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Adriaen Collaert (c. 1560-1618) Jacob de Bye (1581-1640) after Maerten de Vos (1532 - 1603) 34. Coenantibus eis accepit Iesus panem, et benedixit et fregit; deditq discipulis suis, et ait, accipite et comedite; hoc est corpus muem. Matth 16.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm Hand-finished black frame included (UK shipping only) From the Gospel of Matthew, chapter 16 "And as they were eating, Jesus took bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat; this is my body". Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. Adrian Collaert was born in Antwerp between 1555 and 1565, becoming wijnmeester of the Guild of St Luke in 1580 - a title reserved for the sons of guild members. The guild of St Luke was generally the city guild for artists. Working for Philip Galle, a Dutch publisher best known for his old master prints, he married Galle's daughter Justa. After learning the principles of engraving in the Netherlands, he spent some years in Italy improving his skill. Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all printmakers. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Jan Collaert (1545-1628) after Maerten de Vos (1532 - 1603) 49. Accepto corpore Ioseph inuoluit in sindone munda: et posuit illud in monumento suo nouo, quod exciderat in petra. Matth. 27.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Matthew, Chapter 27 "Taking the body, wrapped in a linen cloth and placed it in his own new tomb, which had been cut into the rock." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Jan Baptist Barbé (1578-1649) after Maerten de Vos (1532 - 1603) 40. Vt cognouit Pilatus quod de Herodis potestate esset, remisit eum Herodem, qui et ipse Hierosolymis erat illis diebus. Luc 23.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Luke, Chapter 23 "When he discovered that he came under Herod’s jurisdiction, he passed him on to Herod who happened to be in Jerusalem at that time." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Jan Collaert (1545-1628) after Maerten de Vos (1532 - 1603) 50. Penetrabo omnes inferiores partes terre, et inspiciam omnes dormientes, et illuminabo omnes sperantes in Domino. Eccles. 24.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm
From the Gospel of Ecclesiasticus, Chapter 24 "Penetrate all the lower parts of the earth, and behold all and illuminate all who hope in the Lord." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. Adriaen Collaert was born in Antwerp between 1555 and 1565, becoming wijnmeester of the Guild of St Luke in 1580 - a title reserved for the sons of guild members. The guild of St Luke was generally the city guild for artists. Working for Philip Galle, a Dutch publisher best known for his old master prints, he married Galle's daughter Justa. After learning the principles of engraving in the Netherlands, he spent some years in Italy improving his skill. Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all printmakers. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Jacob de Bye (1685-?) after Maerten de Vos (1532 - 1603) 30. Iesus voce magna clamauit; Lazare, veni foras. Et statim proijt qui fuerat mortuus. Iohn. 11.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of John, chapter 11 "Jesus called in a loud voice, “Lazarus, come out!” The dead man came out.” Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Adrian Collaert (c.1560-1618) after Maerten de Vos (1532 - 1603) 47. In Caluarie loco crucifixerunt eum, et cum eo alios duos, hinc, medium autem Iesum. Ioan. 19.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of John, Chapter 19 "There they crucified him, and with him two others—one on each side and Jesus in the middle." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. Adriaen Collaert was born in Antwerp between 1555 and 1565, becoming wijnmeester of the Guild of St Luke in 1580 - a title reserved for the sons of guild members. The guild of St Luke was generally the city guild for artists. Working for Philip Galle, a Dutch publisher best known for his old master prints, he married Galle's daughter Justa. After learning the principles of engraving in the Netherlands, he spent some years in Italy improving his skill. Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all printmakers. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Adrian Collaert (c.1560-1618) after Maerten de Vos (1532 - 1603) 46. Et postquam venerunt in locum qui voctur Caluarie, ibi crucifixerunt eum. Luc. 23.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Luke, Chapter 23 "When they came to the place called the Skull, they crucified him there." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. Adriaen Collaert was born in Antwerp between 1555 and 1565, becoming wijnmeester of the Guild of St Luke in 1580 - a title reserved for the sons of guild members. The guild of St Luke was generally the city guild for artists. Working for Philip Galle, a Dutch publisher best known for his old master prints, he married Galle's daughter Justa. After learning the principles of engraving in the Netherlands, he spent some years in Italy improving his skill. Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all printmakers. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Jan Baptist Barbe (1578-1649) after Maerten de Vos (1532 - 1603) 43. Exiuit ergo Iesus portans coronam spineam, et purpureum vestimentum. Et dicit eis Pilatus; Ecce homo. Ioan. 19.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of John, Chapter 19 "Then Jesus came out, wearing the crown of thorns and the purple robe. And Pilate said to them, Behold the Man!" Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Adrian Collaert (1560-1618) after Maerten de Vos (1532 - 1603) 38. Tunc Princeps Sacerdotum scidit veftimenta sua, dicens, Blasphemauit: Quid adhuc egemus testibus. Matth. 26.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Matthew, Chapter 26 "Then the high priest tore his clothes, saying, “He has spoken blasphemy! What further need do we have of witnesses?” Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Adrian Collaert (c.1560-1618) after Maerten de Vos (1532 - 1603) 45. Susceperunt autem Iesum eduxerunt. Et baiulans sibi crucem, exiuit in eum qui dicitur Caluarie locum. Ioan. 19.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of John, Chapter 19 "And He, bearing His cross, went out to a place called the Place of a Skull." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. Adriaen Collaert was born in Antwerp between 1555 and 1565, becoming wijnmeester of the Guild of St Luke in 1580 - a title reserved for the sons of guild members. The guild of St Luke was generally the city guild for artists. Working for Philip Galle, a Dutch publisher best known for his old master prints, he married Galle's daughter Justa. After learning the principles of engraving in the Netherlands, he spent some years in Italy improving his skill. Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all printmakers. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Jan Baptist Barbé (1578-1649) after Maerten de Vos (1532 - 1603) 39. Mane consilium facientes summi sacerdotes cum Senioribus et Scribis, vincientes Iesum, duxerunt et tradiderunt Pilato. Marci. 15.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Mark, Chapter 15 "In the morning, the high priests and elders and teachers, binding Jesus, led him away and delivered him to Pilate." Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Theodoor Galle (c. 1571-1633) Cornelius Galle (1576-1650) after Maerten de Vos (1532 - 1603) 35. Pater mi, possibile est, transeat a me calix iste. veruntamen non ficut ego volo, sed sicut tu. Matth. 26.
Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Matthew, Chapter 26 "My Father, if it is possible, may this cup be taken from me. Yet not as I will, but as you will.” Theodoor Galle was the son of Philip Galle, a Dutch publisher best known for his old master prints, from whom he learnt the craft. Theodoor married a daughter of the prominent family of Plantin in Antwerp. His marriage established the productive partnership between the Galle workshop and the Plantin Moretus printing house. A talented workman, Galle quickly became a respected engraver, print publisher and a member of the guild of St Luke, a city guild for artists in 1595. In the years to follow he became the guild's deacon. These particular plates are after paintings by Maerten de Vos, a Flemish painter and draughtsman. His father was Pieter de Vos, from whom he learned. From 1550 - 1558 he travelled in Italy, visiting Rome and Venice and becoming master of the Antwerp Guild of St Luke upon his return in 1558. After 1575 he was mainly engaged in producing print designs. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Trimmed to plate margins, generally good condition commensurate with age, slight age toning and handling marks as evident from image. -
Joseph Collyer (1748 - 1827) after Francis Wheatley (1747 - 1801)
The Volunteers of the City and County of Dublin
Monochrome print 28 x 31 cm A monochrome print depicting Dublin regiments of the Irish Volunteers meeting on College Green. Francis Wheatley depicted the scene in oils in 1779, and Joseph Collyer engraved it in 1781. Wheatley went to Dublin in 1779 and established himself there as a portrait-painter; this view of the Dublin Volunteers became the basis for a best-selling print bought by numerous Irish Patriots. Volunteers were local Irish militias raised by community initiative in Ireland in 1778. Their original purpose was to guard against invasion and to preserve law and order at a time when British soldiers were withdrawn from Ireland to fight abroad during the American Revolutionary War and the government failed to organise its own militia. Taking advantage of Britain's preoccupation with its rebelling American colonies, the Volunteers were able to pressure Westminster into conceding legislative independence to the Dublin parliament. Francis Wheatley was an English portrait and landscape painter who studied at the Royal Academy, and won several prizes from the Society of Arts. He was elected an associate of the Royal Academy in 1790, and an academician in the following year. Joseph Collyer was a British engraver. In 1770 where he exhibited at the Royal Academy for the first time; he was elected an associate engraver of the Royal Academy, and appointed portrait engraver to Queen Charlotte in 1786. Condition: fair. Some browning and staining. In handsome rosewood frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
Vanity Fair Spy Magazine President of St john's College Oxford
1 April 1893 Lithograph If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640)
The Flight into Egypt (1620)
Engraving 30 x 45 cm Rare. We have only been able to trace one copy at auction, 2019, Izegem, Belgium. A copy of this print is held by the British Museum (R,3.50). Mary, Joseph, and the infant Christ escape into Egypt on a donkey. Lucas Vorsterman was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck, as well as for patrons such as Thomas Howard, 21st Earl of Arundel and Charles I of England. Condition: mounted to old paper; trimmed to platemarks; two areas of repair in region of Mary's left hand and Christ's right knee (see photo). In old ebonised frame. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056.
