• Edward Quin (British 1794-1828)

    Twenty-one maps from An Historical Atlas in a Series of Maps of the World As Known at Different Periods.

    Twenty-one hand-coloured engraved maps, various sizes, presented in fine hand-finished rosewood veneer frames. Click on the image to see all twenty-one maps. 15 approx 40 x 31 cm 5 approx 62 x 31 cm Seeley and Burnside np. nd. [London c. 1830] Scroll down for further information.
  • Samuel Buck (1696-1779) & Nathaniel Buck (active 1724-59) Panorama of the River Thames from Westminster Bridge to London Bridge

    Published September 1749 30x404 cm Engraving Scroll down for further description. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Gideon Yates (?1790-?1840)

    1831 View on The Thames with London Bridge from the East Side showing Fishmonger's Hall, The Church of St Magnus the Martyr and St. Paul's Cathedral.

    c.1831 29x54cm Watercolour unsigned Provenance: The Parker Gallery LIttle is known of the life of Yates. Even his date of death is disputed with some sources putting it at 1837. What is known is that he spent most of his working life in London, producing many detailed views of The Thames such as this one. His style is very distinctive, and this large and impressive view of London Bridge is a typical view. He is thought to have lived in Lancaster in 1811, and to have travelled widely throughout Britain and the Continent. His works are in public collections including the Victoria and Albert Museum. In this view, Thames barges are in the foreground with their distinctive brown sails. A steamship proceeds along the middle of The Thames. The first steamboat patented was in 1729, by John Allen an English physician. However it was not until 1783 that the first steam-powered ship, "Pyroscaphe," was demonstrated on the River Saône. By 1788 John Fitch in Philadelphia was operating a commercial service along the Delaware River were built in the United States. The first sea-going steamboat was the "Experiment" built by Richard Wright in 1813; by this point river services were becoming well established although it was not until 1815 that The Thames acquired its first successful services with "Margery" and "Thames" arriving from the Clyde where they had been in service for some years. Margate and Gravesend were the main destinations. The steamboat in this view is a paddlesteamer, with two side wheels. At the north end of London Bridge (on the far side from the viewer) is Fishmongers' Hall, St Magnus the Martyr Church is visible on the near side of the bridge, and St Paul's Cathedral is visible beyond. UK Government Art Collection item 6701 is another view of The Thames by Yates, also from The Parker Gallery. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Macdonald (Max) Gill (1884-1947)

    Australia: Her Natural and Industrial Resources (1950)

    His Majesty’s Stationary Office, SO Code NO. 70-538-5-2 Lithographic poster 51 x 76cm (20 x 30 inches) Click here for biographical details and other works by the artist. Condition generally very good, a little spotting and the odd very short edge tear to margin not affecting image. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Florence & Walter Camm

    Design for Series of Four Arthurian Stained Glass Windows for Mercersburg Academy Chapel, Pennsylvania 

    1928 Watercolour over photographic background 10 x 24cm Provenance: The archives of TW Camm The Irvine Chapel of Mercersburg Academy was built as a war memorial for the First World War dead of the school. The dead were honoured in a series of stained glass windows that were commissioned from a series of the greatest stained glass designers of the time. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • J. Lewis (fl. 1801-1808)

    Eton College from the River

    Oil on canvas 41 x 62 cm Signed lower left. While not a prolific artist, Lewis was noted for his views of the Thames - this view of Eton College is remarkable for its depiction of the river and wider environs of the school, as well as its architecture. Two snowy swans and boater-clad boys complete the view from the other sides of the Thames. Condition: very good.
  • Gideon Yates

    View on The Thames with Staines Bridge

    25 x 48 cm Watercolour Charmingly signed lower left, on the side of the stone c.1830 Little is known of the life of Yates. Even his date of death is disputed with some sources putting it at 1837. What is known is that he spent most of his working life in London, producing many detailed views of The Thames such as this one. His style is very distinctive, and this large and impressive view of London Bridge is a typical view. He is thought to have lived in Lancaster in 1811, and to have travelled widely throughout Britain and the Continent. His works are in public collections including the Victoria and Albert Museum. UK Government Art Collection item 6701 is another view of The Thames by Yates. Click here for other paintings by Yates. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Richard Westmacott (1775 - 1856)

    Edinburgh Castle (1800)

      Watercolour 29 x 41 cm A watercolour depicting Edinburgh Castle. A Georgian couple gaze up at the immensity of Castle Rock, and the 11th-century fortress perched upon it. Richard Westmacott was British artist who primarily worked as a sculptor. Westmacott studied with his father, also named Richard Westmacott, at his studio in Mount Street, off Grosvenor Square in London, before going to Rome in 1793 to study under Antonio Canova. Upon his return to London in 1797, he established his own studio. He exhibited at the Royal Academy between 1797 and 1839 and was elected an associate of the Royal Academy in 1805, and a full academician in 1811. Condition: very good; handsomely framed. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Schnebbelie (Robert Blemmell, circa 1785-1849) The Commercial Sale Rooms, Mincing Lane, City of London (c. 1814)

    Pencil, pen, ink & watercolour 25 x 42 cm Captioned to mount, "Used as the Custom House after the Original House was Burnt from 1814 to 1817". With engraving of the same image pasted to reverse of frame, published by James Whittle & Richard H. Laurie, Jan. 16th, 1815. Schnebbelie was an English painter and illustrator who produced many views of London. His father, Jacob, was a confectioner who was subsequently employed by the Society of Antiquaries of London as a draughtsman, but who died at the age of 31. Following his death, Robert took up his father's profession. Between 1803 and 1821 he exhibited at the Royal Academy; Engravings based on his drawings were widely published - most notably in Robert Wilkinson's Londina Illustrata (1808-1825), David Hughson's Description of London and the Gentleman's Magazine. His works are in the collections inter alia of the Museum of London, the Guildhall Art Gallery and the Huntington Museum of Art in West Virginia. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • John Chessell Buckler (1793 - 1894)

    Horham Hall, Essex (1830)

      Watercolour 25 x 34 cm Signed and dated lower right; titled below. Horham Hall was built in Thaxted, Essex by Sir John Cutte in the early sixteenth century. The original hall was a timber-framed moated manor house built circa 1470, but it was largely demolished by Cutte, who built the present house between 1510 and 1515. Cutte was under-treasurer in the households of Henry VII and Henry VIII. The mansion was built in brick in two storeys in a quadrilateral layout with a gatehouse and incorporated some elements of the former building. The house was visited three times by Elizabeth I as the guest of Sir John Cutte. It is believed that the Tower was built for her to watch the local hunt. It was while staying at Horham in 1578 that the Queen received the envoy of the Duke of Alençon proposing marriage. John Chessell Buckler was a British architect, the eldest son of the architect John Buckler. His work included restorations of country houses and at the University of Oxford. Buckler received art lessons from the painter Francis Nicholson. He began working for his father's architectural practice in 1810, and ran it from 1830 onwards with his younger brother George. They worked in partnership until 1842. Buckler did a lot of work in Oxford, carrying out repairs and additions to St. Mary's Church, and Oriel, Brasenose, Magdalen, and Jesus Colleges. He also restored Oxburgh Hall, Norfolk, and Hengrave Hall, Suffolk, and designed Dunston Hall, Norfolk, and Butleigh Court in Somerset. In 1836 he came second, behind Charles Barry, in the competition to rebuild the Palace of Westminster following its destruction by fire. Buckler's writings included the text accompanying his father's engravings of Views of the Cathedral Churches of England and Wales (1822). In 1823 he published 'Observations on the Original Architecture of St. Mary Magdalen College, Oxford', in which he expressed his hostility towards changes in the quadrangle of Magdalen College. Some of his later writings, such as 'A History of the Architecture of the Abbey Church of St Alban' (1847), were written in collaboration with his own son, Charles Alban Buckler. He wrote a further polemical work, 'A Description And Defense Of The Restorations Of The Exterior Of Lincoln Cathedral' (1866), a scathing response to accusations that, in capacity as honorary architect to Lincoln Cathedral, he had overseen a damaging restoration involving the 'scraping' of the cathedral fabric. He died at the grand old age of 100 in 1894. Condition: good. Some spots to the sky, as visible in photograph. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Robert Tavener (1920-2004)

    Eton College from the Lock

    Watercolour 36x48cm Signed and inscribed Please click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Claude Muncaster (1903-1974)

    View of the Clyde from Lyle Hill

    Monochrome watercolour with ink Signed and dated 1952, and inscribed 'Sphere' 18x50cm DRAWN FOR 'THE SPHERE' ILLUSTRATED MAGAZINE Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Ernest Bendell-Bayly Mosquito Fighter Bomber

    Oil on paper laid on board Design for poster 32x31cm 1940s Ernest Bendell-Bayly was a partner in the Bayly-Souster advertising agency, employer of, amongst others, Owen Miller. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • William Roxby Beverley (1811-1889, British)

    Durham Cathedral From the North East (c.1860)

    16 cm x 24 cm Watercolour Provenance: Sotheby's lot 25, 25th January 1989. William Roxby Beverley was an English theatrical scene painter, known also as an artist in oils and watercolours. William John Lawrence, writing in the Dictionary of National Biography, considered him second only to Clarkson Stanfield among British scene painters of the nineteenth century. Condition: Slight loss of colour in sky area and very light foxing in same, otherwise generally very good.
  • John Speed (1551 or 1552 - 1629)

    Map of Cambridgeshire

      Engraving with later hand colouring 39 x 53 cm A beautifully coloured map of Cambridgeshire, with an antique description of the county to the reverse. The map, along with many others, was published in Speed's atlas, 'The Theatre of the Empire of Great Britaine', first published in 1611. The map is populated by four figures in academic dress, and bordered on all sides by college crests. John Speed was an English cartographer, chronologer and historian. The son of a citizen and Merchant Taylor in London, he rose from his family occupation to accept the task of drawing together and revising the histories, topographies and maps of the Kingdoms of Great Britain as an exposition of the union of their monarchies in the person of King James I and VI. He accomplished this with remarkable success, with the support and assistance of the leading antiquarian scholars of his generation. He drew upon and improved the shire maps of Christopher Saxton, John Norden and others, being the first to incorporate the hundred-boundaries into them, and he was the surveyor and originator of many of the town or city plans inset within them. His work helped to define early modern concepts of British national identity. His Biblical genealogies were also formally associated with the first edition of the King James Bible. He is among the most famous of English mapmakers. Condition: generally very good; one tiny hole to right side just beyond plate mark. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more Cambridge pictures.
  • Michel Dureil (1929 - 2011)

    La Table du Jardin / Garden Table with a Black Cat

     

    Oil on canvas 35 x 44 cm A black cat stretches beside a typical French table, observed by bright orange flowers. Orange cushions and an orange sun-umbrella complete the scene. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.

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