• Jane Gray (b.1931)

    Design for Stained Glass Panel in a Private House (1978)

      Watercolour 10 x 8 cm Signed and dated verso.

    This design is for a window commemorating Arthur Henry Edmond Esq., of Ranelagh, 50 Russell Road, Moor Park, Northwood, Middlesex, who held the position of High Sheriff of Greater London between 1973-4. The Clan from whom the Arthurs family descends began among the ancient Dalriadan kingdom of the west coast of Scotland. Their name comes from the Celtic personal name, Arthur, which is of various and often disputed etymology. The personal name Arthur may be derived from some early cognate of the Gaelic “art” and the Welsh “arth”, meaning “bear” and may indicate early Celtic worship of the bear or one who has a high regard for the bear’s virtuous qualities. The Latin motto,  ‘Impelle obstantia’ (meaning, 'Thrust aside obstacles’) would originally have acted a war cry or slogan. Mottoes first appeared in coast of arms in the 14th and 15th centuries, but were not in general use until the 17th century. The office of High Sheriff of Greater London was created in 1965 and granted armorial bearings 1966. The blazon of the arms, as depicted here is: ‘Gules, two seaxes in saltire argent, pommels and hilts or, between in chief a Saxon Crown or and in base a horse courant argent’.

    Provenance: the artist’s studio sale. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Christ Church, Oxon, Shrewsbury, Design for Millennium Stained Glass Window (1999)

      Watercolour 12.5 x 3.5 cm

    Signed, dated and studio stamp verso.

    Christ Church in Oxon, Shrewsbury is a fine example of an early Victorian church, built in 1854 by Edward Haycock Snr in the Early English style with many lancet features. This stained glass window above the chancel arch was commissioned to celebrate the new millennium, and centres on the star of Bethlehem against a coastal backdrop. This window was installed in 2001.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.86. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    St Mary’s Church, Longnor, Shropshire, Design for Stained Glass Millennium Commemoration Window (2000)

      Watercolour 12.5 x 17.5 cm

    Signed, dated and studio stamp verso.

    St Mary’s Church, Longnor, was originally built as a chapel to Condover around 1280 A.D. It was then a private chapel to the Corbett family of Longnor Hall, before becoming the parish church. These designs for two stained glass roundel windows in the East window were commissioned to commemorate the Millennium. This window was installed in 2001.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.87. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Anonymous Tours and Excursions

    Original Coach Poster 75x50cm Cool and crazy mid-century lettering. Poster with area for completion with details of a coach tour. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Anonymous (British, 20th Century) Free Film Show

    Original Poster 75x50cm c. 1960s An excellent and colourful piece of typography. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Excellent.
  • Hammond (British, fl. 1920s) Original artwork for Design for Shakespeare Twelfth Night programme to be held in Bath

    26x21 cm Gouache, 1937 Sadly nothing is known of the life of the artist of thes series of rather fine Art Deco designs we have listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally good; small stain to reverse as illustrated in photograph; fold to centre as intended by artist.
  • Hammond (British, fl. 1920s) Original artwork for brochure for Municipal Art School, Ford St, Coventry, England UK

    21.5x14 cm Gouache, c. 1937 Sadly nothing is known of the life of the artist of thes series of rather fine Art Deco designs we have listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1930s) Design for Municipal Art School Brochure

    21.5x18 cm Lithograph drawn directly to stone, 1937 Sadly nothing is known of the life of the artist of this series of rather fine Art Deco designs we have listed. This is drawn directly onto the stone, a considerable skill in itself, and in just two colours in order to limit the cost of the lithography. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Hammond (British, fl. 1930s) Original design for poster and flyer for Carnival Night at the King's Head

    26x19 cm Gouache, 1937 Sadly nothing is known of the life of the artist of this series of rather fine Art Deco designs we have listed. An elegant couple dance in this well composed design. Designed to be lithographed, the artist has restricted himself to four colours. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Robert Morden (1650-1703) Nottingham Shire (or Nottinghamshire)

    Engraving with recent hand colouring 34x42cm First published in 1695 for Camden's Britannica (1695-1772) and reprinted several times during the succeeding century.
  • Food Study

    Original Poster 51x76cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • What to Eat and Why

    Original Poster 51x76cm If you are interested email info@manningfineart.co.uk  or call us on 07929 749056.
  • Margaret Macadam (1902-1991)

    Spring: Lady with an Afghan Hound

    Signed Mixed media c.1930 28x23cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Reginald Hallward (1858 - 1948)

    Design for a banner in the shape of a strawberry

      Watercolour 14 x 10 cm A design for a banner featuring a strawberry motif. The design, like many others by Hallward, is likely influenced by in the Arts and Crafts style popularised by William Morris in the 1890s. Reginald Hallward was born on the Isle of Wight, and was a painter, poet, glassmaker and book designer. He is best known for his stained glass window designs and the tempera murals he painted in several churches. A great exponent of the English Arts and Crafts movement, he often used black paint for outlines, rather than leaded glass. A consumate craftsman, he insisted on painting, firing and leading with his own hands. Condition: mounted to board, old glue marks to margins, and some loss of colour; otherwise good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other pictures by Reginald Hallward.
  • Out of stock

    Lancaster Bomber

    Original Silver Gelatin photograph, July 1942 11 x 16 cm Stamped to reverse 'Passed for Publication 2 July 1942 Press and Censorship Bureau', 'Public Relations Branch MAP'. A fine photograph; two erks are adjusting the starboard undercarriage of a Lancaster bomber whilst being supervised - the supervisor apparently with his hands in his pockets in very unmilitary fashion! The sun is high in the sky, casting a rather fine shadow under the bomber.
  • Mabel Oliver Rae (1868-1956) Wadham College Oxford

    Etching Signed and titled in pencil 11x8.5 cm The rich tones of the etchings make them as popular today as when they were first made. Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • Vanity Fair Spy Magazine President of St john's College Oxford

    1 April 1893 Lithograph If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good.
  • R Hacking

    St. John’s College, Cambridge (1978)

    Watercolour 17x25cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056. Condition: Good.
  • Eric Gill

    Border for The Canterbury Tales (1929) - Three Men with Spears

    Woodblock Print Published Hague & Gill 1934 in an unnumbered edition of 300 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's own typeface. In 1903 he ceased his attempts to become an architect, instead becoming a monumental mason, letter-cutter and calligrapher. Based in Ditchling, he began direct carving of stone figures, the semi-abstract figures taking their influence from mediaeval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little post-Impressionism added in. With major commissions from Westminster Cathedral for its Stations of the Cross (1914), a series of War Memorials including the Grade II* memorial in Trumpington, and three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's, and a series of sculptures for the new 1932 Broadcasting House. The list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures. He had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925 designed Perpetua on his own, and Gill Sans between 1927-30. For the Golden Cockerel Press he created, in 1929, a bolder typeface to complement wood engravings. And of course Gill was publishing decorated books. His 1929 Canterbury Tales was an epic work, with a whole series of beautiful wood engravings such as this one. The present print is from the 1934 edition for Faber & Faber ('Engravings 1928-1933 by Eric Gill') he printed with his son-in-law, Rene Hague, produced with the original engraved wood blocks. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good condition.
  • D L Hadden

    Design for Hepplewhite Mahogany Settee

    Watercolour and pencil 18x26cm For biographical details and other works by the artist click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.

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