• Jane Gray (b.1931)

    St Mary’s Church, Twickenham, Middlesex, Design for Stained Glass Memorial Windows (1988)

      Watercolour 15.5 x 17 cm

    Signed, dated and studio stamp verso.

    St Mary’s Church stands on the site of an earlier church in Twickenham, a short distance from York House and the banks of the River Thames, and incorporates a 15th-century, medieval tower. St Mary's has an impressive and illustrious history of notable parishioners including the painter Godfrey Kneller who, after the collapse of the ancient church's 14th-century nave in 1714, took active involvement in redesigning the church in the Neo-classical style alongside local architect John James, as well as Henry Fielding and Alfred Lord Tennyson whose sons were both baptised here. Gray had a personal connection to St Mary’s, her great grandfather having been the vicar some years before. These windows held especial personal meaning for Gray as they commemorated the death of her parents in 1982 and 1985 respectively. The windows were installed in 1989.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), pp.42-3, 80. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    St John’s Church, Pool Quay, Design for Stained Glass Roundel (2005)

      Watercolour D.14 cm

    Signed and studio stamp verso.

    St John's Church was built in 1861 under the patronage of the third Earl of Powys to provide for the religious needs of the largely industrial population of Pool Quay. The church was originally designed in the Early English style but was extensively restored first in 1956 and again in 2003/4. Despite this, it still retains its unique charm, built in the instantly recognisable red Sweeney Mountain sandstone, and features stained glass windows by Winfield of Birmingham (1891) and Camm of Smethwick (1899). This design by Gray features eight lights containing attributes of St John and other Christian symbols.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.89. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Jane Gray (b.1931)

    Saling Hall, Essex, Design for Stained Glass Window (1980)

      Watercolour 11 x 20 cm

    Signed and dated.

    Saling Hall, in Essex, has a long and rich history, dating back to the early 12th century when Sir Baldwin Wiscart was the first recorded Lord of the Manor. After his his son, the house passed to the knightly family of Bibbesworth, who lived there for four generations. Sir Walter de Bibbesworth was a crusader and a poet (in French). Nothing remains of the first Saling Hall which was rebuilt around 1590 by the Maxey family who had bought the hall in 1487. The house faced further remodelling by its 17th century owner, Martin Carter, a lawyer. He ornamented the new facade with Dutch gables, which are the latest example of their kind in Essex, and the house has changed little since. The hall passed through many more hands before it was bought, in 1935, by Lady Isabella Carlyle (née Barton) who was a passionate gardener and gave the Hall its first modern gardens. Lady Carlyle sold the Hall in 1971 to Hugh Johnson, a well known garden writer, who continued Lady Carlyle’s work on the gardens. This design is a final drawing for a stained glass window commissioned by Johnson for a fanlight in Saling Hall. Johnson wished the design to include the plants he grew in his own garden to symbolise the seasons. Gray designed the panel using Corsican Hellebore for winter, the Crown Imperial Fritillary for spring, Agapanthas for summer, and Japanese Anemones for autumn. Gray also included vines to frame the design and nod to Johnson’s oenological interests.

    Provenance: the artist’s studio sale. Literature: Jane Gray, Playing with Rainbows. (Shropshire: Ellingham Press, 2011), p.40. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.    
  • Laurence Dunn (1910-2006)

    A Series of Coastal Tramp Silhouettes

      34.5 x 24 cm Bodycolour on paper Dunn’s depictions of coastal tramps are early works, likely captured from the side of the Thames estuary near his home. This work contains extensive notes on the featured ships.

    Laurence Dunn (1910-2006) was a well-known British marine artist and writer known for his depictions of ships. He grew up in Devon, where he practised drawing passing ships, and went on to study at the Central School of Art. He then worked for shipbuilding firm John I. Thornycroft & Company Limited, where he contributed to the design of the Royal Yacht. During the Second World War, Dunn worked in naval intelligence. In the early 1960s, he created many line drawings of Atlantic ocean liners.

    Upon his death in 2006, the World Ship Society published the following obituary:

    DUNN, Laurence. [December 15 2006 — Lloyds List] Many readers will be saddened by the death of well-known marine artist and writer Laurence Dunn in his 97th year. A man of encyclopaedic knowledge, he began his lifelong love of ships in Brixham, where he meticulously recorded passing traffic with the exquisitely accurate line drawings which later became something of a trademark. While studying at London’s Central School of Art his work was noticed by the Southern Railway, which commissioned profiles of its fleet, and this in turn led to work for Orient Line, where he also designed the well-known corn-coloured hull, and later Thorneycroft, where he helped with shaping draft plans for a new royal yacht. During the second world was he worked for naval intelligence at the Admiralty, where his technique did much to improve recognition standards, and greatly expanded his shipping clientele, becoming personally known to many chairmen. As well as the shipping press he worked for mainstream publications such as Everybody’s, Sphere and the upmarket comic Eagle. Through his many contacts he enjoyed going to sea in a great variety of ships from aircraft carriers to colliers. Laurence wrote several books, starting with ship recognition titles which introduced new standards of layout, but his best known work was probably Passenger Liners, which was widely taken up by the travel trade. His love of Greece, where he was an early publicist of island cruising, let to involvement in reshaping various passenger liners beginning with Greek Line’s OLYMPIA. In later life he designed several sets of shipping stamps for the Crown Agents, produced photographic volumes on Thames and Mediterranean shipping and still found time to enjoy the passing Thames traffic. Our sympathies go to his wife Jennifer, who provided succour to the many ship lovers who beat a path to the welcoming door of their Gravesend home.

  • Derrick Latimer Sayer (1917 - 1992)

    Madonna and Child (Christmas Card)

      Linocut 21 x 13.5 cm Mounted to card, signed 'Derrick Sayer' and dated Christmas 1968. Sayer's linocut of the Virgin Mary and baby Jesus is hauntingly emotive; his spare use of line shows Mary, eyes closed, cradling her newborn son. Two animals from the stable in Bethlehem look on. Sayer studied at the Chelsea School of Art under Graham Sutherland and Henry Moore, and then in Paris in Ben Nicholson's studio. In the late 1930s he was in Cornwall, founding the Mousehole Group Art School. He was well known for his work as a poster artist and book illustrator. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
  • Silhouette (circa 1870)

    Miss Chaplin

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: good. Some staining at upper and right edges. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs Taylor

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs Warburton

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining at upper edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Mrs Gillon

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Lady Fletcher

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally very good; some light staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Miss Taylor

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: good; some staining to right edge. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Silhouette (circa 1870)

    Captain Adams, 20th Regt

      Gouache, pen, and ink 52 x 44 cm Prior to photography, silhouettes were the easiest way of recording a person's appearance. This set might record the group present at a country house party, a wedding, or other similar convivial occasion. Condition: generally good; some staining to upper and right margins. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other silhouettes.
  • Jane Gray (born 1931)

    Fish (1960)

    Pencil and watercolour 19 x 54 cm Provenance: the artist's studio sale. Jane Gray A.R.C.A. (b.1931) is a British stained glass artist. She studied stained glass at the Kingston School of Arts (1949 - 1951) and later at the Royal College of Art (1951 - 1955) under Lawrence Lee. Lee was so impressed with Gray’s work that he asked her to work alongside him on the design of ten nave windows for Coventry Cathedral. This six-year-long design project culminated in their final installation in 1962 after the cathedral’s consecration. Gray was the first woman to become a liveryman of the Worshipful Company of Glaziers and has designed more than a hundred windows in private and public buildings, chapels and over forty churches across the country, including St Peter’s, Martindale, Shrewsbury Abbey, St Oswald, Oswestry and St Mary, Chirk. Gray’s designs mark a crucial turning point in the history of stained glass art as the Victorian style gave way to a modern, aesthetic. In her work, Gray navigates this shift with a style that, whilst distinctly modern, retains a deep rooted sense of the medieval. Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] playing with rainbows’. Condition: generally very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. For other works by Jane Gray and more information about her, please click here.
  • Florence Camm (1874-1960) Design for church stained glass window with 'IHS' roundel

    Watercolour 17x9 cm Design for TW Camm & Co., Smethwick, Birmingham With 'IHS' Roundel - 'Iesus Hominum Salvator' ('Jesus Saviour of Mankind') The Camms were stained glass designers who exhibited 48 times at the Royal Academy and also exhibited at The Walker Art Gallery in Liverpool, The Royal Scottish Academy and Royal Birmingham Society of Artists. Following the death of her father, Florence Camm became chief designer at TW Camm with many commissions both nationally and internationally. Florence Camm was the daughter of Thomas William Camm (1839-1912) who founded the stained glass business T W Camm in High Street Smethwick. From 1892-1911 she studied at The Birmingham Municipal School of Art which, unusually for the time, encouraged girls to attend the life drawing classes – drawing fully nude female models and partially draped male models – thus explaining Camm’s skill with the human figure. Students were encouraged to execute their drawings for designs, thus giving them the skills to set up as manufacturers in Birmingham’s Jewellery Quarter. The arts and crafts designer Henry Payne was an influential tutor for Camm, being one of the most influential teachers at the BMSA who was working as a stained glass designer at the time; one of his most notable commissions was a painted mural illustrating Tudor History for the Houses of Parliament in 1908. Following the death of TW Camm, Florence and her brothers – Walter and Robert – took over the business and Florence did most of the designing. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In conservation mount and in plastic sleeve for protection.
  • Florence Camm (1874-1960) Design for stained glass window for the Arms of the Borough of Glossop

    Watercolour on tracing paper 18x28 cm Design for TW Camm & Co., Smethwick, Birmingham The Camms were stained glass designers who exhibited 48 times at the Royal Academy and also exhibited at The Walker Art Gallery in Liverpool, The Royal Scottish Academy and Royal Birmingham Society of Artists. Following the death of her father, Florence Camm became chief designer at TW Camm with many commissions both nationally and internationally. Florence Camm was the daughter of Thomas William Camm (1839-1912) who founded the stained glass business T W Camm in High Street Smethwick. From 1892-1911 she studied at The Birmingham Municipal School of Art which, unusually for the time, encouraged girls to attend the life drawing classes – drawing fully nude female models and partially draped male models – thus explaining Camm’s skill with the human figure. Students were encouraged to execute their drawings for designs, thus giving them the skills to set up as manufacturers in Birmingham’s Jewellery Quarter. The arts and crafts designer Henry Payne was an influential tutor for Camm, being one of the most influential teachers at the BMSA who was working as a stained glass designer at the time; one of his most notable commissions was a painted mural illustrating Tudor History for the Houses of Parliament in 1908. Following the death of TW Camm, Florence and her brothers – Walter and Robert – took over the business and Florence did most of the designing. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: In conservation mount and in plastic sleeve for protection.
  • Florence Camm (1874-1960) Design for stained glass window 'The Instruments of the Passion'

    Watercolour 20x10 cm Design for TW Camm & Co., Smethwick, Birmingham embossed with their stamp to bottom Numbered 7180/7200 The Camms were stained glass designers who exhibited 48 times at the Royal Academy and also exhibited at The Walker Art Gallery in Liverpool, The Royal Scottish Academy and Royal Birmingham Society of Artists. Following the death of her father, Florence Camm became chief designer at TW Camm with many commissions both nationally and internationally. Florence Camm was the daughter of Thomas William Camm (1839-1912) who founded the stained glass business T W Camm in High Street Smethwick. From 1892-1911 she studied at The Birmingham Municipal School of Art which, unusually for the time, encouraged girls to attend the life drawing classes – drawing fully nude female models and partially draped male models – thus explaining Camm’s skill with the human figure. Students were encouraged to execute their drawings for designs, thus giving them the skills to set up as manufacturers in Birmingham’s Jewellery Quarter. The arts and crafts designer Henry Payne was an influential tutor for Camm, being one of the most influential teachers at the BMSA who was working as a stained glass designer at the time; one of his most notable commissions was a painted mural illustrating Tudor History for the Houses of Parliament in 1908. Following the death of TW Camm, Florence and her brothers – Walter and Robert – took over the business and Florence did most of the designing. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Conditon: Good. In plastic sleeve for protection.
  • Eric Gill

    Initial Letter 'H' for The Canterbury Tales (1929) - The Doctor's Tale

    Woodblock Print Published Hague & Gill 1934 in an unnumbered edition of 300 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's own typeface. In 1903 he ceased his attempts to become an architect, instead becoming a monumental mason, letter-cutter and calligrapher. Based in Ditchling, he began direct carving of stone figures, the semi-abstract figures taking their influence from mediaeval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little post-Impressionism added in. With major commissions from Westminster Cathedral for its Stations of the Cross (1914), a series of War Memorials including the Grade II* memorial in Trumpington, and three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's, and a series of sculptures for the new 1932 Broadcasting House. The list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures. He had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925 designed Perpetua on his own, and Gill Sans between 1927-30. For the Golden Cockerel Press he created, in 1929, a bolder typeface to complement wood engravings. And of course Gill was publishing decorated books. His 1929 Canterbury Tales was an epic work, with a whole series of beautiful wood engravings such as this one. The present print is from the 1934 edition for Faber & Faber ('Engravings 1928-1933 by Eric Gill') he printed with his son-in-law, Rene Hague, produced with the original engraved wood blocks. In Chaucer's Tales, the Summoner's Tale tells the story of the man who summonsed people to the ecclesiastical courts. It satirises the friar, considering him to be corrupt. Philip Hofer was a curator and collector, and commissioned this fine Ex Libris plate from Gill. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good condition.
  • V A Hards (British, c. 1930-c. 2012) Design for Modernist School Chapel

    Watercolour on wove Signed and dated November 1948 and marked 35/40 55x77cm Hards was educated at Brixton School of Building and Woolwich Polytechnic between 1948 and 1956, during which period he produced some very competent work including this rather fun modernist design for a riverside tearoom. Brixton School of Building was incorporated into the Polytechnic of the South Bank - now London South Bank University. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some edge wear and isolated spots.
  • V A Hards (British, c. 1930-c. 2012) Design for Modernist Town House

    Watercolour on wove Signed and dated October 1949 and inscribed Woolwich Polytechnic. 77x55cm Hards was educated at Brixton School of Building and Woolwich Polytechnic between 1948 and 1956, during which period he produced some very competent work including this rather fun modernist brutalist design for a town house. Brixton School of Building was incorporated into the Polytechnic of the South Bank - now London South Bank University. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some edge wear and isolated spots.
  • V A Hards (British, c. 1930-c. 2012) Design for Monumental Fountain

    Watercolour on wove Signed and dated 1955 55x77cm Hards was educated at Brixton School of Building and Woolwich Polytechnic between 1948 and 1956, during which period he produced some very competent work including this rather fun modernist design for a monumental fountain in a grand park. Brixton School of Building was incorporated into the Polytechnic of the South Bank - now London South Bank University. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some edge wear and isolated spots.
  • V A Hards (British, c. 1930-c. 2012) Design for Modernist Game Keeper Lodge

    Watercolour on wove Signed and dated March 1948 55x77cm Hards was educated at Brixton School of Building and Woolwich Polytechnic between 1948 and 1956, during which period he produced some very competent work including this rather fun modernist design for a monumental fountain in a grand park. Brixton School of Building was incorporated into the Polytechnic of the South Bank - now London South Bank University. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some edge wear and isolated spots .
  • V A Hards (British, c. 1930-c. 2012) Design for Modernist Town House

    Watercolour on wove Signed and dated October 1949 and inscribed Woolwich Polytechnic. 77x55cm Hards was educated at Brixton School of Building and Woolwich Polytechnic between 1948 and 1956, during which period he produced some very competent work including this rather fun modernist brutalist design for a town house. Brixton School of Building was incorporated into the Polytechnic of the South Bank - now London South Bank University. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Some edge wear and isolated spots.
  • V A Hards (British, c. 1930-c. 2012) Design for Modernist Fisherman's Hut

    Watercolour on wove Signed and dated March 1956 and stamped for Brixton School of Building. 77x55cm Hards was educated at Brixton School of Building and Woolwich Polytechnic between 1948 and 1956, during which period he produced some very competent work including this rather fun modernist brutalist design for a fisherman's hut, not designed to blend in with the scenery. Brixton School of Building was incorporated into the Polytechnic of the South Bank - now London South Bank University. To view more of his work we have listed, scroll down to 'View more from this seller' and click on 'View all from this seller' and then search for 'Hards'. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. Some edge wear and isolated spots.
  • Lancaster LL678 'Lily Mars' - 1

    Silver Gelatin photograph, December 1943 12 x 16 cm Stamped to reverse 'The Photograph has been passed by Censor' 'Copyright This TP copyright illustration from "The Aeroplane" must not be reproduced without the written permission of Temple Press Ltd'. 'A general view of an Avro Lancaster II with Hercules radial motors.' 300 Lancaster II aeroplanes were made, fitted with Bristol Hercules radial engines, as there was a worry that there would be a shortage of Merlin engines, reserved for the Spitfire and Hurricane. Lily Mars was named after the 1943 American musical starring Judy Garland and was based at RAF Waterbeach, in Cambridgeshire. An excellent podcast (click) gives details of the final flight on 13 June 1944 which was to be the final raid of the crew's tour. The bombing raid was of 303 Lancasters against the Nordstern synthetic oil plant at Gelsenkichen in the Ruhr, deep inside Germany and the aircraft took off at 23.12 hrs. On the home run LL678 was intercepted and shot down by a night fighter capitained by Oberleutnant Schmidt in a Bf 110 at 01.24 hrs at Zuidloo, a small hamlet, where five of the eight crew are buried; the other three crew members baled out and escaped. A memorial plaque was laid on 4 May 2016 and a Lancaster flypast was arranged. Owing to technical problems a Dakota from the BBMF was sent instead. On 4 May 2022 the Lancaster of the BBMF undertook a flypast which can be seen here. Dietrich Schmidt (1919-?) had 29 confirmed night kills by the time of LL678, achieving 41 kills by the end of the war off 171 missions and was awarded the Ritterkreuz - Knight's Cross. In 1999 the living crewmembers, Dutch resistance and Schmidt and his wireless operator met in the Netherlands.
  • Lancaster LL678 'Lily Mars' - 2

    Original Silver Gelatin photograph, December 1943 12 x 16 cm Stamped to reverse 'The Photograph has been passed by Censor' 'Copyright This TP copyright illustration from "The Aeroplane" must not be reproduced without the written permission of Temple Press Ltd'. 'Lancaster II heavy bombers are now flying with RAF BOMBER COMMAND.' 300 Lancaster II aeroplanes were made, fitted with Bristol Hercules radial engines, as there was a worry that there would be a shortage of Merlin engines, reserved for the Spitfire and Hurricane. Lily Mars was named after the 1943 American musical starring Judy Garland and was based at RAF Waterbeach, in Cambridgeshire. A podcast (click) gives details of the final flight on 13 June 1944 which was to be the final raid of the crew's tour. The bombing raid was of 303 Lancasters against the Nordstern synthetic oil plant at Gelsenkichen in the Ruhr, deep inside Germany and the aircraft took off at 23.12 hrs. On the home run LL678 was intercepted and shot down by a night fighter capitained by Oberleutnant Schmidt in a Bf 110 at 01.24 hrs at Zuidloo, a small hamlet, where five of the eight crew are buried; the other three crew members baled out and escaped. A memorial plaque was laid on 4 May 2016 and a Lancaster flypast was arranged. Owing to technical problems a Dakota from the BBMF was sent instead. On 4 May 2022 the Lancaster of the BBMF undertook a flypast which can be seen here. Dietrich Schmidt (1919-?) had 29 confirmed night kills by the time of LL678, achieving 41 kills by the end of the war off 171 missions and was awarded the Ritterkreuz - Knight's Cross. In 1999 the living crewmembers, Dutch resistance, and Schmidt and his wireless operator met in the Netherlands. Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • Lancaster Bomber AU-Q loading bombs

    Original Silver Gelatin photograph 25 x 20 cm Stamped to reverse 'Copyright Associated Press Photograph' Press release states:LAST MINUTE PREPARATIONS FOR TOMORROW'S ATTACK ON THE FLEET At RAF Station Upwood, Hunts, today, Dec 8th last minute preparations were being carried out for tomorrow's attack on the fleet. Photo shows airmen of 148 Squadron no 3 Bomber Command look over smoke bombs with a Lancaster in background. WOR 339888 Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes. Condition: generally good.
  • Lancaster Bomber AU-Q loading bombs

    Original Silver Gelatin photograph 21 x 25 cm Stamped to reverse 'Copyright Associated Press Photograph' Press release states:LAST MINUTE PREPARATIONS FOR TOMORROW'S ATTACK ON THE FLEET At RAF Station Upwood, Hunts, today, Dec 8th last minute preparations were being carried out for tomorrow's attack on the fleet. Photo shows a Lancaster being made ready for a dawn take off tomorrow photographed this evening against the setting sun. WOR 339889 Associated Press Photo Provenance: from the collection of Philip J R Moyes, author of many books on the RAF, most notably The Pictorial History which ran to several volumes.
  • King’s College Cambridge from The Backs

    Watercolour 24×16.5cm If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • No more Fuel Hogs

    Steam, Gas, Heat, all under control. Fuel Efficiency Pays Lithographic poster c. 1940 Printed for HMSO by Chromoworks Limited and issued by the Ministry of Fuel and Power 37x24cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Don't leave it all to your fuel watcher

    Keep on helping him to save HEAT STEAM POWER LIGHT Lithographic poster c. 1940 for HMSO by W R Royle & Son and issued by the Ministry of Fuel and Power 38x25cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Clive Uppton (1911-2006)

    Save Fuel at Work: Shut that Door! Hold the Heat - Save Fuel

    Lithographic poster c. 1940 37x25cm Uptton was a widely-published artist, political cartoonist of the Daily Sketch and Sunday Graphic from 1940-42. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Save Fuel in the Kitchens

    Lithographic poster c. 1940 37x25cm Printed for HMSO by Nathaniel Lloyd and Co for the Ministry of Fuel and Power Energy was urgently needed to make bombs and fuel the vehicles of war. Britons were endlessly exhorted to save fuel; a message that has no less resonance today. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Ambulance and First Aid Section

    Lithographic poster probably c. 1940s 36x23cm First established in 1935 the Civil Defence Department was essential for maintaining order during air raids. Here a glamorous young lady - presumably unable to join the army - is volunteering to 'do her bit' by driving an ambulance. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Allan Carter

    He can spare a little blood - Blood Donors are Urgently Needed

    Lithographic poster c. 1940s 38x25cm Printed for HMSO by Sanders Phillips & Co. The Scottish Blood Transfusion Association If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Join QARANC - Queen Alexandra's Royal Army Nursing Corps

    The Army looks to you to look after the Army

    Lithographic poster c. 1940s 38x25cm Printed for HMSO by Fosh & Kosh Limited, London and prepared for the War Office by the Central Office of Information. If you are interested email info@manningfineart.co.ukor call us on 07929 749056.
  • Florence Camm (1874-1960)

    Clarke Arms Design

    Watercolour and pencil 22x17cm Design for TW Camm & Co. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Design for BEA Holiday Brochure 1966 BEA Panorama Holidays 

    Mixed media on paper 30x21cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) St Mary le Strand Church

    Watercolour 17 x 21 cm Signed lower right. Provenance: The artist's studio. Typical Collins, with his bright colours and captivating scene, reminiscent of his travel posters, here a passerby in red walks purposely towards the foreground. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) Mid Century Modern Lounge Interior

    Pen, ink and watercolour 10.5x20.5cm Signed Peter Collins lower right Provenance: The Artist's Studio A stongly-painted image, with a wonderful sense of the light and brightness of a modernist interior. Whether the scene on the back wall is intended to be an extraordinary wallpaper, or whether the view to the garden, we do not know. But the viewer is encouraged to take a seat in an interior that at the time will have felt modern yet comfortable. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) School Children in a Cloakroom

    Pen, ink and whitening 15x24cm Provenance: The Artist's Studio A stongly-painted image, ensuite with Collins' schoolroom scene that we have listed with a wonderful sense of the light available in a new, post-war school. The schoolboy wears short trousers and - together with schoolgirls - is engaged in the task of time immemorial of waiting in the cloakroom. Shoes are stacked under the benches and coats hang from the hooks. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Peter Collins ARCA (1923-2001) The Schoolroom

    Pen, ink and whitening 19x27cm Provenance: The Artist's Studio A stongly-painted image, with a wonderful sense of the light available in a new, post-war classroom. The schoolboys wear short trousers and - together with schoolgirls - are engrossed in a task. Click here for other items by the artist and for biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Percy Drake Brookshaw (1907-1993) Marching Band

    Linocut c. 1930s 30x30 cm Inscribed 'Artist's trial proof 1A' Provenance: the family of the artist, by descent. Brookshaw was born in Southwark, in London, and educated at the Central School of Arts and Crafts. He was a particularly accomplished lithographer, skilled also as a painter in both oil and watercolour. Identifying the former talent, F Gregory Brown - the poster and textile designer - encouraged him to become an illustrator and poster designer. Producing posters for London Transport and Shell, inter alia, between 1928 and 1958, many of his posters depict sporting events. His two posters for the annual University Boat Race are well known and highly sought after, and his wonderful posters often evoke a feeling of movement, whether rowers straining on their oars, or horses or greyhounds racing. In this carefully executed linocut, Brookshaw brings the band members to life with the same skill and enthusiasm he brings to his posters. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, some spotting to external margins outside image area.
  • Percy Drake Brookshaw (1907-1993) Marching Band

    Linocut c. 1930s 30x30 cm Inscribed 'Artist's trial proof 1A' Provenance: the family of the artist, by descent. Brookshaw was born in Southwark, in London, and educated at the Central School of Arts and Crafts. He was a particularly accomplished lithographer, skilled also as a painter in both oil and watercolour. Identifying the former talent, F Gregory Brown - the poster and textile designer - encouraged him to become an illustrator and poster designer. Producing posters for London Transport and Shell, inter alia, between 1928 and 1958, many of his posters depict sporting events. His two posters for the annual University Boat Race are well known and highly sought after, and his wonderful posters often evoke a feeling of movement, whether rowers straining on their oars, or horses or greyhounds racing. In this carefully executed linocut, Brookshaw brings the band members to life with the same skill and enthusiasm he brings to his posters. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good, some spotting to external margins outside image area.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Majorca 3 (for BEA Panorama Holidays)

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, sculpture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Lloret, Spain 2 - Design for Holiday Brochure (for BEA Panorama Holidays)

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Lloret, Spain - Design for Holiday Brochure (for BEA Panorama Holidays)

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Laigueglia Italy (for BEA Panorama Holidays) 3

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.
  • Peter Collins ARCA (1923-2001) Design for Holiday Brochure for Laigueglia Italy (for BEA Panorama Holidays) 4

    Mixed media 30x45cm Provenance: The Artist's Studio As a graphic designer, Collins produced many brochures such as these. With his fondness for life drawing, he was perhaps a natural choice for the bikini-clad inhabitants of the pages of a holiday brochure. Collins's first job was at an advertising agency, in the commercial studio, whilst he attended evening art classes. World War II interrupted his career and he joined the Royal Artillery (of the British Army), teaching painting and drawing in the Education Corps - whilst simultaneously teaching at St Martin's School of Art, part time. Following the war Collins studied at the Royal College of Art, winning a scholarship. Leaving in 1950 he then worked as a commercial artist producing some well-known posters for clients including British Railways and British European Airways. He was the Art Director at Odhams Press and spent time designing for both ICI and Shell. With his wife Georgette he created the 'Bacombe Galleries' in Sussex, converting a group of buildings. In 1975 they again converted buildings, this time Stanley Studios in Chelsea which were scheduled for redevelopment; many artists had worked there, probably the most famous being Elizabeth Frink. Combining an artist's studio and a single residence at Stanley Studios the Collinses were immersed in Chelsea's art scene and proceeded to fill the place with art, antiques, scupture and curios. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good.

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