• Rosemary Ellis (1910-1988) Snail XIV

    11x4.5cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XV

    7.5x5.5cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XVI

    4x7cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XVII

    5x7cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rosemary Ellis (1910-1988) Snail XVIII

    7.5x18cm Pen, ink and watercolour On antique laid paper, watermarked 'T Edmonds 1814' Provenance: the family of the artist, by descent.
    Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their ‘New Naturalists’ series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the – otherwise excellent – content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very Good.
  • Rowland Hilder

    Shell Guide to Warwickshire Original poster c. 1960s 76x51cm Shell commissioned a series of posters to go with their County Guide books, and they commissioned paintings by the leading artists of the day. Rowland Hilder was a well known landscape artist and book illustrator. Born in New York state, his English father moved the family to Kent, England in 1915. It was here his natural talent for drawing was noticed by his school. Later Hilder went to study at Goldsmith’s College in London. He was well known as an accomplished watercolorist, particularly in his sensitive handling of the sky and earth. Between 1964 and 1974 he was president of England’s Royal Institute of Painters in Watercolours. Condition: mounted in conservation mount and wrapped in plastic sleeve (mount hides short edge tears).
  • Rowland Suddaby (1912-1972) English Roses - Still Life

    Oil on board 39x29cm (frame 58x46cm) c. 1950s Artist's label to reverse In a fine hand-finished frame Born in Kimberworth, Yorkshire, Suddaby commenced study in 1926 at the Sheffield College of Art on a scholarship, coming to London at nineteen in 1931. Following an early marriage and an initial struggle as an artist his first successful show was at the Wertheim Gallery in London in 1935, followed by a series of shows at the Redfern Gallery from 1936. For the latter he was their replacement for Christopher Wood (who had sadly killed himself in 1930 by jumping under a train) and he painted assured oils and watercolours - some showing Wood influences - in London and Cornwall. Popular with both art critics and the buying public he had great success. Early in World War Two, Suddaby moved - with his family - to the Suffolk countryside near Sudbury to become curator of the Gainsborough's House Museum, East Anglia providing him with the foundations for the pictures for which he is now well known. In 1940 he was chosen for the 'Recording Britain' project. Showing something of the influence of John Nash, his distinctive depiction of the East Anglian countryside, with its hedges and fences is instantly recognisable. His still life paintings which he also painted in the 1940s and 50s were exhibited at the Leger Galleries and at the Colchester Art Society of which he was a founder member. By the 1960s he had evolved his style towards abstraction. He was also a noted designer, producing textiles and furnishings and designing posters for Shell. His work is in many major collections such as the V&A Museum and the Government Art Collection If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Roy Carnon (1911-2002) Derelict Catalina Redhills Lake near Madras

    'Used in Stocks for Gunnery Practice' Oil on board, artist's painted frame Signed and dated 1946 and inscribed with  title to reverse Click here for other works by Carnon. This 1946 painting of a derelict Second World War aircraft is a portrait of postwar disillusionment. The battered Catalinas which had survived the war became useful only as ground-based objects for target practice.  Carnon's brooding colours and impasto application of paint illustrate how the technologies which helped the Allies to win the war became, overnight, unnecessary. The airmen based in India similarly became unnecessary, but unable to be demobilised they initiated the so-called RAF Mutiny in January 1946. Carnon attended Chiswick Art School becoming an illustrator. In 1965 he was responsible for visualising spacecraft for 2001: A Space Odyssey, being designer of the iconic 'wheel' spacestation. These drawings are now in the Kubrick archives at UAL. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent, recently cleaned and in artist's original frame.
  • Roy Carnon (1911-2002)

    All Hallows Church, Tillington, near Petworth

    Oil on board 31 x 42cm Signed; in the artist's original frame Condition: excellent. Click to view biographical details and other works by the artist. Carnon attended Chiswick Art School becoming an illustrator. In 1965 he was responsible for visualising spacecraft for "2001: A Space Odyssey", being designer of the iconic 'wheel' spacestation. These drawings are now in the Kubrick archives at UAL.
  • Jane Gray (b.1931)

    Royal Airforce Music Services Headquarters, Design for Memorial Stained Glass Window (1985)

      Watercolour 6 x 22.5 cm

    Signed and dated verso.

    Gray’s design for this memorial window commemorates the lives of those lost in the Langenbruck bus crash, 11 February 1985, when a double-decker bus carrying 40 musicians from the band of Royal Air Force Germany, crashed on an autobahn between Nuremberg and Munich. Twenty-one of the occupants were killed in the crash. As the text in the design remembers: this window is ‘In memory of our friends of the Band of the Royal Air Force Germany who lost their lives in the tragic Autobahn accident near Munich on 11 February 1985’.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Royal Army Service Corps (now Royal Logistics Corps) 1954 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Festival Hall Routemaster Slipboard Poster c1970

    Screenprint poster 64x19cm In a black hand-finished frame. Printed for London Transport for use on Routemaster or RT busses. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Royal Field Artillery Driver 1914 - 1918 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Flying Corps (RAF) Officer 1914 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Royal Horse Artillery Drivers 1900 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • The Royal Army Ordnance Corps (now Royal Logistics Corps) 1914 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; faint spotting and small repaired tear to right. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • In the Country, In the Town (c. 1960)

      Original vintage poster 76 x 50 cm A delightfully quaint vintage poster with a series of important and relevant pedestrian safety messages. From its foundation in 1916 onwards, the Royal Society for the Prevention of Accidents published dozens of highly artistic posters encouraging people to take precautions and prevent injuries (for example, telling factory workers to wear goggles and inspect their tools, or advising drivers to watch out for children in the road). This poster advises those visiting the country to use footpaths and cross roads carefully, and suggests that city-dwellers walk on pavements and only cross at pedestrian crossings. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John’s College, Cambridge.
  • Tank Corps (now Royal) Captain (Fighting Order) 1917 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • N. V. Gray

    The Royal Wedding: Picture Map of the Route through London (1947)

      Lithograph 50 x 76 cm Produced by H.A. & W.L. Pitkin Ltd for the Daily Telegraph and published by Geographia Ltd., of Hutchinson & Co. Signed in plate lower right. Complete with slip showing the genealogy of the two parties. Princess Elizabeth (later Her Majesty Queen Elizabeth II) and Prince Philip married on Thursday 20th November 1947 at Westminster Abbey in London. This map, commissioned and sold by the Daily Telegraph newspaper, was designed by N. V. Gray. It depicts the route the carriage processions took on the way to the Abbey; Princess Elizabeth and her father King George Vi travelled in the magnificent Irish State Coach. Crests of London's boroughs border this delightfully coloured map. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Walter Hoyle (1922 - 2000)

    Rugby School

      Linocut 62 x 46 cm Signed, titled, and inscribed A/P in pencil. Possibly unique. Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green garden peeks out from between the buildings, which lean gently away from one another. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964-1985, during which time he launched Cambridge Print Editions. His work is held in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, Kettle’s Garden and the Fry Art Gallery. Condition: enerally very good; a few handling marks and a little spotting to the margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Out of stock

    Brian Bannatyne Lewis (1906 - 1991)

    Ruislip Gardens Station (1938)

      Pen, ink and watercolour 70 x 50 cm Initialled and dated 4 3 38. A 1938 design for the new Ruislip Gardens tube station, commissioned by the Great Western Railway (GWR) for its proposed western extension to the Central Line. The design's Art Deco lettering befits London Transport's aesthetic in the 1930s. Lewis brings his designs to life by including smartly-dressed characters entering and leaving the stations. Ruislip Gardens Station, when built, did not adhere to this design. The Central line opened in 1900, between Shepherd's Bush and Bank; it extended westwards to Ealing Broadway in 1920. Two years after the formation of London Transport in 1933, an extensive New Works Programme began, proposing a westwards extension of the line to Denham. Brian Lewis created designs for nine stations in early 1938, but the Second World War broke out before they could be built. By the time the extension had been built, Lewis was no longer chief architect of the GWR - the stations were modified and completed by Frederick Francis Charles Curtis instead. The extension to Greenford opened in 1947 and finally reached West Ruislip in 1948. Denham never actually became part of the tube line, owing to the establishment of the green belt. Brian Lewis was born in Tasmania, attended school in Melbourne, and subsequently obtained a Diploma in Architecture in 1928 from the University of Melbourne. He then moved to the UK to study at the Liverpool School of Architecture, winning scholarships in each of his three years of study to fund extensive European travel. He married a fellow Liverpool architectural student, Hilary Archer. After moving to London, he took up employment with the GWR in their architects’ office; he also lectured at a local polytechnic, and moonlighted with his wife at home on mainly residential commissions – rather different projects from the hotels and stations which GWR commissioned from him. He exhibited frequently at the Royal Academy of Arts, showing superb measured drawings of historic buildings. In the Second World War he enlisted with the Second Imperial Australian Force, serving in the Middle East, then transferred to the Royal Australian Engineers where he became a Captain. In 1943 he was sent to London to help GWR repair bomb damage.  Lewis became Chief Architect of GWR in 1945 (following the retirement of the noted Percy Emerson Culverhouse), and the first Chair of Architecture at Melbourne University in 1947. He also became the consulting architect for the major buildings of the Australian National University in Canberra, producing an imaginative site plan and designing University House, which was awarded the Sulman medal in 1954. He also designed the Risdon Prison Complex in 1960. He retired in 1971 to paint watercolours and write his memoirs. Condition: generally very good; a few handling marks and two holes from filing. Handsomely framed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here to view the other station designs in the set.
  • Jane Gray (b.1931)

    Ruislip Library, Design for Stained Glass Window (1987)

      Watercolour 18 x 8.5 cm

    Signed, dated and studio stamp verso.

    In 1987, money was put aside for something to commemorate the Ruislip Library’s 50th anniversary; instead of another bench in a reading room, Gray received a commission for a stained glass window. This was the first window Gray made from her home in Shropshire  and she used the nearby willow trees to inspire the wreath of willow leaves and central ‘Tree of Knowledge'—a pollarded willow. The choice of tree was highly intentional as, coincidentally, a librarian by the name Miss Pollard had also died that year.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.36. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Russian Aircraft Recognition Chart (c. 1940s - World War II era)

      Original vintage poster 76 x 102 cm Published by the Ministry of Supply. Many of these aircraft would have been in use during World War II and very familiar to the Allies. A rather attractive recognition chart - in stark contrast to many similar posters which employ a less artistic approach. PE-8; TU-2; PE -2 & 3; IL-4; ER-4; A-7; YAK-3; YAK-9; IL-2; and LA-5 are the aircraft features. Condition: a few creases, otherwise generally good to very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage aircraft posters.
  • Henry Winstanley (1644 - 1703)

    Rycote House, Oxfordshire

      Engraving 19 x 44 cm Rycote House, Oxfordshire, was a Tudor (and later Georgian) country house. The house was built in the 16th century, and in 1920, after a period of decline, the extensive stables were converted into the present Rycote House. Condition: generally very good; some age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other architectural drawings.
  • Anon.

    Safety comes in cans

    British Safety Council Lithographic Poster c. 1970s or 1980s 40x25cm Health and Safety amusement with the "I can, you can, we can" catchphrase. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Gerald Mac Spink (flourished 1920 - 1940)

    Sailing ship

      Pencil 31 x 38 cm A stormy sea and the wind in her sails. Spink was a skilled artist, illustrator, and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Jane Gray (b.1931)

    Saling Hall, Essex, Design for Stained Glass Window (1980)

      Watercolour 11 x 20 cm

    Signed and dated.

    Saling Hall, in Essex, has a long and rich history, dating back to the early 12th century when Sir Baldwin Wiscart was the first recorded Lord of the Manor. After his his son, the house passed to the knightly family of Bibbesworth, who lived there for four generations. Sir Walter de Bibbesworth was a crusader and a poet (in French). Nothing remains of the first Saling Hall which was rebuilt around 1590 by the Maxey family who had bought the hall in 1487. The house faced further remodelling by its 17th century owner, Martin Carter, a lawyer. He ornamented the new facade with Dutch gables, which are the latest example of their kind in Essex, and the house has changed little since. The hall passed through many more hands before it was bought, in 1935, by Lady Isabella Carlyle (née Barton) who was a passionate gardener and gave the Hall its first modern gardens. Lady Carlyle sold the Hall in 1971 to Hugh Johnson, a well known garden writer, who continued Lady Carlyle’s work on the gardens. This design is a final drawing for a stained glass window commissioned by Johnson for a fanlight in Saling Hall. Johnson wished the design to include the plants he grew in his own garden to symbolise the seasons. Gray designed the panel using Corsican Hellebore for winter, the Crown Imperial Fritillary for spring, Agapanthas for summer, and Japanese Anemones for autumn. Gray also included vines to frame the design and nod to Johnson’s oenological interests.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.40. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Saling Hall, Essex, Floral Design for Stained Glass Window

      Watercolour 11 x 20 cm

    Saling Hall, in Essex, has a long and rich history, dating back to the early 12th century when Sir Baldwin Wiscart was the first recorded Lord of the Manor. After his his son, the house passed to the knightly family of Bibbesworth, who lived there for four generations. Sir Walter de Bibbesworth was a crusader and a poet (in French). Nothing remains of the first Saling Hall which was rebuilt around 1590 by the Maxey family who had bought the hall in 1487. The house faced further remodelling by its 17th century owner, Martin Carter, a lawyer. He ornamented the new facade with Dutch gables, which are the latest example of their kind in Essex, and the house has changed little since. The hall passed through many more hands before it was bought, in 1935, by Lady Isabella Carlyle (née Barton) who was a passionate gardener and gave the Hall its first modern gardens. Lady Carlyle sold the Hall in 1971 to Hugh Johnson, a well known garden writer, who continued Lady Carlyle’s work on the gardens. This watercolour sketch is an early design for a stained glass window commissioned by Johnson for a fanlight in Saling Hall. Johnson wished the design to include the plants he grew in his own garden to symbolise the seasons. Gray designed the panel using Corsican Hellebore for winter, the Crown Imperial Fritillary for spring, Dog Rose for summer (although, this was changed to Agapanthus in the final design), and Japanese Anemones for autumn. In the final window, Gray also included vines to frame the design and nod to Johnson’s oenological interests.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.40. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Salvador Dali Tomorrow's Technology

    Original Poster for French Railways SNCF 60x37cm 1976 Signed in the plate Dali designed posters for SNCF for several years, a fruitful relationship. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Salvador Dali (1904-1989) Alsace

    Original Poster for French Railways SNCF 100x60cm Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the plate 1969 If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent condition; slight age toning to edges of poster.
  • Salvador Dali (1904-1989) Auvergne

    Original Poster for French Railways SNCF 100x60cm Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the plate 1969 From the Butterfly series. Condition: Generally excellent condition; slight age toning to edges of poster.
  • Salvador Dali (1904-1989) Normandy - Normandie

    Original Poster for French Railways SNCF 100x60cm Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the plate 1969 From the Butterfly series. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent condition; slight age toning to edges of poster.
  • Salvador Dali (1904-1989) Paris, France - French Railways 

    Lithographic poster 101 x 63.5 cm For French Railways SNCF Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Generally very good; occasional slight browning to the very edges
  • Salvador Dali (1904-1989) Alpes French Railways - The Alps

    Original Poster for French Railways SNCF 40x25" (100x67cm) Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Condition: very good, slight age toning/handling wear to very edges as usual
  • Out of stock

    Salvador Dali (1904-1989) Alpes French Railways - The Alps

    Original Poster for French Railways SNCF 40x25" (100x67cm) Printed by Draeger Printed in France for and by the French National Railways, 1970 Signed and dated in the stone 1969 Printed on wove - a thicker paper than the standard poster which is also textured. Condition: very good
  • Salvador Dali (1904-1989)

    Rousillon Original Poster for French National Railways SNCF (1969)

    98 x 62 cm Lithographic poster
    This is one example of the seven posters Surrealist painter Salvador Dali (1904-1989) designed for the French National Railways in the late 1960s and early 1970s - click here for the others.
    Condition: Generally very good - a little creasing to the very edges.
     
  • Salzburg: Land of Happy Holidays

    Lithographic poster 84x59cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • 'Samivel' Paul Gayet-Tancrède (1907-1992)

    Le Parc National de la Vanoise, Alpes de Savoie

    Editions Mythra SA Chamonix Original Vintage Ski Poster 99x62cm Condition: Excellent, with four small glue marks to reverse not affecting image. With the ever-popular topic of skiing, Samivel here catches a Marmot atop a Vanoise hill, a mountain peak in the background. The Marmot, a squirrel-like rodent, is always a sign of the impending end of the ski season as it comes out with the warmer weather as spring approaches. Click here to see other posters by Samivel. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • 'Samivel' Paul Gayet-Tancrède (1907-1992) Les Pyrénées, France

    Editions Mythra SA Chamonix Original Vintage Ski Poster 91x62cm With the ever-popular topic of skiing, Samivel here catches a chamois atop a Pyrenean hill, a mountain peak in the background. The chamois, a mountain goat-antelope, has hooked horns when fully grown, this one is likely a kid. Samivel was a writer, an artist, a photographer, an explorer and more. In 1948 he accompanied Paul Émile Victor on the first French Greenland expedition, making three documentary films in the process. His friends included Théodore Monod and Gilbert André - the latter the mayor of Bonneval-sur-Arc and one of the founders of the Vanoise National Park - and with them and others he spent his whole life aiming for the protection of the imperilled countryside. The graphic artist side of him had a life-long fascination with high mountains, and his illustrated books and series of posters of the French Alps have long been popular. Click here to see other posters by Samivel. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, faint spotting towards bottom.
  • Samuel & Nathaniel Buck

    Byland Abbey, Yorkshire

    Engraving 37x19cm, c. 1770 "Byland Abbey is an interesting ruin about five miles from Helmsley. It was a fine specimen of ecclesiastical architecture, founded by the monks of Furness, who were driven from their establishment in Lancashire during an incursion of the Scots. When the abbey was dissolved in 1540 its revenues amounted to 238l. 9s. 4d." (Source: The Penny Magazine of the Society for the Diffusion of Useful Knowledge 25 June 1836.)
  • Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817)

    Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819)

      Hand-coloured aquatint 35 x 47 cm Captain Thomas Williamson served in a British regiment in Bengal, India. He was known as a keen sportsman and, after returning to England, his notable interest in contemporary Indian sports attracted the attention of the publisher Edward Orme. Orme was a British engraver, painter and publisher of illustrated books, and in 1805 he commissioned Williamson to produce a work focused on Oriental sports and animals. The book took two years to complete, with the painter Samuel Howitt commissioned to produce watercolours based on original sketches by Williamson, most of which he had created while in India. The book in which the aquatint plates after Howitt were published was called Oriental Field Sports, which describes itself as 'being a complete, detailed, and accurate description of the wild sports of the East and exhibiting, in a novel and interesting manner, the natural history of the elephant, the rhinoceros, the tiger, and other undomesticated animals'.
  • Mario Puppo (1905 - 1977)

    Santo Stefano d'Aveto

    Original vintage poster 97 x 68 cm Produced circa 1955 for Italian Railways. Mario Puppo's poster advertising the Italian ski resort of Santo Stefano d'Aveto. The figure of a skier reaches upward in triumph; behind her, a vintage ski lift makes its way up the mountain and a blue-clad skier tackles the piste. Mario Puppo was born in Levanto, Italy, and worked in a studio in Chiavari. He designed leaflets advertising skiing and beach resorts, which gained popularity in the 1930s. By the 1940s his poster designs were being featured in the Milan Advertising Graphics show. Throughout the 1940s he designed covers for catalogues, leaflets, playbills, music scores and records, as well as producing more travel posters for public and private Italian companies. Condition: backed to linen; frame included for UK mainland only (excluding Cornwall, Highlands and Islands - where further shipping charges may apply). If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Sarah Orange (19th century)

    The Kitchen Bridge, St John's College, Cambridge (c. 1830)

      Watercolour 14 x 20 cm Provenance: Bene't Gallery, Cambridge. This 19th century watercolour depicts the Kitchen Bridge at John's. A scholar in gown and mortarboard stands alone in the bridge's centre, gazing meditatively into the glassy water below.
  • Sassi

    Italian Line Societa di Navigatione Italia

    Original Vintage Poster 97.5x61cm c.1950s A wonderful example of Italian surreal poster artwork, with a fish made from fruit and vegetables and a very sleek modern ship beneath. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Mounted to board, some areas of repair as visible in image towards bottom, overall good.
  • Save Fuel in the Kitchens

    Lithographic poster c. 1940 37x25cm Printed for HMSO by Nathaniel Lloyd and Co for the Ministry of Fuel and Power Energy was urgently needed to make bombs and fuel the vehicles of war. Britons were endlessly exhorted to save fuel; a message that has no less resonance today. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Savings Stamps - the Small Holding with the Big Interest

      Original vintage poster 51 x 38 cm Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme. Condition: generally very good; few tiny edge tears, repaired; two pin holes to top corners; old fold as issued; and a couple of light creases. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • Scots Guards Guardsman (Marching Order) 1917 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Hilary Hennes (née Hilary Miller) (1919 - 1993)

    Seated Nude

      Chalks 56 x 38 cm A chalk drawing of a seated female nude, with contemplative pose and expression. Hilary Miller was born in London, where her father was a curator at the South London Art Gallery. She attended Blackheath High School and, from 1936 to 1940, studied at the Blackheath School of Art, and then for a further three years at the Royal College of Art. After graduating, she taught at the South East Sussex Technical College and in 1946 married the artist Hubert Hennes. The couple lived in Oxford, where they both held teaching posts at the Oxford School of Art. Between 1948 and 1967 Miller frequently exhibited paintings at the Royal Academy in London, and also illustrated a number of books on gardening and natural history, such as 'The Living World' and 'Boff's Book of Gardening'. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.

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