print. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In conservation mount, some age toning to print as visible in photograph. -
Edwin La Dell (1914-1970) King's Parade, Cambridge
Signed in pencil and titled 35x47cm A copy of this print is in the Government Art Collection. Lithograph Born in Coventry, La Dell's father was a Sheffield-born bookbinder. After study at Sheffield School of Art, he was the winner of a scholarship to the Royal College of Art where the head of print making was John Nash (from 1934 to 1940). La Dell became head of lithography there from 1948 until his death. During the war he was an official war artist and a camofleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself, together with those he published for the School Prints scheme and Lyons Tea Rooms. His works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter having a copy of this print. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In conservation mount, some age toning to print as visible in photograph. -
Kerry Lee (1903-1988)
'Cambridge' Original Poster Map c. 1965
45x58cm Original Vintage Lithographic poster Published by Pictorial Maps Limited, Kerry Lee's own company The first edition of this map was 1947; this is a later edition showing as it does Fitzwilliam College in its new location on the Huntingdon Road where it moved in 1963, but still referring to it as Fitzwilliam House - it became a college in 1966. Well known as a creator of pictorial maps of British cities from the mid 20th century, he generally draws a self-portrait in the bottom corner by his signature - as here, where he is seen (mustachioed and bearded, and clad in a green tunic) with his ever-faithful dog Jim. Educated at Reading Schools of Arts and Science, the Slade and the Sorbonne in Paris, he subsequently assisted his step-father, an architect named Mr Harvey, as draftsman. Following the Depression Lee set up 'Associated Artists' at Blandford Studios off Baker Street, with a group of other commercial artists. During World War 2 he was based in Hertfordshire creating detailed cut-away drawings of German aircraft, and after the war - still at Blandford Studios - published a series of pictorial maps, both those for British Rail and also his own publications. -
Andrew Ingamells (1956 - )
King's College, Cambridge
Etching 54 x 48 cm Signed lower right in pencil. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of King's College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells’ work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HM King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan. Condition: excellent; in wood frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of King's College, Cambridge. -
Margaret Souttar (1914 - 1987)
Queens' College, Cambridge
Lithograph 72 x 56 cm Numbered 169/178 lower left, and signed lower right, in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge. -
Margaret Souttar (1914 - 1987)
Selwyn College, Cambridge
Lithograph 77 x 56 cm Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Selwyn College was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Selwyn College, Cambridge. -
Margaret Souttar (1914 - 1987)
Selwyn College, Cambridge
Lithograph 77 x 56 cm Signed in pencil lower right. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Selwyn College was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Selwyn College, Cambridge. -
Andrew Ingamells (1956 - )
University College, Oxford
Etching 40 x 70 cm Signed lower right and numbered 15/100 lower left, both in pencil. Inspired by David Loggan’s celebrated engraving of the college, this view of Univ College belongs to Ingamells’ series of views of Oxford and Cambridge. The series took six months to complete and has long-since sold out from the publisher. Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells’ work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HM King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan. Condition: excellent. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of University College, Oxford. -
P S Lamborn (1722-1774)
A view of the Public Library, the Senate House and St Mary's Church and the University of Cambridge
Engraving, 1768 40x54cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
'ER' Monogrammist St John's College Cambridge, the Wren Bridge from the River Cam
Watercolour c. 1900 35x25cm A highly accomplished watercolour of the Kitchen Bridge at St John's College. The artist has clearly had a change of heart, and visibly moved the person standing on the bridge, bringing a sense of movement to what is otherwise a still painting. Moreover the richness of the colour he has chosen for the brickwork brings a further element of surprise to the viewer. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Mounted to board, the occasional tiny spot to the sky as visible in photograph. -
Major F A Molony (c. 1865 - ?) St John's College, Cambridge
watercolour, probably early twentieth century 7x10" Molony was member of the Royal Engineers and a talented watercolourist. 25 July 1882: Promoted to the rank of Lieutenant. 1885: Served in the 10th Company, Royal Engineers during the Suakin Expedition. 22 October 1890: Promoted to the rank of Captain. 27 October 1899: Promoted to the rank of Major. Fought at Battle of Pieters Hill, in the Anglo-Boer war. 23 June 1902: Mentioned in Lord Kitchener's Despatches.m, If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
David Loggan (1634-1692) View of Cambridge
Engraving after 1690, this is a slightly later Henry Overton printing, shortly after 1700 35x51cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University. Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College). Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and it is thought largely no second edition was produced, although this frontispiece proudly claims to have been published by Overton and a pencil note on the print suggests 1715 as a date. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708. Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker who published the series between . Probably no more than two hundred of each engraving were produced and the plates were destroyed in the blitz. The contemporary artist Andrew Ingamells (b.1956) has produced a highly-acclaimed series of etchings again bringing Loggan’s vision up to date. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Some age toning as visible in photograph; usual handling wear and marks to edges. -
Julian Otto Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962)
Signed by the artist and inscribed in pencil Artist's Proof, aside from the edition of 70. The edition consisted of 70 numbered proofs and 30 artist’s proofs. We also have listed one of the 70 numbered proof prints, which is in a purple colourway - rather than the blue here. 37x51cm (14.5×20 inches) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex College. The Government Art Collection has copies of several of the prints in this series. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Old crease that runs from top to bottom has been restored and is barely perceptible - see photograph. -
Edwin La Dell ARA (1914-1970)
St John's College Cambridge
Signed and titled Lithograph (1959)35x46.5cm
Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good. -
Walter Hoyle (1922-2000)
St Catharine's College, Cambridge (1956-66)
Linocut 59 x 39 cm Signed lower right; inscribed and numbered 35/75 in pencil. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964-1985, during which time he launched Cambridge Print Editions. His work is held in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, Kettle’s Yard and the Fry Art Gallery. Condition: very good. -
Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge I
Acrylic paint 55 x 76 cm Signed in pencil lower right. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good, a few handling marks. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Wilfred Pettitt (1904 - 1978)
Great Court, Trinity College, Cambridge
Watercolour 17 x 27 cm A smartly-dressed couple and their two children enjoy the sunny and immaculately-lawned Great Court of Trinity College, Cambridge. The man and woman admire the ornate fountain which stands sentinel in the middle of the court (it, along with the rest of Great Court, was erected by by Thomas Nevile, master of the college in the early 17th century). Their children, perhaps oblivious to the architectural majesty around them, amuse themselves by playing with the pigeons. Wilfred Stanley Pettitt was born in Great Yarmouth, and studied at the Great Yarmouth School of Art and the Norwich School of Art. In 1928 he showed at the Royal Academy Royal Academy for the first time, and his work was also exhibited by the Royal Society of British Artists and the Royal Cambrian Academy. In 1944 Pettitt became one of the founding members of the Norwich Twenty Group (a group of Norfolk artists who intended to raise the standards of local professional art). He died in Eastbourne in 1978. Condition: mounted to board; otherwise very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Cambridge. -
Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge II
Acrylic paint 56 x 65 cm cm Souttar was a Scottish painter and printmaker known for her town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students – it did not do so until 1976.6. Provenance: the artist's studio sale. Condition: generally very good, some crinkling as a result of using water-based paints on thin paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
William Verner Longe (1857-1924)
The University Challenge Whip (1900)
Watercolour 29 x 45 cm Signed and inscribed "Choristor ii just beats Loddon ii". Inscribed 'Cambridge University Meeting, Cottenham, March 1909' to mount. A lively racing scene by William Verner Longe, and English artist noted for his scenes of racing, hunting, and other equestrian activities. He was educated at the Ipswich School of Arts and then the Royal Academy of Fine Arts in Antwerp. Condition: generally good; some spots to mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Cambridge pictures. -
David Loggan (1634 - 1692)
Corpus Christi College, Oxford (1675)
Engraving 30 x 41 cm Loggan's view of Corpus from the 'Oxonia Illustrata', with later hand colouring. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: generally very good; a little discolouration to paper. Later hand colouring. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Corpus Christi College, Cambridge. -
M Gerling
St John's College, Cambridge
Pen and ink 15 x 26 cm Titled, dated June 1885, and signed lower right, all in ink. Condition: generally very good; painted on card; slightly toned. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John’s College, Cambridge. -
Out of stock
V Robinson
The Lent Bumps 1931 - 1940
Pen, ink and watercolour 60 x 48 cm A hand-painted chart illustrating the results of the Lent Bumps from 1931 to 1939, with a note that in 1940 there were 'No Lent Races due to War'. The Lent Bumps, also known as "Lents" or the Lent Races are a set of University of Cambridge rowing races held each year on the River Cam. The races are open to all college boat clubs from the University of Cambridge, the University Medical and Veterinary Schools and Anglia Ruskin Boat Club. The Lent Bumps take place over five days (Tuesday to Saturday) at the end of February / start of March and are run as bumps races (of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and 'bump' the boat in front without being caught by the boat behind). The men's races officially began in 1887 and the women's in 1976. Condition: generally good; some age toning to board and a little staining to the margins that will be hidden by a mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Cambridge pictures. -
E. T. Talbot
St John's College, Cambridge, showing the First Court and Chapel
Watercolour 30 x 25 cm A richly-coloured watercolour painting of the First Court of St John's. First Court was built in 1511-20 to the south of the old Hospital of St John the Evangelist, and was designed to contain living quarters, chapel, library, hall, and kitchens. The version of First Court which Talbot paints looks markedly different to the college today - the chapel on the far left of the picture was demolished after the new chapel was completed in 1869. -
George Lilly Anderson (British b. 1870)
Trinity College Cambridge Bridge
28x38cm Watercolour Intriguingly nothing is known of Anderson's life, apart from the carefully painted landscapes. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Andrew Ingamells Jesus College, Cambridge
Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate used to make the prints. Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells' work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HRH King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan. -
Walter Hoyle
Queens' College Cambridge, Sundial
Linocut, 1965 76x57 cm Signed numbered and titled in pencil. Printed on handmade Japanese Hosho paper by the artist at Editions Electo Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692) The Bishop's Hostal, Trinity College Cambridge
Engraving 1690 35x50cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells (b.1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some age toning as visible in photograph; usual handling wear and marks to edges, generally very good. -
Anonymous King’s College Cambridge
Watercolour 11×9cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Generally very good, small imperceptible hole in bottom left corner.
