• Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns

    London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Latterly primarily a landscape painter he toured the rivers of Germany. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In generally good condition, some offsetting of ink from adjacent print as visible in image, occasional spotting. Not trimmed.
  • A J Meyer (British, fl 1900-1930) Dulwich College

    Etching 22x30cm Sadly little is known of Meyer, an accomplished artist and particularly producer of etchings. He was one of many artists to join the craze for etchings started by Whistler and that died out after the 1929 Wall Street crash. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Mounted to board; generally good to very good.
  • Florence Camm (1874-1960)

    Stained Glass Window Design with Red Sailing Ship

    Watercolour 6.5x34cm Condition: Some spotting to image; mounted to board - see image. Click for biographical details and other works by Camm. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • James Basire

    James Basire engraving of Bishop's Palace Exeter

    Engraving 50 x 33 cm (to plate mark) Published by the Society of Antiquaries 23rd April 1796. A member of the Society of Antiquaries, Basire specialised in architectural prints. He was appointed as engraver to the society, much of his finest works being found in their Vestuta Monumenta. Basire's father Isaac was a cartographer, and both his son and grandson were called James and also worked for the society. William Blake was apprenticed to Basire for seven years. If you are interested, email info@manningfineart.co.ukor call us on 07929 749056.
  • Joseph Collyer (1748 - 1827) after Francis Wheatley (1747 - 1801)

    The Volunteers of the City and County of Dublin

      Monochrome print 28 x 31 cm A monochrome print depicting Dublin regiments of the Irish Volunteers meeting on College Green. Francis Wheatley depicted the scene in oils in 1779, and Joseph Collyer engraved it in 1781. Wheatley went to Dublin in 1779 and established himself there as a portrait-painter; this view of the Dublin Volunteers became the basis for a best-selling print bought by numerous Irish Patriots. Volunteers were local Irish militias raised by community initiative in Ireland in 1778. Their original purpose was to guard against invasion and to preserve law and order at a time when British soldiers were withdrawn from Ireland to fight abroad during the American Revolutionary War and the government failed to organise its own militia. Taking advantage of Britain's preoccupation with its rebelling American colonies, the Volunteers were able to pressure Westminster into conceding legislative independence to the Dublin parliament. Francis Wheatley was an English portrait and landscape painter who studied at the Royal Academy, and won several prizes from the Society of Arts. He was elected an associate of the Royal Academy in 1790, and an academician in the following year. Joseph Collyer was a British engraver. In 1770 where he exhibited at the Royal Academy for the first time; he was elected an associate engraver of the Royal Academy, and appointed portrait engraver to Queen Charlotte in 1786. Condition: fair. Some browning and staining. In handsome rosewood frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • D. L. Hadden

    Design for tapestry

    Watercolour 25x50cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Sir Hugh Casson (1910-1999)

    St. Albans Cathedral

    Lithographic proof print, out of series. Signed in the plate, not pencil-signed. Provenance: the artist’s estate. 28 x 35 cm (11 x 14 in) If you are interested email info@manningfineart.co.uk or call us on 07929 749056. For biographical details and other works by the artist click here.
  • Oliver Hall R.A., R.E., R.W.S. (1869-1957) Boat House, Windermere, Lake District, UK

    26x37cm Pencil drawing Provenance: Martin Muncaster, the artist's grandson Inscribed to reverse in pen by Claude or Martin Muncaster Hall was landscape painter in oil and watercolour with a fondness for both Spanish and rugged moorland as subjects. Having studied at the RCA between 1887-90 he attended evening classes at Westminster and Lambeth Schools of Art. Travelling extensively in Spain, France and Italy he began exhibiting etchings at the RA in 1890. Originally from Pulborough he moved in later life to Ulverston, Lancashire. His son was Claude Muncaster. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Benjamin Cole (1697-1783)

    South Prospect of Somerset House (c. 1753)

    Engraving 24 x 37 cm   Stow's Survey of London, a ward-by-ward topographical and historical tour of the City of London giving an account of buildings, social conditions and customs, was first published in 1598. Cole's architectural view of Somerset House illustrates the clean neoclassical proportions for which it is known. Condition: Trimmed by the binder's knife within plate marks; some offsetting from facing page; occasional soft creases; generally good.
  • John Dower (1825 - 1901)

    Map of Berkshire from an actual survey made in the years 1822 & 1823

      Engraving 57 x 69 cm A large antique engraved map of Berkshire. Condition: good; some light staining. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Anon. Eton College

    Watercolour 31.5x40.5cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Silhouette (circa 1870)

    Andrew Gillon

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Dodo Guinness

    Gouache, pen, and ink 52 x 44 cm Adelaide Maud Guinness, nicknamed 'Dodo', was descended from the banking line of Guinnesses. Her father was the barrister and MP Richard Samuel Guinness. Dodo married Edward Cecil Guinness, the 1st Earl of Iveagh and her third cousin, in 1873. Edward's father had died in 1868, after which Edward inherited a share of the famous Guinness brewery. The Guinness family seat is Elveden Hall in Suffolk. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Silhouette of  Lady I (circa 1870)

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Captain Warburton

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; occasional spots. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Johannes 'Jan' Kip (1652/3 - 1722)

    The North Prospect of Gloster Cathedral (c.1716)

    43 x 47 cm Copper engraving Johannes "Jan" Kip was a Dutch engraver, draughtsman and print dealer. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London, settling in Farringdon and selling prints. Later, Kip collaborated with draughtsman and painter Leonard Knyff, and together they made a popular series of engraved views of English country houses. This print is from Sir Robert Atkyn's 'The Ancient and Present State of Gloucestershire'. In his usual manner - Kip was probably the foremost engraver of his time in England - he has placed figures before the Cathedral to give life - and scale - to the building. Condition: Generally very good with central vertical fold and adjacent parallel creases; one diagonal crease mid left to bottom centre. Will look very good when framed.  

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