• Richard Beer (1928 - 2017)

    Lecce Cathedral, Puglia

      Oil on canvas 122 x 85 cm Provenance: the artist's studio. A momentous depiction of Lecce Cathedral in all its glory. This oil painting is a fantastic example of Beer's focus on architecture, the central and recurring theme of his pictorial idiom. Born in London in 1928, just too late to serve in the Second World War, Richard Beer studied between 1945 - 1950 at the Slade School. Subsequently, a French Government scholarship allowed him to spend time in Paris at Atelier 17, working under Stanley William Hayter (1901 - 1988), one of the most significant print makers of the 20th Century – having spent the War in New York, advising as a camofleur, Hayter only returned to Paris in 1950. Subsequently Beer studied at the École des Beaux Arts, Paris. Working for John Cranko, choreographer for the Royal Ballet, Beer designed the sets and costumes for his The Lady and the Fool at Covent Garden, subsequently working for him following his move in 1961 to Stuttgart Ballet. Additionally he produced book illustrations and designed book jackets. Beer later taught print-making at the Chelsea School of Art, where he was a popular teacher. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds seven. His Oxford series was also produced for Editions Alecto as was a series of predominantly architectural views in Southern Europe. Most of his prints are of architectural subjects. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Richard Beer.
  • Ronald T Horley (active 1930s - 1940s)

    The Gateway to Cornwall

    Charcoal heightened with white 76 x 53 cm Signed and inscribed lower right 'Architect's Office, 83 Marlborough Place NW8 Marylebone'. The Great Western Railway commissioned a series of posters promoting train travel around the UK. This charcoal drawing of the Royal Albert Bridge at Saltash is the artist's original design for a poster encouraging rail travel to Devon and Cornwall. The bridge is known fondly as the 'Gateway to Cornwall'. The Royal Albert Bridge was designed by Isambard Kingdom Brunel. Surveying started in 1848 and construction commenced in 1854. The first main span was positioned in 1857 and the completed bridge was opened by Prince Albert on 2 May 1859. Condition: generally very good; a few isolated spots to bottom left corner. Click here for other original vintage travel posters and designs.
  • Paul Ayshford Methuen, 4th Baron Methuen of Corsham (1886 -1974)

    Jesus College, Cambridge

    Ink and pastel Signed and dated 30 May 1949; in artist’s original oak frame. 41x26cm (16.1×10.2 inches) For biographical details and other works by the artist click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • John Piper (1903-1992)

    Westminster School II (1961)

    42 x 59 cm Signed lower right and numbered 86/100 lower left in pencil. Piper’s second view of Westminster School; both views were commissioned by the school in 1981. Here he depicts Grant's House, with College on the far left and Rigaud’s House on the right. The view is serene and silent, set against a night sky the colour of stone, mimicking the buildings below. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: generally very good; a little age toning. A few spots to margins. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper CH.
  • John Piper (1903-1992)

    Westminster School I (1961)

    49 x 63 cm Signed lower right and numbered 66/100 lower left in pencil. Piper's skilled and characterful rendering of Westminster School's gateway, sometimes known as Burlington's Arch. The historic entrance to the school dates from 1734 and is carved with the names of former pupils. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: Generally very good, gentle even toning to the paper. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Edward Bawden (1903 - 1989)

    Westminster Abbey (1966)

    Linocut print 52 x 68 cm (92 x 107 framed) Signed, titled, inscribed 'Artist's Proof' and numbered 42/75 (Bawden inscribed 'Artist's Proof on all of his prints). Bawden's view of Westminster Abbey, cast in shades of blue, grey, and black.
    Edward Bawden was an English painter, illustrator and graphic artist, known for his prints, book covers, posters, and garden metalwork furniture. Bawden taught at the Royal College of Art, where he had been a student, worked as a commercial artist, and served as a war artist in World War II. He illustrated several books and painted various public murals, and his work and career are often associated with that of his contemporary, Eric Ravilious.
    Condition: generally very good. Inscription slightly faded. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other work by the artist.
  • John Piper (1903-1992)

    Capesthorne Hall (1977)

      Screenprint 64 x 102 cm Piper captures here, in his usual fanciful colours, the Cheshire stately home of Capesthorne Hall. Built in neoclassical style by William Smith and his son Francis, the hall today is used for weddings and other civil occasions. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good; a little old discolouration to edges under mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • Adrian Heath Abstract Study I (1970)

    Gouache & ink 35x33cm Heath was born in Burma in 1920 and arrived in England aged five. In 1938 he studied art under Stanhope Forbes at Newlyn and later at the Slade School of Art. While serving in WWII, he was captured and placed in a prisoner-of-war camp in Bavaria. Heath attempted to escape from the camp but was recaptured and placed in solitary confinement; this isolation proved crucial to the development of his artistic style, as he spent much of his time there experimenting with abstract forms. When released from confinement, Heath befriended a fellow prisoner of war: Terry Frost. Together they explored the methods of painting which they had developed during their time in the camps, and following the war both became celebrated artists. We have several Terry Frost pieces available too. In 1949 and 1951, Heath returned to Cornwall. He spent time with artists like Ben Nicholson, Victor Pasmore, and Anthony Hill, and became the main link between the emerging St Ives School of artists and the British Constructivist movement back in London. He is further credited with promoting British abstract art through informal exhibitions in his studio on Fitzroy Street, as well as his manifesto-like text entitled 'Abstract Art: Its Origins and Meaning', which was published in 1953. Over time, Heath's paintings of abstract geometry and symmetry became increasingly dynamic and heavily textured, the result of layering paint on paint over the course of several days. Here, his colour palette surrenders to the compelling geometry of the painting's abstract forms. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.  
  • Edward Bawden (1903-1989)

    Mum Cat with Nine Lives

      Pen and ink 38 x 27 cm Signed and inscribed lower right. Bawden developed a love of cats at a young age, copying Louis Wain's cat pictures. In his later years, his drawings of cats became yet more frequent; his cat Emma featured in much of his work. In an interview with House and Garden in 1987 he said: "No cat will suffer being lifted up and dropped into an empty space intended for her to occupy; that procedure led inevitably to Emma, tail up, walking away at once, so I had to wait patiently until Emma had enjoyed a good meal of Coley and was ready to choose her daily sleeping place, wherever it might be. I would then spring into action." Doubtless he found it easier to draw an imaginary cat, such as this one. For other cats - and other works - by Bawden, please click here. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Edward Bawden (1903-1989)

    Nurse Cat with Nine Lives

      Pen and ink 38 x 27 cm Signed and inscribed lower right. Bawden developed a love of cats at a young age, copying Louis Wain's cat pictures. In his later years, his drawings of cats became yet more frequent; his cat Emma featured in much of his work. In an interview with House and Garden in 1987 he said: "No cat will suffer being lifted up and dropped into an empty space intended for her to occupy; that procedure led inevitably to Emma, tail up, walking away at once, so I had to wait patiently until Emma had enjoyed a good meal of Coley and was ready to choose her daily sleeping place, wherever it might be. I would then spring into action." Doubtless he found it easier to draw an imaginary cat, such as this one. For other cats - and other works - by Bawden, please click here. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • John Piper C.H. (BRITISH, 1903-1992)

    Shadwell Park

    (Levinson 277) Screenprint in colours, on Arches, signed and numbered. Printed by Kelpra Studio and published by Marlborough Fine Art, London. 510 x 690mm From the 'Victorian Dream Palaces' series of prints by Piper. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: generally very good. A little discolouration to extreme margins hidden under mount. In hand-finished black-painted frame.
  • Roy Carnon (1911-2002) Derelict Catalina Redhills Lake near Madras

    'Used in Stocks for Gunnery Practice' Oil on board, artist's painted frame Signed and dated 1946 and inscribed with  title to reverse Click here for other works by Carnon. This 1946 painting of a derelict Second World War aircraft is a portrait of postwar disillusionment. The battered Catalinas which had survived the war became useful only as ground-based objects for target practice.  Carnon's brooding colours and impasto application of paint illustrate how the technologies which helped the Allies to win the war became, overnight, unnecessary. The airmen based in India similarly became unnecessary, but unable to be demobilised they initiated the so-called RAF Mutiny in January 1946. Carnon attended Chiswick Art School becoming an illustrator. In 1965 he was responsible for visualising spacecraft for 2001: A Space Odyssey, being designer of the iconic 'wheel' spacestation. These drawings are now in the Kubrick archives at UAL. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent, recently cleaned and in artist's original frame.
  • Out of stock

    John Piper (1903 - 1992)

    Oxburgh Hall (1977)

      Lithograph 61 x 48 cm Provenance: Marlborough Galleries. Signed in pencil lower right. Piper's saturnine depiction of Oxburgh Hall, a moated country house in Norfolk now owned by the National Trust. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good; the orange ink is often very faded in the Oxburgh print - this copy remains vibrant. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • John Piper (1903 - 1992)

    Façade (1987)

      Lithograph 45 x 60 cm Numbered 96/108 lower left and signed lower right, both in pencil. Printed by Piper and the screenprinter Chris Prater in 1987 after the original designs from 1942. 'Façade' was a sequence of poems written by the English poet Edith Sitwell. They were set to music by William Walton in 1922, four years after they were first written. 'Façade' premiered in 1923 in London, and was praised for its experimental modernist style. The choreographer Frederick Ashton made Façade into a ballet in 1931; Sitwell did not wish her poems to be included, but Walton's orchestral arrangements were used. John Piper was commissioned as set designer for a 1942 performance of Facade in 1942. This lithograph is the design for the performance's curtain; the poetry and music of the performance were played behind the curtain, unseen by the audience. The Gothic house to the right was inspired by Eaton Hall in Cheshire, and we also see a folly, lake, and wood typical of an English country house. The moon, butterfly, and dragonfly lend themselves to the scene's dreamlike aspects, and the mask in the centre of the design highlights the collaborative nature of Façade - a salute to poetry, music, art, and even architecture. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • John Piper (1903-1992)

    Le Petit Palais (1972)

      Screenprint Signed and numbered 18/25 in pencil. Piper's print of the Petit Palais in shades of yellow. The Petit Palais is an art museum in Paris; it was built for the 1900 Exposition Universelle and is now home to the City of Paris Museum of Fine Arts. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: generally very good; mounted to board. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • Ethel Louise Rawlins (1880 – 1940)

    A Garden Below the South Downs

    Oil on canvas
    51 x 61 cm
    Signed lower right.
    Rawlins was a painter who studied at the Slade School of Fine Art and in Newlyn, Cornwall. She settled in Sussex in the early 1920s, and often painted the rolling hills of the Sussex landscape. Here, blue hills and a grey sky serve as the background for an extensive garden complete with stone urns, flowers, and slanting shadows created by the late afternoon sun.
  • Walter Hoyle (1922 - 2000)

    King's College Chapel, Cambridge in red (1965)

    Linocut Cambridge Series State Proof, Signed and Titled in pencil. Printed by the artist at Editions Alecto
    51x69cm Condition: Excellent Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
     
  • Alfred Daniels RBA RWS (1924-2015) All Souls, Oxford Acrylic on paper In a hand-finished white frame. 22x29.5cm (8.6x11.6 inches) Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • John Robert Murray McCheyne (1911 - 1982)

    Metamorphosis (1969)

      Polished redwood 96 cm high Provenance: the artist's estate. A significant work by the artist. This sensual mid-century modern nude conveys a sense of monumental abstraction through its sloping curvatures. It swells and recedes, demonstrating not only the sinuous possibilities of the human figure, but also those of the Hepworth- and Moore-influenced abstract form. John Murray McCheyne was a sculptor and teacher. He studied under the sculptor Alexander Carrick at the Edinburgh College of Art between 1930 and 1935. In the 1950s and 1960s he became Master of Sculpture at King’s College, University of Newcastle, and began to work on public sculpture commissions while there. He exhibited at the Palace of Arts' Empire Exhibition Scotland in 1938, and was a regular exhibitor at the Royal Scottish Academy, and the Royal Glasgow Institute. Condition: generally very good; one or two very small scratches. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Modern British Sculpture.
  • Out of stock

    John Piper (1903-1992)

    Three Somerset Towers (1973)

      Screenprint 56 x 76 cm John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: generally very good; a little age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.

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