• Hans Falk (1918-2002)

    Sport au Soleil en Suisse

    Original Vintage Poster (1957) Lithograph 40x25" Signed in the plate, and showing a procession of brightly-coloured skiers heading up the mountain towards the sun. Falk was a Swiss graphic designer who spent much of his life in the USA, UK and Ireland, producing many striking and popular posters.
  • Foire Internationale de Hanover

      Original vintage poster 84 x 59 cm This poster with its highly modern logo advertises the 1960 Hanover Fair. British military authorities organised the trade fair as a bolster to Germany's post-war economy. Over 1,000 exhibitors showed a selection of items made in Germany for overseas export. This version of the poster was designed for display in France. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Out of stock

    Brian Bannatyne Lewis (1906 - 1991)

    Hanger Lane Station (1938)

      Pen, ink and watercolour 70 x 50 cm Inscribed 'BB Lewis' lower right. A 1938 design for the new Hanger Lane tube station, commissioned by the Great Western Railway (GWR) for its proposed western extension to the Central Line. The design's Art Deco lettering befits London Transport's aesthetic in the 1930s. Lewis brings his designs to life by including smartly-dressed characters entering and leaving the stations. The Central line opened in 1900, between Shepherd's Bush and Bank; it extended westwards to Ealing Broadway in 1920. Two years after the formation of London Transport in 1933, an extensive New Works Programme began, proposing a westwards extension of the line to Denham. Brian Lewis created designs for nine stations in early 1938, but the Second World War broke out before they could be built. By the time the extension had been built, Lewis was no longer chief architect of the GWR - the stations were modified and completed by Frederick Francis Charles Curtis instead. The extension to Greenford opened in 1947 and finally reached West Ruislip in 1948. Denham never actually became part of the tube line, owing to the establishment of the green belt. Brian Lewis was born in Tasmania, attended school in Melbourne, and subsequently obtained a Diploma in Architecture in 1928 from the University of Melbourne. He then moved to the UK to study at the Liverpool School of Architecture, winning scholarships in each of his three years of study to fund extensive European travel. He married a fellow Liverpool architectural student, Hilary Archer. After moving to London, he took up employment with the GWR in their architects’ office; he also lectured at a local polytechnic, and moonlighted with his wife at home on mainly residential commissions – rather different projects from the hotels and stations which GWR commissioned from him. He exhibited frequently at the Royal Academy of Arts, showing superb measured drawings of historic buildings. In the Second World War he enlisted with the Second Imperial Australian Force, serving in the Middle East, then transferred to the Royal Australian Engineers where he became a Captain. In 1943 he was sent to London to help GWR repair bomb damage.  Lewis became Chief Architect of GWR in 1945 (following the retirement of the noted Percy Emerson Culverhouse), and the first Chair of Architecture at Melbourne University in 1947. He also became the consulting architect for the major buildings of the Australian National University in Canberra, producing an imaginative site plan and designing University House, which was awarded the Sulman medal in 1954. He also designed the Risdon Prison Complex in 1960. He retired in 1971 to paint watercolours and write his memoirs. Condition: generally very good; a few handling marks and two holes from filing. Handsomely framed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here to view the other station designs in the set.
  • Brendan Neiland (b.1941) R.A. (Expelled)

    Hampton Court (1984)

      Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II in 1689. It held private and state apartments for both the King and Queen. Wren’s other works at Hampton Court Palace include the Lower Orangery and the grand colonnade in Clock Court, providing a grand entrance to the King's Apartments. The architectural historian Sir John Summerson described Fountain Court as 'Startling, as of simultaneous exposure to a great many eyes with raised eyebrows'. Brendan Neiland (born 23 October 1941 in Lichfield, Staffordshire) is an English artist best known for his paintings of reflections in modern city buildings. In 1992 he was elected to the Royal Academy (RA). Neiland is known for his interpretations of city life. His work is widely exhibited in major museums and galleries worldwide including, in Britain, the Victoria and Albert Museum, The Tate Gallery London, The Collections of the British Council and the Arts Council of Great Britain. He is represented by the Redfern Gallery and has had numerous shows internationally, including at the Galerie Belvedere in Singapore, who represent him in Singapore and the Far East. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Hammond (British, fl. 1920s) Original artwork for Design for Shakespeare Twelfth Night programme to be held in Bath

    26x21 cm Gouache, 1937 Sadly nothing is known of the life of the artist of thes series of rather fine Art Deco designs we have listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good; small stain to reverse as illustrated in photograph; fold to centre as intended by artist.
  • Hammond (British, fl. 1920s) Original artwork for brochure for Municipal Art School, Ford St, Coventry, England UK

    21.5x14 cm Gouache, c. 1937 Sadly nothing is known of the life of the artist of thes series of rather fine Art Deco designs we have listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1930s) Original design for poster and flyer for Carnival Night at the King's Head

    26x19 cm Gouache, 1937 Sadly nothing is known of the life of the artist of this series of rather fine Art Deco designs we have listed. An elegant couple dance in this well composed design. Designed to be lithographed, the artist has restricted himself to four colours. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1930s) Design for Municipal Art School Brochure

    21.5x18 cm Lithograph drawn directly to stone, 1937 Sadly nothing is known of the life of the artist of this series of rather fine Art Deco designs we have listed. This is drawn directly onto the stone, a considerable skill in itself, and in just two colours in order to limit the cost of the lithography. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hal Woolf Christ of the Andes Lithographic poster 76x50cm Printed by the David Allen Printing Co (London) Ltd., Wandsworth, SW18 Published by the League of Nations Union, 15 Crosvenor Crescent, London SW1 A statue, cast from melted cannon, on the summit of the Andes bears these words: "These Mountains themselves shall fall and crumble to dust before the people of Chile and the Argentine Republic forget their solemn covenant sworn at the feet of Christ." The League of Nations Union was formed in 2018 to promote international justice based upon the ideals of the League of Nations. Membership peaked in 1931 at over 400,000. In 1948 it was superseded by the United Nations Association. The statue of 'Christ the Redeemer of the Andes' is a monument unveiled in 1904 to celebrate the peaceful resolution of the border dispute between Argentina and Chile. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • H. M.Bateman

    Don't be Fuel-ish (the man who wasted gas)

    Lithographic poster c.1940 For HMSO by Chromoworks. Ministry of Fuel & Power 38x26cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • H. M. Bateman (1887-1970)

    Save Fuel for Battle (the husband who wasted the hot water)

    Lithographic poster c. 1940 For HMSO by Chromoworks. Ministry of Fuel & Power 38x26cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • H. M. Bateman

    Don't be Fuel-ish (the man who would not close the doors)

    Lithographic poster 38x26cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • H. M. Bateman (1887-1970)

    Don't be Fuel-ish (the man who wasted power)

    Lithographic poster 38x26cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • H. M. Bateman (1887-1970)

    Don't be Fuel-ish (the Man who Wasted Gas II)

    For HMSO by Chromoworks. Ministry of Fuel & Power Lithographic poster c. 1940 38x26cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • H. Fluiss

    Charles Payne, Huntsman to the Pytchley Hounds on Redtape with the hound Trueman (1862)

      Watercolour with body colour 36 x 43 cm A mid-nineteenth century watercolour depicting Charles Payne (1884–1967), huntsman to the Pytchley. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Gwyneth Johnstone (1915 - 2010)

    The Railway Bridge

      Mixed media 64 x 83 cm Signed lower left in paint, and monogrammed lower left in pencil. Provenance: the estate of the artist. Johnstone explores the possibilities of abstraction in this semi-delirious depiction of a railway bridge. Painted in tones of burnt umber, orange, grey, and black, the picture is populated by warped railings, bending trees, and staring onlookers, all of which centre around a railway line and bridge. Tanya Harrod described Johnstone's painting style a 'a hallucinogenic, haunting pastoral', and that is immensely evident in this picture. Johnstone was an English painter who worked mostly in oils and often depicted poignant modern landscapes. Her parents were the musician Nora Brownsford and the artist Augustus John. She studied at the Slade School of Fine Art, where she established lifelong friendships with fellow artists Mary Fedden and Virginia Parsons. After the Slade, Johnstone was taught academicised cubism by the painter André Lhote at the Académie de la Grande Chaumière in Paris. For a brief period in the early 1950s she took life classes with the surrealist artist Cecil Collins at the Central School of Arts and Crafts.
  • Gwen White

    Great Court, Trinity College, Cambridge

    Gouache 24x32cm Gwen White is author of Perspective: A Guide for Artists, Architects and Designers and this view of Trinity is painted with an architect’s eye for detail. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • 9th Bengal Infantry (Gurkha) Private 1890 uniform

      Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters.
  • Out of stock

    Brian Bannatyne Lewis (1906 - 1991)

    Greenford Station (1938)

      Pen, ink and watercolour 70 x 50 cm Initialled and dated 7 3 38. A 1938 design for the new Greenford tube station, commissioned by the Great Western Railway (GWR) for its proposed western extension to the Central Line. The design's Art Deco lettering befits London Transport's aesthetic in the 1930s. Lewis brings his designs to life by including smartly-dressed characters entering and leaving the stations. The Central line opened in 1900, between Shepherd's Bush and Bank; it extended westwards to Ealing Broadway in 1920. Two years after the formation of London Transport in 1933, an extensive New Works Programme began, proposing a westwards extension of the line to Denham. Brian Lewis created designs for nine stations in early 1938, but the Second World War broke out before they could be built. By the time the extension had been built, Lewis was no longer chief architect of the GWR - the stations were modified and completed by Frederick Francis Charles Curtis instead. The extension to Greenford opened in 1947 and finally reached West Ruislip in 1948. Denham never actually became part of the tube line, owing to the establishment of the green belt. Brian Lewis was born in Tasmania, attended school in Melbourne, and subsequently obtained a Diploma in Architecture in 1928 from the University of Melbourne. He then moved to the UK to study at the Liverpool School of Architecture, winning scholarships in each of his three years of study to fund extensive European travel. He married a fellow Liverpool architectural student, Hilary Archer. After moving to London, he took up employment with the GWR in their architects’ office; he also lectured at a local polytechnic, and moonlighted with his wife at home on mainly residential commissions – rather different projects from the hotels and stations which GWR commissioned from him. He exhibited frequently at the Royal Academy of Arts, showing superb measured drawings of historic buildings. In the Second World War he enlisted with the Second Imperial Australian Force, serving in the Middle East, then transferred to the Royal Australian Engineers where he became a Captain. In 1943 he was sent to London to help GWR repair bomb damage.  Lewis became Chief Architect of GWR in 1945 (following the retirement of the noted Percy Emerson Culverhouse), and the first Chair of Architecture at Melbourne University in 1947. He also became the consulting architect for the major buildings of the Australian National University in Canberra, producing an imaginative site plan and designing University House, which was awarded the Sulman medal in 1954. He also designed the Risdon Prison Complex in 1960. He retired in 1971 to paint watercolours and write his memoirs. Condition: generally very good; a few handling marks and two holes from filing. Handsomely framed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here to view the other station designs in the set.
  • S Clapham (active 1940 - 1960)

    Greek Roman Detail

      Pencil 51 x 72 cm A mid-century design for a column in the neoclassical style. Clapham was an architect based in Stockwell in London. Condition: very good; mounted to board. Slight even age toning to paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • David Loggan (1634 - 1692)

    The Church of St Mary the Virgin, Cambridge (1690)

      Engraving 38 x 47 cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645 - 1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: has been previously washed; generally good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Printed by Lowe & Brydone Printers (1944)

    Great Britain's War Effort No. 5 (Taxation)

    50x37cm "The British people paid two and a half times as much Income Tax in 1943 as they paid in the year before the war. This picturegraph is based on latest official figures issued by HM Government November 1944." Pre-war taxation: £472,000,000 War-time £1,169,000,000 The population of the Empire had to be persuaded that Britain was pulling her weight in World War 2. By this poster and others similar could the message be put across. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Folds as issued, otherwise generally excellent.
  • Printed by Lowe & Brydone Printers (1944)

    Great Britain's War Effort No. 6 (Munitions)

    50x37cm "Seven-tenths of all munitions for the Armed Forces of the British Commonwealth and Empire were made in the United Kingdom. This picturegraph is based on latest official figures issued by HM Government November 1944." The population of the Empire had to be persuaded that Britain was pulling her weight in World War 2. Bu this poster and others similar could the message be put across. The fine stylised tanks, bombs, ships, guns and other vehicles are stacked up on the left-hand side showing the British contribution. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Folds as issued, otherwise generally excellent.
  • Printed by Lowe & Brydone Printers (1944)

    Great Britain's War Effort No. 2 (Men in the armed forces)

    50x37cm "Of the ten million men who served in the Commonwealth's Armed Forces five-and-a-half million men were from the United Kingdom alone. This picturegraph is based on latest official figures issued by HM Government November 1944." The population of the Empire had to be persuaded that Britain was pulling her weight in World War 2. By this poster and others similar could the message be put across. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Folds as issued, otherwise generally excellent.
  • Grächen, 1617 m (1969)

        Original vintage poster 101 x 64 cm A beaming skier holds a map of Grächen, encouraging us to plan our next skiing trip there. Voluminous hair, a lack of helmet, turtleneck jumper and leather gloves mark the poster out as fabulously 1960s. Condition: generally very good; a few tiny repaired edge tears. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more original vintage posters.
  • Hugh Casson (1910 - 1999)

    Caius Court, Gonville and Caius College (1992)

      Lithograph 31 x 44 cm Signed and numbered 358/500, both in pencil. Casson's depiction of Gonville and Caius, with sun slanting into the 16th-century Caius Court. Members of the college stroll through the court. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Gonville and Caius, Cambridge.
  • Richard Bankes Harraden (1778 - 1862)

    Gate of Honour, Caius College (1810)

      Etching 13 x 20 cm A nineteenth-century view of Christ's College, Cambridge, complete with Members of the College and a hound on the lawn. Richard Bankes Harraden was a printmaker, painter, and drawing master. He was active in Cambridge, producing many views of the colleges, and subsequently several Oxford colleges. Harraden was an early and exhibiting member of the Society of British Artists in London, which was established in 1823, and remained a member until 1849. He specialised in depictions of landscape, topography and architecture, and was the son of Richard Harraden (1756 - 1838) with whom he published plates as 'Harraden & Son'. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne. She and her father contributed etchings to the 'Magna Britannia' and 'Britannia Depicta', books illustrating the most interesting views in various English counties, published by Samuel Lysons in the late 1810s. Condition: very good; later hand coloured. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Gonville and Caius.
  • Nathan - Jacques Nathan-Garamond (1910 - 2001)

    Go by Train to Brittany (1956)

      Original vintage poster 101 x 62 cm Printed in France for and by the French Railways. This charming and cheering poster, featuring a blue sailing boat on a sandy beach with brightly-coloured houses behind, encourages us to explore France by train and make a sojourn to Brittany. Jacques Nathan Garamond (born Jacques Nathan) was a French graphic designer. He studied at the École nationale supérieure des arts décoratifs and became the Director of Contemporary Architecture there. He then began his career as a graphic designer, specialising in posters and commercial illustrations. He was a founding member of the Alliance Graphique Internationale, a society for graphic artists and designers. Condition: generally very good; stains to bottom corners and six enlarged pin holdes to corners and middles of sides. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage travel posters.
  • Gladys Williamson

    Lady and Parrot 

      Original Painted Design for Poster Collage and Gouache

    43x38.5cm

    If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, slight wear to blue background some spotting to rim of dress.
  • Gladys Williamson

    Hairdressing Exhibition

    Original Painted Design for Poster

    55x38cm

    Gladys Williamson, a student at St Edmunds College, Liverpool was awarded a silver star for this decorative composition. The award is still attached in the bottom right corner of the design. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good, some light spotting. Mounted to board by artist, with label to bottom right.
  • Give Thanks by Saving (1945)

      Original vintage poster 38 x 26 cm Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh and the Ulster Savings Committee, Belfast. This patriotic poster, with Union Jack flying and VE Day bunting fluttering, encourages us to show our gratitude to the Allies (including the Soviet Union, whose flag is included amongst the rest of the Allied nations) by investing in the National Savings scheme during 'Thanksgiving Week' in September 1945. Condition: generally very good; pinhole to each top corner. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Out of stock

    Hugh Casson (1910 - 1999)

    The Gatehouse, Girton College

      Lithograph 31 x 26 cm Signed and numbered 161/500, both in pencil. Casson's warm-hued view of Girton, with students strolling under the the neo-Tudor gatehouse. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: generally very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Girton College, Cambridge.
  • Gideon Yates

    View on The Thames with Staines Bridge

    25 x 48 cm Watercolour Charmingly signed lower left, on the side of the stone c.1830 Little is known of the life of Yates. Even his date of death is disputed with some sources putting it at 1837. What is known is that he spent most of his working life in London, producing many detailed views of The Thames such as this one. His style is very distinctive, and this large and impressive view of London Bridge is a typical view. He is thought to have lived in Lancaster in 1811, and to have travelled widely throughout Britain and the Continent. His works are in public collections including the Victoria and Albert Museum. UK Government Art Collection item 6701 is another view of The Thames by Yates. Click here for other paintings by Yates. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Gideon Yates (?1790-?1840)

    1831 View on The Thames with London Bridge from the East Side showing Fishmonger's Hall, The Church of St Magnus the Martyr and St. Paul's Cathedral.

    c.1831 29x54cm Watercolour unsigned Provenance: The Parker Gallery LIttle is known of the life of Yates. Even his date of death is disputed with some sources putting it at 1837. What is known is that he spent most of his working life in London, producing many detailed views of The Thames such as this one. His style is very distinctive, and this large and impressive view of London Bridge is a typical view. He is thought to have lived in Lancaster in 1811, and to have travelled widely throughout Britain and the Continent. His works are in public collections including the Victoria and Albert Museum. In this view, Thames barges are in the foreground with their distinctive brown sails. A steamship proceeds along the middle of The Thames. The first steamboat patented was in 1729, by John Allen an English physician. However it was not until 1783 that the first steam-powered ship, "Pyroscaphe," was demonstrated on the River Saône. By 1788 John Fitch in Philadelphia was operating a commercial service along the Delaware River were built in the United States. The first sea-going steamboat was the "Experiment" built by Richard Wright in 1813; by this point river services were becoming well established although it was not until 1815 that The Thames acquired its first successful services with "Margery" and "Thames" arriving from the Clyde where they had been in service for some years. Margate and Gravesend were the main destinations. The steamboat in this view is a paddlesteamer, with two side wheels. At the north end of London Bridge (on the far side from the viewer) is Fishmongers' Hall, St Magnus the Martyr Church is visible on the near side of the bridge, and St Paul's Cathedral is visible beyond. UK Government Art Collection item 6701 is another view of The Thames by Yates, also from The Parker Gallery. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • George Pyne (1800-1884) Panoramic View of Oxford (1849)

    Watercolour 18.5x28cm Pyne was the elder son of William Henry Pyne, the publisher artist behind the monumental History of the Royal Residences, and son-in-law of John Varley – two founders of the Society of Painters in Watercolours. Living in Oxford from the 1850s until his death, he brought the hand of an architectural draughtsman to his views of Oxford, the works for which he is best known, but with an artist’s ability to represent the romance of old stone. His views of Cambridge and Eton also contribute to his valuable and historical record of the period. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Very good. Signed l/right 'G Pyne 1849'.
  • George Pyne

    Peckwater Quad, Christ Church, Oxford

    Watercolour 13x18cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • George Pyne (1800-1884)

    Merton College, Oxford

    Watercolour 18 x 28 cm (7 x 11 in.) Provenance: Agnews  
  • George Pyne (1800-1884)

    Great Court, Trinity College, Cambridge

    Signed G Pyne 1850 Watercolour 20.5 x 29 cm (8 x 11.5 in.) It appears Pyne spent some time painting in Cambridge in 1849-50. This is - for Pyne -  an unusually large composition; a fine watercolour of Trinity Great Court, with King’s College chapel in the background and elegant figures in the court. It is a particularly pleasing composition. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • George Pyne (1800-1884) Exeter College, Oxford

    Watercolour 22x18.5cm Pyne was the elder son of William Henry Pyne, the publisher artist behind the monumental History of the Royal Residences, and son-in-law of John Varley – two founders of the Society of Painters in Watercolours. Living in Oxford from the 1850s until his death, he brought the hand of an architectural draughtsman to his views of Oxford, the works for which he is best known, but with an artist’s ability to represent the romance of old stone. His views of Cambridge and Eton also contribute to his valuable and historical record of the period. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally excellent condition.
  • George Lilly Anderson (British b. 1870)

    Trinity College Cambridge Bridge

    28x38cm Watercolour Intriguingly nothing is known of Anderson's life, apart from the carefully painted landscapes. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • George Horace Davis (1888-1963) Design for publication probably in The Illustrated London News

    Tractors and mechanisation Signed and dated 1947 Gouache, monochrome 17.25x29.75" Here the reduction in manpower as a result of the mechanisation of agriculture is celebrated in a typical work by Davis. A "special artist" for 'The Illustrated London News', he worked for it for forty years, the scope and detail of his work being without peer in the rest of the staff. Tractors are pictured in every possible role in agriculture; however the great advances made in the sixty years since then could not have been forseen. Born in Kensington, London, Davis was educated at Kensington Park College and then at Ealing School of Art, working subsequently as a freelance artist until the First World War intervened. He served with the Royal Flying Corps (subsequently the Royal Air Force) with distinction, and had a number of his paintings of aerial combat published in 'The Sphere.' In 1923 he commenced work with The Illustrated London News, for which he worked for the next forty years. His first drawing related to the use, in small boats, of wireless and was the first of many similar diagrammatic drawings designed to educate and inform readers of advances in science, warfare, technology or transport. Needless to say his attention to detail meant architectural drawings were another strength of his, drawings of 10 Downing Street and Westminster Abbey, for instance - and also architectural phantasies such as a proposed heliport at Charing Cross Station. During his career at The Illustrated London News he is estimated to have produced illustrations covering some 2,500 pages of the publication; each one requiring an informed understanding arising from careful research. He continued to work for it until his eighties and at the time of his death there was a supply of finished but as-yet-unpublished works. The sale at Christies in London of the archive of The Illustrated London News on 7 October 2014 included many works by Davis - a price of £16,875 being obtained for a series of seven drawings by him.
  • Gaynor Chapman (1935-2000)

    Nine Hundred Years Ago 

    1966 Lithographic poster for London Transport From the original printing but sold at the time in the London Transport poster shop hence overprinted 'This is a reproduction of a poster designed for London Transport." 101×63.5cm Chapman attended the Epsom School of Art and the RCA where she studied illustration and graphics. Her posters for London Transport are amongst her best works. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Jane Gray (b.1931)

    Gatton Church, nr Redhill, Surrey, Design for Stained Glass Window (1979)

      Watercolour 15.5 x 8.5 cm

    Dated, detailed in artist’s hand and studio label verso.

    A church has existed in this Surrey parish since the Doomsday Survey in 1086 but the present Church dates back to the 13th century, undergoing extensive alterations in the 18th and early 19th centuries. Notably, in 1834, the pulpit and altar, bought from Nuremberg, were hopefully attributed to Albrecht Dürer; the carved doors had travelled from Rouen; the presbytery stalls from a disestablished monastery in Ghent, the altar rails from Tongeren; and the stained glass for the windows, and the wainscoting of the nave and carved canopies had come from Aarschot, near Leuven. This tiny church window was one of Gray’s smallest commissions. Her brief was to include the church at the heart of the Gatton agricultural community, and she did, supplementing this with illustrations of corn, oats, barley, poppies, bees, butterflies, ladybirds, a caterpillar and a grasshopper, alongside small roundels set amongst these containing a calf, a tractor, and a combine harvester respectively. The window was installed in 1980.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), pp.41, 76. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Gatton Church, nr Redhill, Surrey, Design for Stained Glass Window (1979)

      Watercolour 15.5 x 8.5 cm

    Dated. Signed verso.

    A church has existed in this Surrey parish since the Doomsday Survey in 1086 but the present Church dates back to the 13th century, undergoing extensive alterations in the 18th and early 19th centuries. Notably, in 1834, the pulpit and altar, bought from Nuremberg, were hopefully attributed to Albrecht Dürer; the carved doors had travelled from Rouen; the presbytery stalls from a disestablished monastery in Ghent, the altar rails from Tongeren; and the stained glass for the windows, and the wainscoting of the nave and carved canopies had come from Aarschot, near Leuven. This tiny church window was one of Gray’s smallest commissions. Her brief was to include the church at the heart of the Gatton agricultural community, and she did, supplementing this with illustrations of corn, oats, barley, poppies, bees, butterflies, ladybirds, a caterpillar and a grasshopper, alongside small roundels set amongst these containing a calf, a tractor, and a combine harvester respectively. The window was installed in 1980.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), pp.41, 76. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Gatton Church, nr Redhill, Surrey, Design for Stained Glass Window (1979)

      Watercolour 16 x 9 cm

    A church has existed in this Surrey parish since the Doomsday Survey in 1086 but the present Church dates back to the 13th century, undergoing extensive alterations in the 18th and early 19th centuries. Notably, in 1834, the pulpit and altar, bought from Nuremberg, were hopefully attributed to Albrecht Dürer; the carved doors had travelled from Rouen; the presbytery stalls from a disestablished monastery in Ghent, the altar rails from Tongeren; and the stained glass for the windows, and the wainscoting of the nave and carved canopies had come from Aarschot, near Leuven. This tiny church window was one of Gray’s smallest commissions. Her brief was to include the church at the heart of the Gatton agricultural community, and she did, supplementing this with illustrations of corn, oats, barley, poppies, bees, butterflies, ladybirds, a caterpillar and a grasshopper, alongside small roundels set amongst these containing a calf, a tractor, and a combine harvester respectively. The window was installed in 1980.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), pp.41, 76. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Game Bird Designs for Stained Glass Roundels (1987)

      Watercolour D.18.5 cm (x2)

    Dated and detailed in the artist's hand verso.

    These pencil-sketched designs for two stained glass roundels charmingly depict a red legged partridge and quail set against simple pastoral backgrounds. Gray spent the later years of her life in the rural countryside of Shropshire and was fond of the natural world around her, plants and flowers, in particular, often featuring in her religious and secular work.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • G. Cooper

    St. Mary's Church, Oxford

    Etching c. 1820 40x47cm From The Oxford Portfolio a series of thirteen views printed on Sepia paper, very rare. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • George Frederick Nicholls (1850-1935)

    Magdalen College from the Cherwell, Oxford

    Watercolour 37x24cm Early twentieth century. Born in Great Saughall in Cheshire - and dying in Chester - he subsequently lived in Worcestershire and Oxfordshire. Many of his paintings are of the Cotswolds and Oxford, and he is best known for his topographical paintings. He painted the illustrations for a series of county books for A & C Black, including Cornwall (1915) and Cotswolds (1920). If you are interested email info@manningfineart.co.uk or call us on 07929 749056.

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