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A. E. Halliwell (1905-1987) War is War
Gouache 21 x 19 cm (full sheet size 38 x 28 cm) c.1930 With signature and title from applied support paper Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Halliwell produced this book dust cover design for the novel 'War is War', written by Alfred Burrage and published in 1930. In War is War, Burrage recounts his experiences as a private soldier in France during the First World War, his reactions to abnormal conditions and his general observations-- all in an effort to offer a true representation of what war is really like. In this account, written of necessity under a pseudonym, he covers the wide canvas of war, from off duty moments in grubby estaminets and brothels, to life in shell torn trenches, going over the top with equally terrified yet resigned comrades, being a casualty, to periods of numbing boredom. Halliwell's design is sombre and impactful, using minimal colour and abstract forms to evoke the horrors and futility of war. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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A. E. Halliwell (1905-1987) Design for Underground Poster
Gouache 15 x 12 cm 1927 Signed, dated and inscribed "Design for Underground Poster, executed 30" x 20", A. E. Halliwell '27" Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for his vibrant poster designs created for British railway companies during the mid-20th century. Born in Southport, Halliwell developed a strong foundation in art and design early in life. He studied at the Southport School of Art from 1923 to 1926 before graduating to the Royal College of Art in London and subsequently practising as a professional designer from the 1930s. Following his studies, Halliwell married Doris Doyle in Strood Kent, and went on to have a significant teaching career himself, most notably as a lecturer at the Central School of Arts and Crafts (later part of Central Saint Martins), where he influenced a new generation of designers and illustrators. Halliwell is perhaps best remembered for his vibrant and engaging poster designs created for British railway companies during the 1930s. His work was characterised by a bright, graphic style that balanced charm with clarity, often depicting idealised scenes of British holiday destinations—from sunny seaside towns to tranquil countryside vistas. Beyond posters, his artistic output included book illustration, commercial design, and stage costume sketches, showcasing his versatility across mediums. His posters continue to remain enduring symbols of a golden age of British travel and design and are displayed in major collections including the London Transport Museum and the V & A. Dominated by two stylised figures dressed in theatrical costume, this striking poster design calls to mind the vibrancy of London's West End. As an underground train emerges from the woman's flowing garments, Halliwell creates a playfully burlesque scene. Their clothes rendered in bold yellow, black, and blue, then visually merge with the motion and perspective of the speeding trains below, whose converging tracks create a dramatic vanishing point. Condition: Generally very good.If you would like to know more, please email info@manningfineart.co.uk or call us on 07929 749056.
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Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880-1964)
La Giralda Seville
38x28cm Watercolour Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880-1964) was a traditionalist, renowned for his distaste of modern architecture. Rooted firmly in the classical period, he lived a Georgian life, refusing to have electricity in his Georgian house – until his wife finally insisted. Professor of Architecture at UCL’s Bartlett School of Architecture from 1929-1955, this was evacuated to Cambridge during the war and he became a fellow of St Catharine’s College. Amongst his other achievements, Richardson was President of the RA, editor of Architect’s Journal and founder of the Georgian Group. For pleasure he painted architectural fantasies; capriccios of buildings he pictured in his mind. Richardson was recipient of the Architectural Association’s Professor Bannister Fletcher Medal in 1902 which was an award for the study of post-Fire London architecture. Amongst his achievements were Professor of Architecture at University College London, President of the RA, editor of Architect’s Journal and founder of the Georgian Group. Click here for other works by the artist and biographical details. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Piero Sansalvadore (1892-1955)
Queens’ College Cambridge
Signed Sansalvadore. Titled to verso. Oil on wood panel 21.5 x 28cm (8.5 x 11 in) £1850 Provenance: Stacy-Marks Gallery, Eastbourne, c. late 1940s An Italian who arrived in London around 1930, the Museum of London and City of London have a series of pictures Sansalvadore painted of war-damaged London. Click here for other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Roy Carnon (1911-2002)
All Hallows Church, Tillington, near Petworth
Oil on board 31 x 42cm Signed; in the artist's original frame Condition: excellent. Click to view biographical details and other works by the artist. Carnon attended Chiswick Art School becoming an illustrator. In 1965 he was responsible for visualising spacecraft for "2001: A Space Odyssey", being designer of the iconic 'wheel' spacestation. These drawings are now in the Kubrick archives at UAL. -
Clifford Charman (1910-1993)
Temple Church, London, after Bombing
Oil on canvas 39 x 49 cm Provenance: The Artist's Studio Sale, Bonhams, London (18 March 1993); Peter Constant Fine Art. Born in Bexleyheath in Kent, Charman studied at Regent Street Polytechnic just before, and just after, the Second World War. He exhibited widely, including at the Royal Academy, the RBA, Chelsea Arts Society, and abroad. Elected in 1954 to the ROI, he also won the James Bourlet Prize in 1982. His work is in collections including that of the Guildhall. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good. -
Clifford Charman (1910-1993)
Landscape with Farmhouses
Oil on canvas 38 x 55 cm Provenance: the artist's studio sale, Bonhams, London 1993. Born in Bexleyheath in Kent, Charman studied at Regent Street Polytechnic just before, and just after, the Second World War. He exhibited widely, including at the Royal Academy, the RBA, Chelsea Arts Society, and abroad. Elected in 1954 to the ROI, he also won the James Bourlet Prize in 1982. His work is in collections including that of the Guildhall. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good. -
Clifford Charman (1910-1993)
Brewery and Ruined Castle, Cockermouth
Oil on canvas 38 x 55 cm Signed and dated lower left. Provenance: The Artist's Studio Sale, Bonhams, London (18 March 1993); Peter Constant Fine Art. Born in Bexleyheath in Kent, Charman studied at Regent Street Polytechnic just before, and just after, the Second World War. He exhibited widely, including at the Royal Academy, the RBA, Chelsea Arts Society, and abroad. Elected in 1954 to the ROI, he also won the James Bourlet Prize in 1982. His work is in collections including that of the Guildhall. If you'd like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. Condition: Generally very good. Signed lower left. -
Gerald Mac Spink (flourished 1920 - 1940)
For Theatres, Kinemas, Cabarets, Dances, Concerts, Travel by Underground (c. 1930)
Gouache 30 x 19 cm Original design for a London Transport poster. Framed. A fantastic gouache design by Spink for a London Underground poster. The artist's striking Art Deco design and heady use of colour advertises the glamour of travelling by Tube to various evening entertainments around London. Spink was a skilled artist and designer who produced a series of posters in the inter-war period for companies including the London Underground, Southern Railways, LNER, Hawker Engineering, and British Steel. He won a prize in 1933 from the Imperial Institute for his poster artwork. He also worked as an aeronautical engineer in Kingston-on-Thames for Hawker Engineering; his greatest achievement was the creation of the 'Squanderbug', a 500cc racing car which he built in 1947, and which races even to this day. Provenance: the artist's estate. Condition: good; a few small scuffs to gouache, as visible in photographs. Handsomely framed. If you’d like to know more, please email info@manningfineart.co.uk or call us on 07929 749056. -
Sir Albert Richardson PRA View of Durham Cathedral from Palace Green
Watercolour with pen and gouache 21 x 25 cm A unique multimedia composition depicting the magnificent Durham Cathedral from Palace Green. Richardson's use of gouache produces splashes of colour, introducing the luscious greenery of this World Heritage Site into this work, bringing the composition to life. Sir Albert Richardson (1880-1964) was a leading architect, teacher and architectural historian in the 20th century. In Durham, he is best known for his involvement in the designs of Durham University's buildings and for his work on the Durham Castle and Cathedral area. Richardson's contributions were part of a broader movement of restoring and enhancing historical buildings, while also integrating new designs that respected the local architectural style. He was notably part of a wider team of architects and restorers who worked to maintain the cathedral's status as a UNESCO World Heritage site. Condition: Generally very good, painted on blue paper, slight age toning. -
Sir Albert Richardson PRA Panoramic view across Durham
Monochrome Wash 22 x 33 cm A unique monochrome wash composition depicting a panoramic view across the Durham skyline. Richardson painted this view of Durham Cathedral, potentially from where Milburngate Bridge now stands. Rolling hills and church spires populate the foreground, while the magnificent cathedral looms over the rest of the city. Sir Albert Richardson (1880-1964) was a leading architect, teacher and architectural historian in the 20th century. In Durham, he is best known for his involvement in the designs of Durham University's buildings and for his work on the Durham Castle and Cathedral area. Richardson's contributions were part of a broader movement of restoring and enhancing historical buildings, while also integrating new designs that respected the local architectural style. He was notably part of a wider team of architects and restorers who worked to maintain the cathedral's status as a UNESCO World Heritage site. Condition: Generally very good, some age toning and a little faint spotting to paper, painted on rough Whatman. -
Vivian Bewick Allegory of St Michael slaying the Dragon
Gouache 22 x 13 cm Signed to reverse along with the Golden Hinde, probably for publication in Swillbin or similar. This gouache depicts a striking allegory of St Michael slaying the dragon. In this configuration a valiant soldier stands in for St Michael as he stakes a spear through the heart of Hitler, and therefore fascism. Bold lines, colour and strong forms tell a story, bringing this work to life and distinguishing it from Bewick's other pieces. Vivian Bewick (1912–1999) was a British artist and educator, notable for his contributions to mid-20th-century art and his role as a tutor at the Buckhurst Hill Community Association (BHCA). He was also a descendant of Thomas Bewick, the renowned 19th-century engraver celebrated for his depictions of birds and animals. While fulfilling his military duties in the Royal Artillery during the Second World War, Bewick maintained his artistic pursuits. He contributed to the wall-newspaper "Swillbin," a tradition from the First World War, and designed army Christmas cards. Additionally, he illustrated technical manuals and conducted art classes and exhibitions, with critiques by James Bateman R.A. After the war, Bewick continued his artistic education and career, spending five years at St. Martin’s School of Art and London University. He also engaged in part-time teaching of adults in art clubs, societies, and colleges and exhibited at the Royal Academy, the Paris Salon, the Royal Institute of Painters in Watercolours, and the Royal Society of British Artists. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
Walter Hoyle (1922-2000)
Senate House, Cambridge (Cambridge Series 1956-6)
Block print 72/75 Artist’s proof, published by Editions Alecto, London, 1966 46x89cm Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
John Piper
Skeabost, Skye 1975
Screenprint by Curwen Studio Printed on Arches by Kelpra Studio and published by Marlborough Fine Art 68x89cm Signed in crayon; an un-numbered proof print aside from the edition of 70. Levinson 250 From the Series 'Five Scottish Chapels (in ruins)' If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Clifford Ellis (1907-1985)
Cadbury Castle, Wiltshire
Gouache, 1940s/1950s In a Nicholson butt-jointed frame Provenance: the family of the artist, by descent. Click here for biographical details and other works by the artist. Clifford and Rosemary Ellis were famous as a husband and wife team for their fascination with nature and their vibrant and charming depictions of animals. They were the natural artists to be commissioned by Collins for their 'New Naturalists' series of books, which have become famous and highly collectable more for the dust jackets designed by the Ellises than for the - otherwise excellent - content. This painting is from a recently discovered series of paintings and drawings, never before seen by the general public, dating from the 1940s and 1950s. If you are interested email info@manningfineart.co.uk or call us on 07929 749056.
