• William Barnes (1916 - ?)

    Magdalen Tower and Bridge

      Watercolour 25 x 36 cm Signed lower right in ink. Magdalen Tower in all her glory, with pedestrians and a cyclist meandering over the bridge below. William Barnes was born in Brixton and trained at the Camberwell School of Art in the 1930s and the Wimbledon School of Art in the 1950s. Condition: good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Magdalen College, Oxford.
  • Ken Messer (1931 - 2018)

    Oriel Street (1974)

      Watercolour 39 x 21 cm Signed and dated lower right. The painter and draughtsman Ken Messer is closely related to Oxford and its architecture in several ways. Born in Newport, South Wales, he was educated at the City of Oxford High School for Boys in Oxford, and then spent six years working as an accountant in Oxford. He then joined British Overseas Airways Corporation (BOAC) as a steward, flying internationally. Injury due to a car accident during the 1960s meant that he joined the design department of Pergamon Press in Oxford at the age of 33. Six years later, he was appointed to the position of studio manager, in charge of art and design. In 1974, Messer left Pergamon Press to become a freelance graphic designer. He started painting more watercolours, becoming a full-time artist. During the 1980s, his ink drawings were regularly published in the Oxford Times. He has sometimes been called "The Oxford Artist" because of his large number of works depicting Oxford. He and his wife Dilys lived at first in Richmond upon Thames and then in Abingdon, just south of Oxford. Messer's work has been shown at the Mall Galleries for the annual exhibitions of the Royal Institute of Painters in Water Colours annual exhibitions. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Oxford.
  • John Donowell (flourished 1753 - 1786) A View of the Conduit part of Carfax Church, the Piazza called the Butter Market, the Town Hall, the West Front of Christ Church College, &c. in the University of Oxford (1750)

      Engraving 29 x 42 cm An eighteenth century view of St Aldate''s, featuring the west front of Christ Church and the Town Hall. Undergraduates, academics, and townspeople saunter along, all under the watchful eye of Tom Tower. John Donowell was an eighteenth-century British architect and engraver, considered to be one of the principal architect-draughtsmen in the latter part of the eighteenth century. He exhibited in 1761 at the Free Society, then through the 1760s at the Society of Artists, and from 1778 to 1786 at the Royal Academy; prints, some hand-coloured, were published at this time. Condition: some browning; antique frame with old glass. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.  
  • Engraving of architect showing plans of Trinity College Oxford and its chapel, behind larger elevation of Garden (early 18th Century)

    Hand coloured engraving, anoymous 36.5 x 47.5 cm Rare - we have been unable to identify another copy of this print. The architect pictured has been suggested to be Henry Aldrich who designed the chapel at Trinity College, hence seen here with the plans thereof. The figures stand before the buildings of the Garden Quadrangle, built by Christopher Wren. Aldrich was Canon and Dean of Christ Church, Oxford. As well as a polymath and composer, he was a prolific architect working in the Palladian style, writing 'Elemena Architectuae Civilis' (1789) and designing Peckwater Quadrangle at Christ Church (1707-14). Condition:Generally good with some spotting and slight overall toning. Trimmed to just within platemark at top and bottom. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Magdalen Bridge, Oxford (1964-65)

    Signed, titled and numbered 56/150 Etching and aquatint  57.5 x 44cm  Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Richard Beer (1928-2017) Oxford Spires - All Souls College and Radcliffe Camera

    Limited edition coloured etching signed in pencil and numbered 75/150. 62x44cm Born in London in 1928, just too late to serve in World War II, Richard Beer studied between 1945-1950 at the Slade School. Subsequently, a French Government scholarship allowed him to spend time in Paris at Atelier 17, working under Stanley William Hayter (1901-1988), one of the most significant print makers of the 20th Century – having spent the War in New York, advising as a camofleur, Hayter only returned to Paris in 1950. Subsequently Beer studied at the École des Beaux Arts, Paris. Working for John Cranko, choreographer for the Royal Ballet, Beer designed the sets and costumes for his The Lady and the Fool at Covent Garden, subsequently working for him following his move in 1961 to Stuttgart Ballet. Additionally he produced book illustrations and designed book jackets. Richard Beer taught print-making at the Chelsea School of Art where he was a popular teacher. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds seven. His Oxford series was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe. Most of his prints are of architectural subjects, where he explores the use of colour in interesting fashion. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • David Loggan (1634-1692)

    Oriel College Oxford

    Engraving (1675) 34x42cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • David Loggan (1634-1692)

    Wadham College Oxford

    Engraving (1675) with later hand colouring. 34x42cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928-2017)

    Brasenose College, Oxford

    Signed print, numbered 55/100 61x44cm A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928 - 2017) Oriel College, Oxford

      Etching 47 x 61 cm Titled and numbered 39/100 lower left, and signed lower right, all in pencil. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Oriel College, Oxford.
  • John Boydell (1719-1804)

    A South Prospect of the City of Oxford

    Hand-coloured engraving published 1751 in the series Four Views of Oxford 28x44.5cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. One of the most influential Georgian printsellers, Boydell was apprenticed to William Henry Toms at the age of 21, studying drawing at the St Marin's Lane Academy. From 1755 he imported foreign prints in great numbers. He became Mayor of London in 1790.
  • Richard Beer (1928-2017)

    Wadham College, Oxford (1964-65)

    Colour etching and Aquatint on Velin Arches by Editions Alecto. 59.8x40cm (23.5×15.7 inches) Proof Print A copy of this print is in the Government Art Collection. Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Beer (1928 - 2017)

    Trinity College, Oxford (1964 / 65)

      Etching and aquatint 42.5 x 58 cm Numbered 27 / 100. Published by Editions Alecto. A copy of this print, owned by the Government Art Collection, is currently in the British Embassy in Saudi Arabia. Richard Beer was a painter and printmaker who focused on architecture and landscapes. He studied at the Slade School of Art from 1945 to 1950 and then studied at the École des Beaux Arts in Paris on a French Government Scholarship. He then worked and studied at Atelier 17, an art school and studio run by the artist Stanley William Hayter (arguably one of the most significant printmakers of the 20th century). The atelier was highly influential in the study and promotion of 20th-century printmaking, and it was here that Beer developed his etching skills. Beer then went on to work for the Royal Ballet choreographer John Cranko, designing the sets and costumes for "The Lady and the Fool" at the Royal Opera House in Covent Garden. He also produced several book illustrations and book jacket designs. Beer taught printmaking at the Chelsea School of Art for 40 years and was also a founding member of the Printmakers' Council. He travelled widely through Italy, France, Spain, and Morocco, sketching prolifically and painting rural and architectural landscapes. Beer would then make etchings and paintings in his Primrose Hill studio, inspired by the landscapes he had sketched and seen while travelling. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City of London for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Oxford.
  • William Nicholson (1872 - 1949)

    Oriel College, Oxford (1904)

      Lithograph 30 x 37 cm Initialled and dated lower right. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: generally very good'; some marks to margin and a small mark central top in sky. Blindstamped 'Stafford Gallery'. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Oriel College, Oxford.
  • William Nicholson (1872 - 1949)

    University College, Oxford

      Lithograph 27 x 35 cm Titled in pencil below. Blindstamped 'Stafford Gallery' and dated 1906 below right. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: generally very good; a little spotting to margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of University College, Oxford.
  • William Nicholson (1872 - 1949)

    New College, Oxford

      Lithograph 29 x 35 cm Signed lower left and numbered 10. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. In handsome faux-bamboo gilt frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford.
  • William Nicholson (1872 - 1949)

    Queen's College, Oxford

      Lithograph 38 x 30 cm Signed lower left. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford.
  • William Nicholson (1872 - 1949)

    New College Lane, Oxford

    Lithograph 35 x 28 cm Signed lower left and numbered 10 in ink. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures of New College, Oxford.
  • William Nicholson (1872 - 1949)

    The Radcliffe Camera, Oxford

    Lithograph 35 x 28 cm Signed lower left and numbered 10 in ink. Between 1902 and 1904 William Nicholson lived in Woodstock; during this period he made several architectural studies of Oxford's colleges and other University buildings. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford.
  • William Nicholson (1872-1949) Bodleian Library, University of Oxford

    Signed and numbered 110, published by Stafford Gallery with blind stamp Lithograph 28 x 34.5cm Click here for biography and other works by this artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good condition.  

Title

Go to Top