• Jane Carpanini RWS RWA RCA (1949-) Gonville and Caius College, Cambridge

    30x45cm Digital Limited Edition Print 77/350 Bornin Bedfordshire, Carpanini studied at Brighton College of Art and the University of Reading. Since the start of her career she has been known for meticulous architectural paintings. Wales has been a favourite subject and she has paintings in the collections of the National Library of Wales and National Museum of Wales. Her renowned series of views of Oxford and Cambridge Colleges were published by Contemporary Watercolours. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • James Sargant Storer (1771–1853)

    Trinity College Gateway from The Backs, Cambridge, c1820

    Watercolour 19×13.5cm (7.4×5.3 inches) unframed This is the original watercolour for an engraving published as The Avenue by James & Henry Storer c.1820 in Delineations of Trinity College. The exquisitely detailed watercolour showing academical figures standing on Trinity Bridge as viewed from the backs is framed in its original nineteenth century gilt slip behind nineteenth century glass. Provenance: by decent from the artist. Storer was a topographer with an interest in ancient architecture, making drawings and engraving the plates himself. From 1814 he worked in conjunction with his eldest son, Henry, who predeceased him in 1837. They were buried next to each other at St James’s Chapel in Pentonville, now Joseph Grimaldi Park (named after the clown, Grimaldi who was buried there in 1837 and whose railed grave remains to this day).   If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • James Priddey (1916-1980) FRSA RBSA

    Durham Cathedral Lithograph

    27 x 36cm A Birmingham-based artist, educated at the Birmingham College of Art and a member of the Royal Birmingham Society of Artists, Priddey has a very distinctive style which he applies to his topographical watercolours. This striking view of Durham illustrates the city's river and cathedral. Condition: mounted to board. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • James Priddey (1916-1980) FRSA RBSA

    Merton College, Oxford

    Watercolour and ink 35 x 42cm (13.7×16.5 in.) If you are interested email info@manningfineart.co.uk or call us on 07929 749056. A Birmingham-based artist, educated at the Birmingham College of Art and member of the Royal Birmingham Society of Artists. Priddey had a very distinctive style which he applied to his topographical watercolours.
  • James Greig (1861-1941)

    Magdalen College, Oxford

    Watercolour 28 x 38.5cm (11 x 15 in.) Greig was born in Arbroath, moving in 1891 to London to study art and furthering his education in Paris between 1895 and 1896. Returning to London he produced magazine illustrations for publications such as Punch and The Sketch in black and white. He was art critic for the Morning Post, showing his skills at writing as an historian, also editing the diaries of the landscape painter Joseph Farington (1747-1821) and publishing articles on Gainsborough and Raeburn. Elected Member of the Royal Society of British Artists in 1898 he was renowned for his colourful landscapes of the middle east and his views of Oxford. He also designed posters for Union Castle Line and P&O. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • James Gowan (1923, Glasgow - 2015, London) The Blue Mill at Backbarrow

    62x52cm Oil on Canvas For biographical details and other paintings by Gowan click here. The present work exhibits many of the characteristics obvious in his architectural works. There is a very strong architectural composition. The landscape and sky are approached in almost cubist fashion, reminiscent of the Toblerone-shaped roof of the Leicester Building, whilst the figures have a carefree feel to them. Backbarrow was the place where the blue pigment ultramarine (or dolly blue - used to return brilliant whiteness to yellowed fabrics) was produced in an old mill building by the Lancashire Ultramarine Company. Dust from the production gave the entire village a blue tint until production ceased in 1981. The factory is now a hotel and it maintains a display of machinery used in the factory. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • James Gowan (1923, Glasgow - 2015, London) Fountains Abbey (1973)

    52x62cm Oil on Canvas Signed 'James Gowan' lower left Inscribed to reverse 'Fountains Abbey 1973 James Gowan No 199' For biographical details and other paintings by Gowan click here. The present work exhibits many of the characteristics obvious in his architectural works. There is a very strong architectural composition. The landscape and sky are approached in almost cubist fashion, reminiscent of the Toblerone-shaped roof of the Leicester Building, whilst the figures have a carefree feel to them. And here indeed are the gothic towers and flying butresses that we know inspired Gowan when designing the Leicester Engineering Building, being captured by the brightly-dressed members of an art class, splashes of primary colour in an already colourful landscape. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • James Fittler (1758-1835) after George Robertson (1748-1788)

    North West View of Windsor Castle in the County of Berks (1782)

    47x58cm London: Published by John Boydell Fittler engraved two views of Windsor by Robertson. Trained at Royal Academy Schools, he was a skilled engraver and etcher and joined the mid-18th century trend for recording the landscape of the British Isles, producing and selling prints to tourists. A copy of this print is in the National Trust's collection at Anglesea Abbey, from Lord Fairhaven's extraordinary collection of views of Windsor Castle.
  • James Basire

    James Basire engraving of Bishop's Palace Exeter

    Engraving 50 x 33 cm (to plate mark) Published by the Society of Antiquaries 23rd April 1796. A member of the Society of Antiquaries, Basire specialised in architectural prints. He was appointed as engraver to the society, much of his finest works being found in their Vestuta Monumenta. Basire's father Isaac was a cartographer, and both his son and grandson were called James and also worked for the society. William Blake was apprenticed to Basire for seven years. If you are interested, email info@manningfineart.co.ukor call us on 07929 749056.
  • JAK  (Raymond Allen Jackson) 1927-1997

    "I think we should let the Germans keep it next time" (1992)

    Visitez La Belle France, Fly Air France 51x59cm Pen, ink and monochrome wash with inscriptions in pencil. For the London Evening Standard   JAK was one of Britian's best-known political cartoonists, working for the London Evening Standard and the Daily Mail between the 1950s and 1990s. He left school at the age of 14, and after a brief career as a messenger boy studied at Willesden College of Technology, studying art with the aim of becoming an art teacher. Following National Service (in the Territorial Army, teaching conscripts to paint), in 1950 he became a staff artist at Link House Publications, and then at advertising agency J Keymer & Co. Whilst working here he submitted cartoons to Punch and other journals, joining the Evening Standard in 1952 as illustrator, also drawing occasional cartoons. In 1966, following the suicide of 'Vicky' (Victor Weisz), he became policital cartoonist at the Evening Standard. Some of his cartoons were highly controversial. In 1970 he caricatured power workers (then striking to improve their conditions) as stupid, greedy and deaf to reason; the entire Evening Standard staff nearly went on strike in response. In 1982 a cartoon in response to the Northern Ireland situation (he frequently depicted Irish people negatively) caused Ken Livingstone to withdraw all advertising from the Standard. His style was distinctive, drawn in ink on 17" x 21.5" board using a mapping pen and brush. His signature was always in a bottom corner, with blob-like serifs, and the title and other instructions were drawn on the picture in pencil. He also drew cartoons for the Mail on Sunday, Daily Express, and Sunday Express.
  • J V C Anthony

    Wren Library, Trinity College, Cambridge

    Watercolour and ink 39x49cm Anthony exhibited with the Society of Marine Artists and painted a number of views of Cambridge. Click here to see other works by him. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • J V C Anthony (British, 20th Century)

    St. John's College, Cambridge

    Watercolour 55 x 37 cm (21.5 x 14.5 in.) Anthony exhibited with the Society of Marine Artists and painted a number of views of Cambridge. Click here to see other works by him. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • J V C Anthony

    Great Court, Trinity College, Cambridge

    Pen, ink and watercolour 37x56cm Latter half of twentieth century If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • J T Neville Trinity College Great Court Cambridge

    J T Neville Great Court, Trinity College, Cambridge Watercolour 24x32cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • J Sawyer (British, 20th Century) Keble College, Oxford

    watercolour 25x17cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.  
  • J Phillip Davies (British, 20th Century)

    Selwyn College Cambridge

    Oil on board c. 1970 60x89cm A rare view of Selwyn College Cambridge, captured here in all the glory of its Victorian red brick.
  • J. Lewis (fl. 1801-1808)

    Eton College from the River

    Oil on canvas 41 x 62 cm Signed lower left. While not a prolific artist, Lewis was noted for his views of the Thames - this view of Eton College is remarkable for its depiction of the river and wider environs of the school, as well as its architecture. Two snowy swans and boater-clad boys complete the view from the other sides of the Thames. Condition: very good.
  • J F Barry Pittar (British 1880-1948) Tom Tower, Christ Church Oxford

    Watercolour 15.5x13cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Walter Charles Ives (d. 1961)

    The New Bodleian Building, Oxford 1946

    Signed Pencil, wash and whitening 35 x 53 cm (15 x 21 in.)  
  • Gordon Davey (1912 - 1991)

    Isle of Man

    Original vintage poster 102 x 64 cm Condition: fair. Backed to linen. Areas of time staining as visible in photographs. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Angela Stones (1914 - 1995)

    Irises

      Oil on board 56 x 41 cm Signed lower right. A glass jar of irises, with two shells, on a pale pink and peach backdrop. Stones'' impasto technique brings texture to the shells and petals, and shades of purple offset the greens and pinks of the composition. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott – the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999), was arguably the foremost pastel artist of his time. Provenance: the family of the artist. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Duncan Grant (1885 - 1978)

    Interior (1973)

     

    Lithograph 36 x 30 cm (paper size 77 x 57 cm) Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam. An excellent example of Duncan Grant's late work. Duncan Grant was a member of the Bloomsbury Group. He was a painter and also designed textiles, pottery, theatre sets, and costumes. He was a member of the Bloomsbury Group. Condition: generally very good; a few light handling creases in margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more Modern British Art.
  • Innsbruck: Austria

    Lithographic poster Printed Tiroler Graphik 70x50cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Innsbruck Tyrol Austria

    Lithographic poster 47x47cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Infantryman 1939 - 1945 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Gerald Mac Spink (flourished 1920 - 1940)

    Industrial Scene with Steam Locomotive

      Block print 50 x 34 cm Signed 'G Mac Spink' in plate (in reverse) upper left. A beautifully-rendered, almost futurist industrial scene depicting a steam-powered locomotive. The metals of industry dwarf the men working below them, white with heat in chiaroscuro contrast to the dark shadows in the fore- and background of the print. Spink was a skilled artist, illustrator, and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: generally very good; a few gentle handling creases; three little spots within image. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Illuminated psalter - Psalm 31

      Illuminated manuscript on vellum 15 x 11 (sheet), 11 x 9 cm (framed area) A beautifully illuminated psalter page, including the Latin text of Psalm 31. Condition: generally very good; some creases to vellum; age toning to margins (not affecting the illuminated area). Will be framed two-sided with age-toned margins not visible. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Reginald Hallward (1858 - 1948)

    Ilford War Memorial design

      Pencil on paper 15 x 10 cm Initialled lower right in pencil. Hallward's design is for Ilford's memorial for the fallen of the First World War. Ilford had raised £20,000 for a commemorative project and opted to build a garden and a monument (there had been discussions about opening a children's hospital, but it was decided that upkeep of the hospital over time could not be guaranteed; a wing at the local hospital, combined with the memorial and garden, was deemed to be the better option). This drawing is a proposed sketch; the final monument – whilst retaining the celtic cross – is simpler, but also incorporates a fine monument of a soldier presenting arms by the sculptor Newberry Abbott Trent (best known for the reliefs on 3 St James’s Square, London, depicting London street scenes; and those on the entrance doors to The Adelphi Building on The Strand, depicting) industrial scenes. Reginald Hallward was born on the Isle of Wight, and was a painter, poet, glassmaker and book designer. He is best known for his stained glass window designs and the tempera murals he painted in several churches. A great exponent of the English Arts and Crafts movement, he often used black paint for outlines, rather than leaded glass. A consumate craftsman, he insisted on painting, firing and leading with his own hands. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures by Reginald Hallward.
  • Ernest Bertram

    I Hear They Want More Bovril (1903)

      Lithograph 117 x 79 cm An original poster advertising Bovril. The darkly funny poster features the Bovril bulls, which appeared on many posters advertising the brand, dismayed to hear that more of the meat paste is required - perhaps requiring a contribution from them. Condition: backed to linen; old creases and losses touched in with gouache: three areas approx 1" square near and vertically above 'B' of Bovril, and also to top margin. Generaly presents well, however. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Hugo Wetli (1916-1972) Nordwest-Schweiz North-West Switzerland La Suisse du Nord-Ouest

    Original Poster c. 1960s If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Hugo Wetli (1916-1972) Ticino - Come and Paint Ticino Contest for your holidays 1964

    Original Poster 1964 If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Hugo Wetli (1916-1972) Spring on Lake Lucerne Fruhling am Vierwalkstaettersee Printemps au lac des Quatre-Cantons Primavera sul Lago dei Quattro Caontoni Lago de Lucerna

    Original Poster c. 1960s 40x25"
  • Hugo Wetli (1916-1972) Autumn on Lake Geneva Herbst am Genfersee Douceur automnale du Léman

    Original Poster c. 1960s 40x25" If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Pinholes to corners, some soft creases, not backed, generally good.
  • Hugh Casson (1910 - 1999)

    St John's College, Oxford

    Initalled in pencil 25 x 20 cm   From Casson’s ever-popular Oxford and Cambridge series of prints. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the Prince of Wales to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: excellent. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Hugh Casson (1910 - 1999)

    Oriel College, Oxford

    27 x 39 cm Watercolour We are lucky to be able to offer here the original watercolour from which Casson’s print of the College was produced. We also (elsewhere on the site) offer the print from his ever-popular Oxford and Cambridge series. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the Prince of Wales to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: excellent. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Hugh Casson (1910 - 1999)

    Magdalene College, Cambridge, First Court

    Signed in pencil, and numbered from the limited edition of 500. 34x25cm   From Casson’s ever-popular Oxford and Cambridge series of prints. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the Prince of Wales to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: excellent. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Sir Hugh Casson (1910-1999)

    Worcester College Oxford 

    Signed in pencil, lithographic proof print aside from the limited edition of 500. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) From Casson’s ever-popular Oxford series of prints. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Hugh Casson

    Trinity College, Oxford

    Lithographic proof print signed in pencil, aside from the limited edition of 500. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) From Casson’s ever-popular Oxford series of prints. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.  
  • Sir Hugh Casson (1910-1999)

    The Chapel at Radley College

    Lithographic print signed in pencil. Proof print aside from series. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Sir Hugh Casson (1910-1999)

    The Chapel at Radley College

    Lithographic print signed in pencil and numbered 18/250. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Sir Hugh Casson (1910-1999)

    St. Albans Cathedral

    Lithographic proof print, out of series. Signed in the plate, not pencil-signed. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Sir Hugh Casson CH, KCVO, PRA, RDI (1910-1999) St John’s College, Oxford, Canterbury Quad Signed, inscribed with title and dated ‘1988’ (on a label attached to the backboard) Pencil, pen, ink and watercolour 10.5 x 27cm (4 1/8 x 10 5/8in). Painted for inclusion in Hugh Casson’s Oxford (Phaidon Press Ltd, 1988). Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Sir Hugh Casson (1910-1999)

    Oriel College Oxford 

    Lithographic print signed in pencil and numbered 1/500. Provenance: the artist's estate. 28 x 35 cm (11 x 14 in) From Casson's ever-popular Oxford series of prints. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Click here to see other posters from this series and for more information on Wings for Victory campaigns.
  • Sir Hugh Casson (1910-1999)

    Oriel College Oxford 

    Lithographic print signed in pencil, artist's proof print aside from the numbered series of 500. Provenance: the artist's estate. 28 x 35 cm (11 x 14 in) From Casson's ever-popular Oxford series of prints. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Sir Hugh Casson (1910-1999)

    Magdalen Bridge Oxford 

    Lithographic print unsigned. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) From Casson’s ever-popular Oxford series of prints. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Hugh Casson (1910 - 1999) Emmanuel College Cambridge, Front Court

    Signed in pencil, and numbered from the limited edition of 500. 24x27cm From Casson’s ever-popular Oxford and Cambridge series of prints. Sir Hugh Casson was educated at Eastbourne College, St John’s College Cambridge and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the Prince of Wales to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good, very slight age toning to visible area.
  • Out of stock

    Hugh Casson (1910-1999)

    Downing College Cambridge (1988)

    Limited edition print signed in pencil and numbered 234/500 (N.B. another copy illustrated) 27x38cm From Casson’s ever-popular Cambridge series of prints. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Sir Hugh Casson (1910-1999) King's College from the Backs 22 x 41cm Unsigned proof print   Sir Hugh Casson was educated at Eastbourne College, St John’s College Cambridge and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the Prince of Wales to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. King's College is a constituent college of the University of Cambridge in Cambridge, England. Formally The King's College of Our Lady and Saint Nicholas in Cambridge, the college lies beside the River Cam and faces out onto King's Parade in the centre of the city.

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