A. E. Halliwell (1905-1987)
Take the Underground to the RA

Gouache
c.1930
23 x 30 cm
Provenance: the family of A. E. Halliwell

A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators.

Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A.

This playful work features a man, clad in tartan trousers and puffing away at a pipe, marching steadfastly with the roundel of the London Underground in two. The roundel is adorned with the ornate decoration that surrounds the stylised letters of the R and A of the Royal Academy, suggesting that the man is marching straight towards the Academy. In classic Halliwell style, the design features a play on words, the man is not just taking the underground, as you do, he is physically and literally bringing the Underground with him to the exhibition, adding a mischievous flare to the piece.

Condition: Generally very good.

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