• Clifford and Rosemary Ellis

    Travels in Time on your Doorstep

    Lithographic poster for London Transport (1937) 101 x 63.5 cm Printed by Curwen Press Provenance: the family of the artist, by descent. Condition: A- backed to linen, pin holes to corners. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Clifford and Rosemary Ellis

    You can be sure of Shell

    Chanter's Folly and Dry Dock, Appledore

    Lithographic poster for Shell Mex BP (1937) 30x44" Provenance: the family of the artist, by descent. Condition: A/A- backed to linen. Click here for biographical details and other works by the artist. Shell produced a large series of posters in the 1920s and 30s to encourage motorists to use their products in that early and golden age of motoring. They often commission artists not known for their commercial art, so their posters very often featured large and dramatic views of the British countryside and landmarks, inspiring motorists to travel further afield. Here the Ellises have taken a well-known landmark and applied avant-garde artistic techniques so stylising the view, turning, e.g. the clouds into an array of angular v-shaped blocks. Thomas Burnard Chanter (1797-1874) was owner of a fleet of sailing vessels and erected a signal tower ('Chanter's Folly') to give him advance notice of his vessels' arrival. It was demolished in 1952. The dry dock - Richmond dry dock - was built in 1853 and designed to hold two 'large' ships. It exists today and is Grade II listed. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Clifford and Rosemary Ellis

    Shop Early (1935)

    Lithographic poster for London Transport 101 x 63.5 cm Printed by Waterlow & Sons Ltd For the artist’s biographical details and for other works by the artist available for sale please click here.  If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon)

    Gouache 16 x 24 cm 1930 Stamped A. E. Halliwell to reverse Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Featuring a dramatic silhouette of a biplane soaring across a stylised sky, the artwork captures the sense of motion and excitement associated with Hendon Air Display. It showcases Halliwell's excellent command of typography, while while the muted colour palette of blues and greys lends it a sleek, atmospheric feel. Both functional and artistic, the poster exemplifies the era’s art deco fusion of design and public service messaging. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon)

    Gouache 16 x 24 cm 1928 Signed and dated 1928, inscribed 'Roughs Submitted for the 1929 Air Display'; with documentation from publisher. A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Featuring a dramatic silhouette of a biplane soaring across a stylised sky, the artwork captures the sense of motion and excitement associated with Hendon Air Display. It showcases Halliwell's excellent command of typography, while while the muted colour palette of blues and greys lends it a sleek, atmospheric feel. Both functional and artistic, the poster exemplifies the era’s art deco fusion of design and public service messaging. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in blue)

    Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This bold poster design by A. E. Halliwell uses vibrant blue and layered text to promote trade within the British Empire. Featuring variations of the Union Jack across all four panels, the design reinforces imperial unity with the slogan “Buy from our own Empire – the best market.” Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in black)

    Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This bold poster design by A. E. Halliwell uses vibrant blue and black with layered text to promote trade within the British Empire. Featuring variations of the Union Jack across all four panels, the design reinforces imperial unity with the slogan “Buy from our own Empire – the best market.” Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • A. E. Halliwell (1905-1987) Lifts and Stairs Galore

    Gouache 53 x 33 cm c.1930 Signed lower right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This striking poster design by A.E. Halliwell for the London Underground uses bold geometric forms and a limited colour palette to depict a stylised network of staircases, lifts, and passageways. A solitary commuter, hunched and weary, navigates the maze-like station. The composition is both dynamic and structured with a clear modernist aesthetic. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • James Riddell (1909-2000) 'Join the University Ski Club'

    Original vintage poster Lithograph 31 x 50 cm This charming poster was designed by professional skier James Riddell for the 1934/35 Varsity trip, bringing students from Oxford and Cambridge University together for the annual Varsity ski racing, held in Klosters. Riddell, a Cambridge alumnus, played a key role in the early days of skiing as a competitive sport and holiday industry. In his early days, he was a skiing champion: his accolades include winning the Kandahar Club's Muerren Inferno, still the longest and most demanding of amateur downhill races, and acting as vice-president at the 1936 Winter Olympics at Garmisch-Partenkirchen. After his professional skiing career, Ridell became an accomplished author, writing novels including 'The Ski Runs of Switzerland' (1957), 'The Ski Runs of Austria '(1958), 'Ski Holidays in the Alps' (1961) and 'Ski Lore and Disorder' (1962). He quit skiing in his 70s but continued to return to his much-loved Muerren, the Kandahar Club's Swiss Alpine headquarters, where he spent time painting watercolours. This poster is a fine example of art-deco art. The simplified, streamlined depiction of skiers with strong, curving lines reflects the influence of Art Deco’s geometric and dynamic design approach. The limited colour palette of blue, white, and red gives a striking and vibrant look. The lettering, with its outlined and shadowed appearance, is characteristic of the era's emphasis on bold, decorative typography. Finally, the flowing lines in the background and the dramatic positioning of the skiers create a feeling of speed and action, a hallmark of 1930s graphic design. The overall effect is dynamic, eye-catching and extremely memorable. Condition: Generally very good. Colours are excellent and the paper shows only a little sign of age.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • A. E. Halliwell (1905-1987) Hendon Air Display 'Loop the Loop' Gouache

    26 x 32 cm 1928 Inscribed 'rough' to the lower right and stamped to reverse A.E. Halliwell Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. With bold curves and crisp, minimalist style, this artwork captures the daring loop-the-loop of an aircraft against a sunlit sky. Both functional and artistic, the poster exemplifies the era’s art deco fusion of design and public service messaging. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Macdonald (Max) Gill (1884-1947)

    Australia: Her Natural and Industrial Resources (1950)

    His Majesty’s Stationary Office, SO Code NO. 70-538-5-2 Lithographic poster 51 x 76cm (20 x 30 inches) Click here for biographical details and other works by the artist. Condition generally very good, a little spotting and the odd very short edge tear to margin not affecting image. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • A. E. Halliwell (1905-1987) The Boat Race

    Gouache 28 x 32 cm c.1930 Signed on separate piece mounted to reverse of frame Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This vibrant Underground poster design by A.E. Halliwell captures the rhythmic energy of the annual Boat Race with stylised, synchronised abstracted rowers and undulating water patterns. Using bold lines, mirrored symmetry, and a cool palette of blues and greens, Halliwell creates a dynamic sense of movement and celebration, perfectly evoking the spectacle and tradition of the iconic sporting event. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

  • Brendan Neiland (b.1941)

    Original Designs for Intercity Posters - Edinburgh and York

    Collage, spraypaint and cut out 91x58cm (36×23 inches) each 1991 Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
  • Ernest Wallcousins (1882-1976) Keep Calm and Carry On (Small size)

    Ministry of Information Lithographic poster, 1939 37 x 25 cm ('Crown Folio' size) Very rare - we have traced copies in the Imperial War Museum collection but no other public collection. Provenance: part of a small stock of posters cleared from a police station in Suffolk in the 1940s. These posters were generally sent out to police stations in groups of six or twelve. Shortly after the war, during a clear-out of the police station, these posters were put aside to be disposed of. A young police constable requested permission to take them home, and permission was granted. They spent the following nearly eight decades, surviving house moves and a long-suffering wife, sitting in a drawer. Following the policeman's death, his family have allowed the posters to be sold. As the small stock of posters at this police station came in all three sizes (small at 38 x 25 cm; medium at 38 x 50 cm; large at 75 x 50 cm) we are able to offer all three for sale today. An instantly-recognisable brand today, this poster was reserved for use in the event of the German invasion. Once it became obvious that they were not going to invade, these posters were sent back for recycling. As they were never used, the survivors are incredibly rare. Of public collections only the Imperial War Museum – which has a very extensive collection of wartime posters – has a copy of this poster. The story of the poster is well known these days, but bears repeating. In 1939, with invasion an ever-present threat, HM Government commissioned three posters with snippets designed to encourage the population. Bearing a crown at the top, it was clearly intended to be a message from the King: “Your Courage, Your Cheerfulness, Your Resolution, Will Bring Us Victory” was displayed widely, with hundreds of thousands being printed; similarly “Freedom is in Peril Defend it with all Your Might.” The third poster – “Keep Calm and Carry On” – was distributed, but was to be held back and only used in the event of invasion. In the event the poster campaign was not a great success, with the people regarding it as an instruction from the powers-that-be that it was the people, not the leaders, who were going to be the ones doing the hard work. As the invasion never happened, Hitler’s armies being otherwise occupied elsewhere in the world, and the Spitfire achieving victory in the Battle of Britain, the Keep Calm posters were never used. Owing to the shortage of raw materials, the paper was recycled and there the story should have ended. However, in 2000, the owner of Barter Books in Alnwick discovered a copy of the poster in the bottom of a box of books. They hung it up in their shop and started producing reproductions, and the poster has become an internationally recognised image, reproduced on mugs, t-shirts, and adapted into such uplifting slogans as “Keep Calm and Drink Tea”. The artist, Wallcousins, was an illustrator, official war artist of the Second World War, and painted the official victory portrait of Winston Churchill. A much more successful series of propaganda was created by ‘Fougasse’ – Cyril Bird. Picture editor of Punch from 1937-1949, then editor until 1953, he noted that the best sort of advertising would make people smile. He worked unpaid for the Ministry of Information during the war, producing cartoons with a short word of advise. His Careless Talk Costs Lives series of posters are amongst the most famous of the propaganda campaigns of the Second World War.
  • A. E. Halliwell (1905-1987) The Boat Race

    Gouache 32 x 50 cm Initialled and dated Dec 1928 lower right A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and  went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. This dynamic poster design by A.E. Halliwell captures the intensity of the Oxford-Cambridge Boat Race with a bold aerial perspective of the two rowing crews slicing through stylised blue and white water--Oxford in dark blue on the left, Cambridge in light blue on the right. The rhythmic composition and simplified forms emphasise speed, coordination, and competition, using a limited colour palette to striking modernist effect. Condition: Generally very good.

    If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.

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