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Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge II
Acrylic paint 56 x 65 cm cm Souttar was a Scottish painter and printmaker known for her town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students – it did not do so until 1976.6. Provenance: the artist's studio sale. Condition: generally very good, some crinkling as a result of using water-based paints on thin paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Out of stock
Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge IV
Acrylic paint 62 x 92 cm Signed lower right. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students – it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good; on thin paper - some crinkling to paper as a result of being painted. Further sketch to reverse. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge
Lithograph 76 x 56 cm Signed and numbered 4/50 in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good; a few handling marks. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Margaret Souttar (1914-1987)
Trinity Hall, Cambridge
Acrylic on paper 76 x 56 cm Signed lower right. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good; some small glue stains around collaging. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge V
Acrylic paint 56 x 72 cm Signed lower right. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students – it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Out of stock
Margaret Souttar (1914 - 1987)
Trinity Hall, Cambridge with Blue Sky
Lithograph 76 x 56 cm Numbered 3/50, and signed lower right, in pencil. Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges. She captures the modernity and optimism of 1960s Cambridge; the fact that a female artist was commissioned to create the prints reflects the changing attitudes of the University towards women. Trinity Hall was one of the first Cambridge colleges to admit women as students - it did not do so until 1976. Provenance: the artist's studio sale. Condition: generally very good, the odd very short tear and handling mark affecting outer few millimetres of margin. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity Hall. -
Andrew Ingamells (1956 - )
University College, Oxford
Etching 40 x 70 cm Signed lower right and numbered 15/100 lower left, both in pencil. Inspired by David Loggan’s celebrated engraving of the college, this view of Univ College belongs to Ingamells’ series of views of Oxford and Cambridge. The series took six months to complete and has long-since sold out from the publisher. Ingamells trained at St Albans School of Art and the London College of Printing, subsequently working as a graphic designer and illustrator. Based in London, he began making drawings of the buildings and landscapes of London. Ingamells’ work is in many public collections including those of the Tate Gallery, The National Trust, The Paul Mellon Centre for British Art, and the City of London Guildhall Library. His pictures are also in several private collections, including those of various Oxford and Cambridge colleges, HM King Charles III, and Shell Oil. The artist is currently part-way through his epic project to record all the colleges of Oxford and Cambridge, a project undertaken in homage to David Loggan. Condition: excellent. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of University College, Oxford. -
Walter Hoyle
Jesus College Cambridge
Linocut, 1965 76x48 cm Signed and titled in pencil. Printed on handmade Japanese Hosho paper by the artist at Editions Electo Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Walter Hoyle (1922 - 2000)
King's College Chapel, Cambridge in red (1965)
Linocut Cambridge Series State Proof, Signed and Titled in pencil. Printed by the artist at Editions Alecto51x69cm Condition: Excellent Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Walter Hoyle (1922 - 2000)
King's College Chapel West End, Cambridge (1965)
Linocut Cambridge Series 51/75, Signed and Titled. Printed by the artist at Editions Alecto71x41cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.ukor call us on 07929 749056. -
Walter Hoyle
Queens' College Cambridge, Sundial
Linocut, 1965 76x57 cm Signed numbered and titled in pencil. Printed on handmade Japanese Hosho paper by the artist at Editions Electo Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Walter Hoyle (1922-2000)
Senate House, Cambridge (Cambridge Series 1956-6)
Block print 72/75 Artist’s proof, published by Editions Alecto, London, 1966 46x89cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Walter Hoyle (1922-2000)
St Catharine's College, Cambridge (1956-66)
Linocut 59 x 39 cm Signed lower right; inscribed and numbered 35/75 in pencil. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964-1985, during which time he launched Cambridge Print Editions. His work is held in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, Kettle’s Yard and the Fry Art Gallery. Condition: very good. -
View of Corpus Christi College, Cambridge
Watercolour on paper 13.5 x 23cm A charming view of Corpus Christi College and assorted denizens of Cambridge. The college is notable as the only one founded by Cambridge townspeople; it was established in 1352 by the Guild of Corpus Christi and the Guild of the Blessed Virgin Mary, making it the sixth-oldest college in Cambridge. With around 250 undergraduates and 200 postgraduates, it also has the second smallest student body of the traditional colleges of the University, after Peterhouse. The College has traditionally been one of the more academically successful colleges in the University of Cambridge. It also ranks among the wealthiest Cambridge colleges in terms of fixed assets, being exceptionally rich in silver. Unsigned; labelled 'Corpus Christi Coll. Cambridge' in ink, lower left. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Wilfred Gabriel de Glehn RA (1870-1951)
Clare College from the Backs
Watercolour Inscribed “To my friend H Thirkill Master of Clare” Signed “W de Glehn, 1940” 40x50cm De Glehn painted Henry Thirkill in a portrait that is in the collection of Clare College and may be viewed here. Thirkill was Master between 1939 and 1958 and the portrait was commissioned in 1947. A versatile painter, skilled at portraiture, landscapes and figures de Glehn is regarded as one of England’s premier Impressionist painters. His ability to portray lighting in a lively fashion and his vibrant use of colour combine to provide wonderfully rich paintings. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
William Logsdail (1859-1944)
St John's College Cambridge, Great Gate
Oil on board 39 x 28 cm Signed lower right. In an original 19th century gilt composition frame. Provenance: the private collection of the late Christopher Wood, a renowned dealer in Victorian art who was a member of St John’s. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
William Matthison (1853-1926)
Trinity College Cambridge Great Gate
Watercolour 36.5 x 26 cm Matthison was born near Birmingham and attended King Edward’s School in the city. He learned drawing at the Birmingham Central School of Art and then became a pupil of Birmingham artist Edward Watson. He became a professional artist in 1875 and moved to Oxfordshire a few years after; this was where he had the opportunity to produce many of the Oxford views for which he is known today. In 1902 he moved to Park Town in Oxford and was commissioned by Robert Peel to paint more than seventy views of the University of Oxford, which were subsequently made into postcards. Priced at seven for a shilling, they were only available from E Cross of Pembroke Street (a long-since closed business). Raphael Tuck & Sons also commissioned him to produce postcard scenes of Cambridge. Matthison’s views of Oxford were later printed in Fifty Watercolour Drawings of Oxford, published in 1912 by Alden & Co. Click here for other works by the artist. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
William Thomas Martin Hawksworth (1853-1935)
Peterhouse Cambridge
Watercolour, framed. 17.5 x 26cm. Provenance: with Thomas Agnew & Sons, London A Londoner, Hawksworth was a member of both the RI and RBA. The V&A and British Museum both hold examples of his watercolours. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Anonymous
Wren Bridge St. John’s College Cambridge
Watercolour and pencil 8.8×16.7cm A charmingly painted watercolour c. last quarter 19th century If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good.
