• S Clapham (active 1940 - 1960)

    Proposed Memorial for the Battle Training Area

      Pencil wash 49 x 70 cm Signed lower left and inscribed to reverse. Clapham's designs for a modernist war memorial to be erected in a training area at an army base. Clapham was an architect based in Stockwell in London. Condition: generally very good; one small mark to far right towards bottom. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by the artist.
  • Walther Koch (1875-1915) Zug Berg und Strassenbahn

    Original lithographic poster (1914) 40x30" Printed in Zurich by Anstalt Gebr Fretz If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Walter Hoyle (1922-2000)

    St Catharine's College, Cambridge (1956-66)

      Linocut 59 x 39 cm Signed lower right; inscribed and numbered 35/75 in pencil. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964-1985, during which time he launched Cambridge Print Editions. His work is held in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, Kettle’s Yard and the Fry Art Gallery. Condition: very good.
  • Walter Hoyle (1922-2000)

    Senate House, Cambridge (Cambridge Series 1956-6)

    Block print 72/75 Artist’s proof, published by Editions Alecto, London, 1966 46x89cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Walter Hoyle

    Queens' College Cambridge, Sundial

    Linocut, 1965 76x57 cm Signed numbered and titled in pencil. Printed on handmade Japanese Hosho paper by the artist at Editions Electo Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Walter Hoyle (1922 - 2000)

    King's College Chapel West End, Cambridge (1965)

    Linocut Cambridge Series 51/75, Signed and Titled. Printed by the artist at Editions Alecto
    71x41cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
     
  • Walter Hoyle (1922 - 2000)

    King's College Chapel, Cambridge in red (1965)

    Linocut Cambridge Series State Proof, Signed and Titled in pencil. Printed by the artist at Editions Alecto
    51x69cm Condition: Excellent Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
     
  • Walter Hoyle

    Jesus College Cambridge

    Linocut, 1965 76x48 cm Signed and titled in pencil. Printed on handmade Japanese Hosho paper by the artist at Editions Electo Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • "Zero" Hans Schleger (1898 - 1976)

    Wait till it stops before getting on or off a bus or tram

      Original vintage poster 76 x 49 cm Hans Schleger was born in Germany. After the First World War, he studied at the Berlin Kunstgewerbeschule. After working in Berlin, he moved to New York in 1924 and began to work as a graphic designer. He returned to Berlin in 1929 and began working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer, who introduced him to Jack Beddington (the head of advertising at Shell Mex BP). He moved to London following the rise of Hitler and produced a series of posters for Shell Mex. During the Second World War he worked for the British Government. He later taught at the Chicago Institute of Design and subsequently designed the trademarks of the John Lewis Partnership, Penguin, Deutsche Bank, and the Edinburgh Festival. Condition: generally very good, the odd gentle crease; not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters.
  • Waimea Bay, Hawaii 1964 Vintage Surfing Poster of Mike Doyle Champion Surfer

    67 x 53 cm Poster (lithograph) Printed by Looart Press, Colorado Springs, Colorado (1964) Waimea Bay Hawaii vintage 1964 surfing poster, with photograph of legendary surfer Mike Doyle on a wave on the north coast of Hawaii, taken by the iconic Californian surf photographer Leroy Grannis (1917-2011). Born in California in 1941, Doyle was first capitvated at the age of thirteen by surfing. The epitome of a surfer; tanned, chiseled features, charismatic and permanently smiling. He won readers polls in 1964 and 1965 in Surfer magazine, and in 1966 was voted Surfer's 'Top International Surfer'. Direct from the surplus stock of the printers, LooArt Press, which closed in the early 1970s. The poster is in generally excellent condition.
  • Dennis Flanders (1915 - 1994)

    Wadham College, Oxford, Garden Front

      Lithograph 30 x 48 cm Numbered 117/500 lower left and signed lower right, both in pencil. Signed lower left and titled lower right in the plate. A tranquil view of Wadham, verdant of grass and leafy of tree. Two undergraduates in jeans and t-shirts chat, laden down with books. Dennis Flanders RBA RWS was a British artist and draughtsman who specialised in pen and ink drawings, often of English landscapes and buildings. He is notable for his meticulous depictions of the impact of aerial bombing upon historic buildings during World War Two. After attending the Merchant Taylors' School, Flanders studied at the Regent Street Polytechnic, St. Martin's School of Art, and at the Central School of Arts and Crafts. Flanders worked at the School of Military Engineering during World War Two and made models of buildings and landscapes based on aerial reconnaissance photographs. He applied for a commission with the War Artists' Advisory Committee and, although he was unsuccessful, the Committee did agree to purchase several drawings from him. These were mostly detailed depictions of bomb-damaged buildings and churches which included views of St Paul's Cathedral and Canterbury Cathedral. After the war, Flanders became a regular exhibitor at the Royal Academy and held his first solo exhibition at Colnaghi in 1947. He illustrated several books and published two volumes of prints from his own drawings of British architecture and landscapes, which had been the dominant theme of his artistic career. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham College, Oxford.
  • William Nicholson (1872 - 1949)

    Front Quad, Wadham College, Oxford

      Lithograph 26 x 34.5 cm Signed. Published by Stafford Gallery. Sir William Nicholson was a British painter and printmaker. He is also known as an illustrator, author of children’s books, stained glass designer, and theatre set designer. In 1902, he produced a series of watercolour, chalk, and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh (father of Evelyn Waugh). These dramatic depictions of Oxford show Nicholson’s interest in the effects of light and shade on the city’s architecture. Condition: generally very good. In conservation mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham College, Oxford.
  • Hugh Casson (1910 - 1999)

    Wadham College, Oxford (1989)

      Lithograph 22 x 40 cm Proof print aside from the numbered edition. Signed, titled and dated in plate, and signed lower right in pencil. Printed on wove. Casson's peaceful, pastoral depiction of Wadham. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham College, Oxford.
  • Hugh Casson (1910 - 1999)

    Wadham College, Oxford - The Fellows' Garden

      Lithograph 24 x 40 cm Proof print aside from the numbered edition. Signed, titled and dated in plate. Casson's peaceful, pastoral depiction of Wadham. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham College, Oxford.
  • Pieter van der Aa (1659-1733), after David Loggan (1634–1692)

    Wadham College, Oxford (1727)

      Engraving 12 x 16 cm An eighteenth-century view of Wadham, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears. Condition: a good impression. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Emery Walker (1851 - 1933) after Edmund Hort New (1871 - 1931)

    Wadham College, Oxford

      Photogravure 27 x 41 cm New produced a series of pen-and-ink drawings of Oxford colleges, of which this is one. They paid homage to the artist David Loggan, often using the same aerial viewpoint as him, but showing the colleges two hundred years later. Emery Walker turned New's drawings into photoengravings in the early 20th century. Probably no more than two hundred prints of each engraving were produced, and the plates were destroyed in the blitz. Edmund Hort New was an English artist. He was a member of the Birmingham Group of Arts and Crafts-associated painters and craftsmen, and is known as a leading illustrator of his period. He specialised in pen and ink drawings of rural and urban landscapes, old buildings and their interiors, architectural features, and also designed bookplates. He provided illustrations for the English Illustrated Magazine and was commissioned by Bodley Head publishers to illustrate critically acclaimed editions of books, such as Walton's The Compleat Angler. In 1895, New met William Morris and began designing for the Kelmscott Press. He also taught drawing to T E Lawrence. In 1905, he began his drawings of the Oxford colleges, and spent the rest of his life working on the (sadly unfinished) project. In 1921 he exhibited at the first exhibition of the Society of Graphic Art. Sir Emery Walker FSA was an English engraver, photographer, and printer. He was very involved with the Arts and Crafts movement, a Master of the Art Workers' Guild, President of the Arts and Crafts Exhibition Society, a Trustee of the Wallace Collection, and a Fellow of the Society of Antiquaries. He was also a close friend of William Morris. Walker's expertise and his collection of 16th-century typefaces inspired Morris to create the Kelmscott Press. In 1910, Walker photographed the notable Rice portrait of Jane Austen. He was knighted in 1930. Condition: very good; modern printing. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Wadham.

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