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David Loggan (1634 - 1692)
Christ Church, Oxford (1675)
Engraving 42 x 84 cm Loggan's view of Christ Church from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ Church. -
Out of stock
David Loggan (1634 - 1692)
Frontispiece to the Oxonia Illustrata (1675)
Engraving 38 x 24 cm The intricately engraved frontispiece to Loggan's 'Oxonia Illustrata', featuring cherubs bearing the volume's title on a banner and Minerva, goddess of wisdom, sitting before a panorama of Oxford's resplendent architecture. David Loggan's view of Oxford's medieval Divinity School, which was once the beating heart of theological studies at the University. Of particular interest here is the trompe l'oeil scroll of torn paper which frames the view. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: trimmed within platemark and mounted to board, otherwise in very good condition. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford. -
David Loggan (1634 - 1692)
The Divinity School, Oxford (1675)
Engraving 33 x 41 cm David Loggan's view of Oxford's medieval Divinity School, which was once the beating heart of theological studies at the University. Of particular interest here is the trompe l'oeil scroll of torn paper which frames the view. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: trimmed within platemark and mounted to board, otherwise in very good condition. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford. -
David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: good. Backed to Japanese Paper. Evidence of some historic separation to central fold. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Pembroke College, Oxford. -
Dennis Flanders (1915 - 1994)
Wadham College, Oxford, Garden Front
Lithograph 30 x 48 cm Numbered 117/500 lower left and signed lower right, both in pencil. Signed lower left and titled lower right in the plate. A tranquil view of Wadham, verdant of grass and leafy of tree. Two undergraduates in jeans and t-shirts chat, laden down with books. Dennis Flanders RBA RWS was a British artist and draughtsman who specialised in pen and ink drawings, often of English landscapes and buildings. He is notable for his meticulous depictions of the impact of aerial bombing upon historic buildings during World War Two. After attending the Merchant Taylors' School, Flanders studied at the Regent Street Polytechnic, St. Martin's School of Art, and at the Central School of Arts and Crafts. Flanders worked at the School of Military Engineering during World War Two and made models of buildings and landscapes based on aerial reconnaissance photographs. He applied for a commission with the War Artists' Advisory Committee and, although he was unsuccessful, the Committee did agree to purchase several drawings from him. These were mostly detailed depictions of bomb-damaged buildings and churches which included views of St Paul's Cathedral and Canterbury Cathedral. After the war, Flanders became a regular exhibitor at the Royal Academy and held his first solo exhibition at Colnaghi in 1947. He illustrated several books and published two volumes of prints from his own drawings of British architecture and landscapes, which had been the dominant theme of his artistic career. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham College, Oxford. -
James Basire II (1769 - 1822) after Edward Dayes (1763 - 1804)
Magdalen Tower and Bridge etc. (1797)
Engraving 35 x 44 cm An engraving illustrating the pinnacles of Magdalen Tower and the Bridge below. James Basire II was a British engraver, son of James Basire I, also a celebrated engraver. In 1802 he became Engraver to the Society of Antiquaries. Edward Dayes was an English watercolour painter and mezzotint engraver. He first exhibited at the Royal Academy in 1786, when he showed a portrait and views of Waltham Cross and Canterbury. In the three following years he exhibited both miniatures and landscapes. He continued to exhibit at the Academy regularly until the year of his death, contributing a total of 64 works. He also exhibited at the Society of Artists, and worked as draughtsman to the Duke of York and Albany. Condition: generally good; some age toning within margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Magdalen College, Oxford. -
John Dadley (1767 - 1817) after Edward Dayes (1763 - 1804)
Front View of Christ Church (1796)
Engraving 33 x 45 cm An engraving illustrating the magnificent facade of Christ Church from St Aldate's, dominated by Tom Tower. John Dadley was a British portraitist and engraver. Edward Dayes was an English watercolour painter and mezzotint engraver. He first exhibited at the Royal Academy in 1786, when he showed a portrait and views of Waltham Cross and Canterbury. In the three following years he exhibited both miniatures and landscapes. He continued to exhibit at the Academy regularly until the year of his death, contributing a total of 64 works. He also exhibited at the Society of Artists, and worked as draughtsman to the Duke of York and Albany. Condition: generally very good; some age toning to margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ Church. -
Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving 19 x 44 cm Rycote House, Oxfordshire, was a Tudor (and later Georgian) country house. The house was built in the 16th century, and in 1920, after a period of decline, the extensive stables were converted into the present Rycote House. Condition: generally very good; some age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other architectural drawings. -
Out of stock
George Hollis (1793 - 1842)
Worcester College Beaumont Street, Oxford (1823)
Engraving 25 x 32 cm A handsome engraving of Worcester College from a Beaumont Street still under construction. The street was laid out in the 1820s and 1830s in the Regency style and acts as a charming approach to Worcester's facade. George Hollis was a well-known Oxford-born artist and engraver. He studied art and worked primarily in Oxford. Many of his engravings, which often depicted the colleges, were published by James Ryman, a print-seller on the High Street. Hollis' views were published separately in a single volume in 1839. Condition: good. Mounted to board; vertical crease; in antique frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Worcester College, Oxford. -
after Peter Brook (1927 - 2009)
Wytham - Oxford Almanack 1975
Lithograph 70 x 48 cm A lithograph of Wytham, a characterful and historic village north-west of Oxford. The original painting hangs in the Ashmolean Museum. Brook's painting was reproduced as a lithograph in 1975 to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanack published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanack traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanack artists have included James Basire, Michael Burghers, J. M. W. Turner, and Michael Oelman. Peter Brook RBA was an English artist best known for his landscape paintings; he was nicknamed "The Pennine Landscape Painter". He was elected to the Royal Society of British Artists in 1962. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford. -
after John Piper (1903 - 1992) View from the Upper Common Room, The Queen's College - Oxford Almanac 1972
Lithograph 68 x 49 cm A lithograph featuring Oxford's skyline, including the towers of All Souls and the Radcliffe Camera, set against a blustery Piper sky. Piper's painting was reproduced as a lithograph in 1972, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and Michael Oelman. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford. -
after Michael Oelman (born 1941)
The River Cherwell, The Oxford Almanac 1981
Lithograph 71 x 47 cm A lithograph featuring Oxford's wondrous River Cherwell in University Parks, after an etching by Michael Oelman. A setting sun casts its gold light over the glassy surface of the river and its surrounding trees; two figures cross the Cherwell via the famous Rainbow Bridge. The curved footbridge was built in the early 1920s by the University a project for the unemployed. Oelman's etching was reproduced as a lithograph in 1981, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. Michael Oelman was born in Llandudno, Wales, in 1941. He studied fine art at Reading University and then etching and lithography at the Central and Slade Schools of Art. In the 1960s he studied with S. W. Hayter in Paris, and then became a lecturer in Printmaking at Doncaster College of Art, Yorkshire. His studio is in Suffolk. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other general views of Oxford. -
Thomas Kitchin (1719 - 1784)
Map of Oxfordshire (1764)
Engraving with later hand-colouring 72 x 54 cm This decorative map of Oxfordshire features a cartouche with three concentrating scholars and various educational trappings like rolls of parchment. The cartouche in the upper right corner dedicates the map to Charles Spencer, Duke of Marlborough, whose family seat of Blenheim Palace is just outside the city of Oxford. The map also sports a list of the University of Oxford's colleges, its rectories and vicarages, and a paragraph on the Earls of Oxford. Thomas Kitchin was an English engraver and cartographer. He was born in London and was apprenticed to the map engraver Emanuel Bowen in 1732. He produced John Elphinstone's map of Scotland (1746), the Geographia Scotiae (1749), and The Small English Atlas (1749) with Thomas Jefferys. Kitchen worked for the London Magazine and for the King; there is also some debate as to whether he passed off other cartographers' work as his own. Condition: generally very good; central fold as issued, another fold to middle of top half, three tiny losses (a millimetre or two) just outside plate mark to left side. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other decorative maps. -
Johannes 'Joan' Blaeu (1596 - 1673)
Oxonium Comitatus, Vulgo Oxfordshire (1662)
Engraving with later hand-colouring 38 x 50 cm A decorative map of Oxfordshire by the celebrated Dutch mapmaker and artist Joan Blaeu, (son of the cartographer Willem Blaeu). Two Oxford scholars flanks the cartouche which declares the map to be of Oxonium (that is, Oxfordshire), and the design also features the arms of the British Royal Family, King Alfred, and the University of Oxford. Sixteen colleges crests border the map. Blaeu moved to Amsterdam in 1920 to join the family firm of mapmakers. In 1635, the business published the Theatrum orbis terrarum, sive, Atlas novus in two volumes - the largest and most expensive book published in the seventeenth century, and the venture for which the Blaeu were most famed. Joan and his brother Cornelius took over the studio after their father died in 1638; Joan became the official cartographer for the Dutch East India Company, as his father had been before him. Condition: mostly very good; area of toning to top left where coloured to reverse. Good oak frame. Framed with reverse visible. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other antique maps. -
Edwin La Dell (1914-1970)
The High, Oxford
Lithograph 49 x 64 cm Signed, titled, and number 28/80 in pencil. A beautiful depiction of the golden Headington stone of Queen's College on the High Street, Oxford. The cupola above the college's entrance, and, in the background, the shadowy spire of the University Church of St Mary the Virgin, rise into the blustery sky. La Dell studied at the Sheffield School of Art, where he won a scholarship to the Royal College of Art. From 1934 to 1940 John Nash was the head of printmaking there, and taught La Dell. La Dell himself became head of lithography there in 1948, and remained in post until his death. During the war La Dell was an official war artist and a camofleur, but he is probably best known for his lithographs of Oxford and Cambridge that he published himself. His works are widely held in the public collections, including the Royal Academy and the Government Art Collection, the latter of which holds many of his views of Cambridge. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford. -
Joseph Constantine Stadler (1755 - 1828) after Michael Angelo Rooker (1743/6 - 1801)
St Giles's with a part of St John's College (1813)
Engraving with later hand-colouring 25 x 32 cm An engraving of St Giles, including the famous St Giles Church, with the front of St John's to the right. Joseph Constantine Stadler was a prolific German émigré engraver of images after his contemporaries. Stadler's engravings are wide-ranging in subject matter and include landscapes, seascapes and portraits, as well as military, sporting and decorative subjects. Stadler was employed by the leading print publisher of the time, John Boydell. Stadler lived in Knightsbridge when he died at the age of 73. Michael Angelo Rooker ARA was an English oil and watercolour painter of architecture and landscapes, illustrator, and engraver. Condition: good. Some gentle age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John’s College, Oxford. -
after Michael Angelo Rooker (1743/6 - 1801)
North West view of Friar Bacon's Study, and Folly Bridge
Engraving 30 x 45 cm Friar Bacon's Study was built as a watchtower in the thirteenth century. The name is 'merely traditional, and not in any Record to be found', according to the 1773 text 'The Antient and Present State of the City of Oxford'; it is said to have been used by the Franciscan Friar Roger Bacon as an astronomical observatory. For hundreds of years after Friar Bacon's use of it, the tower was a notable landmark in Oxford, and Samuel Pepys visited it in 1668: 'So to Friar Bacon's study: I up and saw it, and gave the man a shilling. Oxford mighty fine place.' The Study was often considered a folly, and the bridge is now known as Folly Bridge. Rooker painted the tower in 1780 - around the same time as the tower was demolished - and James Basire produced an engraving of his painting in 1787, to be used as the frontispiece for the Oxford Almanack. The Oxford Almanack was an annual almanack published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanack traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanack artists have included Michael Burghers, J. M. W. Turner, and John Piper. Basire and Dayes collaborated on several views of Oxford during the courses of their careers. Michael Angelo Rooker ARA was an English oil and watercolour painter of architecture and landscapes, illustrator, and engraver. Rooker's original painting currently hangs in Worcester College. Condition: good; in handsome (worn) antique Hogarth frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other non-collegiate views of Oxford. -
V Robinson
The Lent Bumps 1931 - 1940
Pen, ink and watercolour 60 x 48 cm A hand-painted chart illustrating the results of the Lent Bumps from 1931 to 1939, with a note that in 1940 there were 'No Lent Races due to War'. The Lent Bumps, also known as "Lents" or the Lent Races are a set of University of Cambridge rowing races held each year on the River Cam. The races are open to all college boat clubs from the University of Cambridge, the University Medical and Veterinary Schools and Anglia Ruskin Boat Club. The Lent Bumps take place over five days (Tuesday to Saturday) at the end of February / start of March and are run as bumps races (of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and 'bump' the boat in front without being caught by the boat behind). The men's races officially began in 1887 and the women's in 1976. Condition: generally good; some age toning to board and a little staining to the margins that will be hidden by a mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Cambridge pictures. -
Margaret Waller (1916 - 1997)
The Oxford University Botanic Garden
Watercolour 35 x 51 cm Signed lower left. A watercolour depicting the serenity of Oxford's Botanic Garden. Koi swim just below the surface of the round pond and the garden stretches into the distance through a pair of stone arches. Margaret Waller was a mid-century artist and Fellow of the Institute of Arts and Letters. Condition: generally good; a little spotting to the sky. 'FIAL' added to signature later. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other non-collegiate views of Oxford.
