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Tony Broderick
Trinity College, Cambridge, Hall from exterior
Conte drawing 37x47cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Alfred Richard Blundell (1883 - 1968)
The Wren Library, Trinity College, Cambridge
Etching 15 x 25 cm Signed, titled and inscribed 'to C A Walsh 1952' in pencil. Trinity's magnificent Wren Library was designed by Christopher Wren in 1676 and completed in 1695. Here, the artist captures the library's imposing architectural symmetry. Alfred Blundell was a painter, printmaker and glass engraver who studied at the Slade School of Fine Art. He exhibited at the Royal Academy and the Fitzwilliam Museum, Cambridge holds several of his pictures. Condition: generally very good; old tape reside to very corners. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Trinity College, Cambridge. -
Philip Pimlott
Gate of Honour, Gonville and Caius College, Cambridge
Etching 17x10.5cm If you are interested email info@manningfineart.co.uk or call us on 07929 749056. Condition: Good. -
M. Oliver Rae (1868-1956)
Christ's College, Cambridge
Etching 11x8cm Click here for biographical details and other pictures by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
J V C Anthony
Wren Library, Trinity College, Cambridge
Watercolour and ink 39x49cm Anthony exhibited with the Society of Marine Artists and painted a number of views of Cambridge. Click here to see other works by him. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
Sidney Sussex College, Cambridge
Engraving Published 1690 34x45cm For biographical details and other works by the artist please click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
King's College, Cambridge Chapel West Front
Engraving Published 1690 45x35cm For biographical details and other works by the artist please click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
King's College, Cambridge Chapel South Front
Engraving Published 1690 40x55cm For biographical details and other works by the artist please click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
Magdalene College, Cambridge
Engraving Published 1690 39x42cm For biographical details and other works by the artist please click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
St Catharine's College, Cambridge
Engraving Published 1690 35x51cm For biographical details and other works by the artist please click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
David Loggan (1634-1692)
Clare College, Cambridge
Engraving Originally published 1690, this is a slightly later edition, by Henry Overton, shortly after 1700. 35x51cm For biographical details and other works by the artist please click here. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Julian Otto Trevelyan, RA (1910 -1988)
Caius College II, Cambridge (1959/1962)
Signed by the artist and numbered 4/70 in pencil. The edition consisted of 70 numbered proofs and 30 artist’s proofs. 37x51cm (14.5×20 inches) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex College. The Government Art Collection has copies of several of the prints in this series. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
Julian Otto Trevelyan, RA (1910 -1988)
Peterhouse, Cambridge College (1959/1962)
Proof print aside from the edition of 70. Signed by the artist and numbered in pencil. 38 x 44 cm (15×17 in.) Framed This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex College. The Government Art Collection has copies of several of the prints in this series. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
William Logsdail (1859-1944)
St John's College Cambridge, Great Gate
Oil on board 39 x 28 cm Signed lower right. In an original 19th century gilt composition frame. Provenance: the private collection of the late Christopher Wood, a renowned dealer in Victorian art who was a member of St John’s. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. -
Percy Drake Brookshaw (1907-1993) Boat Race
Lithograph in colours, 1937 25 x 30cm (10 x 12.5 inches) Vintage Oxford v Cambridge Boat Race poster from 1937. These small posters were designed to be utilised on buses. Born in Southwark and educated at the Central Schools of Arts and Crafts, Drake Brookshaw was a renowned designer for the Underground Group and London Transport between 1928 and 1958. His wonderful posters evoke a feeling of movement, and probably none more so than this one as the seven visible men strain on their oars. His clever use of colour includes both light blue for Cambridge, and dark blue for Oxford. If you are interested in something similar, or have something similar to sell email info@manningfineart.co.uk or call us on 07929 749056. -
George Pyne (1800-1884)
Great Court, Trinity College, Cambridge
Signed G Pyne 1850 Watercolour 20.5 x 29 cm (8 x 11.5 in.) It appears Pyne spent some time painting in Cambridge in 1849-50. This is - for Pyne - an unusually large composition; a fine watercolour of Trinity Great Court, with King’s College chapel in the background and elegant figures in the court. It is a particularly pleasing composition. Click here for biographical details and other works by the artist. If you are interested email info@manningfineart.co.uk or call us on 07929 749056. -
George Pyne (1800 - 1884)
St John's College, Cambridge Old Chapel
Watercolour 35 x 23 cm A view of the Old Chapel of St John’s College, Cambridge before its demolition. In 1861, the Fellows of St John’s agreed to mark the seven hundredth jubilee of their college by building a new chapel. Sir George Gilbert Scott was appointed to carry out the work, and Dr James Wood (a previous Master of the college) bequeathed the huge sum of £20,000 for the purpose of the new chapel. George Pyne was related to two founders of the Society of Painters in Watercolours – William Henry Pyne was his father, and John Varley his father-in-law. Pyne trained as an architectural draughtsman and lived in Oxford from the 1850s until his death in 1884, specialising in views of the city and its colleges. His Oxford pictures are both architecturally-minded and romantically creative, often combining intensely detailed depictions of college buildings with imagined pedestrian scenes. Pyne was also noted for his views of Cambridge and Eton, and for his drawing manuals ‘A Rudimentary and Practical Treatise on Perspective for Beginners’ (1848) and ‘Practical Rules on Drawing for the Operative Builder, and Young Student in Architecture’ (1854); the latter texts offer an insight into his method of depicting architecture and its surroundings. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of St John's College, Cambridge. -
John Fulleylove RI, ROI (1845 - 1908)
Clare College Gates, Cambridge (1890)
Watercolour 11.5 x 17cm Signed lower right. John Fulleylove was an English landscape artist and illustrator. He was apprenticed to a firm of architects in Leicester, and later became a full-time painter in watercolour and oils. He exhibited widely in the UK, at such venues as the Royal Academy, the Fine Art Society, and the Royal Society of British Artists. Abroad, he painted in France, Italy, Greece, and the Middle East; his predilection for travel and his interest in architecture provided him with plenty of subjects for themed exhibitions. He exhibited watercolour views of Oxford in 1888 and of Cambridge in 1890, of Paris and Versailles in 1894, and of the Holy Land in 1902. Condition: very good. If you are interested, please email info@manningfineart.co.uk or call us on 07929 749056. Click here for other views of Clare.