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Lennox Paterson (1915 - 1986)
Noah's Ark for Clyde Shipping Company Ltd
Original vintage poster 101 x 77 cm A charming poster portraying a Clyde Shipping Company vessel as Noah's Ark, with its animals two by two. Lennox Paterson was a painter and printmaker who studied at Glasgow Academy and then the Glasgow School of Art. He was a member of the Society of Artist Printmakers and Royal Glasgow Institute of the Fine Arts, and exhibited at the Royal Academy of Scotland. Condition: generally very good. Near-mint condition. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
Louis Osman FRIBA (1914 - 1996)
Design for the Restoration of the 'Bird Cage' Arbour, Melbourne Hall, Derbyshire
Mixed media, including pen, ink, watercolour, and gold leaf 108 x 63 cm Provenance: the artist's daughter. In 1958 Osman was commissioned to advise on the restoration of a metal arbour, originally designed in 1708 by Robert Blackwell for the grounds of Melbourne Hall in Derbyshire. The arbour is known as the 'Bird Cage' and was originally painted in a dreamy array of vivid colours; Osman extensively researched Blackwell's work and consulted his original plans for the metalwork in order to restore the arbour to its former glory. The paint was stripped and the iron repainted as per Blackwell's original scheme. The ironwork specialists George Lister & Sons Ltd worked with Osman on the project. This large design features watercolour and gold leaf to illustrate the embellishments Osman had in mind. Osman was as much an artist as an architect. This is likely a portfolio piece from his time studying at the Bartlett School of Architecture, and is as such a piece of architectural history as well as a beautiful Osman design. Osman was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group) by the Bartlett, and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled coffin that holds the copy of the Magna Carta on view in the United States Capitol, Washington, DC. Condition: generally very good; one or two small brown spots to periphery. In artist's original lead-edged frame. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Reginald Hallward (1858 - 1948)
Design for a banner in the shape of a strawberry
Watercolour 14 x 10 cm A design for a banner featuring a strawberry motif. The design, like many others by Hallward, is likely influenced by in the Arts and Crafts style popularised by William Morris in the 1890s. Reginald Hallward was born on the Isle of Wight, and was a painter, poet, glassmaker and book designer. He is best known for his stained glass window designs and the tempera murals he painted in several churches. A great exponent of the English Arts and Crafts movement, he often used black paint for outlines, rather than leaded glass. A consumate craftsman, he insisted on painting, firing and leading with his own hands. Condition: mounted to board, old glue marks to margins, and some loss of colour; otherwise good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures by Reginald Hallward. -
Reginald Hallward (1858 - 1948)
Design for a church wall painting (1904)
Pencil and watercolour on paper 6 x 12 cm With pencil annotations by the artist. A romantic design for a wall painting above a church organ, featuring angels variously reading, singing, and playing the lute. Reginald Hallward was born on the Isle of Wight, and was a painter, poet, glassmaker and book designer. He is best known for his stained glass window designs and the tempera murals he painted in several churches. A great exponent of the English Arts and Crafts movement, he often used black paint for outlines, rather than leaded glass. A consumate craftsman, he insisted on painting, firing and leading with his own hands. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures by Reginald Hallward. -
William Sydney Causer (1876 - 1958)
Queen's College, Oxford
Watercolour 38 x 53 cm A most agreeable depiction of Queen's College on the High. The college's Headington Stone is made golden by the sun. William Sidney Causer was a landscape artist known coastal and his urban scenes. He studied at the Wolverhampton School of Art and exhibited at the Royal Academy for the first time in 1923, and later the Paris Salon. Causer painted several pictures in Spain before the Civil War there, and also painted landscapes in France and Italy as well as the English South Coast. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Queen's College, Oxford. -
RAF In Action
Original vintage poster 75 x 50 cm An original vintage poster advertising the 'RAF in Action' exhibition, a public exhibition highlighting the work of the Royal Air Force. Condition: generally very good; folds as issued. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage Second World War posters. -
Stanley Kennedy North (1887 - 1942)
British Empire Exhibition Map (1924)
Lithograph 51 x 75 cm This fascinating and attractive map with elaborate cartouche highlights the attractions of the British Empire Exhibition, a showcase held in London to exhibit the fruits of Britain's overseas colonies. It was designed to boost support for the Empire's activities, encourage trade of imperial goods, and remind other world powers of Britain's (historic) colonial capacity. The Empire Stadium was built especially to house the exhibition; it is known today as Wembley Stadium. The exhibition was opened by King George V on St George's Day, 1924. Condition: generally good; folds as issued; a few short tears at corners. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
William Black Design for Sculpture (1966)
Watercolour 18 x 16 cm Signed and dated lower right. A design for a metal sculpture, on a blue- and grey-toned background. William Black was a St Ives artist who began his career as an architect. In the 1950s he came into money and ran away to St Ives to become a professional artist, studying under John Tunnard and associating with other artists like Ben Nicholson and Barbara Hepworth. Black rarely put up work for sale during his lifetime and is known for his architectural and deconstructivist sculptures which espoused the modernist spirit of the St Ives group in the 1960s. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Modern British Art. -
Silhouettes of Aircraft on the Joint Services Aircraft Recognition Training List (1959)
Original vintage pamphlet 41 x 78 cm Air Ministry Pamphlet 326C, Issue 6 (July 1959). Prepared by direction of the Minister of Supply. A pocket folder of aircraft silhouettes. Condition: generally very good; folds as issued. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage aircraft posters. -
Reginald Montague Lander (1913 - 1982)
Paignton, South Devon (1956)
Original vintage poster 100 x 60 cm Printed in Great Britain by Charles & Read, Ltd for British Railways. Signed lower right in the plate. Lander's iconic deck-chair poster encourages travel to Paignton in South Devon - "the family resort of picturesque Torbay". Reginald Lander Lander trained at the Hammersmith School of Art and became chief designer at the Ralph Mott Studio, where he was also studio manager. He worked as a freelance poster designer in the 1930s and produced iconic posters for the British Transport Commission and other Government ministries, as well as various train companies. Condition: generally very good; backed to conservation paper. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage posters. -
Russian Aircraft Recognition Chart (c. 1940s - World War II era)
Original vintage poster 76 x 102 cm Published by the Ministry of Supply. Many of these aircraft would have been in use during World War II and very familiar to the Allies. A rather attractive recognition chart - in stark contrast to many similar posters which employ a less artistic approach. PE-8; TU-2; PE -2 & 3; IL-4; ER-4; A-7; YAK-3; YAK-9; IL-2; and LA-5 are the aircraft features. Condition: a few creases, otherwise generally good to very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage aircraft posters. -
Anna Zinkeisen (1901 - 1976)
Honourable Artillery Company: Armed Strength For Peace
Original vintage poster 75 x 51 cm ""ARMED STRENGTH FOR PEACE": Apply to The Regimental Adjutant, Armoury House, E.C.I." Anna Zinkeisen won a scholarship to the Royal Academy Schools in 1916, focusing on sculpture and exhibiting at the Royal Academy in 1919. She was awarded the Landseer Award in 1920 and 1921, and went on to become an esteemed portrait artist, often of society ladies. She produced a series of posters for London Transport in the inter-war period. During the Second World War, Zinkeisen became a nurse, and was profoundly affected by the suffering she saw during her time working in St Mary’s Hospital. This is arguably the point at which she and her sister Doris reached the pinnacle of their careers, producing some of the finest and most affecting depictions of the world at war made during this period. Condition: generally very good, slight edge wear top right and one soft crease into the tank. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage World War II posters. -
Peter Collins ARCA (1923 - 2001)
Self-Portrait in Two Mirrors with Nude
Ink and wash 45 x 30 cm Provenance: the artist's studio sale. Collins simultaneously depicts himself painting, and reflected painting - his face is repeated in the two mirrors, and the model's figure appears three times. The picture's perspective leaves us questioning which model, and perhaps which Collins, is the real one. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other nudes. -
Peter Collins ARCA (1923 - 2001)
Figure Studies
Ink and wash 44 x 28 cm Provenance: the artist's studio sale. Four characterful and intimate clothed studies of a model with voluminous 1960s hair. Collins' first job was in the commercial studio of an advertising agency. World War II interrupted his career and he joined the Royal Artillery, teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins. -
Peter Collins ARCA (1923 - 2001)
Reclining Nude Studies - Andrea (1995)
Ink and wash 32 x 45 cm Signed and dated lower left. Artist's notes upper right. Provenance: the artist's studio sale. Five studies of one of Collins' models, Andrea, reclining. Each study runs into the next, with different perspectives of the model's body folding together. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins. -
Peter Collins ARCA (1923 - 2001)
Self-Portrait
Watercolour 32 x 45 cm Provenance: the artist's studio sale. Collins's first job was at an advertising agency, in the commercial studio. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war, Collins studied at the Royal College of Art, winning a scholarship. He then worked as a commercial artist, producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette, he created the 'Bacombe Galleries' in Sussex, converting a group of buildings into a gallery space. In 1975 they developed the Stanley Studios in Chelsea, which were scheduled for redevelopment, into a combined artists' studio and residence. Moving into the Stanley Studios allowed the Collinses to immerse themselves in Chelsea's art scene, and they proceeded to fill the studios with art, antiques, sculpture, and other curios. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by Peter Collins. -
John Piper (1903-1992)
Westminster School II (1961)
42 x 59 cm Signed lower right and numbered 86/100 lower left in pencil. Piper’s second view of Westminster School; both views were commissioned by the school in 1981. Here he depicts Grant's House, with College on the far left and Rigaud’s House on the right. The view is serene and silent, set against a night sky the colour of stone, mimicking the buildings below. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: generally very good; a little age toning. A few spots to margins. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper CH. -
John Piper (1903-1992)
Capesthorne Hall (1977)
Screenprint 64 x 102 cm Piper captures here, in his usual fanciful colours, the Cheshire stately home of Capesthorne Hall. Built in neoclassical style by William Smith and his son Francis, the hall today is used for weddings and other civil occasions. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good; a little old discolouration to edges under mount. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper. -
Angela Stones (1914 - 1995)
Still Life with Coffee Pot and Fruit
Oil on board 41 x 51 cm Signed lower right. Provenance: the family of the artist. A mid-century still life in oils, characterised by Stones' textured brushwork, inventive composition, and rich use of colour. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott – the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947-1999), was arguably the foremost pastel artist of his time. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more still lifes. -
Angela Stones (1914 - 1995)
Still Life with Mushrooms
Oil on board 41 x 51 cm Signed lower right. Provenance: the family of the artist. A dark, characterful mid-century still life in oils, characterised by Stones' textured brushwork and rich use of colour. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott – the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947 - 1999), was arguably the foremost pastel artist of his time. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more still lifes. -
Angela Stones (1914 - 1995)
Still Life with Pineapple
Oil on board 41 x 51 cm Signed lower left. Provenance: the family of the artist. A dark, characterful mid-century still life in oils, characterised by Stones' textured brushwork and rich use of colour. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893-1983) studied under Jack Merriott – the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947 - 1999), was arguably the foremost pastel artist of his time. Condition: very good. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for more still lifes. -
Silhouette (circa 1870)
Andrew Gillon
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Dodo Guinness
Gouache, pen, and ink 52 x 44 cm Adelaide Maud Guinness, nicknamed 'Dodo', was descended from the banking line of Guinnesses. Her father was the barrister and MP Richard Samuel Guinness. Dodo married Edward Cecil Guinness, the 1st Earl of Iveagh and her third cousin, in 1873. Edward's father had died in 1868, after which Edward inherited a share of the famous Guinness brewery. The Guinness family seat is Elveden Hall in Suffolk. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Silhouette (circa 1870)
David Barclay Chapman
Gouache, pen, and ink 52 x 44 cm David Barclay Chapman was a partner in the bank which in 1896 became the Limited Company Barclay & Co, known today as Barclay's. Two of his daughters appear in other silhouettes from this particular set. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Captain Thursby, 9th Lancers
Gouache, pen, and ink 52 x 44 cm Captain Piers Thursby was born in 1834 and served in the 9th Queen's Royal Lancers, a cavalry regiment of the British Army, with whom he served during the Indian Mutiny of the 1850s. He was the son of Revd. W. Thursby of Ormerod House and died in 1904. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Major Chaplin, 3rd Dragoon Guards
Gouache, pen, and ink 52 x 44 cm Silhouettes of Mrs F Chaplin and Miss Chaplain, likely the Major's wife and daughter, are also available. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Duncan Davidson RN
Gouache, pen, and ink 52 x 44 cm Captain Duncan George Davidson was born in 1833 served in the Royal Navy. He became a Captain in 1872 and captained H.M.S. Serapis between 1876 and 1879; he retired a year later. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Fletcher
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Chaplin
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: good. Some staining at upper and right edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Mrs Taylor
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Mrs Warburton
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining at upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Mrs Gillon
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Lady Fletcher
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Marton
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Maitland
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Watt
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette of Lady I (circa 1870)
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette of Lady II (circa 1870)
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette of a Lady III (circa 1870)
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Captain Warburton
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; occasional spots. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette of a Gentleman I (circa 1870)
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Mrs F Chaplin
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Guinness
Gouache, pen, and ink 52 x 44 cm Silhouettes of other members of the Guinness family of brewers and bankers are also available in this set. The Guinness family seat is Elveden Hall in Suffolk. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Taylor
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Lady Headley
Gouache, pen, and ink 52 x 44 cm A silhouette depicting Lady Headley, likely the wife of the 6th or 7th Baron Headley. Lord Headley, Baron Allanson and Winn, of Aghadoe in the County of Kerry, was a title in the Peerage of Ireland, first created in 1797. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Kerr Lloyd
Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes. -
Silhouette (circa 1870)
Miss Hay Newton
Gouache, pen, and ink 52 x 44 cm The Hay-Newtons were a wealthy family from East Lothian in Scotland. Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
