• John Robert Murray McCheyne (1911 - 1982)

    Metamorphosis (1969)

      Polished redwood 96 cm high Provenance: the artist's estate. A significant work by the artist. This sensual mid-century modern nude conveys a sense of monumental abstraction through its sloping curvatures. It swells and recedes, demonstrating not only the sinuous possibilities of the human figure, but also those of the Hepworth- and Moore-influenced abstract form. John Murray McCheyne was a sculptor and teacher. He studied under the sculptor Alexander Carrick at the Edinburgh College of Art between 1930 and 1935. In the 1950s and 1960s he became Master of Sculpture at King’s College, University of Newcastle, and began to work on public sculpture commissions while there. He exhibited at the Palace of Arts' Empire Exhibition Scotland in 1938, and was a regular exhibitor at the Royal Scottish Academy, and the Royal Glasgow Institute. Condition: generally very good; one or two very small scratches. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other Modern British Sculpture.
  • John Piper (1903 - 1992)

    Newchurch, Romney Marsh (1947)

      Watercolour 40 x 57 cm Provenance: Marlborough Galleries. Signed lower right. A characterful Piper view of Newchurch Church, Kent, with its leaning tower. Piper was rather enamoured by Romney Marsh's churches; the architectural historian Nicholas Pevsner commissioned him in 1947 to produce a book on the area for King Penguin Books. Piper stayed for a time there and the published book included water-colours, drawings, and musings on the Marsh. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • after John Piper (1903 - 1992)

    View from the Upper Common Room, The Queen's College - Oxford Almanac 1972 (cropped)

      Lithograph 17 x 26 cm A lithograph featuring Oxford's skyline, including the towers of All Souls and the Radcliffe Camera, set against a blustery Piper sky. Piper's painting was reproduced as a lithograph in 1972, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and Michael Oelman. John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of All Souls.
  • Joannem Janssonium (1588 - 1664)

    Map of Northumberland (1646)

      Engraving 41 x 50 cm The 1646 Latin edition. A decorative map of Northumberland by the noted Dutch mapmaker and publisher Joannem Janssonium. Condition: very good; later hand coloured. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other maps.
  • David Loggan (1634-1692)

    Christ Church, Oxford (1675)

      Engraving 42 x 84 cm Loggan's view of Christ Church from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells (born 1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date. Condition: very good; later hand coloured. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Christ Church.
  • Join Your Street Group - Save for Prosperity

      Original vintage poster 74 x 50 cm Issued by the National Savings Committee, London. Printed for HM Stationery Office by Fosh & Cross Ltd. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • Keep on the Crest of the Wave

      Original vintage poster 76 x 51 cm Issued by the National Savings Committee, London. Printed for HM Stationery Office by Fosh & Cross Ltd. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme - like the cheery and composed surfer, we must keep saving to stay on the crest of the wave. Condition: generally very good; slight wear to right-hand margin. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • National Savings calendar poster (1949)

      Original vintage poster 50 x 37 cm Printed for HMSO by Mardon, Son & Hall Ltd, Bristol. An original lithographic poster advertising the National Savings scheme and featuring a calendar for the year 1949. The various creatures on the poster are storing food for the winter - just as we ought to save our money via the National Savings scheme. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • 10' National Savings Certificates

      Original vintage poster 73 x 49 cm An original vintage WW2 poster encouraging Britons to save via the National Savings scheme. Condition: generally very good; a couple of creases. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • For the Future of our Nation - Save Now

      Original vintage poster 73 x 49 cm Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme; by saving, the couple in the picture can ensure a good future for their three children. James Henry Dowd was born in 1884. He worked as a draughtsman, etcher and painter. Dowd was a regular contributor to the The Daily Graphic and in 1906 began to have his work published in Punch Magazine. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • Savings Stamps - the Small Holding with the Big Interest

      Original vintage poster 51 x 38 cm Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme. Condition: generally very good; few tiny edge tears, repaired; two pin holes to top corners; old fold as issued; and a couple of light creases. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • National Savings calendar poster (1946)

      Original vintage poster 50 x 38 cm Printed for HMSO by Chromoworks Ltd, London. An original lithographic poster aimed at children, advertising the National Savings scheme and featuring a calendar for the year 1946. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • National Savings calendar poster (1947)

      Original vintage poster 50 x 38 cm Printed for HMSO by Marion, Son & Hall Ltd, London. An original lithographic poster advertising the National Savings scheme and featuring a calendar for the year 1946. The various birds in the poster enjoy 'song and sunshine all year round' - with the implication being that those who save with National Savings will enjoy the same good fortune. Condition: generally very good. Not backed. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • War Savings are Warships / The Signal is Save

      Original vintage poster 41 x 37 cm Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh, and the Ulster Savings Committee, Belfast. An original vintage WW2 poster encouraging Britons to save via the National Savings scheme, which would use the money to fund warships. Condition: generally very good; central fold as issued, two pin holes to top corners only. Double sided. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other original vintage National Savings posters.
  • Out of stock

    John Piper (1903-1992)

    Three Somerset Towers (1973)

      Screenprint 56 x 76 cm John Piper CH was an English painter, printmaker, and designer of stained-glass windows. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. Condition: generally very good; a little age toning. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other works by John Piper.
  • Hugh Casson (1910 - 1999)

    Caius Court, Gonville and Caius College (1992)

      Lithograph 31 x 44 cm Signed and numbered 358/500, both in pencil. Casson's depiction of Gonville and Caius, with sun slanting into the 16th-century Caius Court. Members of the college stroll through the court. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia (“The overall idea was to give the impression of a country house at sea”), and taught the young Charles III to paint in watercolours. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for The University of Cambridge, and a building for the Royal College of Art. He published a number of illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited edition series of prints was produced from the paintings. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Gonville and Caius, Cambridge.

Title

Go to Top