• Paul Ayshford Methuen (1886 - 1974)

    Barrage Balloons, Regents Park, 9 March 1940

      Oil on board 36 x 52 cm Signed lower left and titled and dated lower centre. Lord Methuen's oil painting of Regent's Park on a winter's day, with barrage balloons above. Barrage balloons were set up - stationed at an altitude of around 4,000 ft - as a barrier to enemy aircraft. The steel cables used to tether the balloons would take an enemy aeroplane out of the sky if it were to hit the cable. The UK had thousands of them, filled partly with hydrogen and operated largely by women, to protect significant towns, cities, and military installations. These strange blobs floated over the country, just asking to be captured by artists. Methuen had rejoined his regiment (serving as a Captain) in 1939 but was likely stationed in London for a while, when he might have had the opportunity to capture this scene. When Methuen painted the scene in 1940, Britain was still in the stage of the phoney war. The Battle of Britain did not commence until 10 July, and the Blitz not until 7 September - but Britain's defences were ready. Barrage balloons were important all the way through the War: they defended London against the V2 missiles; they defended the D-Day invasion fleet; and they protected the invasion army for months. Indeed, it was said that the vast amount of material brought into the UK from the States prior to D-Day would have caused Britain to sink under the sea, were it not for the huge number of barrage balloons holding the country up... Condition: excellent. Recently revarnished. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Anon.

    Regent Street Routemaster

    Slipboard Poster c.1970 Screenprint poster 64x9cm In a black hand-finished frame. Printed for London Transport for use on Routemaster or RT buses. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Peter Collins ARCA (1923 - 2001)

    Reclining Nude Studies - Andrea (1995)

      Ink and wash 32 x 45 cm Signed and dated lower left. Artist's notes upper right. Provenance: the artist's studio sale. Five studies of one of Collins' models, Andrea, reclining. Each study runs into the next, with different perspectives of the model's body folding together. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins.
  • Reclining Nude

      Resin bronze 56 x 26 cm An enigmatic resin bronze sculpture of a reclining female nude. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Modern British Sculpture.
  • Ray Turrefield (active late 20th century)

    Hitcham Building, Pembroke College, Cambridge (1978)

      Print 18 x 25 cm Signed and dated lower right. A print of Pembroke College, Cambridge's Hitcham Building. Built in 1659, the Hitcham Building marks the first instance in Pembroke of the Classical Style, which was soon to find full expression in Wren’s Chapel. The building was intended for the Master’s use and was originally connected to the former Master’s Lodge. Both the poet Thomas Gray and the Prime Minister William Pitt lived in the building during their times at Pembroke. Condition: very good.
  • "HT"

    Raven and Angel

      Block print 28 x 41 cm Signed 'HT' upper right in the plate. A monochrome print of an angel holding a bird - usually a symbol of peace or prophecy. The birds here are black, however, rather than the more typical white dove, and the bird held by the weeping angel seems to be injured. Condition: generally very good; vertical crease to centre; even overall slight toning to paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • W H Tittel, 1938

    Rastkogelhütte 

    In mint, unissued condition. A+ With 24 beds, 16 mattresses, central heating, electric light and quite clearly all modern conveniences, a good night’s sleep was assured for all guests. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Anonymous

    Rags Every bit of rag still urgently required

    WW2 British Home Front Poster 75x49cm Lithograph in four colours If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • LANCASTER BOMBER AT AN AIRFIELD

    Silver Gelatin Photograph for Flight Magazine 15.5x20cm Stamped to reverse "Flight Ref no 18300S Copyright Due Acknowledgment is required if this photograph is reproduced" Almost uniquely, from this series of photographs we have listed, we have been unable to trace another copy of this online. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Inscribed with his initials to reverse, though this has subsequently been concealed with liquid paper.
  • RAF In Action

      Original vintage poster 75 x 50 cm An original vintage poster advertising the 'RAF in Action' exhibition, a public exhibition highlighting the work of the Royal Air Force. Condition: generally very good; folds as issued. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Second World War posters.
  • DV170 Lancaster Bomber in flight

    Silver Gelatin Photograph 15x20cm Stamped to reverse "Rolls Royce Ltd Hucknall Neg no s76 Copyright Reserved" c. 1940s DV170 was built as a Mk III and converted to Mk VI. Used by Rolls Royce for Merlin trials series 65, 85, 38, 68, 100, 102 & 621 300+ f/hrs testing. Dismantled (probably at Hucknall), by road to Newton 10 December 1947, scrapped by 58 Maintenance Unit. Shown here with 4 Merlin 102s in Avro Tudor power plants with unshrouded exhausts. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Brownbridge (flourished 1930s - 1940s)

    Achievement Radiation gas cookers brochure design

      Pen and collage 21.5 x 14 cm From a small archive of works by Brownbridge, a member of the Society of Industrial Artists. Brownbridge's bold design advertises Radiation cookers (innovative gas cookers which were sold in Britain in the 1920s and 1930s). Shiny white against a dark background, the Radiation cooker seems impossibly glamorous and inviting. Society of Industrial Artists correspondance (photographed above) is not included; please enquire separately. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other designs by Brownbridge.
  • William Nicholson (1872 - 1949)

    The Radcliffe Camera, Oxford

    Lithograph 35 x 28 cm Signed lower left and numbered 10 in ink. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford.
  • John Piper (1903 - 1992)

    Radcliffe Camera

      Lithograph 53 x 35.5 cm Numbered 110/1150 lower left and signed lower right in pencil. John Piper's view of the Radcliffe Camera in Radcliffe Square. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good. Attractively framed; frame included for mainland UK shipping only. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Oxford.
  • R.H.B Trinity College, Cambridge

    22.5x13cm 1915 If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good.
  • Rowland de Winton Aldridge (1906-1997) The Backs, St John's College Cambridge

    34x51cm watercolour Born in Kent he was given 'de Winton' after his grandmother, who was related to the De Wintons of the Welsh engineering company De Winton & Co (1854-1901) that built narrow-gauge railways. He was a protégé of Edward Wesson, one of Britian's most important twentieth century watercolourists, and was a prolific artist of landscapes and urban riverscapes. St John's College Cambridge was one of his favourite views to paint, combining as it does an urban riverscape, a landscape and late 17th century buildings. Aldridge was an authority on 18th century architecture and was adviser to Baron Iliffe during his restoration of Basildon Park. If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good.
  • R Warwick (British, fl c. 1900-1930) Trinity College Cambridge, Great Gate

    Etching size: 9x6cm; sheet size 15x12cm On deckle-edged paper If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good condition, some foxing to sheet, but scarcely within image area.
  • R Warwick (British, fl c. 1900-1930) St John's College Cambridge

    Etching size: 9x6cm; sheet size 15x12cm On deckle-edged paper If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good condition.
  • R. Phene-Spiers (1838 – 1916)

    Tom Tower, Christ Church, Oxford

    Signed and inscribed and dated 1880 Watercolour on paper 37x25cm (14.5×9.8 in.) Spiers was educated as an engineer at King’s College, London.  Subsequently he was Master of the Architectural School at the RA, and was President of the Architectural Association from 1867-68.
  • R Hacking

    St. John’s College, Cambridge (1978)

    Watercolour 17x25cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good.
  • Margaret Souttar (1914 - 1987)

    Queens' College, Cambridge

      Lithograph 72 x 56 cm Proof print aside from the numbered edition of 178. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • Hugh Casson (1910 - 1999)

    Queens' College, Cambridge

      Lithograph 28 x 34 cm Signed and numbered 485/550, both in pencil. Casson's warm-hued view of Queens' College, Cambridge, featuring the famed and beauteous Mathematical Bridge. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • Margaret Souttar (1914 - 1987)

    Queens' College, Cambridge

      Lithograph 72 x 56 cm Numbered 169/178 lower left, and signed lower right, in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • Margaret Souttar (1914 - 1987)

    Queens' College, Cambridge II

      Acrylic paint 55 x 75 cm Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good; some crinkling as a result of using water-based paints on thin paper; slight toning to paper in some areas. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • Margaret Souttar (1914 - 1987)

    Queens' College, Cambridge I

      Acrylic paint 67 x 74 cm Signed below. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. These views highlight the layers of history and architectural styles which make up a Cambridge college. Provenance: the artist's studio sale. Condition: generally very good, on thin paper; some crinkling to paper as a result of being painted. Possible slight discolouration around pediment. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queens' College, Cambridge.
  • William Sydney Causer (1876 - 1958)

    Queen's College, Oxford

      Watercolour 38 x 53 cm A most agreeable depiction of Queen's College on the High. The college's Headington Stone is made golden by the sun. William Sidney Causer was a landscape artist known coastal and his urban scenes. He studied at the Wolverhampton School of Art and exhibited at the Royal Academy for the first time in 1923, and later the Paris Salon. Causer painted several pictures in Spain before the Civil War there, and also painted landscapes in France and Italy as well as the English South Coast. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford.
  • Bernard Cecil Gotch (1876-1964)

    Queen's College, Oxford

      Watercolour 28 x 39 cm (51 x 64 cm framed) Signed lower right. Queen's College in all its leafy glory. The dreaming spires of the University Church of St Mary the Virgin, the Radcliffe Camera, and All Souls peep over the quad. Bernard Cecil Gotch was a Winchester-born artist who is best known for his atmospheric watercolours of Britain's towns and cities (most notably Oxford). He moved to Oxford in 1927, painting many watercolours of the interiors and exteriors of Oxford’s many buildings. His works concentrate on the grand exteriors and interiors of the University's colleges, and he exhibited frequently - including an exhibition every term at Oriel College. His first notable commission was for the publisher Methuen, illustrating 'A Shepherd’s Life' by W H Hudson. Whilst in London he was invited to illustrate a book on the Public Schools of England (which was sadly never completed). He exhibited watercolours at the Fine Art Society and Lincolns Inn, and also exhibited at the Royal Academy. In 1952 Gotch was given an Honorary MA by the University of Oxford, and, after his death in 1963, a memorial was held for him at Oriel. Condition: very good; original frame & mount (some ageing to the latter). If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford.
  • William Nicholson (1872 - 1949)

    Queen's College, Oxford

      Lithograph 38 x 30 cm Signed lower left. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford.
  • Pieter van der Aa (1659-1733), after David Loggan (1634–1692)

    Queen's College, Oxford (1727)

      Engraving 12 x 16 cm An eighteenth-century view of Le College de la Reine (Queen's College), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded in 1341 by Robert de Eglesfield in honour of Philippa of Hainault (the wife of King Edward III). Queen's is known for its predominantly neoclassical architecture, which includes buildings designed by Sir Christopher Wren and Nicholas Hawksmoor. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: a good impression. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Out of stock

    David Loggan (1634 - 1692)

    Queen's College, Cambridge (1690)

      Engraving 36 x 46 cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645 - 1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: generally good; mostly even over-all toning, fraction lighter down central fold; has previously been washed. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Osman (1914 - 1996)

    Queen Street, Exeter

      Watercolour 25 x 33 cm Inscribed in Osman's hand on old mount (visible in the gallery of photographs). Osman's view of Queen Street in Exeter, complete with modish pedestrians and vehicles typical of the 1930s. Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: generally very good; some age toning. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Fahye Design Consultants for Cunard

    Queen Elizabeth 2 - Staircase G

      Gouache and lettraset 59 x 83 cm A fabulously mid-century design for a staircase in the QE2, a luxury ocean liner operated by Cunard from 1969 to 2008. Glamorous passengers in black tie mingle on the staircase landing before dinner. Fahye's gouache designs illustrate the mid-century modern aesthetic of the golden age of ocean travel. The Queen Elizabeth 2 was designed in Cunard's offices in Liverpool and Southampton and built in Clydebank, Scotland. She was retired in 2018 and is now a floating hotel in Dubai. Condition: very good; mounted to foamboard. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Fahye Design Consultants for Cunard

    Queen Elizabeth 2 - Midships Lobby

      Gouache and lettraset 59 x 83 cm A fabulously mid-century design for a lobby in the QE2, a luxury ocean liner operated by Cunard from 1969 to 2008. Glamorous passengers in black tie mingle in the lobby before dinner. A sunken conversation pit marks the mid-century interior style of the ship. The Queen Elizabeth 2 was designed in Cunard's offices in Liverpool and Southampton and built in Clydebank, Scotland. She was retired in 2018 and is now a floating hotel in Dubai. Condition: very good; mounted to foamboard. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • S Clapham (active 1940 - 1960)

    Puslinch House

      Watercolour 49 x 70 cm A beautifully-coloured watercolour of Puslinch House, a fine Christopher Wren-style Georgian mansion in Devon. The estate was owned by the Poslylinch, Mohun, and Upton families before being taken over by the Yonge family in 1718, following the marriage of John Yonge and Mary Upton. The Queen Anne House mansion was built on the occasion of their wedding and an earlier mediaeval house still exists in the grounds as a country cottage. During the war, the house was used as a voluntary hospital for wounded officers. Clapham was an architect based in Stockwell in London. Condition: generally very good; a little faint spotting to top right corner. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • S Clapham (active 1940 - 1960)

    Puslinch House

      Pencil 55 x 77 cm An architectural drawing of Puslinch House, a fine Christopher Wren-style Georgian mansion in Devon. The estate was owned by the Poslylinch, Mohun, and Upton families before being taken over by the Yonge family in 1718, following the marriage of John Yonge and Mary Upton. The Queen Anne House mansion was built on the occasion of their wedding and an earlier mediaeval house still exists in the grounds as a country cottage. During the war, the house was used as a voluntary hospital for wounded officers. Clapham was an architect based in Stockwell in London. Condition: generally good; a little spotting, backed to board by artist and signed to board lower right. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Purana Qila Fort, Delhi, India

      Watercolour 13 x 20 cm
    A 20th century watercolour by an unknown artist of Purana Qila, one of the oldest forts in Delhi. We have three other Indian architectural views by the same artist available.
    Condition: generally very good; one or two small scratches as visible in photographs. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works from the same series.
  • Pieter van der Aa (1659-1733), after David Loggan (1634–1692)

    The Public Schools, University of Oxford (1727)

      Engraving 12 x 16 cm An eighteenth-century view of the interior of the Public Schools, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: a good impression. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Pieter van der Aa (1659-1733), after David Loggan (1634–1692)

    The Public Schools, University of Oxford (1727)

      Engraving 12 x 16 cm An eighteenth-century view of the facade of Oxford's Public Schools, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: a good impression. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Jane Gray (b.1931)

    Psalm 150, Design for Stained Glass Window (1984)

      Watercolour 17.5 x 71 cm

    Signed and dated.

    This design centres on a scroll containing the lyrical text from Psalm 150:6, ‘Let. Everything that hath breath praise the LORD’. The scroll also features daintily painted white and yellow flowers as well as musical notes, typical elements of Gray's domestic designs.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • William Williams (Welsh, active 1724 - 1733)

    Jesus College, Oxford (circa 1732)

    Engraving 43 x 44 cm This engraving of the city of Oxford, adorned with its eponymous dreaming spires, comes from the 'Oxonia Depicta', a large folio of engraved plates illustrating Oxford's halls and colleges. Condition: previously folded; some losses to folds, some toning. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Osman FRIBA (1914 - 1996)

    Proposal details for St John's Smith Square (1953)

      Watercolour 74 x 46 cm Signed in red crayon lower right. Details from Louis Osman's proposal for the post-war, post-bombing redevelopment of St John's church on Smith Square. Osman had envisioned an interior with a ceiling painted by Picasso; sadly, this project was never executed. The church was bombed in 1941 and gutted by fire; subsequently, the church was a ruin open to the sky for over 20 years. It was saved by Lady Parker of Waddington, who formed the Friends of St John's in 1962 to raise money and restore the church to its former glory - a reconstruction in the style of the church's original architect, Thomas Archer. Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Osman FRIBA (1914 - 1996)

    Proposal for St John's Smith Square (1953)

      Watercolour 62 x 37 cm Signed in red crayon lower right. Louis Osman's proposal for the post-war, post-bombing redevelopment of St John's church on Smith Square. Osman had envisioned an interior with a ceiling painted by Picasso; sadly, this project was never executed. The church was bombed in 1941 and gutted by fire; subsequently, the church was a ruin open to the sky for over 20 years. It was saved by Lady Parker of Waddington, who formed the Friends of St John's in 1962 to raise money and restore the church to its former glory - a reconstruction in the style of the church's original architect, Thomas Archer. Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Louis Osman FRIBA (1914 - 1996)

    Proposal for St John's Smith Square (1953)

      Watercolour 70 x 52 cm Signed in red crayon lower right. Louis Osman's proposal for the post-war, post-bombing redevelopment of St John's church on Smith Square. Osman had envisioned an interior with a ceiling painted by Picasso; sadly, this project was never executed. The church was bombed in 1941 and gutted by fire; subsequently, the church was a ruin open to the sky for over 20 years. It was saved by Lady Parker of Waddington, who formed the Friends of St John's in 1962 to raise money and restore the church to its former glory - a reconstruction in the style of the church's original architect, Thomas Archer. Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Prof Sir Albert Richardson Verneuil

    1954 Watercolour 37.5x27.5cm Signed with initials and dated lower right 27/08/1954 Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880-1964) was a traditionalist, renowned for his distaste of modern architecture. Rooted firmly in the classical period, he lived a Georgian life, refusing to have electricity in his Georgian house – until his wife finally insisted. Professor of Architecture at UCL’s Bartlett School of Architecture from 1929-1955, this was evacuated to Cambridge during the war and he became a fellow of St Catharine’s College. Amongst his other achievements, Richardson was President of the RA, editor of Architect’s Journal and founder of the Georgian Group. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Prof Sir Albert Richardson PRA Avioth La Recevresse

    1960 Watercolour 29.5x20cm Signed with initials and dated lower left Avioth is in the Meuse region of France, on the Belgian border. The city was founded in the twelfth century, when a villager miraculously found a wooden statue of the Virgin Mary in a thorn bush. A chapel built on the site soon became a place of pilgrimage and the church on the site - dedicated to Notre Dame - was created a Basilica by Pope John Paul II in 1983. Beside the Basilica stands the Recevresse, a piece of stone lacework. Its original function is unknown; it was more recently a place where pilgrims' offerings were received. It was registered as a historical monument in 1840 by the French authorities. Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880-1964) was a traditionalist, renowned for his distaste of modern architecture. Rooted firmly in the classical period, he lived a Georgian life, refusing to have electricity in his Georgian house – until his wife finally insisted. Professor of Architecture at UCL’s Bartlett School of Architecture from 1929-1955, this was evacuated to Cambridge during the war and he became a fellow of St Catharine’s College. Amongst his other achievements, Richardson was President of the RA, editor of Architect’s Journal and founder of the Georgian Group. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Prof. Sir Albert Richardson PRA (1880-1964) A Classical Building with elegant figures 

    28x43cm watercolour Signed, with further detail to backboard (title, date etc.) Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880-1964) was a traditionalist, renowned for his distaste of modern architecture. Rooted firmly in the classical period, he lived a Georgian life, refusing to have electricity in his Georgian house – until his wife finally insisted. Professor of Architecture at UCL’s Bartlett School of Architecture from 1929-1955, this was evacuated to Cambridge during the war and he became a fellow of St Catharine’s College. Amongst his other achievements, Richardson was President of the RA, editor of Architect’s Journal and founder of the Georgian Group. For pleasure he painted architectural fantasies; capriccios of buildings he pictured in his mind. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some toning to paper.
  • Anonymous Milan Trade Fair 1975

    Original Vintage Poster 98x61cm A cool poster design from Italy, that home of mid-century modern design. We have been unable to trace any other copy of this poster; it is quite possibly the sole survivor. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some gentle creasing, generally good condition.
  • Jane Gray (b.1931)

    Pishill Church, Henley-on-Thames, Design for Stained Glass Memorial Window (1983)

      Watercolour 21 x 7.5 cm

    Signed, dated and artist label verso.

    Pishill Church is a highly unusual T-shaped, flint and stone Norman church that was built in the early 12th century but underwent substantial interior alterations in the Early English and Decorated Styles in the 19th century. The church is charmingly situated on a hilltop overlooking the Stonor Valley and Hamlet of Pishill, and boasts several spectacular stained glass windows, including one designed by John Piper in 1967. This design commemorates Gray’s favourite Aunt who requested a memorial window in Pishill Church upon her death in 1981. This simple arrangement used acid-etched lettering to quote Gray’s aunt’s favourite prayers against a plain background representing the elements. The window was installed in 1985.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.24, 78. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Pieter van der Aa (1659-1733), after Jan Kip (1652/3-1722)

    Old St Paul's Cathedral (1707)

    Engraving, 14 x 17 cm   A view of the nave of Old St Paul's Cathedral, engraved by Pieter van der Aa after Johannes 'Jan' Kip, the Dutch draftsman, engraver and print dealer. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears.   Condition: Generally very good.
  • Pieter van der Aa (1659-1733), after David Loggan (1634-1692)

    The Costumes of the University of Cambridge

    Engraving, 14 x 36 cm Early 18th century   This engraving by van der Aa (based on a prior design by David Loggan) illustrates the various forms of academic dress worn by members of the University of Cambridge. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes.   Condition: Generally very good; slight age toning, and spotting to margins.
  • Piero Sansalvadore (1892-1955)

    Queens’ College Cambridge

    Signed Sansalvadore. Titled to verso. Oil on wood panel 21.5 x 28cm (8.5 x 11 in) £1850 Provenance: Stacy-Marks Gallery, Eastbourne, c. late 1940s An Italian who arrived in London around 1930, the Museum of London and City of London have a series of pictures  Sansalvadore painted of war-damaged London. Click here for other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Piero Sansalvadore (1892-1955)

    Chithurst Bridge Surrey

    Signed Sansalvadore. Titled to verso. Oil on wood panel 21.5 x 28cm (8.5 x 11 in) Provenance: Stacy-Marks Gallery, Eastbourne, c. late 1940s An Italian who arrived in London around 1930, the Museum of London and City of London have a series of pictures  Sansalvadore painted of war-damaged London. Click here for other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Philip Pimlott

    Gate of Honour, Gonville and Caius College, Cambridge

    Etching 17x10.5cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Peter Collins ARCA (1923-2001) Town scene

    Pen and ink 21x44cm (irregular) Provenance: The Artist's Studio As a graphic designer, Collins produced many drawings such as these and we invite you to look at our other drawings and sketches by him. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good, size is irregular. Click here for other items by the artist and for biographical details.
  • Peter Collins ARCA (1923-200 Royal Naval Bandsman

    Black paint 44x27cm Provenance: The Artist's Studio If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good, a little gentle spotting. Click here for other items by the artist and for biographical details.
  • Peter Collins ARCA (1923-200 Exotic Dancer

    Pencil 25x17cm Provenance: The Artist's Studio If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good, a little gentle spotting. Click here for other items by the artist and for biographical details.
  • Peter Collins ARCA (1923-2001)

    Still Life of a Fruit Bowl (c. 1960s)

      Oil on canvas 40 x 51 cm Signed lower right. A stylish mid-century still life with fruit. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, scupture, and other curios. Provenance: the artist's studio sale 2017, lot 2050. Condition: very good.
  • Peter Collins ARCA (1923-2001) The Schoolroom

    Pen, ink and whitening 19x27cm Provenance: The Artist's Studio A stongly-painted image, with a wonderful sense of the light available in a new, post-war classroom. The schoolboys wear short trousers and - together with schoolgirls - are engrossed in a task. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) St Mary le Strand Church

    Watercolour 17 x 21 cm Signed lower right. Provenance: The artist's studio. Typical Collins, with his bright colours and captivating scene, reminiscent of his travel posters, here a passerby in red walks purposely towards the foreground. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) School Children in a Cloakroom

    Pen, ink and whitening 15x24cm Provenance: The Artist's Studio A stongly-painted image, ensuite with Collins' schoolroom scene that we have listed with a wonderful sense of the light available in a new, post-war school. The schoolboy wears short trousers and - together with schoolgirls - is engaged in the task of time immemorial of waiting in the cloakroom. Shoes are stacked under the benches and coats hang from the hooks. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Still Life with Green Apples and Bottle

    Oil on Board 49x59cm Provenance: The Artist's Studio A stongly-painted image, with a generous use of skilfully executed impasto and bright tones. A bowl of green fruit, probably apples, and with perhaps some lemons sits besides a slender and partly-drunk bottle, with an abstract tablecloth in red, white and blue behind. Click here for other items by the artist and for biographical details.
  • Peter Collins ARCA (1923-2001) Mid Century Modern Lounge Interior

    Pen, ink and watercolour 10.5x20.5cm Signed Peter Collins lower right Provenance: The Artist's Studio A stongly-painted image, with a wonderful sense of the light and brightness of a modernist interior. Whether the scene on the back wall is intended to be an extraordinary wallpaper, or whether the view to the garden, we do not know. But the viewer is encouraged to take a seat in an interior that at the time will have felt modern yet comfortable. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Lloret, Spain 2 - Design for Holiday Brochure (for BEA Panorama Holidays)

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Lloret, Spain - Design for Holiday Brochure (for BEA Panorama Holidays)

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Laigueglia Italy (for BEA Panorama Holidays) 4

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Laigueglia Italy (for BEA Panorama Holidays) 3

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Laigueglia Italy (for BEA Panorama Holidays) 2

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Laigueglia Italy (for BEA Panorama Holidays) 

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-200 Elegant Figures in Deckchairs with Boaters and Hats

    Mixed Media, Collage, Watercolour, Pencil etc. 29x18cm Provenance: The Artist's Studio As a graphic designer, Collins produced many drawings such as these and we invite you to look at our other drawings and sketches by him. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Majorca 3 (for BEA Panorama Holidays)

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, sculpture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for BEA Holiday Brochure 1966 BEA Panorama Holidays 

    Mixed media on paper 30x21cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Colliery Mining Scene

    Pen, ink 20x35cm Provenance: The Artist's Studio The use of pen ank ink creates a powerful image, emphasising the stark nature of the colliery. Yet the scene is softened by the presence of figures, dwarfed against the mighty machinery. The strong vertical lines on the timber-clad buildings emphasise the vertical lines of the pit machinery, and suggest the depths of the earth to which the mine reaches; yet at the same time the horizontal nature of the drawing provides a contrast. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Adam Brunskill Book Jacket Design

    for Collins publishers (no relation) Watercolour and collage 22x17cm Provenance: The Artist's Studio Signed lower right Peter Collins Typical Collins, with his bright colours and captivating scene, very reminiscent of his travel posters. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Out of stock

    Brian Bannatyne Lewis (1906 - 1991)

    Perivale Station (1938)

      Pen, ink and watercolour 70 x 50 cm A 1938 design for the new Perivale tube station, commissioned by the Great Western Railway (GWR) for its proposed western extension to the Central Line. The design's Art Deco lettering befits London Transport's aesthetic in the 1930s. Lewis brings his designs to life by including smartly-dressed characters entering and leaving the stations. The Central line opened in 1900, between Shepherd's Bush and Bank; it extended westwards to Ealing Broadway in 1920. Two years after the formation of London Transport in 1933, an extensive New Works Programme began, proposing a westwards extension of the line to Denham. Brian Lewis created designs for nine stations in early 1938, but the Second World War broke out before they could be built. By the time the extension had been built, Lewis was no longer chief architect of the GWR - the stations were modified and completed by Frederick Francis Charles Curtis instead. The extension to Greenford opened in 1947 and finally reached West Ruislip in 1948. Denham never actually became part of the tube line, owing to the establishment of the green belt. Brian Lewis was born in Tasmania, attended school in Melbourne, and subsequently obtained a Diploma in Architecture in 1928 from the University of Melbourne. He then moved to the UK to study at the Liverpool School of Architecture, winning scholarships in each of his three years of study to fund extensive European travel. He married a fellow Liverpool architectural student, Hilary Archer. After moving to London, he took up employment with the GWR in their architects’ office; he also lectured at a local polytechnic, and moonlighted with his wife at home on mainly residential commissions – rather different projects from the hotels and stations which GWR commissioned from him. He exhibited frequently at the Royal Academy of Arts, showing superb measured drawings of historic buildings. In the Second World War he enlisted with the Second Imperial Australian Force, serving in the Middle East, then transferred to the Royal Australian Engineers where he became a Captain. In 1943 he was sent to London to help GWR repair bomb damage.  Lewis became Chief Architect of GWR in 1945 (following the retirement of the noted Percy Emerson Culverhouse), and the first Chair of Architecture at Melbourne University in 1947. He also became the consulting architect for the major buildings of the Australian National University in Canberra, producing an imaginative site plan and designing University House, which was awarded the Sulman medal in 1954. He also designed the Risdon Prison Complex in 1960. He retired in 1971 to paint watercolours and write his memoirs. Condition: generally very good; a few handling marks and two holes from filing. Handsomely framed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here to view the other station designs in the set.
  • Percy Drake Brookshaw (1907-1993)

    ‘The Season’ Coach Poster

    Lithographic poster illustrating The Season - rowing, racing, athletics, sailing and other suitable summer sports. 76x50cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Percy Drake Brookshaw (1907-1993) Marching Band

    Linocut c. 1930s 30x30 cm Inscribed 'Artist's trial proof 1A' Provenance: the family of the artist, by descent. Brookshaw was born in Southwark, in London, and educated at the Central School of Arts and Crafts. He was a particularly accomplished lithographer, skilled also as a painter in both oil and watercolour. Identifying the former talent, F Gregory Brown - the poster and textile designer - encouraged him to become an illustrator and poster designer. Producing posters for London Transport and Shell, inter alia, between 1928 and 1958, many of his posters depict sporting events. His two posters for the annual University Boat Race are well known and highly sought after, and his wonderful posters often evoke a feeling of movement, whether rowers straining on their oars, or horses or greyhounds racing. In this carefully executed linocut, Brookshaw brings the band members to life with the same skill and enthusiasm he brings to his posters. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, some spotting to external margins outside image area.
  • Percy Drake Brookshaw (1907-1993) Marching Band

    Linocut c. 1930s 30x30 cm Inscribed 'Artist's trial proof 1A' Provenance: the family of the artist, by descent. Brookshaw was born in Southwark, in London, and educated at the Central School of Arts and Crafts. He was a particularly accomplished lithographer, skilled also as a painter in both oil and watercolour. Identifying the former talent, F Gregory Brown - the poster and textile designer - encouraged him to become an illustrator and poster designer. Producing posters for London Transport and Shell, inter alia, between 1928 and 1958, many of his posters depict sporting events. His two posters for the annual University Boat Race are well known and highly sought after, and his wonderful posters often evoke a feeling of movement, whether rowers straining on their oars, or horses or greyhounds racing. In this carefully executed linocut, Brookshaw brings the band members to life with the same skill and enthusiasm he brings to his posters. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, some spotting to external margins outside image area.
  • Percy Drake Brookshaw (1907-1993)

    Horses Coach Poster

    Lithograph 76x50cm Please click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Percy Drake Brookshaw (1907-1993) Greyhound Racing coach poster Lithograph 76x50cm Please click here for biographical details and other works by the artist.   If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Percy Drake Brookshaw (1907-1993) Cricket

    Original coach poster Lithograph c. 1950s 76x50cm A poster for advertising details of coaches to cricket matches such as The Ashes or other Test Matches. Brookshaw was born in Southwark, in London, and educated at the Central School of Arts and Crafts. He was a particularly accomplished lithographer, skilled also as a painter in both oil and watercolour. Identifying the former talent, F Gregory Brown - the poster and textile designer - encouraged him to become an illustrator and poster designer. Producing posters for London Transport and Shell, inter alia, between 1928 and 1958, many of his posters depict sporting events. His two posters for the annual University Boat Race are well known and highly sought after, and his wonderful posters often evoke a feeling of movement, whether rowers straining on their oars, or horses or greyhounds racing. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Conditon: Generally very good, a few short edge tears and soft creases, see photograph.
  • Percy Drake Brookshaw (1907-1993) Boat Race

    Lithograph in colours, 1937 25 x 30cm (10 x 12.5 inches) Vintage Oxford v Cambridge Boat Race poster from 1937. These small posters were designed to be utilised on buses. Born in Southwark and educated at the Central Schools of Arts and Crafts, Drake Brookshaw was a renowned designer for the Underground Group and London Transport between 1928 and 1958. His wonderful posters evoke a feeling of movement, and probably none more so than this one as the seven visible men strain on their oars.  His clever use of colour includes both light blue for Cambridge, and dark blue for Oxford. If you are interested in something similar, or have something similar to sell email info@manningfineart.co.uk or call us on 07929 749056.
  • Per Arnoldi (born 1941)

    Copenhagen: Jazz Center of Europe (1972)

    Lithographic poster 99 x 61 cm   Per Arnoldi was born in Copenhagen in 1941. He is a Danish designer and artist most famous for his prolific commercial poster art. Arnoldi is a lifelong fan of jazz, and, as well as having created many jazz-related posters, he hosts monthly jazz radio shows and occasionally tours with a jazz trio. This bold and dynamic poster is typical of Arnoldi's jazz designs. He notably uses block primary colours and simple, often silhouetted, compositions. The Tourist Association of Copenhagen commissioned the poster in order to encourage tourists to visit the city and its musical haunts. The saxophonist silhouetted in the image is thought to be a representation of Stan Getz, the American jazz saxophonist who died in 1991. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Alan Sorrell (1904 - 1974)

    Pembroke College, View from the North Quadrangle (1966)

      Lithograph 36 x 50 cm A lithograph of Pembroke's North Quad, from a drawing by Alan Sorrell. The artist's striking use of perspective and nebulously sketched figures make it a good example of Sorrell's style. Sorrell's 1965 etching was reproduced as a lithograph a year later, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. Alan Ernest Sorrell was an English artist and writer best remembered for his archaeological illustrations, particularly his detailed reconstructions of Roman Britain. Sorrell trained at the Southend municipal school of art and, after a brief spell as a commercial artist in London, he attended the Royal College of Art between 1924 and 1927. He was a Senior Assistant Instructor of Drawing there between 1931 and 1939, and again between 1946 and 1948. In 1937 he had been elected a member of the Royal Watercolour Society, and during the war served as a camofleur. After the war, Sorrell's archaeological and architectural work became their focus. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Pieter van der Aa (1659-1733), after David Loggan (1634–1692)

    Pembroke College, Oxford (1727)

      Engraving 12 x 16 cm An eighteenth-century view of Pembroke College, Oxford, engraved by Pieter van der Aa after an earlier one by David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: a good impression. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Joseph Skelton (1783 - 1871) after George Vertue (1684 - 1756)

    Founders & Benefactors of Pembroke College, with a View of the Buildings &c. (1818)

      Engraving 21 x 24 cm A historic engraving of Pembroke's august founders and early architecture, which later formed part of the artist's 1828 'Pietas Oxoniensis, or Records of Oxford Founders'. George Vertue FSA was an English engraver and antiquary. He was apprenticed to a heraldic engraver in France, then worked for the Flemish engraver Michael Vandergucht before setting up on his own. He was also a student of the English portrait painter and copyist Thomas Gibson. He became the official engraver to the Society of Antiquaries when it was founded in 1717, and his patrons included several British aristocrats. He is buried in Westminster Abbey. Joseph Skelton was an a topographical and antiquarian engraver. He lived in Oxford for a time and became a Fellow of the Society of Antiquaries of London. His Oxford publications include the Oxonia Antiqua Illustrata; Antiquities of Oxfordshire, from drawings by F. Mackenzie; and the Pietas Oxoniensis, or Records of Oxford Founders. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Pembroke College, Oxford.
  • David Loggan (1634 - 1692)

    Pembroke College, Oxford (1705)

      Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: good. Backed to Japanese Paper. Evidence of some historic separation to central fold. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Pembroke College, Oxford.
  • George Pyne (1800 - 1884)

    Peckwater Quad, Christ Church, Oxford

      Watercolour 27.5 x 17.5 cm Signed and dated 1849. A marvellous view of the Peckwater Quadrangle, more affectionately referred to as Peck Quad and known for having arguably the best undergraduate rooms in all of Oxford. The buildings on the north, east and west sides of the quad were designed by Henry Aldrich are one of the earliest examples of English neo-Palladian architecture. They were built by William Townsend between 1706 and 1711, while the Library on the south side was completed later in the eighteenth century. Peck looks rather different today - it is now mostly filled with lawn and hosts Christ Church's extremely large Christmas tree each year. In Pyne's day it was lawnless and filled with elegant pedestrians in nineteenth-century costume; in this view, afternoon light slants down over the buildings, and the lengthening shadows cast by the library creep into the quad. George Pyne was related to two founders of the Society of Painters in Watercolours - William Henry Pyne was his father, and John Varley his father-in-law. Pyne trained as an architectural draughtsman and lived in Oxford from the 1850s until his death in 1884, specialising in views of the city and its colleges. His Oxford pictures are both architecturally-minded and romantically creative, often combining intensely detailed depictions of college buildings with imagined pedestrian scenes. Pyne was also noted for his views of Cambridge and Eton, and for his drawing manuals 'A Rudimentary and Practical Treatise on Perspective for Beginners' (1848) and 'Practical Rules on Drawing for the Operative Builder, and Young Student in Architecture' (1854); the latter texts offer an insight into his method of depicting architecture and its surroundings. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ Church.
  • Paul Salomonsen (active 1960s) Y Chair (1964)

    Lithographic poster (2014) 99 x 61 cm The poster features Hans J Wegner's famous 'Y chair', also known as the 'Wishbone chair'. Carl Hansen & Søn commissioned the poster from a photograph by Salomonsen, a 1960s photographer. The stylish and typically Danish woman examining the chair marks it as a piece of typically Danish design. The chair was known as "The Chair" when it was used in the TV-transmitted debate between John F Kennedy and Richard Nixon in 1959. The Chair subsequently became an icon of Danish mid-century furniture design. Condition: Excellent. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Pat Keely (d. 1970) The Royal Navy

    75x51cm Original lithographic poster 1939 Printed for HMSO by Vincent Brooks, Day & Son Ltd, London If your age is from 17 1/2 to 28 and you have at least 2 1/2 years' experience in any of the following trades: Ground Engineer (Civil Aviation) General Fitter Millwright Jig & Tool Fitter etc. Why not join the new Fleet Air Arm as Air Fitter or Air Rigger Generous Pay and Allowances - Really Secure Employment Good Prospects of Early Advancement to Air Artificer Little is known of the life of the rather private Pat Keely, a prolific and excellent designer of posters. He designed the World Scout Jamboree 4d stamp in 1957 and produced many posters for the British Government. In this excellent poster three aeroplanes are seen landing on the deck of an aircraft carrier; although somewhat stylised they are likely to be the Blackburn Skua. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Samuel Buck (1696-1779) & Nathaniel Buck (active 1724-59) Panorama of the River Thames from Westminster Bridge to London Bridge

    Published September 1749 30x404 cm Engraving Scroll down for further description. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Henry William Brewer (1836 - 1903)

    Panorama of Oxford (1893)

    Pen and ink heightened with body colour 40 x 123 cm Signed and dated 1893. Published in The Graphic as a photogravure image. A huge and beautifully-detailed panorama of Oxford at the end of the nineteenth century. POA. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of the city of Oxford.
  • Reginald Montague Lander (1913 - 1982)

    Paignton, South Devon (1956)

      Original vintage poster 100 x 60 cm Printed in Great Britain by Charles & Read, Ltd for British Railways. Signed lower right in the plate. Lander's iconic deck-chair poster encourages travel to Paignton in South Devon - "the family resort of picturesque Torbay". Reginald Lander Lander trained at the Hammersmith School of Art and became chief designer at the Ralph Mott Studio, where he was also studio manager. He worked as a freelance poster designer in the 1930s and produced iconic posters for the British Transport Commission and other Government ministries, as well as various train companies. Condition: generally very good; backed to conservation paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Leslie Carr (1891 - 1969)

    Paddlesteamer

    Gouache 19 x 29 cm Signed lower right. A steamship on a bright blue ocean, complete with frothing waves. Leslie Carr was a painter and poster designer from London. He served in the Tank Corps in the First World War and then became a professional artist, mainly producing maritime and architectural scenes. He designed posters for Southern Railway, the London and North Eastern Railway, and British Railways (among others). Carr served as a fireman in the Second World War and was a part of several firemen artists' exhibitions. Carr was a member of the Society of Marine Artists. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other maritime pictures.
  • Leslie Carr (1891 - 1969)

    Paddlesteamer

    Mixed media with pencil bodycolour 19 x 18 cm From one of Carr's sketchbooks. A steamship rendered in monochrome, seen head-on and casting a turbid shadow on the water. Leslie Carr was a painter and poster designer from London. He served in the Tank Corps in the First World War and then became a professional artist, mainly producing maritime and architectural scenes. He designed posters for Southern Railway, the London and North Eastern Railway, and British Railways (among others). Carr served as a fireman in the Second World War and was a part of several firemen artists' exhibitions. Carr was a member of the Society of Marine Artists. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other maritime pictures.
  • P S Lamborn (1722-1774)

    A view of the Public Library, the Senate House and St Mary's Church and the University of Cambridge

    Engraving, 1768 40x54cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.  
  • Ken Messer (1931 - 2018)

    Dreaming Spires

      Watercolour 30 x 38 cm Signed lower left. Oxford's skyline, including the Radcliffe Camera, the spire of University Church of St Mary the Virgin, and Magdalen Tower, is silhouetted against the grey sky of a winter day. The trees in the foreground are stark and black. Messer's depiction of Oxford's dreaming spires is an outstanding architectural record of the city's - and University's - most remarkable buildings. The painter and draughtsman Ken Messer is closely related to Oxford and its architecture in several ways. Born in Newport, South Wales, he was educated at the City of Oxford High School for Boys in Oxford, and then spent six years working as an accountant in Oxford. He then joined British Overseas Airways Corporation (BOAC) as a steward, flying internationally. Injury due to a car accident during the 1960s meant that he joined the design department of Pergamon Press in Oxford at the age of 33. Six years later, he was appointed to the position of studio manager, in charge of art and design. In 1974, Messer left Pergamon Press to become a freelance graphic designer. He started painting more watercolours, becoming a full-time artist. During the 1980s, his ink drawings were regularly published in the Oxford Times. He has sometimes been called "The Oxford Artist" because of his large number of works depicting Oxford. He and his wife Dilys lived at first in Richmond upon Thames and then in Abingdon, just south of Oxford. Messer's work has been shown at the Mall Galleries for the annual exhibitions of the Royal Institute of Painters in Water Colours annual exhibitions. Condition: excellent. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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