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Henry Cliffe (1919-1983) Reclining Figure IV
Etching Mid 20th Century 11x24cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Reclining Figure III
Etching Mid 20th Century 11x24cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Reclining Figure VI
Etching Mid 20th Century 11x24cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Reclining Figure II
Etching Mid 20th Century 11x24cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Reclining Figure V
Etching Mid 20th Century 11x24cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Abstract Harbour
Etching Mid 20th Century 13x19cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Reclining Figure I
Etching Mid 20th Century 11x24cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Vandyck Theatre Poster
Etching Mid 20th Century 42x30cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Henry Cliffe (1919-1983) Monochrome Figures
Etching 9.5 x 16.5 cm Condition: Good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
Benjamin Cole (1697-1783)
Southwark Cathedral (c. 1753)
Engraving 24 x 33 cm Stow's Survey of London, a ward-by-ward topographical and historical tour of the City of London giving an account of buildings, social conditions and customs, was first published in 1598. This view of Southwark Cathedral, labelled here as 'the South Prospect of the Church of St Saviour in Southwark', offers a charming perspective of the building's architecture and churchyard. Condition: Generally very good; slight offsetting from facing page and old library stamp to reverse. -
Roland "Ao" / "Armadillo" L'Estrange for Vanity Fair Magazine 'Berks and Bucks': Sir Robert Rodney Wilmot
5 November 1903 Lithograph 21 x 37 cm Depicting Sir Robert Rodney Wilmot, in red hunting clothes and whip, of the Berks & Bucks Draghounds at their opening meet. Wilmot was educated at Eton and Oxford, and his hobbies famously included croquet. The Vanity Fair magazine of 1868 to 1914 was subtitled 'A Weekly Show of Political, Social and Literary Wares'. Founded by Thomas Gibson Bowles, who aimed to expose the contemporary vanities of Victorian society, it featured regular full-page, colour lithographs of famous (or infamous) contemporary figures. It is for these caricatures that the original Vanity Fair is best known today. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Mounted to board, some age toning. -
Out of stock
Sir Leslie "Spy" Ward for Vanity Fair Magazine 'The Huntsman': Thomas Firr
1 November 1884 Lithograph 21 x 37 cm Depicting Thomas Firr, Huntsman of the Quorn, on the day of the season's opening meet. The illustrated volume 'Tom Firr of the Quorn: Huntsman Extraordinary' details Firr's days with the hunt, and considers him 'the greatest huntsman in England'. He was huntsman to the Quorn for 27 years from 1872 to 1899. The Quorn Hunt has a claim to be the oldest hunt in the country, having been founded in 1696 by Mr Thomas Boothby of Tooley Park, Leicestershire. Tooley Park lies about eight miles southwest of Leicester, just to the north of the Hinckley road. The hunt takes its name from the village of Quorn, where the hounds were kennelled from 1753 to 1904. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Mounted to board, some age toning. -
Out of stock
Cuthbert "CB" Bradley for Vanity Fair Magazine 'Otho': Otho Paget
30 January 1902 Lithograph 21 x 37 cm CB's cartoon depicts John Otho Paget, noted beagler and author of 'Beagles and Beagling'. Cuthbert Bradley was also a sporting man - he famously authored 'Fox-Hunting from Shire to Shire with Many Noted Packs' and worked as a sporting journalist for The Field. As well as illustrating for Vanity Fair, he painted polo and foxhunting scenes, and other pictures of equestrian interest. The majority of his Vanity Fair cartoons are of hunting men. The Vanity Fair magazine of 1868 to 1914 was subtitled 'A Weekly Show of Political, Social and Literary Wares'. Founded by Thomas Gibson Bowles, who aimed to expose the contemporary vanities of Victorian society, it featured regular full-page, colour lithographs of famous (or infamous) contemporary figures. It is for these caricatures that the original Vanity Fair is best known today. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good. -
Cuthbert "CB" Bradley for Vanity Fair Magazine 'A Judge': The Rev Cecil Legard
11 July 1901 Lithograph 21 x 37 cm CB's cartoon depicts The Rev Cecil Legard (1843-1918), the Rector of Cottesbrooke and heir to the baronetcy. As well as a clergyman, Legard was a noted sportsman and hound expert; he was a steeplechase rider, and also edited the Foxhound Kennel Stud Book. CB depicts him judging hounds, excellently outfitted; as the biography on the reverse of the mounted lithograph notes, he might be 'the best judge of a foxhound in England'. A copy of the cartoon is held by the Kingston Lacy Estate in Dorset. Cuthbert Bradley was also a sporting man - he famously authored 'Fox-Hunting from Shire to Shire with Many Noted Packs' and worked as a sporting journalist for The Field. As well as illustrating for Vanity Fair, he painted polo and foxhunting scenes, and other pictures of equestrian interest. The majority of his Vanity Fair cartoons are of hunting men. The Vanity Fair magazine of 1868 to 1914 was subtitled 'A Weekly Show of Political, Social and Literary Wares'. Founded by Thomas Gibson Bowles, who aimed to expose the contemporary vanities of Victorian society, it featured regular full-page, colour lithographs of famous (or infamous) contemporary figures. It is for these caricatures that the original Vanity Fair is best known today. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good. -
Sir Leslie 'Spy' Ward for Vanity Fair Magazine
An MFH with a sense of humour (1905)
Lithograph 36 x 21 cm Published in Vanity Fair on 23rd November 1905. The 'MFH with a sense of humour' depicted here is Richard Greville Verney, 19th Baron Willoughby de Broke (1869 - 1923), British peer, Conservative politician, and Master of Foxhounds. Verney was the son of Colonel Henry Verney, 18th Baron Willoughby de Broke and Geraldine Smith-Barry, and was educated at Eton College and New College, Oxford. The historian George Dangerfield described Verney as "a genial and sporting young peer, whose face bore a pleasing resemblance to the horse. ... He had quite a gift for writing, thought clearly, and was not more than two hundred years behind his time." He wrote a book on foxhunting called "Hunting the Fox", which was published in 1921 and remains an acclaimed text on the sport today. Verney represented Rugby, Warwickshire, as an MP from 1895–1900. In 1902 he succeeded his father as 19th Baron Willoughby de Broke. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
G R T (Raymond Teane) Cowern (1913 - 1986)
Wadham College, Oxford from the South East before the completion of the new buildings (1952)
Lithograph 33 x 46 cm A 1953 lithograph of Wadham during the construction of the college's mid-century buildings. Cowern made his drawing of the quad in 1952 and it was reproduced a year later as a lithograph to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. G R T Cowern was a British painter, illustrator, and accomplished draughtsman. He was elected a full member of the Royal Academy in 1968. Cowern joined the British Army during the Second World War and served as an intelligence officer and then as a Field Security Officer. Throughout his Army service, Cowern made numerous drawings of his experiences during training and in the Netherlands and Belgium. Several of these works were purchased by the War Artists' Advisory Committee and are now held by the Imperial War Museum in London. Cowern also worked for the Recording Britain project, painting and etching images of historic buildings at risk of destruction in Suffolk, Worcestershire, and Herefordshire. A number of these drawings are now in the collection of the Victoria and Albert Museum. Condition: generally very good, a little discolouration to the paper, and a tear to the margin (which will be hidden under the mount). If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Brendan Neiland (b.1941) R.A. (Expelled)
Hampton Court (1984)
Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II in 1689. It held private and state apartments for both the King and Queen. Wren’s other works at Hampton Court Palace include the Lower Orangery and the grand colonnade in Clock Court, providing a grand entrance to the King's Apartments. The architectural historian Sir John Summerson described Fountain Court as 'Startling, as of simultaneous exposure to a great many eyes with raised eyebrows'. Brendan Neiland (born 23 October 1941 in Lichfield, Staffordshire) is an English artist best known for his paintings of reflections in modern city buildings. In 1992 he was elected to the Royal Academy (RA). Neiland is known for his interpretations of city life. His work is widely exhibited in major museums and galleries worldwide including, in Britain, the Victoria and Albert Museum, The Tate Gallery London, The Collections of the British Council and the Arts Council of Great Britain. He is represented by the Redfern Gallery and has had numerous shows internationally, including at the Galerie Belvedere in Singapore, who represent him in Singapore and the Far East. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Out of stock
Ebenezer Challis (1806 - 1881)
Sidney Sussex College, Cambridge (1834)
Engraving 27 x 43 cm A 19th century view of Sidney Sussex, complete with Victorian undergraduates in academic dress, horse and cart, and behatted rider. Condition: good. Trimmed. Otherwise generally good with the occasional tiny spot. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more views of Sidney Sussex. -
Jane Gray (b.1931)
St Mary’s Church, Sullington, Design for Stained Glass Window (1992)
Watercolour 18 x 5 cmSigned, dated and studio stamp verso.
The little church of St Mary’s, Sullington, has laid nestled beneath the Sussex Downs for almost a thousand years, within the bounds of an even older yew grove. The tower and the nave date back to c.1050 but were altered in the Norman period and again in thee 12th and 13th centuries.This small window pays remembrance to the local carpenter and verger. The design incorporates carpenters’ tools, peacock feathers from the peacocks in the neighbouring Manor House who often joined the church services, the Church’s communion chalice, and a view of the Sussex Downs. This window was installed in 1992.
Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), pp.51, 82. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here. -
Dennis Flanders (1915 - 1994)
Wadham College, Oxford, Garden Front
Lithograph 30 x 48 cm Numbered 117/500 lower left and signed lower right, both in pencil. Signed lower left and titled lower right in the plate. A tranquil view of Wadham, verdant of grass and leafy of tree. Two undergraduates in jeans and t-shirts chat, laden down with books. Dennis Flanders RBA RWS was a British artist and draughtsman who specialised in pen and ink drawings, often of English landscapes and buildings. He is notable for his meticulous depictions of the impact of aerial bombing upon historic buildings during World War Two. After attending the Merchant Taylors' School, Flanders studied at the Regent Street Polytechnic, St. Martin's School of Art, and at the Central School of Arts and Crafts. Flanders worked at the School of Military Engineering during World War Two and made models of buildings and landscapes based on aerial reconnaissance photographs. He applied for a commission with the War Artists' Advisory Committee and, although he was unsuccessful, the Committee did agree to purchase several drawings from him. These were mostly detailed depictions of bomb-damaged buildings and churches which included views of St Paul's Cathedral and Canterbury Cathedral. After the war, Flanders became a regular exhibitor at the Royal Academy and held his first solo exhibition at Colnaghi in 1947. He illustrated several books and published two volumes of prints from his own drawings of British architecture and landscapes, which had been the dominant theme of his artistic career. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham College, Oxford. -
Infantryman 1939 - 1945 uniform
Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters. -
Auxiliary Territorial Service (now the Women's Royal Army Corps) 1939 - 1945 uniform
Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters. -
The Parachute Regiment Parachutist 1954 uniform
Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51. These posters were produced by the Institute of Army Education, likely for display in barracks. Created in the 1950s, they illustrate the 'vintage' uniforms worn by the Corps during the First World War. Condition: punched holes to corners as issued; otherwise generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Institute of Army Education uniform posters. -
Air France Vacances - Allemagne
Original vintage poster 100 x 66 cm This Air France poster encourages French tourists to travel to Germany. Pictured is the Römer in Frankfurt, a medieval building which has served as the town's city hall for over six hundred years. Condition: generally very good; a few little edge creases top right. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage travel posters. -
Save for Prosperity - The Road Ahead (c. 1950s)
Original vintage poster 38 x 26 cm Issued by the National Savings Committee, London; the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. Printed for HM Stationery Office by W R Royle & Son, Ltd. An architecturally accomplished poster: a steam train pass over a railway bridge, under which various vehicles progress. The National Savings Committee tells us that our 'road ahead' to prosperity, our means of progress, is saving. Condition: generally very good; a couple of old creases and two pin holes to each top corner. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
Save for Prosperity - Building Homes for Heroes (c. 1950s)
Original vintage poster 38 x 26 cm Issued by the National Savings Committee, London; the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. Printed for HM Stationery Office by W R Royle & Son, Ltd. A stylish, interesting poster: two men are hard at work building a house, and other scaffolded houses-to-be appear in the background. The National Savings Committee tells us that building new homes for war veterans is one of the scheme's priorities. The artist uses the same red of the houses' roofs to colour the men's necks and arms - illustrating, perhaps, the tension and strength of their muscles. Condition: generally very good; couple of old creases and five pin holes to top. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
Save for Prosperity - Build for the Future (c. 1950s)
Original vintage poster 38 x 26 cm Issued by the National Savings Committee, London; the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. Printed for HM Stationery Office by W R Royle & Son, Ltd. A schoolboy looks up at a scaffold being raised before him - to build a new school perhaps, or a house in which he might one day live. The boy's upturned, hopeful face encourages us to save via the National Savings scheme, to advance our own prosperity, and the nation's. Condition: generally very good; three pin holes to top and short crease to bottom right hand corner. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
Save for Prosperity - Export and Thrive (c. 1950s)
Original vintage poster 38 x 26 cm Issued by the National Savings Committee, London; the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. Printed for HM Stationery Office by W R Royle & Son, Ltd. An architecturally accomplished poster: a busy shipyard in red and black, with motion on all fronts. Condition: generally very good; three pin holes to top and a couple of gentle handling creases. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
Cyril Kenneth Bird ‘Fougasse’ (1887 - 1965)
The Indispensables
Lithographic poster 30 x 22 cm Fougasse was a British cartoonist. He was art editor of Punch between 1937 and 1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and the other posters for the Ministry of Information and London Transport. As the Second World War progressed, the Ministry of Information’s poster campaign had become less and less effective. There were posters instructing the population to save old clothes for rags, turn off the lights, save food, dig for victory, watch out for spies, and keep calm and carry on. With this instruction overload, the population had ceased paying attention to the posters. Fougasse noticed this, and offered his services unpaid to the Ministry of Information, with a view to bringing a touch of humour to the posters. His amusing designs with pithy captions, reminiscent of newspaper cartoons, helped to get the Ministry's messages across in a novel way.Fougasse's distinctive poster style, with the red border- as seen in this poster-was subsequently adopted by other Ministry artists.Condition: backed to linen; generally excellent. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist. -
Out of stock
Cyril Kenneth Bird ‘Fougasse’ (1887 - 1965)
Jump for Them
Lithographic poster 30 x 22 cm Fougasse was a British cartoonist. He was art editor of Punch between 1937 and 1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and the other posters for the Ministry of Information and London Transport. As the Second World War progressed, the Ministry of Information’s poster campaign had become less and less effective. There were posters instructing the population to save old clothes for rags, turn off the lights, save food, dig for victory, watch out for spies, and keep calm and carry on. With this instruction overload, the population had ceased paying attention to the posters. Fougasse noticed this, and offered his services unpaid to the Ministry of Information, with a view to bringing a touch of humour to the posters. His amusing designs with pithy captions, reminiscent of newspaper cartoons, helped to get the Ministry's messages across in a novel way.Fougasse's distinctive poster style, with the red border- as seen in this poster-was subsequently adopted by other Ministry artists. In this poster, taken from The Art of Refereeing, Fougasse depicts a man hurling a book in the direction of a scrum, drawing an intriguing analogy between sports and literary culture.Condition: backed to linen; generally excellent. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist. -
Vivian Bewick Leopold von Habsburg, original vintage book cover
India ink and body colour 30 x 26 cm This work was originally a book cover design for the biography on Leopold Habsburg by the esteemed British author and biographer C.E. Vulliamy (1886–1971). It showcases the title of the work in a bold font with the Habsburg crest resplendent in gold in the background. Bewick personally wrote the medium and his address at Buckhurst Hall on the reverse of this cover, rendering it a unique piece for any collection. Vivian Bewick (1912–1999) was a British artist and educator, notable for his contributions to mid-20th-century art and his role as a tutor at the Buckhurst Hill Community Association (BHCA). He was also a descendant of Thomas Bewick, the renowned 19th-century engraver celebrated for his depictions of birds and animals. Condition: Generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
Vivian Bewick Montezumas Daughter, original vintage book cover
Wash and gouache 34 x 28 cm This work was originally a book cover design for the historical adventure novel 'Montezumas Daughter' by the Victorian writer Sir Henry Rider Haggard. The cover depicts two men, presumably including the protagonist Harry Thurston, engaged in a duel. As one of the subjects falls across the cover, his hand reaching helplessly outwards, Bewick alludes to the tragic themes explored in this intriguing novel exploring colonialism and the Spanish Inquisition. On the reverse of this cover, Bewick personally wrote the medium and his address at Buckhurst Hall, rendering it a unique addition to any collection. Vivian Bewick (1912–1999) was a British artist and educator, notable for his contributions to mid-20th-century art and his role as a tutor at the Buckhurst Hill Community Association (BHCA). He was also a descendant of Thomas Bewick, the renowned 19th-century engraver celebrated for his depictions of birds and animals. -
Vivian Bewick Night must fall, original vintage book cover
Gouache 24 x 16 cm Signed to reverse This vibrant work was originally a book cover design for the play 'Night Must Fall' by Emlyn Williams. This psychological thriller follows the story of a charming yet mysterious young man named Dan, who takes a job as a caregiver for Mrs. Bramson, an irritable and wealthy elderly woman living in a secluded English countryside home. Despite his charisma, Dan harbours a dark secret, as he is revealed to be a murderer. This striking composition features Bewick's characteristically masterful use of silhouette to create an effect of suspense and tension, in-keeping with the themes of the play. The bright colours against dark gouache make this piece stand out and notably distinguish it as a beautiful work within Bewick's extensive oeuvre. Vivian Bewick (1912–1999) was a British artist and educator, notable for his contributions to mid-20th-century art and his role as a tutor at the Buckhurst Hill Community Association (BHCA). He was also a descendant of Thomas Bewick, the renowned 19th-century engraver celebrated for his depictions of birds and animals. -
Jane Carpanini Selwyn College
Lithograph 30 x 42 cm Born in Bedfordshire, Jane Carpanini studied at Brighton College of Art and the University of Reading. Since the start of her career she has been known for meticulous architectural paintings. Wales has been a favourite subject and she has paintings in the collections of the National Library of Wales and National Museum of Wales. Her renowned series of views of Oxford and Cambridge Colleges were published by Contemporary Watercolours and have since featured regularly in the Oxford and Cambridge Today magazines. Throughout her career, Carpanini has exhibited widely and her work is held by many public and private collections both in the UK and abroad. She was a regular exhibitor with the major Societies and was the first woman officer of the Royal Watercolour Society, serving as the Honorary Treasurer and also as Vice-President. In 2003 she was also nominated for the Presidency of the RWS becoming the first ever female candidate for the post. This lithograph depicts the comings-and-goings of the main entrance at Selwyn College, Cambridge. A student cycles along Grange Road, keeping pace with their walking friend, perhaps on their way to lectures at the nearby Sidgwick Site; another student is wheeling their bike towards the nearby bicycle parking. The weather is sunny and the trees are covered in leaves. This is a lovely representation of everyday life at the university and Selwyn College. Condition: Generally very good, can come with frame.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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Jane Carpanini Old Court, Selwyn College
Lithograph 30 x 42 cm Born in Bedfordshire, Jane Carpanini studied at Brighton College of Art and the University of Reading. Since the start of her career she has been known for meticulous architectural paintings. Wales has been a favourite subject and she has paintings in the collections of the National Library of Wales and National Museum of Wales. Her renowned series of views of Oxford and Cambridge Colleges were published by Contemporary Watercolours and have since featured regularly in the Oxford and Cambridge Today magazines. Throughout her career, Carpanini has exhibited widely and her work is held by many public and private collections both in the UK and abroad. She was a regular exhibitor with the major Societies and was the first woman officer of the Royal Watercolour Society, serving as the Honorary Treasurer and also as Vice-President. In 2003 she was also nominated for the Presidency of the RWS becoming the first ever female candidate for the post. This lithograph depicts a sunny day over the Old Court at Selwyn College, featuring the Chapel, Master's Lodge and the Hall, recognisable by its distinctive stairs. A few students or academics wander round the periphery, perhaps enjoying this summery Cambridge scene. Condition: generally very good, can come framed.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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Queens' College and Mathematical Bridge Watercolour 26 x 35 cm An idyllic depiction of the famous view down the Cam towards mathematical bridge, this watercolour captures the soothing reflections of the medieval architecture of Queens' College and the gentle ripples created as a kayaker floats down the river. Sumptuous greenery and warm tones imbue this lovely watercolour with a calming effect. -
William Steeple Davis (1884-1961) Christ Church College, Oxford
Pastel drawing 31 x 23 cm William Steeple Davis (1884–1961) was an American artist known for his diverse artistic talents, including pastel drawings. While he primarily focused on etchings, hand-coloured prints, and block prints, he also created notable works using pastels. In his later years, particularly during the 1950s, Davis traveled to England, where he produced a series of pastel artworks. These pieces often depicted English landscapes and landmarks, including this drawing of Christ Church College, Oxford. Alongside his talents in painting, print making, photography and the graphic arts, these pastel works highlight Davis's ability to capture the essence of various locales, showcasing his versatility and keen observational skills. -
James Basire & John Carter Architectural details of St Albans Cathedral
Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. Recognising it as one of England's most significant medieval structures, the society commissioned a series of engravings of St Alban's Cathedral in 1810 by James Basire--based on drawings by the architectural draughtsman John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & Robert Blemmell Schnebbelie The Holy Sepulchre at Heckington in Lincoln
Engraving 45 x 30 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. Recognising it as one of England's most significant medieval structures, the society commissioned a series of architectural engravings in 1810 by James Basire, this one based on a drawing the English painter and illustrator Robert Blemmell Schnebbelie. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts the Holy Sepulchre at Heckington in the County of Lincoln. It illustrates the remarkable Easter Sepulchre at St Andrew's Church, Heckington. This carved structure features striking Gothic tracery, religious figures, and scenes related to Christ’s resurrection, all captured excellently by Basire's precision in engraving. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & Robert Blemmell Schnebbelie The Chancel of Chatham Church, Kent
Engraving 48 x 33 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. The society commissioned a series of architectural engravings by James Basire, this one based on a drawing the English painter and illustrator Robert Blemmell Schnebbelie. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts the Chancel of Chatham Church, Kent, 'as it appeared the 13th March 1788.' Across three figures, Schnebbelie depicts the dismantling of the church, illustrating the ornate finds uncovered by the workers and their pickaxes. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire, after James Johnson and John Carter Fonts in Suffolk
Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. The society commissioned a series of architectural engravings by James Basire, this one based on drawings by James Johnson and John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts fonts in Suffolk. The first illustration, originally executed by James Johnson, represents the ornate font in Ufford Church, complete with a uniquely suspended font cover. The second illustration, originally drawn by John Carter depicts a similarly ornate font in St Gregory's Church Sudbury. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & Robert Blemmell Schnebbelie Monument of King Edward IV in St George's Chapel at Windsor
Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. The society commissioned a series of architectural engravings by James Basire, this one based on a drawing by Henry Emlyn. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts the ornate monument of King Edward IV in St George's Chapel at Windsor. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & Robert Blemmell Schnebbelie Wainflete School, Lincolnshire
Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. The society commissioned a series of architectural engravings by James Basire, this one based on a drawing by Robert Schnebbelie. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts a north-westerly view of a school in Wainflete, Lincolnshire. It is likely that the building pictured illustrates the Magdalen College School, opened in 1484 by William Patten of Wainlete as a feeder school for Magdalen College, which he founded in 1458. The engraving showcases the lovely red-brick building and the effigies of his father Richard Patten, presumably designed to feature in the school. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & John Carter Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral
Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. The society commissioned a series of architectural engravings by James Basire, this one based on a drawing by John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts the stalls in Tiltey Church Essex and Rochester Cathedral. Each set of stalls has its own set of distinguishing features. Although the stalls in Tiltey Church are comparatively pared back with their bare bricks and simple stone masonry, these nooks are not simply stalls but are in fact a three-levelled sedilia with a piscina, as was typical in medieval churches. The sedilia in Rochester Cathedral is, in contrast, extremely ornate, figuring as a fine example of Gothic architecture, specifically from the Decorated period (c. 1250–1350). Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & John Carter Architectural Fragment of St Albans Cathedral
Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. Recognising it as one of England's most significant medieval structures, in 1810 the society commissioned a series of engravings of St Albans Cathedral by James Basire--based on drawings by the architectural draughtsman John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts an architectural fragment of St Albans Cathedral, focussing on the tiered windows that line the nave. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & John Carter Architectural Fragment of St Albans Cathedral
Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. Recognising it as one of England's most significant medieval structures, in 1810 the society commissioned a series of engravings of St Albans Cathedral by James Basire--based on drawings by the architectural draughtsman John Carter. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts an architectural fragment of St Albans Cathedral, focussing on the tiered windows that line the nave. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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James Basire & Henry Emlyn Plan and Elevation of the Rood Loft in St George's Chapel at Windsor Engraving 47 x 55 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to studying and preserving historical monuments. The society commissioned a series of architectural engravings by James Basire, this one based on a drawing by Henry Emlyn. In doing so, the Antiquaries hoped to preserve and disseminate knowledge of England’s architectural heritage. This engraving depicts the plan and elevation of the rood loft in St George's Chapel in Windsor. The strong lines and striking shapes stand out in this work, with the two cross sections of each column leaving a particularly strong impression. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.