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William Nicholson (1872 - 1949)
New College, Oxford
Lithograph 29 x 35 cm Signed lower left and numbered 10. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. In handsome faux-bamboo gilt frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford. -
William Nicholson (1872 - 1949)
University College, Oxford
Lithograph 27 x 35 cm Titled in pencil below. Blindstamped 'Stafford Gallery' and dated 1906 below right. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: generally very good; a little spotting to margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of University College, Oxford. -
William Nicholson (1872 - 1949)
Oriel College, Oxford (1904)
Lithograph 30 x 37 cm Initialled and dated lower right. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: generally very good'; some marks to margin and a small mark central top in sky. Blindstamped 'Stafford Gallery'. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Oriel College, Oxford. -
Henry Cliffe (1919-1983) Blue Standing Figure II
Etching Mid 20th Century 45.5x30cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Blue Standing Figure
Etching Mid 20th Century 46x30cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Nora Davison (1881-1930)
Eton College (c.1920)
31 x 26 cm Watercolour Signed, lower left Nora Davison was a well-known figure around Eton, being responsible for many watercolours. An acclaimed painter of coastal scenes and landscapes she exhibited at inter alia, the Fine Art Society, Walker Art Gallery Liverpool, the New Gallery, Royal Academy, Royal Society of British Artists and Society of Woman Artists. Condition: Generally good - slight loss of colour, mounted to board. -
Fred Taylor (1875-1963)
Lincoln -Early English Architeture (L.N.E.R)
Printed for London North Eastern Railway Lithographic poster c. 1930 40×25 inches If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Richard Beer (1928 - 2017)
Trinity College, Oxford (1964 / 65)
Etching and aquatint 42.5 x 58 cm Numbered 27 / 100. Published by Editions Alecto. A copy of this print, owned by the Government Art Collection, is currently in the British Embassy in Saudi Arabia. Richard Beer was a painter and printmaker who focused on architecture and landscapes. He studied at the Slade School of Art from 1945 to 1950 and then studied at the École des Beaux Arts in Paris on a French Government Scholarship. He then worked and studied at Atelier 17, an art school and studio run by the artist Stanley William Hayter (arguably one of the most significant printmakers of the 20th century). The atelier was highly influential in the study and promotion of 20th-century printmaking, and it was here that Beer developed his etching skills. Beer then went on to work for the Royal Ballet choreographer John Cranko, designing the sets and costumes for "The Lady and the Fool" at the Royal Opera House in Covent Garden. He also produced several book illustrations and book jacket designs. Beer taught printmaking at the Chelsea School of Art for 40 years and was also a founding member of the Printmakers' Council. He travelled widely through Italy, France, Spain, and Morocco, sketching prolifically and painting rural and architectural landscapes. Beer would then make etchings and paintings in his Primrose Hill studio, inspired by the landscapes he had sketched and seen while travelling. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City of London for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Oxford. -
Richard Beer (1928-2017)
Wadham College, Oxford (1964-65)
Colour etching and Aquatint on Velin Arches by Editions Alecto. 59.8x40cm (23.5×15.7 inches) Proof Print A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
John Boydell (1719-1804)
A South Prospect of the City of Oxford
Hand-coloured engraving published 1751 in the series Four Views of Oxford 28x44.5cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. One of the most influential Georgian printsellers, Boydell was apprenticed to William Henry Toms at the age of 21, studying drawing at the St Marin's Lane Academy. From 1755 he imported foreign prints in great numbers. He became Mayor of London in 1790. -
Tony Broderick
Trinity College, Cambridge, Hall from exterior
Conte drawing 37x47cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Claude Muncaster (1903-1974)
Boston Stump
Signed Pen and watercolour 23x34cm (Titled erroneously to reverse 'North Norfolk Churches' Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Tony Broderick
St. John's Great Gate, Cambridge
Conte drawing 33x42cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Tony Broderick
Shrewsbury Tower St. John's College Cambridge
Conte drawing 35x32cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Map of Cambridge and the Isle of Ely (1622) engraved by William Hole for Drayton’s Poly Olbion
London (1622) 24 x 31 cm (9 x 12 in) If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Richard Beer (1928 - 2017) Oriel College, Oxford
Etching 47 x 61 cm Titled and numbered 39/100 lower left, and signed lower right, all in pencil. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Oriel College, Oxford. -
Richard Beer (1928-2017)
Brasenose College, Oxford
Signed print, numbered 55/100 61x44cm A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
John Chessel Buckler (1793-1894)
The Nave of Westminster Abbey
Watercolour Signed, Titled and dated 1810 25x17 cm Click here for other works by Buckler and biographical detail. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Seven Rules of Health
63.5 x 101cm Lithographic poster Published by HMSO for Ministry of Health and Department of Health for Scotland c. 1950 -
David Loggan (1634-1692)
Wadham College Oxford
Engraving (1675) with later hand colouring. 34x42cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
Oriel College Oxford
Engraving (1675) 34x42cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Angela Stones (1914-1995) Holy Trinity Brompton Church
Watercolour 31x41 cm Signed 'Angela Stones' Stones was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott - the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999) was probably the foremost pastel artist of his time. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Rosemary Ellis (1910-1998)
Snail iv
Gouache, 1940s/1950s 25x15cm On laid antique paper In a Nicholson butt-jointed frame Provenance: the family of the artist, by descent. Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their 'New Naturalists' series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the - otherwise excellent - content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Richard Beer (1928-2017) Oxford Spires - All Souls College and Radcliffe Camera
Limited edition coloured etching signed in pencil and numbered 75/150. 62x44cm Born in London in 1928, just too late to serve in World War II, Richard Beer studied between 1945-1950 at the Slade School. Subsequently, a French Government scholarship allowed him to spend time in Paris at Atelier 17, working under Stanley William Hayter (1901-1988), one of the most significant print makers of the 20th Century – having spent the War in New York, advising as a camofleur, Hayter only returned to Paris in 1950. Subsequently Beer studied at the École des Beaux Arts, Paris. Working for John Cranko, choreographer for the Royal Ballet, Beer designed the sets and costumes for his The Lady and the Fool at Covent Garden, subsequently working for him following his move in 1961 to Stuttgart Ballet. Additionally he produced book illustrations and designed book jackets. Richard Beer taught print-making at the Chelsea School of Art where he was a popular teacher. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds seven. His Oxford series was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe. Most of his prints are of architectural subjects, where he explores the use of colour in interesting fashion. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent. -
Télépheriques de l'Aiguille du Midi et de la Vallée Blanche Chamonix Mont Blanc
Original vintage poster 98x63cm Condition: Good, small loss to top-right corner approx 1cm x 1cm; some creases/very short tears to edges, and a few light creases to poster. Will look great once framed with a mount to hide the edge deficiencies. -
Claude Muncaster Landscape Near Shrewsbury
Watercolour 26 x 36 cm Signed lower left; framed. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Claude Muncaster Above Finsthwaite, near Newby Bridge 1968
Watercolour 21x26.5cm 46x52cm including frame, UK shipping only Signed lower right Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Richard Beer (1928-2017)
Magdalen Bridge, Oxford (1964-65)
Signed, titled and numbered 56/150 Etching and aquatint 57.5 x 44cm Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Norman Adams RA (1927-2005)
The Sound of Scarp and Vision of Bernadette (c.1980) (Double sided)
24 x 26 cm Watercolour Norman Adams RA, former professor of painting at the Royal Academy, felt strongly that, "art [without religion] would be a pretty empty vocation." Despite not going to church, nor identifying with any specific belief system, the artist's paintings of the natural world, often dramatic in nature, betray a strong spiritual intensity. On one side of this watercolour Adams has painted a monumental wave crash, captioned 'Southwest Wind - Very Rough Sea The Sea of Scarp.' On the other, is a softer, lilac abstraction entitled 'Vision of Bernadette', a reference to Saint Bernadette's famous visions of Mary at the Lourdes grotto. He studied at Harrow School of Art (1940-46) and then the Royal College of Art (1948-51). His first solo show was at Gimpel Fils in 1952, and his last at the Fine Art Society in 2004. His works included many murals and stage designs. There are many of his major works in the national collection, including the Tate, Leeds Museums, The Whitworth, the Royal College of Art, Bristol Museums, Leicester Museums, The Royal Academy and the Hepworth, Wakefield. -
Engraving of architect showing plans of Trinity College Oxford and its chapel, behind larger elevation of Garden (early 18th Century)
Hand coloured engraving, anoymous 36.5 x 47.5 cm Rare - we have been unable to identify another copy of this print. The architect pictured has been suggested to be Henry Aldrich who designed the chapel at Trinity College, hence seen here with the plans thereof. The figures stand before the buildings of the Garden Quadrangle, built by Christopher Wren. Aldrich was Canon and Dean of Christ Church, Oxford. As well as a polymath and composer, he was a prolific architect working in the Palladian style, writing 'Elemena Architectuae Civilis' (1789) and designing Peckwater Quadrangle at Christ Church (1707-14). Condition:Generally good with some spotting and slight overall toning. Trimmed to just within platemark at top and bottom. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
John Donowell (flourished 1753 - 1786) A View of the Conduit part of Carfax Church, the Piazza called the Butter Market, the Town Hall, the West Front of Christ Church College, &c. in the University of Oxford (1750)
Engraving 29 x 42 cm An eighteenth century view of St Aldate''s, featuring the west front of Christ Church and the Town Hall. Undergraduates, academics, and townspeople saunter along, all under the watchful eye of Tom Tower. John Donowell was an eighteenth-century British architect and engraver, considered to be one of the principal architect-draughtsmen in the latter part of the eighteenth century. He exhibited in 1761 at the Free Society, then through the 1760s at the Society of Artists, and from 1778 to 1786 at the Royal Academy; prints, some hand-coloured, were published at this time. Condition: some browning; antique frame with old glass. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Bristol Beaufort Torpedo Bomber
US Naval Aviation Training Division Original aeroplane recognition poster (1942) 63 x 47 cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have several in this series; view them here - have a much more arty approach to the task with shading and an interesting angle view. The Bristol Beaufort (manufacturer designation Type 152) was a British twin-engined torpedo bomber designed by the Bristol Aeroplane Company, and developed from experience gained designing and building the earlier Blenheim light bomber. At least 1,180 Beauforts were built by Bristol and other British manufacturers. The Australian government''s Department of Aircraft Production (DAP) also manufactured variants of the Beaufort. These are often known collectively as the DAP Beaufort. More than 700 Australian-built Beauforts saw service with the Royal Australian Air Force in the South West Pacific theatre, where they were used until the end of the war. Beauforts first saw service with Royal Air Force Coastal Command and then the Royal Navy Fleet Air Arm from 1940. They were used as torpedo bombers, conventional bombers and mine-layers until 1942, when they were removed from active service and were then used as trainer aircraft until being declared obsolete in 1945. Beauforts also saw considerable action in the Mediterranean; Beaufort squadrons based in Egypt and on Malta helped interdict Axis shipping supplying Rommel's Deutsches Afrikakorps in North Africa. Although it was designed as a torpedo-bomber, the Beaufort was more often used as a medium day bomber. The Beaufort also flew more hours in training than on operational missions and more were lost through accidents and mechanical failures than were lost to enemy fire. The Beaufort was adapted as a long-range heavy fighter variant called the Beaufighter, which proved to be very successful and many Beaufort units eventually converted to the Beaufighter. Condition: good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
FHK Henrion (1914 - 1990)
What Comes from Coal (circa 1945)
Original vintage poster 51 x 76 cm Signed in plate. Issued by the Ministry of Fuel and Power; printed for HM Stationery Office by Field Sons & Co Ltd, Bradford. We have been unable to identify any other copy of this poster by this renowned designer in any public collection - it is possibly the only remaining copy. A Ministry of Fuel poster encouraging the public to use less fuel. FHK Henrion was a German graphic designer who moved to Paris after leaving school, studying with the poster designer Paul Colin and then moving to London in 1936. Interned in the Isle of Man during the Second World War, he went on to design posters for the Ministry of Information and the US Office of War Information. After the War he started his own design agency, pioneering the concept of corporate identity. Clients included KLM, Giro, The Post Office, Tate & Lyle. The Ministry of Power and Fuel existed from 1942 to 1957 to control the nation's use of the scarce resources during and after the Second World War. Condition: centre folds as issued with a little wear to the extremities of the folds; generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
FHK Henrion (1914 - 1990)
Where Coal Comes From (circa 1945)
Original vintage poster 51 x 76 cm Signed in plate. Issued by the Ministry of Fuel and Power; printed for HM Stationery Office by Field Sons & Co Ltd, Bradford. We have been unable to identify any other copy of this poster by this renowned designer in any public collection - it is possibly the only remaining copy. A Ministry of Fuel poster encouraging the public to use less fuel. FHK Henrion was a German graphic designer who moved to Paris after leaving school, studying with the poster designer Paul Colin and then moving to London in 1936. Interned in the Isle of Man during the Second World War, he went on to design posters for the Ministry of Information and the US Office of War Information. After the War he started his own design agency, pioneering the concept of corporate identity. Clients included KLM, Giro, The Post Office, Tate & Lyle. The Ministry of Power and Fuel existed from 1942 to 1957 to control the nation's use of the scarce resources during and after the Second World War. Condition: centre folds as issued with a little wear to the extremities of the folds; generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Cyril Kenneth Bird ‘Fougasse’ (1887 - 1965)
Careless Talk Costs Lives (circa 1940)
Lithographic poster 32 x 20 cm (12.5 x 8 in) Version printed on thinner paper. Fougasse was a British cartoonist. He was art editor of Punch between 1937 and 1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and the other posters for the Ministry of Information and London Transport. As the Second World War progressed, the Ministry of Information’s poster campaign had become less and less effective. There were posters instructing the population to save old clothes for rags, turn off the lights, save food, dig for victory, watch out for spies, and keep calm and carry on. With this instruction overload, the population had ceased paying attention to the posters. Fougasse noticed this, and offered his services unpaid to the Ministry of Information, with a view to bringing a touch of humour to the posters. His amusing designs with pithy captions, reminiscent of newspaper cartoons, helped to get the Ministry's messages across in a novel way. Fougasse's distinctive poster style, with the red border, was subsequently adopted by other Ministry artists. Condition: if you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Cyril Kenneth Bird ‘Fougasse’ (1887 - 1965)
Careless Talk Costs Lives (circa 1940)
Lithographic poster 32 x 20 cm (12.5 x 8 in) Version printed on thinner paper. Fougasse was a British cartoonist. He was art editor of Punch between 1937 and 1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and the other posters for the Ministry of Information and London Transport. As the Second World War progressed, the Ministry of Information’s poster campaign had become less and less effective. There were posters instructing the population to save old clothes for rags, turn off the lights, save food, dig for victory, watch out for spies, and keep calm and carry on. With this instruction overload, the population had ceased paying attention to the posters. Fougasse noticed this, and offered his services unpaid to the Ministry of Information, with a view to bringing a touch of humour to the posters. His amusing designs with pithy captions, reminiscent of newspaper cartoons, helped to get the Ministry's messages across in a novel way. Fougasse's distinctive poster style, with the red border, was subsequently adopted by other Ministry artists. Condition: if you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Beverley Pick (1916 - 1995/6)
Save Fuel on Bath Night (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's hair and dress, and the style of the bath (with a line drawn on it to remind bathers to use no more than five inches of water), are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Save Fuel when Cooking (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's hair and dress, and the style of her kitchen, are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Save Fuel when Ironing (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's hair, clothes, and tiny iron are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
What Mrs Housewife Can Learn To Do (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. This series of ten posters illustrates how housewives ought to save fuel at home as part of the Home Front war effort. Here, we are presented with a list of six tasks, including insulating water tanks and reading electricity meters, which a housewife should learn to do. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued, slight edge wear, and short closed edge tear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Save Fuel at Tea Time (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's hair and dress are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Save Fuel at Breakfast Time (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's kitchen, kettle, and cooking accoutrements are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Save Fuel at the Sink (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's hair and dress, and the style of her kitchen, are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Save Fuel in the Living Room (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. The character's hair and dress are fantastically 1940s. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Beverley Pick (1916 - 1995/6)
Mild Weather is Your Chance to Save Fuel (circa 1944)
Original vintage poster 30 x 20 in Poster published for the Ministry of Information. In this series of ten posters, "Mrs Housewife" shows us how to save fuel at home as part of the Home Front war effort. This poster advises that less heating, and thus less fuel, is required during mild weather. Beverley Pick was born in the Netherlands. He spent the Second World War designing posters for the Ministry of Information, many of them in a highly modern photographic style. He was a member of the Society of Industrial Artists, and created varied posters for commercial and industrial organisations, including the British Overseas Airways Corporation and British European Airways, after the war. Condition: folds as issued; slight edge wear. Otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Home Front posters. -
Jane Gray (b.1931)
The Artist's Studio (1947)
Watercolour 38 x 27.5 cmSigned (Jane Ross) and dated top right corner. Prize labels verso.
This rare, early watercolour interior of an artist’s studio by Gray, then Ross, was submitted to the Royal Drawing Society’s Exhibition Competition when Gray was only sixteen years old. Demonstrating fine draughtsmanship and a keen understanding of space, light and form, it is no surprise that the picture received a First Class Commendation.
Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here. -
Hugo Wetli (1916 - 1972)
Switzerland - Afoot in the Swiss Jura
Original vintage poster 100 x 64 cm Hugo Wetli trained as a technical draughtsman and then became apprenticed to a private graphic studio. He worked in Geneva and Berne as a painter and draughtsman, also producing book illustrations and travel poster designs. In 1947 he studied at the Académie de la Grande Chaumière in Paris and then ran his own graphic design studio. Condition: generally very good; old tape stain under 'Paseo' approx 2 cm sq and extending almost invisibly into image; a few pin holes to corners; a little soft creasing. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage travel posters.
